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positivexcellence · 3 years

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Jared Padalecki Talks Transitioning From ‘Supernatural’s’ Sam Winchester Into ‘Walker’

In the spring of 2019, while Jared Padalecki was finishing shooting what would become the penultimate season of “Supernatural,” he began to sketch out an idea for his next project. After starring in the WB Network/CW drama alongside Jensen Ackles since 2005, Padalecki’s first thought was of continuing their partnership beyond that one show.

“I was tired of being on camera for 20 years straight,” he says. “I wanted to produce a show called ‘Walker’ starring Jensen Ackles.”

“Walker” would be a reimagining of the enduring CBS series “Walker, Texas Ranger,” which ran for nine seasons between 1993 and 2001 and starred martial artist and actor Chuck Norris in the ass-kicking titular role. But unlike the new versions of vintage series that the CW has launched before, from “90210” to “Melrose Place,” “Walker” will not continue the world or any of the characters of the original show. Instead, the series follows the modern trend of updating its story and its hero for the present-day audience.

The idea came to Padalecki in his Vancouver trailer after reading an op-ed by a law enforcement official who walked away from duty rather than submit to separating migrant kids from their parents and putting them in cages, as was being asked of him. “I thought, ‘What an interesting person who struggles with what they are bound to do by duty and what they think they should do by their own moral compass,’” he explains.

From the beginning Padalecki knew he wanted his show to be about such an officer, and he knew he wanted to film in Austin, Texas, which is not only the headquarters of the Texas Rangers, but also where he and his family reside. It wasn’t until the extended producing team of Dan Lin, Lindsey Liberatore and showrunner Anna Fricke were in place that he realized he should star in it, too, because it was his “passion project.” Then “Walker” was truly born.

“The original [series] was this lawman who abides by his own rules, and he would just do head-spinning kicks on people, and obviously we can’t do that now; that would be laughably bad,” Padalecki says. “We don’t want the audience to ever know whether Walker is quote conservative or quote liberal, or quote Republican or quote Democrat. This version of ‘Walker,’ we play with the gray area: This is not a show about a martial artist kicking minorities in the face; this is a show about a legit Texan saying, ‘Hey, I need to hear the whole story before I make a decision.’ So this version is less about what goes through somebody’s fists and feet, and more about what goes through somebody’s head and heart.”

Padalecki’s character will therefore challenge some antiquated notions of what it takes to be tough. “I’m sure there are some MAGA hats who may be pissed off,” he notes, but he was “just in no way interested” in doing a show that leaned into toxically masculine tropes.

Even though CW chairman and CEO Mark Pedowitz acknowledges the show is “a different flavor” for the network, he wanted it on his schedule because of “a five-letter word,” namely, Jared. “Jared had a desire to do this; we had a desire to support Jared — it was a good mix,” Pedowitz says. “If we’re going to expand what the brand is, it’s good to expand with a person who has represented the brand so well through his career.”

After guest-starring roles in series such as “ER” and appearances in films from “Cheaper by the Dozen” to “New York Minute,” Padalecki saw his career kick-started when he booked the role of Rory’s boyfriend Dean on “Gilmore Girls,” which was airing on the WB network. He appeared on that show from 2000 to 2005 and then booked “Supernatural,” also originally for The WB. When the network was shut down and The CW was born, “Supernatural” survived and Padalecki went on to spend the majority of his career there. Now he is expanding his résumé and relationship with the network not only by being No. 1 on the ensemble call sheet for “Walker,” but also by serving as an executive producer for the first time in his career.

“I want [Jared] associated in some form with The CW, no matter how it goes. So if it went with this as he only wanted to be a producer, that would have been fine,” Pedowitz says.

For Padalecki, earning the privilege to help shepherd a show from inception to air — behind the scenes in addition to on-screen — has been a singular experience. “I can protect that original idea, but furthermore I get to try and make sure our cast and crew are treated correctly and that some of the habits that can happen on a TV show that end up hurting people don’t materialize,” he says.

Where in “Supernatural” Sam Winchester was the younger brother in a duo, at the start of Padalecki’s show Cordell Walker is a widowed father of two teenagers who moves his family back to his parents’ ranch. Both characters are in mourning at the outset, and both have to balance their sense of duty to “keep the world safe” with their desire to focus on family. Given those parallels, what especially aided Padalecki’s transition from Sam, whom he played for 15 years, to Walker was the time he spent getting to know his new character before donning his Stetson on set.

(It also helped that Fricke asked him to be “scruffier” than the clean-shaven Winchester, in order to age him up a little.)

The CW put “Walker” on its development slate in the fall of 2019, when filming was underway on the final season of “Supernatural.” The plan was to shoot a pilot in April, but when the pandemic hit, Pedowitz pivoted strategy quickly and ordered the show straight to series in January. “I think we would have wasted people’s time trying to do a pilot in COVID,” he says, adding that if a production is going to run the risk of shooting, the network should be prepared for a series greenlight.

With production shut down this past spring, Padalecki found himself with months to sit with the script for “Walker,” which was “more time than I’ve ever had to try and create or understand a character,” he says.

When it was safe to resume production, Padalecki returned to “Supernatural” first, in August. He was wrapped out of that series on Sept. 10, and five weeks later, he was back in the States and on set at “Walker.”

“I don’t really know what it’s like to get rid of a character necessarily, so what I tried to do was focus on the new character. In ‘Supernatural’ I’ve been afforded the opportunity to do this a couple of times: There was Gadreel Sam, Demon Sam, Lucifer Sam, and so I’ve been able to approach these other roles with the thought process that I wanted it to be interesting but not classic Sam, because I don’t think acting is just being who you’re comfortable being,” Padalecki says. Now, “Sam is just there somewhere in the background for me to visit him whenever I want, but Cordell Walker is who I’m helping to tell a story.”

The decade and a half that the actor spent on “Supernatural” has helped prepare him for “Walker” in other ways, too, from setting the tone as a leader on set to stunt work — although he admits there has been an adjustment from riding shotgun in a 1967 Chevy Impala when heading to cases to “chasing down perps” on horseback. On a personal level, being thousands of miles away from his kids while filming “Supernatural” has informed the emotions and struggles Walker experiences having to jet out of town for his job.

“I’ve been absent a lot,” Padalecki reflects. “When I’d get home to Austin, my kids [didn’t] understand that I’m not just skipping out, that I’m working really hard — 18-hour days — to try and pay the mortgage and buy their food and pay for their school and their uniforms and their toys. I didn’t know the routine. I’d get home and want to spend time with my kids, but they’re not used to me and I’m not used to them. It is very much art imitating life.”

In between takes on “Walker,” Padalecki wants to create a family vibe for his fellow cast and crew members, which is taking some figuring out since COVID-safe protocols limit interaction. When they call “Cut!” at the end of a long day of shooting, he gets to hop in his car and head home to his wife, Genevieve Padalecki (who will play Walker’s deceased wife, Emily, in the new show), and his three kids, Thomas, Austin and Odette. Now more than ever, he can be a part of setting that routine at work and at home.

