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It's actually so important to me how flawed Penelope is you don't get it. She's complex and she's kind and sweet and caring and loving and bitter and manipulative and insecure and she's young and hurt and fucking up and making mistakes and hurting people and loving people and handling things in the worst way possible with the resources she has on hand and she's allowed to.
So often for a fat (and I say that within the context of the show, Pen is a fat/pus sized character within the narrative even if Nicola isn't) character to have any storyline outside of mother or joke they have to be the perfect victim. To be fat is to be victimised by society to some degree, it is to be told you are unloved and unwanted and unworthy without anyone saying those exact words, we all know this even if we don't want to except it. It's why almost every fat character is bullied in some way even if it's passed off as a joke, and they are just expected to take it because to actually acknowledge the pain and hurt and damage that causes is to acknowledge their humanity.
There is no space for complexity when you do not recognise the humanity of a character, there is no room for mistakes or grace or forgiveness in a narrative when the character is presented as lucky to simply be there. This goes doubly so for romance, as rare as it is to even see plus sized girls as a romantic lead, when they are there is no room for mistakes, the standards they are held to are so vastly different because they can't fuck it all up, they have no room to make mistakes when people question why they're even there in the first place.
But not Penelope. She fucks up so many times over, she creates half her own problems trying to fix things or make herself feel better. It dose not shy away from the damage and underlining issues and insecurities the life she has lead has left her with, and it's sympathetic to be sure, but what she dose with it isn't. Because fat people do not have to be the perfect victim and honestly most of the time are not. Because when you tell someone how little they are worth and how out of place and undesirable they are at every turn and expect them to internalise that, especially a young girl with very little power at her immediate despoil, it doesn't always come out in a very nice palatable way. It doesn't always create nice sweet uncomplicated people who cry a little when insulted but otherwise brush it off. It creates people like Penelope, it creates anger and resentment and bitterness and a need for control.
Whistledown is so many things, not all of them negative, but it is the cause of so many problems in her life after she made it as an attempt at a solution. It has caused her to hurt people and betray people and lose some of the very few genuine connections she actually has. She manipulates people and misleads them to keep her secret, because keeping a secret like that will always result in that. Her motives are sympathetic, she rarely dose anything to bad without reasoning, she has all the excuses in the world and still at the end of the day she fucked up. Her and Eloise are the second love story of the season for a reason. She adores that girl so much and she is absolutely miserable without her, as Eloise is without her. They love each other so much and there is so much pain between them now, they're practically crying every time they look at each other. And even tho the situation was complicated an messy and not completely her fault, she did in a way cause it. She's hurt people and she's hurt herself. And I love that.
Because she's a main character. We know her and Eloise will make up even if it isn't the way it was before (arguably a good thing but that's a different post.) Because she's a romantic lead, because we know, even if we don't know how they get there yet, that she will get her happy ending with the man she absolutely adores and who loves her just as much. It will not be easy I don't want it to be easy, Colin has every right to be angry and hurt and betrayed and he deserves to have the space to say whatever it is he's feeling and to have a negative reaction, but he will forgive her. Part of that is just because of who he is and the relationship he has to her (mandatory Colin appreciation moment) but it's also because the narrative has given her room and grace to be flawed.
There is so much to love about Penelope. She's so intelligent, and she's funny, she's a good listener, she makes people feel heard and important, she's kind, she's attentive, she's romantic, she's creative, she's beautiful. She is a victim and people and society do hurt her, but that's not all she is. She's given the space to be more and still be forgiven and loved just like anyone else. Because her actions is what she's apologising for not her existence. She dose not need to earn her place in a love story just because she's fat, it's her actually flaws and mistakes that exist in abundance no matter how sympathetic some of them might be, that she has to make up for. And I adore that and her.
You take away so much of her character and her agency and her complexity when you say she did nothing wrong or that she's the absolute devil. Let her be flawed, let her be someone trying their best and failing at it, let her make mistakes. But give her some grace, for once the narrative is. Her happy ending will come Bridgerton is a romance show, but she'll have to work for it. Colin and her will work for and earn their happy ending together, because they love each other and because of who they are and what they mean to each other they will find a way to make it work, but also because the writers let them and her find it.
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chekhovs-tantrum · 8 months
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All of the kisses in the Locked Tomb series thus far, organized chronologically and described accurately
Inspired by @wifegideonnav's post on Tamsyn torturing us:
Suicidal ten-year-old makes out with corpse; gets possessed
^Same kid gets eyebrow kissy and baptism from hometown butch who she's definitely killed a few times
^Same kid sticks vomit-covered tongue into throat of vicious socialite immediately after lobotomy to forget dead girlfriend
Honorable mention because it happens offscreen: Dead Girlfriend's Mom (haunting same kid) (different haunting) vent-reminisces in memories about her unholy thruple-with-two-bodies
Socialite delivers averted cheek kiss with a womp womp womp
Sloppy bisexual thruple (different thruple) fuck God after lemon queen's ex-husband takes her cannibalized nun-wife's name in vain 
Dead planet baby feeling herself; kisses own reflection
DILF distributes daddy forehead smoochies
Dead planet baby perfectly mimics dead bestie's knuckle kiss to codependent bodysharing cousin
Honorable mention because there's plausible deniability: "horrifying noises" made by twins upon reunion 
Dead Girlfriend sees girl who owned/tortured her for years, stares longingly; dead planet baby rolls with it 
DILF gives real kisses to members of thruple (different thruple-in-two-bodies) before besties mutually explode in death-by-codependency
Dead planet back in second body. Bite. 