“For so long I didn’t know what my life was outside of ‘Supernatural.’ I’m starting to figure it out now,” he says.

#Jared Padalecki #Mark Pedowitz

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stereogeekspodcast · 3 years

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[Transcript] Season 2, Episode 2. Stereo Geeks Special: The CW’s Walker

We can't believe we're saying it, but we've enjoyed the first six episodes of The CW's Walker. What is this reboot of the 90s action show doing that's so unexpected and downright subversive? In this spoiler-free review of the first half of the opening season, the Stereo Geeks duo dive into why we're loving the show and why you should give it a try.

Walker promo image courtesy The CW.

Listen to the episode on Anchor.

Ron: Welcome to a new Stereo Geeks Special! In this episode we’ll be reviewing the first 6 episodes of The CW’s Walker.

I’m Ron.

Mon: And I’m Mon. Please note that this is a spoiler-filled review so if you haven’t caught up with the first 6 episodes, please watch them and return to our podcast!

[Continuum by Audionautix plays]

Ron: This show is adapted from the 1993 series, Walker, Texas Ranger. It was conceived by Jared Padalecki, and Anna Fricke is the showrunner. There are numerous women writing and directing the episodes. Despite the source material, this show is surprisingly subversive with regards to masculinity, gender roles, and race.

Mon: The original Walker, Texas Ranger TV show aired in the 90s, with Chuck Norris in the lead. The show was also inspired by a Chuck Norris film from the 1980s. So, as you can imagine, it was a punch-fest. Now we can't really attest to that, because we never saw it. We only ever caught the trailers on TV.

I have to say when you and I launched this podcast, I don't think we would have imagined that we would have even watched a single episode of the Walker reboot, forget actually dedicating an entire special to it. But here we are!

Ron: Well, I think part of the reason why we're actually talking about the show is because of Jared Padalecki. As Sam Winchester on Supernatural for 15 years, Padalecki has wormed his way into a lot of hearts.

But Walker is nothing like Supernatural and Cordell Walker, Jared Padalecki’s character on the show—yeah, he is no Sam Winchester.

Mon: The first episode really had me worried. It started off with a female character being fridged, and the entire storyline was confusing. Do you remember how many times I turned to you and said ‘I'm so confused. I'm so confused.’?

You were introduced to every character, and seemingly every character dynamic as well. All of that in the first 45 minutes. It was too much, and it was too messy. But the end of the episode really made us want to come back. And I think the success of this show really lies in the fact that every episode makes us want to come back and meet these characters, find out what they're doing and how are they surviving.

So, who are the characters?

Ron: As we’ve already mentioned, we have Jared Padalecki as Cordell Walker, the titular Texas Ranger. Alongside Cordell is his partner in crime—or in law enforcement— Lindsey Morgan’s Micki Ramirez. She is the first female Texas Ranger, and the first Latina Texas Ranger in the show.

Cordell’s wife, who we meet briefly in the first episode, and she returns in flashbacks in subsequent episodes, is Emily, played by Jared Padalecki’s real life wife Genevieve Padalecki. And fun fact, Jared and Genevieve met during Supernatural.

Keeping it in the Supernatural family, we have, Mitch Pileggi, playing Bonham, Cordell’s father. As Supernatural fans will remember. Mitch Pileggi played Sam and Dean's grandfather, Samuel Campbell in Supernatural.

We also meet Cordell’s mother, his children, his brother—who's also the ADA. And we also meet Coby Bell’s, Larry James, who is Cordell and Micki's captain, and has been Cordell’s long-suffering friend. There are several other characters that we meet as well. And all this happens in the first episode, so as you can imagine, it's a bit clunky.

From episode 2 onwards, it seems like they have a bit more focus. You don't have to meet every single character; they come in from time to time when they're needed in the story. And I think, overall, that kind of helped our connection with the show.

Not having watched the original, we don't really have a bouncing off point, but we do know that there was a lot of action, not much on the drama, not much on the emotions—there wasn't much human connection. I think a lot of people were hoping that they would just get something like that with this show. But Walker isn’t like that.

From the first episode onwards, it works really hard to balance the police procedural side with the family drama and dynamics. And six episodes in, I think it’s done a pretty good job.

Mon: It's been really successful in bringing these two rather disparate angles together. And what it does very well is to structurally interweave these two parallel storylines. We go from the investigation to the family drama and then we go back again, and it's not cyclical, as much as it is interwoven. And that structurally makes the episodes very interesting to watch.

Ron: But more importantly, the way they’ve balanced these two sides of Cordell’s life is actually pivotal to how the show proceeds, because Cordell is a single father now. He doesn't do a very good job of just being a Ranger, or just being a dad, and he's at the point where he's trying to figure out how to do those together. And it's actually quite amusing when you're watching it because you're like, ‘shouldn't you be with your kids right now?’ And then other times you're like ‘don’t you have a job to do?’

Mon: I feel like it's really important for us to see both these sides, not only of Cordell, but also of Micki, because it's always great to see how the job impacts the characters’ family dynamics, and the other way around. Because if you're being pulled out of your investigation because your kid did something ridiculous, or you're abandoning some kind of family trip because there's another bad guy on the loose, there will be explosions somewhere or the other. And it just makes it more relatable.

Also, we might be seeing some new pattern in The CW shows because Superman & Lois is doing something similar, right? And so's Black Lightning. They're constantly trying to show us what it's like to be a working parent. But since this is The CW, the working parents can’t just go into some office job— their office job happens to be being a Texas Ranger, or being superhero.

Ron: And that's really the crux of the show. So maybe that's why people aren't enjoying it because it isn't just, you know, fisticuffs and guns. This show is very much about subverting toxic masculinity. Walker isn’t pure as driven snow, he's definitely layered and tortured, and he does things that are questionable. But the important thing is that Micki, and the people around him, call him out on it. I especially love that about episode 6—which is fresh in our minds because we just saw it—but it's not something you see often.

Mon: I feel like in the pilot episode they kind of leaned in towards what people would have expected of Walker, being a reboot of the original Walker, Texas Ranger show. But it doesn't pan out like that, because as you said, toxic masculinity is nowhere over here.

But there are consequences to the actions that Walker takes in the pilot episode, which we see in episode 6, and that is a nuance that you need in the 21st century. We have moved beyond just watching people beat other people up. We need to know that there are people behind those fists, and that's what we’re finding out.

Ron: We started watching the show because Jared Padalecki was in it. But according to my research, Padalecki has been thinking about the show for a while.

Mon: I've been hearing about his name attached to a Walker reboot for a long time. And the only reason I think it finally got the green light is because Supernatural was announced to be coming to an end in 2020. It's been on hold for a while.

Ron: It's funny because in the initial concept apparently Padalecki was going to produce the show, and the Jensen Ackles who's going to be stepping in as Walker. [laughs]

Mon: I can see that. But you know, Ackles would have brought a kind of swagger that this version of Cordell Walker doesn't need. And I think it would have changed the dynamic a lot.

Ron: I totally agree with that, especially because Padalecki seems to have got the idea from reading a story about a policeman who walked away from his duties because he did not want to continue separating children from their parents, just because they were immigrants.

Mon: Wow.

Ron: Yeah.

Mon: That explains the undertone throughout.

Ron: Exactly.

Mon: We can't tell you too much…

Ron: …but it's what have you read that.

I'm actually very curious to see where this first season goes, because that kind of story is playing a certain part in this. We've seen it pop up quite a bit just in these first six episodes. Will they take it forward? How far will they go with that? Not sure.

Mon: It will be a bold move to really tackle immigration, immigrant problems, head on in a show like Walker. This is why we need a blank canvas. You do a reboot, you do something different. You bring it to the 21st century.

Ron: According to Padalecki’s interview with Variety, this is what we said: This is not a show about a martial artist kicking minorities in the face; this is a show about a legit Texan saying, ‘Hey, I need to hear the whole story before I make a decision.’ So this version is less about what goes through somebody’s fists and feet, and more about what goes through somebody’s head and heart.”

We've definitely seen that in the first six episodes, and following the events of the sixth episode, I think we're gonna see a lot more of that.

Mon: Exactly. They're not being completely in your face about immigrants and minority communities, how they're treated and the issues that they face, but that's definitely there.

Ron: So one of my concerns when I started watching the pilot episode was that, oh, we have a white family at the center of the story. The problem with having a completely white family is that everybody around them is also white, but this show doesn't do that.

For one, Micki, who is Cordell’s partner has a massive role; she's basically the second lead. We also have Captain James played by Coby Bell, who is a Black man, and he is trying to make a difference in his department. The Walker showrunner, Anna Fricke spoke to Variety about the characters of colour on the show: “This was always supposed to be a show that was set up to have conversations on both sides of the fence and that Walker is a character that can see things both ways — we call him the edge of the coin. We realized that unwittingly we were set up to have those conversations in the characters of Captain James, who is a Black man, and in Walker’s new partner, who is a Latinx woman.”

So, she went on to talk about the pilot episode especially, because it did get delayed in production. So they went back to the writers room, and they worked on a few things. So this is what she had to say about how the pilot was changed slightly to reflect the circumstances of 2020. “Given that we had the extra time, we tweaked the pilot slightly in that Captain James, as a newer captain who was promoted while Walker was gone on a case, is really here on a mission to bring progress into the department and to keep an eye on corruption.”

Now considering everything that we have seen in 2020 and the police violence that has been, well, it's been there in the US for a long time, but in 2020, it's just—you couldn't avoid it. So, the Black Lives Matter movement definitely had an impact on the show. I'm kind of surprised that there aren't other shows that are following the same example. 2020 threw everything out of balance, but writers rooms had the opportunity to really absorb everything that was happening around them. I like the fact that the Walker team went back and said, ‘You know what we can do something, we can show what's happening in the real world through our show’. And that's why, I guess, we’ve seeing so much of the subversion.

I think what we’ve seen till now is only a taste of what's to come, really.

Mon: Oh, I agree with you. Listening to what Anna Fricke had to say about Captain James, I want to see more of that, because right now, he's almost comic relief—which I love, I really love that about him. But you can tell that there is a serious story and a serious character simmering beneath what is seen.

And this is a really clever move by the writers room so far. They are going with the easy route—family drama and investigation, but they're slipping in these moments which are making you think, which are bringing the reality of the world into the fantasy of the show.

In the first episode, Micki highlights some of the racism that she's had to overcome to be a Texas Ranger. In episode two, Stella, Cordell’s daughter, she acknowledges her white privilege and how it lets her off the hook, but not her Latinx friend.

And throughout, we see the same thing—a person of color is accused of killing his boss. Did he really do it? This seems too easy; it's constantly happening in every episode. It's a pattern. And I feel like it is crescendoing to something major. Is it going to be a realization of just how harmful some of the Texas Rangers’ actions are in the real world? Or is it going to be something different? We don't know.

Ron: Whatever we've learned so far about the show is making me question why they've kept the name of the show, just Walker.

Mon: Ooooo. Good point.

Ron: Especially now that we know what the inspiration for the show was for Jared Padalecki. Hmmm.

Mon: Wow, that’s really making me think.

I really like how refreshing this show is. It could have just been an easy reboot; they could have just cruise controlled throughout the entire story. It could have been about guy loses his wife, he's drunk, he meets new partner, they build a romance, kids go on living their life—none of that is happening so far. There are real questions being asked here, and it's thought provoking.

It's entertaining but it's also thought provoking. And I like that; that's a good mix. I mean let's be honest, when you cast Jared Padalecki as Cordell Walker, you know you're going to get a different kind of hero. He's not just going to be broody. He's not just going to be an Action Man; there's going to be layers. And that's what we get.

He definitely comes across as somebody who is burdened by his loss. He's also a little bit arrogant, but he's coming to terms with the fact that he has made mistakes in his life; he's constantly continuing to make mistakes, and he has to address those. But he's also funny; because like, he's a real person.

He'll suddenly act out not realizing the consequences, or he'll say something because he got excited. He is so normal. And I really liked that because there are these instances of comic relief and you're like, ‘that came out of nowhere, but I really needed that’.

Ron: It's funny because we’ve kept mentioning how we watched the show because of Jared Padalecki and how, because he was Sam Winchester, it was just a natural progression. But watching Walker, I'm not getting anything of Sam Winchester. I'm commending Jared Padalecki for his performance because Sam Winchester was last year, Walker is just a few months later.

The person that Sam Winchester was, was kind of young, needed direction, always turned to his older brother. Walker isn't like that. Cordell is a grownass man with teenage children. Somehow I just can't get over that

Mon: And the fact that Sam Winchester was such a rule follower, whereas Cordell’s middle name is basically rule breaker. I just really like that. I mean, we know that an actor is supposed to be able to disappear into new roles, but it's always funny when you go from 15 years as one person and then suddenly he's just living in the boots of Cordell Walker.

Despite that, I have to say that the performances throughout are very The CW. Either people are speaking rather staccato, or they're a little bit singy-songy and melodious. I feel like they need to up the ante a little bit, because this kind of show, with its drama and its family dynamics, it requires a little bit more nuance. But it hasn't really affected how I enjoy the show.

Ron: I think for the most part, Jared Padalecki and Lindsey Morgan are doing a very good job. I love the chemistry between the two characters, they feel like their partners, and it makes it really fun to watch. The parents, played by Mitch Pileggi and Molly Hagan, that's a dynamic that I'm very interested in watching more of. I don't know where they're going with it, but it's not what I expected.

Mon: I feel like they’re teetering on the brink of being a soap opera with Abeline and Bonham, but they're constantly restraining, so I want to know what they're planning to do with them. Because I feel like Bonham, especially, he's changed since the pilot. He's not the person who we were introduced to during the pilot episode, and that's a good thing because I didn't like that guy. With Abeline, she's a very different kind of character, and I almost feel like she's an antihero,

Ron: Or is it Bonham who the antihero?