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aquilathefighter · 1 month
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thinking about Edwin's attempted confession before the spider drags him back to hell...
It's the only time we see him (outside of Hell and his murder flashback) in something other than his suit, and his color is so prominent in his sweater, the brightest it is in the entire season.
The fact that he's not wearing his jacket or bowtie, the armor that lets him act uptight and rude to protect himself, means a lot to me. He's trying to be so vulnerable because telling Charles he loves him is so CRUCIAL for him (as we see later on the stairs).
And then Charles assumes the change of outfit was for Monty, making it even more difficult for him to get the words out because he has made himself more vulnerable!
Even his body posture is more relaxed, less the formal ballerina-esque manner he carries himself in and a more honest and raw version of himself that I don't think he even knew he had beneath that hardened exterior.
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ranna-alga · 2 months
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"Do the Evolution" - Pearl Jam
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average-hua-cheng-fan · 6 months
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another reason i think that xie lian felt an instant connection on the ox cart is because he and hua cheng both grew up in xianle.
there are maybe 4 people still alive that grew up in that culture. based on my own experience, you can pick up on things like accent, cadence, references, and humor that suggest a person is from the same place as you without consciously noticing it. that sense of comfort and similarity probably played into their instant chemistry.
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brujahinaskirt · 11 months
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WAIT A SEC. I want to cut some credit to player drunkenness in rdr2 and how it works as a vehicle to reveal something about the main character of this story.
Usually drunkenness in games is played off for cheap laughs, and there are plenty of slapsticky drunken antics in rdr2 (LENNAY). But happy-drunk Arthur gives SO MUCH INSIGHT into his real personality, too -- even when he's being a giggling, property-damaging, cancan-dancing terror. When he's drunk, he forgets a little of his mean bastard enforcer mask, the primary role he must play in the gang, and his loving nature becomes laughably obvious.
[spoilers under the cut]
From his sudden determination to teach Jack mathematics to his declared affection for Hosea; from his worrying about Susan getting a break to his insistence that newer gang members are "one of us now"; from his innocuous little compliments tossed around thoughtlessly ("Mary-Beth! Sweetest outlaw in the West! Javier! Best-dressed outlaw in the West!") to his more genuine praise for Abigail's inherent goodness, drunk Arthur is a fuzzy but honest look at a truer Arthur, one who is not thinking about the part he must play in a criminal outfit. Strip that awareness of his station away, even if just for a while, and we wind up with an Arthur who is surprisingly fun-loving, sometimes downright silly, and who lives to fuss over and dote on the people around him.
My favorite moment, perhaps, is a tipsy interaction with Sadie in Horseshoe Overlook during Sean's welcome home party. Arthur meanders over to her, this woman who is not a gang member or a close friend at the time, but simply a grieving widow he doesn't know very well. And he and asks, loudly: "MISSUS ADLER. DO YOU NEED ANYTHING MISSUS ADLER. DO YOU WANNA DANCE WITH ME MISSUS ADLER."
And she just sounds so tickled when she says no thanks to this goofy-drunk gunslinger. And I think maybe, just maybe, watching big bad gang lieutenant Arthur slamming a couple bottles of whiskey and so transparently doting on everyone gave her some of the first laughter at the world she had in what must feel like a very long time.
In Chapter 6, Arthur can again approach Sadie while drunk, and he encourage her to smile. Sadie hisses you're drunk; no woman likes being told this, and on the surface, this seems like a proper Antagonize line. But then Arthur -- who knows he is dying -- says, blearily, to this friend he met at her lowest point of grief and who seems to be in danger of plunging even lower in rage, "I just want you to be happy."
Drunkenness is not a liquid clarifier. Often times, alcohol garbles and distorts a person's personality. But with a character like Arthur, whose heart is so poorly matched with his 20-year lot in life, drunk-writing becomes a powerful tool. It's a quick, non-transformative way to believably peel off the snarl he wears around for a while (without him knowing it), letting players access an easy, silly, soft interior that sober Arthur is much more guarded about showing the gang.
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pinkd3mon · 8 months
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Star Allies Guest Star teams
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staliaqueen · 2 months
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I rewatched The Avatar and the Fire Lord a few days ago, and god, what a good episode. Revealing that Zuko is a descendant of both Sozin and Roku was a genius move (and that's not even getting into the Zuko/Aang parallels of it all). But there's something the show doesn't seem to think of, and that I haven't seen anyone in the fandom discuss either — the fact that Zuko isn't the only one descendant from both these men. Azula is, too.
The conclusion of this story that Iroh presents to Zuko at the end of the episode is that he alone — because of his lineage from both men the war was started from — is uniquely capable of cleansing the sins of his family and the fire nation and bringing peace to the world. But, the thing is, there's two sides of this conflict, and therefor two sides to its legacy. The external and the personal. The legacy of the external is the war, but the legacy of the personal is the sibling rivalries that kept repeating through generations of the royal family.
Though Roku and Sozin were not actually related, they were childhood friends as close as siblings and fucking shared a birthday, so the symbolism works. We know very little about Azulon's childhood or if he even had any direct sibling rivalries like this at all, but from what I can find on his wiki page, we know that Sozin favoured him over "other family" (I'm assuming his siblings). What we know very well, however, is what happened in the next generation between Iroh and Ozai. We know Azulon favoured Iroh over Ozai, and that this likely is the initial source of their hatred for each other, which resulted in perhaps the worst sibling rivalry of them all (what with the indirect patricide and throne stealing).
Then we go on to Zuko and Azula, whose upbringing kept going in the same patterns, but the key difference is them being the first ones to both be descendant from the men who started it all. If Zuko having this lineage makes him uniquely capable of ending the cycle of war in his country and restoring balance to the world, shouldn't that mean that both he and Azula having this lineage makes them uniquely capable of ending the cycle of brutal sibling rivalries and restoring balance to their family?
This conclusion I've presented seems to fit perfectly with the lesson Aang draws from the same story as well:
"Roku was just as much Fire Nation as Sozin was, right? If anything, their story proves that anyone's capable of great good and great evil. Everyone, even the Fire Lord and the Fire Nation, have to be treated like they're worth giving a chance."
I know this is supposed to be foreshadowing to Aang refusing to kill Ozai later, but I can't help but think it's even more applicable to fourteen year old Azula. It's really so ironic that the show runners thought Azula deserved what she got when their own show seems to be telling them that Zuko mending his relationship with her is what he ultimately should've done.
But, then again... that does sort of make her the perfect tragedy.
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starry-bi-sky · 27 days
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tales of the passerine - danny fenton being bruce wayne's first kid
okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.
Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.
It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.
(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)
There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.
It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.
Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.
Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.
He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.
At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.
This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.
Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.
Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.
Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.
("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)
Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.
Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.
Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.
Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.
Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".
(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)
Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.
He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.
Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.
Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.
At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.
He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.
Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."
And there it is. There's his out.
Danny, just as quietly, replies; "I'll keep that in mind."
The ball starts rolling.
Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.
He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.
It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.
Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.
He breaks the lock by hand.
Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.
The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.
And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.
I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"
I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.
Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.
But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.
Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.
Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.
Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.
Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.
And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#tales of the passerine au#i dont want to overemphasize how much vlad sucks but also i dont want to downplay it. but also i didn't wanna make this post too long#i didn't emphasize enough on vlad's possessiveness but i wanted to make this post as general enough as possible for the au.#for some more wiggle room in the future if i make more posts about this au.#the consequences for Danny repressing himself was not a concern i was focused on for the post but i am thinking about it and mulling it ove#i'll be blunt my main specific reason for why this occurs shortly after tue is bc it means dani doesn't exist yet and it means i dont have#to include her in the continuation of this au. i love that girl but she's a dead weight. i dont wanna come up with an elaborate reason as#to why she's not in the picture when i can just say 'she never created in the first place' instead. i don't have anything for her to do#I don't want to risk giving her a poor plot line just so that she exists in au.#sometimes i really hate just how long my posts get. i feel like it kills my engagement. but i also don't want to make posts that have#a part 1 and part 2 just because I think it got too long.#i feel kinda bad for having Danny take the spot of 'first partner' from Dick. But that was part of the reason i was inspired to make this a#i've already got the skeleton of a reasoning for danny becoming a vigilante being made in my head.#He can't go by Phantom since that risks drawing Vlad's attention -- a new vigilante showing up in Gotham. a place the visited frequently#who goes by the name Phantom? He'd be on that faster than chickens on meat. and nightingale has familial meaning behind it due to being#part of an ancestral name. it follows robin's theme of using it to honor his parents while still having its own unique enough lore to stand#on its own without feeling like a cheap copy. plus the bonus meta reason that it follows the bird theme. which personally is vital to me#my other alternative to Nightingale is Sparrow. mostly because it has good phonetic structure for a hero name. not too many syllables#a good balance of consonants and vowels. dont want a hero name with too many syllables or unbalanced consonants. or worse; both.#my reasonings is that hero names should be easy for a civ or teammate to yell while still being understood. max amount of syllables before#it threatens to become too wordy is 3. If it goes over 3 it should have a balanced consonant-vowel ratio. Wonder Woman is a good example#some things got cut here that were in the initial oneshot. like danny giving bruce his physical ghost core and showing up bloody.#the first son au