Mon: Oooooo

Ron: There is some tension between these two characters. We aren't given much information. They’re eking it out for the audience, and it's so unexpected. Every time they come on screen I'm just like, ‘What is going on what is happening with these two?’ Sometimes they're happy to be together, a lot of times they're not. I feel like we're gonna get to know something which is gonna change how we watch the show.

When it comes to acting, I think the young ones, Violet Brinson, who play Stella, and Kale Culley, who plays August, they've taken some time to settle into their roles. It's one of the same problems that we kind of have with Superman & Lois, where Superman and Lois are great to watch, but the children? Not so much.

Mon: Yeah, I would say the weakest link in the show is definitely Stella and August, especially August. I feel like they want to do something with this character, but he's just been left behind. With Stella, she's almost the conduit for some of the drama, some of the flashbacks, and some of the race-talk that is happening. But with August, he's not even an angsty teen; he's just there.

Ron: But I think that relates to how this show is gender swapping a lot of moments. Stella is basically the troublemaker, and it's an understandable reaction because she is grieving and her father wasn't there when she was grieving. So she's acting out just to get attention, which is something that teenagers do. August, on the other hand, is the ‘good’ child. He’s a saint. He doesn't do anything wrong. He immediately allows his father back into their lives and Stella is the one who's questioning, ‘why?’. This man was gone when we needed him. She wants August to stand up for them. But August doesn't. He wants to keep the piece. That's a fun little subversion that I’ve been wanting to see in shows but this one is giving it to us.

And then there are these other little things, like Stella is playing soccer. I have not seen soccer in an American TV show, so that's really unexpected. It's usually American football, or it’s lacrosse, like in Teen Wolf, but soccer? Not so much, so that's fun. You see August kind of helping with the cooking, but he's also very interested in photography. And that's a creative field that we usually see female characters get into. What's also quite interesting in Walker is that both Stella and August are taking after their mother. They do things that she used to like doing, that she was interested in, that they did with her. Their father, not so much, even though he was also absent so they would want to do something that he likes. But it seems like they're genetically predisposed to want to be like their mom, so that's fun.

From what we know of Emily, she was quite multitalented. She was a photographer. She was a great mom. She was a good friend; she was a wonderful wife; she was a handyman. And Walker, on the other hand, is terrible with tools. We don't usually get to see things like that.

Mon: In a way, Walker is defined by only two things: his job and his family. But Emily, despite having such curtailed screen time, is this fully-fledged character, who was so amazing in every way and everybody is like, kind of, always wishing that Emily was there, and not Walker. I don't know if they intended that as a subversion, but it sure comes across as that.

Ron: What Walker does well is that the subversion isn't just limited to the Walker family. Like we see Micki, is the Ranger, but her partner, Trey, is a nurse. Now, this is something that used to drive me up the wall about most shows that were, you know, in any way action-oriented, sci-fi, fantasy. Female characters were almost always relegated to the role of healer or nurturer, male characters got to go out there and fight. But here, it's exactly the opposite. Micki is the one who is going out and fighting, whereas Trey is the one who is there to help people and take care of them if things go bad.

Mon: And not just medically. He's also an emotional support for a lot of people. Like he's there for Stella, he's there for Walker. He's also there for Micki. So again, that's why we need a refreshing change from what we've always had. And I like that it’s the CW which is doing it because, yeah, they’re kind of on the map because of their superhero stuff, but we've always found that even with the superhero stuff, there have been times when we felt like they could have pushed some boundaries, but they didn't. And with this show, I'm not saying they're like, completely breaking every possible glass ceiling. I'm just saying that they're doing a very good job of making some cracks.

Ron: I mean there is a strip club scene which is not what it looks like. That's all I'm gonna say.

From episode 2 onwards, every story has been really, really exciting. So, from a writing point of view, the show is also doing a really good job. I've actually found myself surprised by the direction of some of the stories, and that's quite fun, considering we've watched a lot of police procedurals in our lives.

Mon: At this point, it's easy to get a little bit jaded with pop culture. This is our entertainment—action stuff, superhero stuff, we are for it. But you need to innovate. It's a tough landscape, there's so much new content coming out, so much of it is in the same genre. What I feel like with Walker is that, mostly because of Padalecki, he's gonna draw in a completely different crowd, which is the Supernatural crowd. And because it's on The CW, you're also getting eyeballs from an audience who is kind of watching Riverdale in the evenings. And then they got Walker. And you need that balance, because so much content is cruise control. And as we said, this show could easily have been that, but it wasn’t. And it's trying very hard not to.

As we said, there is a certain pattern, because in every episode, you're like, ‘Wait, did they just do that?’ And it makes you sit up and take notice and wonder, ‘okay in all these years, why did no other show have this particular scene?’ And more than anything else, I think that's what's making us come back. It's like, how are they innovating? How are they being more creative and more innovative with the same established storylines and dynamics.

Ron: I'm going to give Walker props for even trying to do things differently, because you just mentioned Riverdale, and that show is entertaining, but it's been so cliched from the very start. And considering its audience, I really would have wanted it to do something a little bit different. There have been times when I’ve watched Riverdal and I thought, ‘Oh okay, that's a little bit different.’ But honestly, it just doesn't try that hard.

Mon: No, in fact, some of the messaging in there is problematic to say the least. Young people are watching it, and, well, young people are on The CW a lot, and I do worry that they need to get a strong message about what's right, what's wrong and what you should be questioning,

And that's what Walker is doing. It is acknowledging the privilege of this family. But at the same time, it is also telling us that they have their own struggles. Are their struggles greater than other people? No. But this is the story that we’re being told, because we need the audience stand in, and as we know the easiest way for the audience to walk into a show is through somebody who apparently looks like them.

Ron: The people around the Walker family are people of color. So you have Micki, you have Trey, you have Captain James, Stella's friend, August’s possible love interest, they haven't got there yet. Even Cordell’s brother Liam, his partner is a person of color. So you've got this in with the Walker family, but around them, you’ve got all these people of color who we definitely are interested in and invested in. It could have easily been the other way around, and I would have liked that, but I'll take it.

Mon: I think the smart move by the writers has been that not only do we have an in with a white family, but we're also looking through their eyes to understand the different viewpoints of the people around them. And essentially what's happening is that no one is being made to feel alienated in a circumstance or an environment that they feel is their own. So, the fact that the white family has a ranch, and stuff like that okay, yeah, that's aspirational for a lot of people. But you also have the Black captain who is new. So you have that audience who is enjoying being part of a club, if you could say, that hasn't always represented them. And then you have, of course, with Micki, and the dichotomy of being a Texas Ranger, when the Texas Rangers are such a problem for the Latinx community. So it’s this inclusivity, which I guess we’re really, there for.

Ron: And that's all just within the first six episodes, so I really don't know where this show is going to be going. I'm very excited by its direction. And I'm really surprised that from all the shows that we've seen Walker is the one that's making us think, ‘well, this is doing something different’.