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bacchuschucklefuck · 25 days
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okay unironically I love so much that porter is like this world SUCKS its BAD here and it HURTS you why do you care abt it!!! and literally every single bad kid is like ngl we just hate ur ass it does not matter what ur philosophy is
#dimension 20#fantasy high junior year#not art#fhjy spoilers#its!!! gods I will Be My Ass in the tags rn. but thats so like. deliciously setting typical#like porter's desire is to transcend and his contempt for the world he's in feels. idk Real#like he plays the game bc he wants to win and be done with it. how do I word this#yknow. being a god would like. be his win state. when he gets that happening thats it his story is done he checks out#meanwhile the bad kids do actually just like playing the game lmao. like they love adventuring!#theyre so solidly Of This World. they carry the values that can only be born of it and they like having mastery over it#its a meta angle that I think is very fun specifically for d20 being in such a unique position in the zeitgeist when it first started#the rat grinders are from DnD Writ Large. porter wants to escape. but this is the bad kids' home its Their Actual Play Show#which makes it so fucking excellent to me that porter's question is somewhat of merit! its their show and it tries very hard to punish them#and they just straight up dont listen to him here lmao bc they hate him but! since the moment the academic track ended its been clear#that they save the world bc they Like Playing. With Each Others#thats what riz thinks the core of adventuring is! thats why fig stayed! and I also think thats why this hovers over elmville now and#a dead god is coming back in the school gym. porter is a shit evangelist but even if hes a good one I dont think it wouldve worked like he#wants it to. the only way he couldve escaped is if he'd not involved elmville at all. thats where the bad kids met dude#its a shitty place that fucks with them but they all come back here bc they wanna play with each others#and in that regard I think thats what the stress tokens ultimately means. Is This Game Still Fun To Play. ITS A RAGEQUIT LIMIT#Im literally running from one end to another of this conspiracy board Ive pulled out of nowhere#Ill draw after this I just wanna get this out. gods this episode has done nothing but furthering my delusion of grandeur actually#Im the hottest smartest manthing on earth Im king fucking midas over here. anyways uh! great ep!
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tobi-smp · 7 months
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you know, with hindsight now what it is I really do think a more literal reading of c!techno's chat would have helped his characterization a Lot
and mind you, this was originally intended to be the case, and very well may have been intended all along even if it wasn't usually emphasized within the lore
youtube
and don't get me wrong, I Get why it fell out of favor within the fandom. it coincides with a Very storied ableist trope that demonizes DID and disorders adjacent to it, and Can be spoken about in a way that is essentially indistinguishable from it depending on the word choice.
but the thing is ! not only does it not Have to be an allegory for DID, I straight up don't think it is At All.
because we Know what it's an allegory for. It's His Chat. there's technoblade playing the game, and there's the thousands of people watching with expectations and wants that he's compelled to meet (or, at the very least, pacify through Entertainment).
and this makes much Much more sense when conceived of as Supernatural. be that spirits, gods, demons, or anything that could fill that role. separate entities that, for whatever reason, only techno can sense the presence of and be affected by.
and of course, to an extent this is true for all creators. everyone had an audience that they were meant to entertain and the choices they made were influenced by that fact.
but technoblade came in with a Very distinct set of expectations that heavily impacted the choices he was Expected to make and the kinds of stories that he could tell. he was more or less a living legend in real life just as much as he was in roleplay, and these things were inherently connected.
and it's like !
when c!technoblade says he was peer pressured into killing tubbo at the red festival he Is technically talking about what happened within the roleplay. schlatt was demanding it from him, there's a sort of pressure there. but schlatt was also the dictator they were set to kill, and techno has never had any trouble fighting people he considered a dictator before, and certainly not Schlatt of all people.
but he WAS being peer pressured By His Audience. by thousands of people, most of which were demanding blood Because It Was The Expectation, because it'd be Fun.
out of universe technoblade made the decision he thought would be the most Entertaining, and he was right! consistently he made choices that would let him do the most bombastic Spectacles possible. And It's Great. he's Excellent at pulling dramatics and making a compelling scene that give other people room to work off of. in that sense I'd consider techno an Excellent actor, and I have to imagine that he was fun to work with.
the problem is when you then have to justify it from an in character perspective, grounded in those mushy things like Feelings with characters that can be traumatized and sustain lasting damage, Especially Without acknowledging the out of character incentive.
mind you, it's not Impossible to Create a backstory that could justify it. why a character as consistently powerful and feared as technoblade would feel pressured to kill an ally by someone he not only Can kill but Wanted To Kill. why a character as seemingly secure and in control as technoblade would lash out the way that he does to perceived betrayal, and yet consistently puts no weight onto having killed and permanently scarred an ally that trusted him.
what that'd need is tragedy. a storied history of being hurt and having to survive. building up To an untouchable god from a much much more vulnerable position. Long Lasting trauma that's lead to this deep insecurity and paranoia. and that's Possible and that's Compelling.
but it's just not in the text.
not only did we never learn basically Anything that c!technoblade was up to pre-series, we actually know Less by the end than when we started because of the sbi retconning.
it's a Theoretically Possible interpretation that's technically never Contradicted by canon, but would have to be created by scratch. it's a compelling idea for a fan fic (and one I'd like to read) and it's compelling for a theoretical recontextualization of the character, but it's just not In The Text.
meanwhile, we have the video above.
we have the Objective Fact that technoblade's decision making was often subject to the rule of cool (very Very effectively) to entertain his audience.