Mon: Yeah, and I think it's fortuitous that we are recording this episode after episode 6. That was some episode! A lot happened, they packed in a lot. There were a lot of twists and turns too; a lot of bombshells in there. And it's actually making us rethink how we have viewed some of the characters. There are some revelations coming and I don't think we're gonna like it.

Ron: Well, I for one, am totally invested in this show. Episode 6 felt like it was a turning point. According to Anna Fricke, the showrunner, things are gonna be happening. I cannot wait to find out what they are.

So, there you have it. We're really enjoying the first six episodes of Walker, which is not something we thought that we would be saying on our podcast.

Mon: But we’re glad we are. Because, you know what, if you haven't caught this show because you think it's not your kind of show, give it a shot. And give it a shot beyond just the pilot episode because you're in for a ride.

Ron: And some really great characters.

Mon: Absolutely.

Ron: Have you watched Walker? What did you think of it? We'd love to hear from you.

You can find us on Twitter @Stereo_Geeks. Or send us an email [email protected]. We hope you enjoyed this episode. And see you next week!

Mon: The Stereo Geeks logo was created using Canva. The music for our podcast comes courtesy Audionautix.

[Continuum by Audionautix plays]

Transcription by Otter.ai, Ron, and Mon.

#walker #the cw #jared paladecki #supernatural #stereo geeks #reboot #podcast

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postmodernmulticoloredcloak · 2 years

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you make jackles work on walker?? you make jackles work on walker like the jarpad?? oh!! oh!! destiel references for walker!! destiel references for walker for the entire episode!!

#jensen #cw's jared: legit texan

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postmodernmulticoloredcloak · 2 years

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when you are so close to understanding something but you fail to ask yourself questions

(that’s a jared quote from a recent interview)

#cw's jared: legit texan

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postmodernmulticoloredcloak · 3 years

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I decided to watch the Walker pilot so you don’t have to. #1

I don’t know why I’m doing this, but I’m doing this and the more I put it off the less I’ll want to do this. So. Let’s start.

The fist thing we see is Jared Padalecki, em Walker, driving. He’s vaguely smiling and there’s the sun behind him. He seems happy. He’s driving a truck, for some reason my mind goes to Twilight. I’d rather watch that. At least there are vampires (not dressed like clowns) there. Anyway. Walker is meeting someone. He’s meeting his wife! “Look at you!” she says. The camera makes us look at him. He looks like this

I am unsure whether we’re supposed to see this as sexy or cool. It looks frankly ridiculous. I don’t know if I’m just not American enough to appreciate the aesthetic of this. But I didn’t go through 15 seasons of Americana-in-British-Columbia for nothing. If a character appeared like this on Supernatural, it wouldn’t be presented seriously. It would be played for a chuckle or in a light-hearted way at least. Not even Dean Winchester would find this hot.

The Padaleckis tell something to each other. Apparently he needs to go home with the kids and his parents because it’s game night. My mind immediately goes to Game Night the episode and I am sad now. But Walker lifts my mood in its own weird way. He doesn’t know the rules because every time she tells him the rules, he blacks out. I would make a fun quip about this, but the truth is that I relate to him a lot right now because I blacked out during the entire scene. I’m not sure what they said other than the game thing because I wrote it here. I already forgot the rest.

Anyway. What we’re supposed to get from this scene that they’re Very In Love (see that soft warm light?), and that he’s anxious because he’s not great at being a father because he’s shit at games apparently, but his wife is like ~don’t worry so much~ because she’s a kind, understanding wife. He tells her to be safe, because the Texan countryside is dangerous or something. She needs to stay on a route he approved for some reason. Is she traveling with supersoldier serum in her car? Is Hydra going to murder her? [cue the Marvel snipers shooting me to death because they don’t want Marvel to be associated to this]

Later, everyone is having fun playing fake monopoly, but Walker (whose mannerism is just Jared, he’s not even trying) is apparently too stupid to understand a game for kids. Plot twist, this is anti-cop propaganda because it says cops are dumb.

“Et tu Brute” Jared says when the kids point out he broke a rule so they get an extra turn. I thought I was safe from hearing Jared speak Latin! I thought I was safe! I am never safe!

Emily (Gen) suddenly texts him “SOS. Answer” which is OMINOUS! Oh my god! Aren’t you feeling the tension. The rest of the family keeps playing fake monopoly. Someone throws dice. Are we supposed to go “oh! The dice are ~symbolic because someone’s playing dice with her life” or have I been watching too much good tv.

She is running somewhere in the countryside, wearing a white shirt (is this the cowboy lady equivalent of the Wife Nightgown?). She says something is not right. He’s worried. Then he hears gunshot and her scream. He does the Alarmed Jared face, presses lips together and does a Upset Jared face.

Then he goes out, tries to call her again, and again, does a Jared Upset Sniff--

Oh! We actually see her! She’s alive, but she’s been shot in the stomach. Her white shirt is definitely the cowboy lady equivalent of the Wife Nightgown! Ah the blood coming from the stomach! How terrible! Her phone is ringing but she cannot reach it. She is definitely alive right now, though. She’s breathing heavily because of the wound, which is breathing, which is the opposite of being dead.

He decides that she’s dead, and lets out the already infamous manly scream of anguish.

It would be sad if it wasn’t that literally one second ago we saw her wounded but alive. Her turning out alive in the season finale or so will shock everyone. Nobody will have seen it coming. Who wrote this? They should have just shown the ringing phone and her bloody hand/side, making the audience assume she was dead, instead of showing her breathing. Now the audience is gonna assume she didn’t actually die, and wonder “why didn’t he call someone or went looking for her” but apparently Jared’s characters have forgotten that, like, ambulances are a thing. Jared’s manly screams of anguish are more important than common sense.

I’m not going to say anything about the manly scream of anguish. I’m not going to say anything about the manly scream of anguish. I’m n

We’re just 4 minutes in, guys. Why am I doing this?

Eleven months later, says the screen.

It’s night, outside a house. The son is waiting for him. The daughter doesn’t think he’s coming. On the porch there are two men, one is his brother and one is apparently his former partner, now new boss. He’s dressed like you’d expect a normal person to be dressed in a casual Texan night, hat and tie and all. If you are law enforcement in Texas and don’t wear a cowboy hat at any moment, you will be executed. That’s what the death penalty in Texas is for.

Somebody arrives, but to the kids’ disappointment is some dude whose function is to tell us the men’s names. The brother is Liam, the cop dude I forgot.

Walker is being sad on the back of his truck and drinking alcohol, which is the only way television can express a man having trauma. Holy shit - he reminisces of his wife like this is some emotional Lord of the Rings scene in a place where Elves live except this is not the Lord of the Rings and is just ridiculous, look

She’s seen running towards the gazebo, then she turns

This is exactly shot like the scene where Arwen has a vision of her son. Flowy hair and all. I cannot take this seriously.

He smiles sadly. Then a cop car arrives.

Mexican Lady Cop(TM), whose function in the story is to be a Mexican Lady Cop(TM) asks for his licence since he’s drinking alcohol in a public place.