and most compellingly, these concepts Don't Need To Be Separate. in fact, in my opinion they're Stronger when you put them together.
because the thing is. it's Difficult to imagine techno as ever being in a vulnerable position. he is just Objectively more powerful than everyone else on the server, both in real life And within the lore. How could he have ever been afraid when he was stronger than anyone and everyone combined? when we saw with our own eyes that techno could face nearly the whole server at once and win.
but he Is a tragic character, at least he's meant to be. and that tragedy makes much Much more sense as something Inward.
technoblade as a character who Needs connection, who Needs stability, who Needs security, who Needs friendship and community and Love. but Lashes Out, Obliterates to the core of the earth, because of something that's not only out of his control but that other people Cannot Understand.
how do you explain to a child that you killed their best friend because a chorus of the undead called for his blood and you (in all the glory that he'd idolized) were unable to do anything but comply? how do you explain to that child that you beat him senseless in a pit as the restless dead jeered and laughed?
That's interesting. That's Compelling.
technoblade is idolized like a god, feared like a force of nature, and in an instant cut himself off from nearly everyone who'd considered him an ally. and that seems to be a pattern, over and over and over again. he's left isolated, and in return he faces retaliation, and in return he's always Waiting for retaliation.
and what do you say to someone who wants to kill you for being a monster? that it's Fine Actually because you only did what you did because you have a curse that compels you to? that the supernatural guided you to destroy their homes and kill their people? (rip jack manifold you will be missed)?
That Doesn't Quite Help Your Case.
technoblade as someone who is beholden to this literal cycle of violence and Loses those things that could ground him, community, stability, People, as a result. who Tries to overcome this very fact (to become a better person, in his own words as per the clip above), but is pulled back into it as a consequence of his own actions.
that's a tragedy !! that Makes Sense. that allows him to be Both this force of nature that other characters have to survive And A Person Who Is Hurt By The Same Conflict.
"I'm a person!" that fear of dehumanization makes So So Much More Sense when you see technoblade as someone who Already fears himself. who fears being a monster, who fears losing control, who has faced isolation again and again and again.
and, importantly, it doesn't have to be anyone else's Fault.
by making the source both Internal and Completely External (something that none of the other characters have any awareness or control over), you can Have techno as a tragic character without demonizing anyone else Or erasing the impact that c!techno had on them.
and in that sense, it Can be an allegory for mental illness, but not in that direct "oooooh how scary he hears voices" kind of way that people fear it looks. but in that sometimes people Will do things that can hurt others while not feeling in control. anger and mania and paranoia, things that you can't always Control and yet that impact that you have on other people still Matters.
and the answer to that is, often, vulnerability and accountability.
I think a lot about technoblade isolating himself so near entirely from the rest of the server, and slowly gathering a support system Back by the end. and I Really Do think that framing of it through this lens is a Very impactful way of breaking it down.
tubbo, tommy, wilbur, ranboo, niki, I think they'd All understand not feeling in control. lashing out, maybe even feeling justified in the moment, but hurting people they care about and furthering their own isolation.
There's Something There, and it's already In The Text. it just needs to be expanded on.
and why not do that ourselves now?
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adanseydivorce · 3 months
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unstoppable force (Adam’s canonical teacher kink) meets immovable object (Gansey being a professor’s soul in a teenagers body).
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itolerate · 15 days
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I find it so interesting and lovely how Charles’ shirt color at the start of episode 7 is a deep red, maybe black, representing how he feels about himself at that point. Then he goes to hell. He rescues his best friend, and isn’t that the most heroic thing you can do? On that staircase, Edwin confesses his love for Charles, and if the most important person in the world to him can love him, then maybe he isn’t bad at all. He comes out the door, back from hell and his shirt is back to its bright red. No more doubt.
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lord-squiggletits · 3 months
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I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.
I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.
The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...
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Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.
I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.
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And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?
It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.
To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.
In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.
Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.
So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.
What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.
Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?