“You ask so nicely” drunk Walker says. Ew. “Yeah, they train the girls special” Oh! Can you see? She is the Feminist Icon who Takes No Shit from the Dude! I’m so excited. I am slowly losing the will to live.

She drives him home on the police car. His legs don’t fit. At least this is realistic.

He does exposition in the car, including “I needed to visit a ghost instead”. There-there was no need to say it. What’s the demographic they’re aiming for? Five year olds? Do they have to spell everything out loud?

“It’s been a while since I had an actual conversation” he says, which supposedly explains why he’s making awkward exposition, but it’s just bad writing. At least they acknowledge it’s bad writing.

She figures he’s law enforcement coming back from an undercover mission from some drunken ramble he makes. This is worse than the Sherlock phone cable port thing.

She says she just got promoted from state trooper, ehe she will work with him wink wink nudge nudge. Is she going to be a cop-buddy-character slash love interest except when they’re almost about to realize they’re into each other, his wife comes back and draa~ama? I can already see it.

He goes home, makes some Jared grunts, and falls asleep on the couch.

Next morning, he goes out and jogs to where he left the truck. He puts on a cowboy hat which is supposed to be an artistic shot.

I’m slowly dying. He makes some Jared Deep Breaths, at least this made me laugh.

Wait, he’s now wearing a black hat. He’s in mourning, see? What.

He drives to his father’s ranch. His father is Super Not Impressed. It’s awkward. They took about horses. Mitch Pileggi is thinking that at least the other show was more exciting and there was Jensen Ackles in it.

He gets into his parents’ house and the dogs run to him, he does the Jared Dog Chuckle. He hugs his mom. He hugs his son - “August, my boy!” he says, like a normal person his age says.

He hugs his brother and they joke-wrestle and he says “I’m still the big brother” and did I mention I’m dying inside. I just can tell this is SUPPOSED to be reminiscent of Dean and Sam’s first meeting at Stanford in the pilot except Jared is the big brother now. Ew.

We learn that the brother is a DA and gay. All pilots suffer from Forced Exposition Syndrome but it’s like this isn’t even trying.

He goes to work and hugs (very manly hug of course) his friend-now-boss, who is called James. James asks him if he’s good and he’s like yeah I’m good, which our I’m Fine Lie Moment #1. Some things never change.

Enter the case of the week - a cop offered roadside assistance but he was assaulted. We’re already starting with a “Oh No Poor Cop :( Someone Doesn’t Like Cops And Gets Violent” plot. Yay.

Ta-da! Mexican Lady Cop appears, cowboy hat and all. James says she’s Walker’s new partner. My heart cries while Walker says “figured you’d be a guy” and she replies “so did my mom”. The feminism is so strong :’) She’s such a strong female character :’) I’m so happy :’)

Then Walker makes such a quintessential Jared thing with his mouth that I need to stop this here and take a break.

It’s been 13 minutes. So much still to go. I’m bored. Why am I doing this.

#cw's jared: legit texan #marghe watches walker for some darned reason

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postmodernmulticoloredcloak · 2 years

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guys i did watch a few episodes of walker for funsies (the bad place kind of funsies but okay) and it’s ridiculously blatant how cheap it is compared to supernatural with its (gasp) effects and stunts. everything that happens is people hanging out in places, there is 1 action sequence per episode which happens slightly outside of the frame of the camera and lasts 1.2 seconds. the most expensive thing on walker is belt buckles. supernatural compared to it is game of thrones. (not including wig.) heck they film it on austin city money

#dare to defy decency #cw's jared: legit texan

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postmodernmulticoloredcloak · 3 years

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I am going to tell you cursed Walker information:

Walker's best friend (I think the one with the car and stripping) dies telling walker it was always going to end this way.

Bonus: it may have taken place in a barn

I just saw a gif set.

I hate my eyeballs

Thanks I hate this!

#are we surprised tho #it really tells things about how jared&co perceived dean nevertheless #it is interesting psychosociologically let's put it like that #cw's jared: legit texan

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postmodernmulticoloredcloak · 3 years

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“We don’t want the audience to ever know whether Walker is quote conservative or quote liberal, or quote Republican or quote Democrat. This version of ‘Walker,’ we play with the gray area: This is not a show about a martial artist kicking minorities in the face; this is a show about a legit Texan saying, ‘Hey, I need to hear the whole story before I make a decision.’”

the three political sides: conservative, liberal, and legit Texan

#you've heard of walker texas ranger #now get ready for jared legit texan #cw's jared: legit texan

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postmodernmulticoloredcloak · 3 years

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And now I’ve watched episode 3 of Walker because of reasons. (You guys asked, that’s reasons.) #1

My review of episode 1 got a lot of positive feedback and a lot of you asked me to cover more episodes! But my review of episode 2 didn’t get much feedback at all. Possibly because episode 2 was boring and you can only make so many funny jokes about the glowy wife before it gets stale, so I get it, it’s fine. It was boring for me too. Hopefully this gets funnier! I actually have high expectations for this episode, since apparently it introduces NotDean. You know, the childhood friend who Walker loves like a brother and is the Han Solo to Walker’s Luke Skywalker. Like, what. Stop comparing Jared Padalecki characters to Like Skywalker 2021 challenge. *insert you keep using that word...*

Anyway, in case you missed it - here are all my reviews of Walker episodes, in chronological order.

EDIT: *screeching* GUYS YOU ABSOLUTELY HAVE TO KNOW WHAT HAPPENS IN THIS. YOU CANNOT IMAGINE WHAT HAPPENS IN THIS. Read to the end, don’t stop at the padalacting. I’m begging you asdfghjkl

Alright. Let’s start this. Actually I have a thought before we start. You know, I was thinking that episode 3 of Supernatural is when Dean gets genuinely introduced as a person. Sera Gamble and Raelle Tucker were the first to give Dean the personality that stuck and developed into the character that we love. Dead In The Water is, not coincidetally, the episode that sold Supernatural to me. The first couple of episodes were weirdly compelling, without which I wouldn’t have continued watching, but you must understand that I’d never watched horror before. It really wasn’t my genre. I was just watching on the assumption that it would get better at some point, and if it didn’t I’d stop. But Dead In The Water got me. Because that’s when we’re really shown Dean for the first time. The rest is history and now we’re here.

So I wonder what will happen in episode 3 of Walker. Is it going to magically pull a Dean out of the hat and get me?

Let’s start. The Texan countryside. The yellow, glowy light tells us this is a flashback. Closeups of Jared and Gen. He is somewhat concerned. He’s at the wheel of a car, still on the street - a red Mustang. Unlike the red Mustang of the horseman War, it is a convertible. Fun fact: a Mustang was Kripke’s original idea for the Winchesters’ car, but then switched to the Impala for body-in-the-trunk reasons. I am the 😬 emoji.

Actually guys I need to show you a couple Jared faces. I think they’re supposed to be purposely comedic faces, but honestly this is just how he acts normally. I promise I am not coming in this with a bias towards Jared’s acting. I just observe, with my eyes. He was actually good in many Supernatural episodes.

I just can’t see Cordell Walker. I’m just seeing Jared and Gen Padalecki delivering what is a somewhat padalecki acting in front of my eyes and I swear I had to close the video in the middle of this scene and start over because of a sudden attack of second-hand embarrassment.

Let’s continue

Basically, Walker is trying to drive the Mustang, but he is not good at it and the car stops after two meters. He feels exactly how I feel when I watch Walker.

“Damn it!” Jared exclaims, jaredly. I think that this scene is supposed to be set Many Years Ago, because Walker is wearing a backwards cap and Emily has her hair styled like Bad Janet but straighter, which actually says a lot about this show somehow.

God, I wish I could gif the entire scene to show you guys the padalacting. I mean, I could, but ain’t nobody got time for that. Have a bit of the scene.

For some reason she puts this thing on the dashboard, because he “puts your mind at ease”.

He makes more Jared faces, which we’ll skip because I don’t want to spend 7 hours on this.

Wait look at this shot of the car (with some bonus Jared face).

Why does this look filmed by your dad with a videocamera on Christmas afternoon after you received a toy car as a present? I suddenly have a newfound admiration for the directors who did Impala shots on Supernatural because it would seem car shots are not that easy to make. Maybe this is why Supernatural always filmed at night with a black car.

Guys I am telling you, if you need to watch one scene of Walker in your life, watch this scene. It’s so embarrassing. I almost decided to gif the moment of the car going and commenting “nyoom” but the Impala does not deserve this.

Anyway.

Listen, if I have to see thing thing over and over, you have to see it too.

He’s brought the damn thing onto a new cop truck while on a stakeout with Ramirez, who is just as happy about it as any normal person would.

I think they’re outside a strip club, judging from the posters outside.

He keeps quoting lines from the scene with his wife, which is sort of weird since Ramirez is not his love interest. Yet. Oh no. Don’t. Don’t do that. Don’t even thinking of doing that. Ramirez has a perfectly fine boyfriend.

Walker says that since they’re sitting there just waiting for the suspect’s movements or whatever, they should use that time to get to know each other, like “favorite movies, the teams you root for, middle names”.

Ramirez is me.

He’s like ~let’s bond~ and Ramirez goes immediately for the jugular and asks how Stella (his daughter) is doing. “Wow” he says. He says he and Stella are “in a good place, I think”. You’re not and we’re definitely not. This is the bad place.

Basically, they’re trying to live in a bubble of ignoring her upcoming court date for the marijuana thing. Ramirez says that the easy route is not a good idea. He’s like, are you speaking from experience? Basically they keep implying Ramirez also has a ~bad girl past, which I can absolutely live without.

Aaand now we see the inside of the strip club. The suspect is there, a lady with a Latinoamerican name, apparently bisexual because she’s surrounded by a woman and a man in underwear, the woman is touching her, it leaves no doubt about it. 😬 Enter the stripper on stage, who captures the lady’s attention.

The stripper is a man. Dressed as a slutty cowboy. There’s glitter.

Yeah, you read it right.

Oh no. No I absolutely change my mind. If you have to watch one scene of Walter, it must be the slutty glitter cowboy stripper.

There’s. There’s a. There’s a slutty glitter cowboy stripper.

The CW could do slutty glitter cowboy strippers and Dean Winchester is not there?!

I repeat, they killed Dean Winchester and then did slutty glitter cowboy strippers in Walker?!

This is a travesty. This is an outrage.

Crime. Pure crime.

Listen, I’m not optimizing these gifs, take these super quick gifs, I can’t possibly spend my night optimizing glitter cowboy stripper gifs. But you need to see.

What’s the target demographic of this show? Texan housewives? The gays? Are they trying to test all the waters and see what happens? Is Walker going to become about gay people and Jared’s character a secondary character in his own show?

Wait

*sweats* Are they really trying to replicate Supernatural in everything after all?

The bisexual lighting is there and all.

The guy in skimpy underwear is distracting. I can’t believe yesterday I saw a Jared interview where he said he couldn’t watch Supernatural with his kids because of all the violence but Walker is a show you can watch with kids. I mean, aside from this scene, Walker is definitely more kid-friendly than Supernatural for obvious reasons. But hey, since Supernatural already was non-kid-friendly, they could have at least put more dudes in skimpy underwear.

You know what, I think they’re just aiming for Texan housewives.

“You’re hotter than Austin asphalt” suspect lady tells the stripper. You know. Something normal people say.

(If Texan people actually speak like this, do NOT tell me.)

Guys, we’re only four minutes in. It’s midnight. I will continue tomorrow...

*screams into the void* These have been the four wildest minutes of my life.

#marghe watches walker for some darned reason #cw's jared: legit texan

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postmodernmulticoloredcloak · 3 years

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I decided to watch the Walker pilot so you don’t have to. #2

Because I don’t love myself enough, I guess. Let’s continue.

Recap in case you missed the first part: it’s boring, Jared acts like he stumbled on the set and never heard about it before, Texan law enforcement must wear very pristine shirts and cowboy hats or they will die, I guess, the cinematography wants to be good but I’m not sure it knows how to do it.

The last thing I mentioned in the first post was Jared doing a thing with his mouth but I think you need to see it. It’s basically the extent of Jared’s acting in this show. I had nothing against you, man, I swear. I even got your autograph once. I’m not a hater. I’m just looking at him...

THE TITLE CARD! I had paused the episode riiight before the title card. You have to witness it in all its embarrassing glory

Whose idea was it??

Some shots of the city of Austin. Walker and Martinez (Mexican Lady Cop) are having lunch. She says she’s heard about him, he asks what she’s learnt, she says, I textuallty quote, “I hear you are the edge of the coin”. Again, we are not allowed to have any kind of slight metaphor without the dialogue slapping us in the face with it.

“Not head or tail, just... your way” Jared didn’t even come up with the metaphor in that interview, it was in the script. Unless he came up with that line, which isn’t even a good line.

She basically tells him not to get in the way of her career. Being a Mexican-American cop is hard! Such deep commentary.

They start discussing the case, which I had already forgotten about. The cop who was slightly assaulted and won’t talk about it. “Maybe whatever was in that truck spooked him enough to abandon his oath” maybe it was a monster. god I wish it was a monster so that’d mean I’m watching Supernatural and Jensen is in it. The “oath” thing is kinda icky, like they want to remind us that being a cop is a noble path. It is in some places under some conditions. But we’re talking about Generic American conditions.

He’s like “let’s use the traffic cams to see if we can see something” and he slips right into his Sam tone. Admittedly that’s a Sam kind of thing to say.

It was day, and now it’s night. Walker house. He arrives when his family have already started dinner. Except the daughter isn’t there, she’s out with a friend. “Isabel, some Mexican girl” Walker’s father calls the friend. “Mexican American, dad” the gay brother corrects him, a deep and interesting commentary on ethnicity in the United States, we’re weeping with emotion.

Walker apparently isn’t happy that his mother has enrolled his daughter in a Catholic school, his father snaps back at him. We don’t care. We’re not emotionally invested in any of this.