#squiggposting#pharma apologism#i'm sure the doylist reason for the writing is just that pharma was a designated villain#so since he's a villain and 'crazy' it's fine for everyone even the good guys to treat him like complete trash#i just think from a watsonian perspective taking a sympathetic approach is way more interesting and logically consistent#what i mean is like. from a meta perspective one of the best ways to show that a character is super evil and not worth saving#is when even the good guy heroes. the ones who are supposed to be kind and compassionate and wise. see him as dirt#and this is also kind of a necessity in most plots bc TF is the kind of series that just needs action villains and long-term antagonists#so not every villain is written or has a plot to be made redeemable. and pharma is one of these bc he's not important or a legacy character#so from a doylist (meta) perspective you could read the autobots' disregard of pharma as a sign of#'this guy is not meant to have your sympathy as a reader. pay no attention to him'#but from a watsonian (in universe) perspective it paints a miserable picture of pharma being utterly forsaken by the ppl he served alongsid#and like yeah i'm super autistic about pharma so of course i view him with sympathy but like#the idea of being a loyal and good person for years only to be subjected to a Torment Nexus of#being blackmailed into breaking all of the oaths you held sacred. under threat of you and all your comrades dying horrible torturous deaths#then when your comrades find out about it they focus solely on the 'harvesting organs' and not on the 'blackmail' part#and then you get literally left for dead by your comrades and best friend hating your guts#and then you get rescued by a guy who uses you as a test subject for his evil machine#this is a fucking nightmare scenario like pharma could hardly be suffering more if the author TRIED to make him suffer#and for me it's like. the evil pharma did can't be decontextualized to what drove him to that. as well as the question of like#how easily ppl can write someone off as evil and turn a blind eye to (or even find satisfaction in) their suffering bc theyre evil#and either brought it on themselves or it's just karma paying a visit#like. i feel like if pharma WERE a shitty doctor and a terrible person his whole life then the delphi situation would feel like karma#but the way it's written and the lore retroactively put in makes it feel more pharma getting thrown in a torture carousel#and THEN becoming evil. but then being treated as if he was always evil or was some sort of bad apple#bc like i'm not opposed to LOLing when a villain gets a karmic torture/death related to the wrongs they committed#but in pharma's case it feels less like karma and more like endless torture + being abandoned by ppl who should have been more loyal
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littlebigmouse · 11 months
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No you don't understand. Reigen does not commit tax fraud or insurance fraud. He doesn't actually have psychic powers, not even a little, or empath powers or what you have it. His family are regular ass people with regular ass jobs and frankly, so is Arataka, a young, self-employed guy living pay-check to pay-check because that's what most people starting out self-employed do. He spends most of the day at work and then gets take-out not because he's bringing college-student energy to the table, but because that's what the average single and fresh member of the japanese work force does. Because holding on to friends at that age is hard enough without existential-crisis-induced self-loathing.
It is so, so important to me that Reigen is the most statistically average twenty something japanese man there is. He's literally just a guy. A perfectly average middle schooler who liked to slack off and forgot his lunch that one time and wanted to be someone one day, when he was filled with youthful optimism, before life got complicated, before he realized he was just another fish in a really, really big ocean with a LOT of other fishes. One perfectly average fish among thousands of other, average fishes that become perfectly average members of society.
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fumifooms · 28 days
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Chilchuck, family & alcoholism
Collection of thoughts and speculation on Chil’s upbringing, his dynamic with his family and how alcoholism ties into it all. If you want the groundwork info on Chil’s background I recommend my masterpost on his family, here beyond a summary of the facts it’s really just me speculating from the crumbs we get of his parents and siblings, how it’s all affected him and in turn affected his own wife and kids etc etc.
There’s nothing more I’d like on mother’s day than to speculate about Chilchuck’s maladaptive attachment style. I’m fascinated by how distant everyone is and how much he’s been devoted to them all despite having been so absent. Intergenerational trauma get over here
Actually it’ll be easier if I make a rundown here too, it’s just stuff I reiterate from my masterpost tho.
Tiny table of contents: 1- rundown: family facts 2- rundown: alcoholism 3- dad 4- parenting 5- daughters 6- wife
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^ Every time his dad gets mentioned. His mom never gets mentioned. His siblings I think are only ever mentioned in this extra, and then there are more ambiguous relatives cameos.
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We know is hometown isn’t Kahka Brud, but we’re not sure wether he moved there upon getting his own house (presumably around when he got married at 13), or if it’s only after his wife when he rented out his place to relatives then rented the place in Kahka Brud.
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If he rented it out to relatives, maybe that meant it was in his hometown? Especially if he and his siblings are "almost strangers" so presumably he doesn’t really keep in touch with his family. And I mean, he hasn’t seen his wife or daughter in 4 years so you can imagine how he’s like with his more distant family…
Additionally half-foots and Chil are very coded to be from an impoverished opressed working class people. So that’s the context.
I’ll say that I mentioned intergenerational trauma at the beginning, and I def think the distrust of elves is part of that, but here I want to focus on the interpersonal effects rather.
Copy pasting my masterpost thoughts overall: Chilchuck is hinted to have had a rather dysfunctional family himself (alcoholic father, distant siblings, etc). So he doesn’t really have the best model on how to raise someone and such. I imagine it was a sort of neglectful home situation, where the kids are encouraged to be independent. If they didn’t have to work or help around much, then a free range parenting sort of thing.
We do see how the family has full and warm feasts, where someone cleans his mouth with a rag, so it’s not like he didn’t have caring people or had a tragic childhood though! I don’t remember if it’s explicitely stated but he’s heavily implied to having grown up poor, as most half-foots, and I just think it’s the hardened hardworking family type of childhood where just like he does with others, they instilled somewhat harsh life lessons in him, which in turn encourages him to indulge in the simple pleasures of life like alcohol and sex, or at least women’s beauty and crass jokes. We do see he seems more optimistic when he’s younger in flashbacks, so a bunch of his harsh view on the world is still likely learned and earned rather than taught.
I still think he inherited many flawed views from how his father acted, like his attitude about excessive drinking not being a big deal, it being worth it. That work hard play hard, enjoy life die young mentality he has, shown mostly in the “alcohol” section of his Adventurer’s Bible profile, could very well be partly a result of the general poverty half-foot communities are that he grew in as well, like how he doesn’t hope for things to be as best as they could be and contends with good enough.  As far as I remember, his mother is never mentioned, but I doubt it implies she was out of the picture. She was probably a regular sort of mother that took care of the home and was still around when his father died, not unlike how Chil’s wife was implied to be a housewife. It looks like there’s a good age gap between one sibling to the next, that could be interesting to speculate about too. Mostly though I think it’s big family because it’s just sorta what happens when you regularly have sex and you don’t have contraception, being poor often makes family planning harder for various reasons and leads to more children.
Alcoholism context rundown:
Good Chilchuck analysis baseline here. Alcohol seems to be his main stress reliever/coping mechanism, especially for how emotionally constipated he is, and his job is being stressed about his party’s safety. Then he also mentions as a changeling that having his senses dulled feels relaxing to him, further confirming alcohol, as a drug that dulls senses, is something that he likes for the intoxication aspect and feels it’s relaxing. Alcohol also acts as a hunger suppressant, so it for sure has played a role in his dieting and unhealthy eating/diet habits, especially since he shows the instinct to drink to soothe hunger, all of that about how going hungry for 3 days used to feel manageable. Chil dieting info compiled here.
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Chilchuck is at his most effortlessly cheerful when drunk or drinking. Compilation of every time he was drunk here.
And to be clear, a cheerful drunk is still a drunk. He literally will drink anytime he gets the opportunity to even if he’s aware overdrinking leads to health problems and death. Like canonically. He does NOT see how drinking should be a problem and does not seek to show restraint with it.
Dad of the dad
Marcille and Chilchuck having a talk on how losing a dad be like "You lost your dad young too…? I know how it is, it must have hit you hard…" "No not really tbh. Do you want lasagna or chicken for dinner?" <- either genuinely doesn’t feel much about his dad’s death or has 10 layers of repression, idk which is worse
I think Chil not making a big deal out of his dad’s death, not having worries in following into his footsteps that way in the least, is super interesting.
As a buddy @saccharineomens puts it: " I kinda imagine chilchuck and his dad didn't have a bad relationship, but in general chilchuck is so blase about drinking (he sees it as a delightful time, a wonderful thing! he wouldn't mind dying doing something he loved!) that he's not very upset about his dad's passing? like "yeah, he died, but i was already an adult, he was an adult, he made his choices, i make my choices, it's cool" " And I’ll nitpick that we don’t know how old he was when his dad died, I always assumed it was pretty early since Chil left home when he got married, and like I’ve gone into he doesn’t seem to be the keep in touch type. It’s on the table though, and he could have learned about it through letter if nothing else and that contributes to the "meh" reaction.
And that is very Chilchuck, the whole "we made our choices, it is how it is, he died doing something he loved", and you can totally believe that that’s the crux of it, but I do think the nonchalance hints at the family overall being distant and not only the siblings, that there’s dysfunctional shenanigans going on in there more than just… Healthy coping and having moved on.
I wonder when Chil first drank… And I wonder how he came to realize he liked alcohol a lot. His father probably gave him sips… Or he stole them
No because, with how disaffected he is about his father and siblings I could definitely see him having started to kind of numb himself/dissociate with the help of alcohol in that home environment that felt so… Either devoid of feelings or too messy to get attached. I can totally see his family being one that encourages dealing with feelings by bottling them up.
Because too… We saw him have a family/community feast of some sort presumably when he was a kid, in that chapter cover, so it’s not like there’s no warmth or sense of family at all, but then like… What went wrong? If as I theorize that girl with short black hair in that panel is his future wife, since she’s his childhood friend and all, what if his family/home life was always kind of cold and distant, even when gathered and cheery or despite those occasions? So then it’s like, at the family gatherings, she’s the most important person there to him, the one he actually connects to the most, the warmest presence he has…….. Someone he jokes around with that feels on the same speed as him, that doesn’t have the same connotations as everyone else present, a bit of a haven, someone different, a breath of fresh hair and a regained sense of childhood… Spitballing of course of course
I feel like they had a pretty big family and they were poor and such so there were always chores to be done etc, so their household might have operated like a mini busiess of sorts where everyone’s too busy, always has this and that to do and the mother asks them to go do tasks. I used to think it might be more of a neglect situation, where the kids are expected to provide for themselves and so cook their own meals and whatnot, both parents distant, but I don’t think so with the feast illustration. Chil at the beginning of canon used to see eating as a practical thing more than anything, you have to eat to live but don’t eat much or your weight will make your job more dangerous, might as well skip meals and have beer instead, etc etc. So the thought that he doesn’t know how to cook all that well despite this speculated background where he cooked for himself and keeps cooking minimalistic, since he does tell Senshi he taught him about cooking, is fair, but still… There could definitely be a situation where his older siblings were pushed into a parental role too, where they helped with the food and raising the younger siblings etc etc. As mentioned, the age gap between siblings may play into the dynamic as well. But on this front I have less ideas…
So yes my general take on Chil’s family is that everyone was too busy to emotionally connect as much as is normal, the parenting leaving things to be desired with alcoholism and emotional neglect.