There’s some awkward dialogue because he mentions the daughter playing basketball, but she’s switched to soccer. Wow, it’s like she’s become an entirely different person in those eleven months he was undercover! Can you believe? Apparently she used to play soccer before, she’s come back to it. Whoa. She’s an utterly unrecognizable person now, it’s going to be so hard for Walker to get to know her again from scratch. Can you believe?

Then he gets a call. He needs to pick up the daughter from the police station. He does some Jared awkward faces and leaves.

The daughter (Stella) was at a party and was arrested for possession. I miss when possession meant demonic possession. Dramatic music plays. She’s there with the Mexican American friend, whose parents arrive and he starts a speech on how they should get to know each other better. It is so not the right context to start making friends. “Epic first meeting” Isabel says. “I’m so sorry, this is so embarrassing” Stella says. “For who?” Walker quips, like a normal person does.

He’s like, let’s go, and the girls hug, which is the only believable expression of affection I’ve seen so far in the episode. Can’t the story be about Stella and Isabel?

Father-daughter conversation in the truck. Apparently we have emotional moments in cars, which we have never seen on television before.

He asks what she was thinking, she’s like, duh what do people use drugs for. She calls him out for disappearing completely. She mentions how it was bad enough that they didn’t have mom. He says “we both got to stop acting like she’s gonna come back and put us right” which makes absolutely zero sense. It’s like someone wrote it on a note for how to develop the characters and they just decided to slap it into the script of the pilot. Remember these people haven’t seen each other for eleven months, he left shortly after his wife died. They didn’t have the time to process the grief together, why is he even saying that line here?

Meanwhile Martinez get home and we meet her boyfriend, a very cute Black man. They’re cute. Why can’t the story be about them?

He asks her about Walker, she says he’s a mess. Oh god. She says he was a Marine, “signed after 9/11”. Holy shit. He’s a Marine who signed up after asdfghjkl can’t you feel the Manly Trauma here????

He’s a Marine who signed up to fight Muslims after 9/11 and now has a dead wife, he’s exactly the kind of male lead character we need right now.

She says she’s trying to figure him out. Her boyfriend is like “dude stop thinking about that guy, he’s not at home trying to figure you out” and she replies “oh I’m pretty sure he thinks he knows everything about me already”.

This is the first scene that hasn’t felt bad so far.

Meanwhile Jared and his brother go to a bar. It’s very ~Texas Aesthetic~, and they’re wearing cowboy hats, of course. You are not allowed to go to a bar without a cowboy hat in Texas. “The brothers Walker” the flannel-shirt-clad bartender says, coming with drinks. Jensen Ackles makes a face somewhere in the mountains.

The brother goes to call his partner and the bartender starts chatting with Walker. She has a conversation with Jared’s awkward faces and she’s like, I guess you left because I couldn’t answer your questions about what happened yo your wife. This is how people converse in real life.

She asks him if he’s alright and he doesn’t answer, instead is like “let’s have a dance”. He doesn’t say he’s fine, but I think it still counts as a I’m Fine Lie Moment #2 because that’s what it is in spirit.

I know you’re bored, I’m bored.

They dance in the Texan bar, I’m distracted by the pool tables and wish this was Supernatural so we’d see Jensen Ackles play pool.

Obviously the dance is interrupted by work - a text from Ramirez who says she’s got something, “office 8am?” so he leaves because he has to wake up early. I’m not kidding.

I was kind of warmed over by Ramirez and her cute boyfriend and by the bar who was kind of nice as a location, when the next scene at the office immediately starts with Ramirez saying “My mom wouldn’t let me play with dolls when I was a kid, so Iearned about cars instead”. I die a little inside. It’s the second time she’s referred to her mother wanting a son...? So she’s badass because she wasn’t raised to be feminine...? Ew.

So they have this lead thanks to her knowledge of cars. They go investigate. I’m bored.

I shouldn’t have said I was bored, because Walker destroys my boredom by having Jared pick up a cross and start talking to “JC” sarcastically asking him for guidance about his kids going to the Catholic school. “Can you stop” Ramirez says, along with all of us.

By the way they’re in a workshop run by an ex-convict who employs former criminals to make figurines (like that cross). I got a bad feeling about this. Former criminal in cop shows is always code for current criminal.

The investigation leads to two guys who work in the store - “oh I know you,” one immediately says when he spots Walker, “you’re the ranger with the dead wife”. Walker is like, what did you say. And the guy is like oh I heard the story of a ranger’s wife biting a bullet near the border, guess you couldn’t protect her uh~~~

They exchange more provocations - Walker calls him some lowlife something and the guy goes to punch him and Walker beats him up. Violently. I’m uncomfortable. We’re supposed to think he’s exaggerating here but... he does get very violent and should not be a cop. Period.

They go to Ramirez’ house because he cut his hand. Her boyfriend is like “baby there’s a dude bleeding on your couch” I want a season of him, exclusively him.

She scolds Walker. Not because he beat up a guy with more force than needed, but because he acted stupid and that’s bad for her career. I’m uncomfortable.

Also, what’s bad is that they’re supposed to work *together*. He says he has his own way of doing things. Yikes yikes yikes.

She says that her theory is that they put them together because he always break the rules. Apparently she read up his cases and he always break the rules. The main character of the show is a cop who break the rules in half the cases he works. Yikes yikes yikes but also did I mention yikes?

No, wait, he acknowledges that he “bends” the rules, like that’s better! Yikes!

More bad dialogue, then Stella’s school calls him. She hasn’t been at school.

He goes to ask Isabel’s mother, who reveals they haven’t their papers yet, so any criminal activity would mean deportation. He talks about it with Ramirez and mentions that his brother who’s a DA could get in contact with the Feds to speed up the papers. Are we supposed to be like “oh what a good guy”? The thing is just creepy to me.

Well, at least Ramirez says something about it, or actually quotes her mother who used to say that the law doesn’t protect us. That’s why she ~burned bridges~ with her family! Apparently because she became a cop.

Ow. Her mother is not speaking to her because for her, her daughter being a cop is like a betrayal. But for her it’s a way to set things right! We’re supposed to think her mother is exaggerated. #notallcops #individualgoodcopscanchangethesystemfromtheinsideforsuredefinitely

Meanwhile their investigation continues. Remember the cross Walker randomly picked up to mock the concept of Jesus? Ramirez stole it. And now they find out there’s heroin in it. Alright... obviously the business that was supposed to rehabilitate former criminals is a cover for cartel drug dealing. What were we expecting. I’m tired.

Ramirez decides to work the case alone and sends Walker to look for his daughter. “I was that kid once, I always wanted to be found”. The impression you get from the scene is that Walker had forgotten about his daughter missing lol. Ramirez insists he goes. I’m uncomfortable with how many times people put on cowboy hats. Someone should count. We’re only 30 minutes in and it feels like it’s happened 80 times.

Alright, a break now! My laptop’s ventilation is running like crazy, VLC and long tumblr drafts are a bad combination. Or maybe it’s just my laptop being allergic to this show.

#cw's jared: legit texan #marghe watches walker for some darned reason

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