Fathering
And I think that’s especially interesting considering he hasn’t been keeping in touch with his daughters either. It’s "they’re independent now" and that’s kinda it. His daughters haven’t sent him letters or visited him or tried to make him talk to their mom again. It does feel like with his own parents and siblings to me, where people are almost strangers, where relationships grow apart and everyone shrugs and goes ‘that’s how things are’. Is it that everyone including all his daughters gave up on trying to keep in touch, or is it that they all went "well divorced or not he’s absent, this is our normal tbh", and which is worse?
So yes, I think his relationship with his daughters is probably similar to his relationship with his parents, sort of hands off. Chil's dad was probably not a good dad but probably not quite a bad dad. A definitive He Was There, to quote another friend heh
Imo the thing with Chil is that he was pretty absent bc of work travels to dungeon dive, right. He’s working hard to provide for his family but in the process he’s not spending much time with them, slowly making a gap grow between him and them as they drift apart and change as people. He’s a career dad who never realized spending time with his family was more important and threw his pager into the ocean— But also here’s the thing!! You want to say being his family is more important, but money is arguably more important! They’re poor, they don’t have the privilege of free time as much. Sure he’s not there, but he is providing for them what they need to keep living and growing healthily. Similarly, you want to say Chil should stop doing harsh dieting for weight management, but, he has a point, maybe starving is still preferable than dying in traps. Of course the ideal would be to change jobs, but again, life is a struggle and that’s not always an option.
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^ Truly the classic "if you don’t listen to me, your parent, a cryptid is gonna kidnap you!" international experience………
He is so so so the "What? My way of parenting is kinda bad? But my father raised me like that, and look how great I turned out!" <- emotionally dysfunctional…….. "Pshhh what do you mean having an alcoholic parent negatively affects you? My father was an alcoholic too and look at me"  🤡
All of it was behavior normalized to him. And listen, I’m saying this but not as like, shirking of his part in it. This isn’t a teen or young adult, he’s middle aged, he’s become the one giving and not receiving the generational trauma. He’s chosen to never think deeper on the topic.
And like, he himself is so indifferent to his father and what their relationship was like, of course he wouldn’t notice if a parenting choice wasn’t great for his daughters. He doesn’t have a relationship with his dad, he’s not (at least not consciously) traumatized by him, so from his perspective it’s mission success! He got raised decent enough 👍⭐️ Except he doesn’t realize that like, not particularly caring if he died is sign of a problem between them in itself… And this even as he remains somewhat of an important figure in his life, especially since that’s who he sees on the other side of the life river in the ghost chapter. It’s implicitly the biggest instance of loss through death Chilchuck has in his life I think.
But despite it all he obviously does love his family a lot, right. So I do believe that like, while he has imperfect standards when it comes to parenting he still tries to be better than his dad was, that even if it’s necessary that he has a lot of long work travels, he spends time with them. And there’s sort of this dissonance that he’s both "it doesn’t matter wether i’m here or not, they’ll live, they’re tough girls. Oh they didn’t like my scolding earlier? It’s just how kids are" dismissive and "I love them so much and I want them to have a good life. I want to do my best by them" devoted and so so caring. And like that’s why he works so damn hard, he does it for them, but also that’s why the girls grew up with an absentee father and aughhhh AUGHHHH the unsolvable dilemma of it all Chilchuck in Dunmeshi truly represents like, the harshness of reality & the world and how sometimes things will just suck no matter what, and then of course balancing that with Marcille in their shared arc where she tacks on "And despite that there is beauty everywhere even in the small and menial things, despite that your flawed relationships and dreams are still worth fighting for" ie giving reconciling with his wife a shot, etc.
All that said I think the very strict "you’re gonna grow up to have a stable job by god, young miss" attitude, those strong work ethics he highly values and focuses on and no doubt tried to instill in is own kids, is something he somewhat inherited from his own upbringing and parents.
In my masterpost bit on his parenting, I said I don’t think he’d do any kind of corporeal punishment, but. I do wonder about spanking aftee all. It can be so so easy to rationalize it… Sigh
Daughter pov
Again, my general interpretations for the daughters are written in my masterpost. I think Patti knows her father the least and is the one least worried about jobs and stability and least settled down as a result. Flertom is the more social one who I imagine tended to be the one worried about her parents’ couple and their emotions the most. And Meijack… Ohh Meijack.
When your father tried his best to provide for you but he worked all the time and even when he was home he was either tired or stressed and he’s always liked to get drunk to relax and cheer up. When you know he values work ethics and respectability so you grew up to be capable and quiet. And when he says you’re like him you’re sort of puzzled, does he really know you so little, or does he know himself so little? But you like the feeling of your father ruffling your hair so you accept it and still you stand next to your mother just as quiet and just as stoic during family gatherings. He leaves again and again and when your mother leaves him nothing changes, really. You wonder if it’s more telling that you know him better than he seems to himself or that you don’t know him as much as you wish you did, or that you don’t think about him all that much these days. Out of sight out of mind
Thinking of those posts about how kids never forget and during the "draw your family!" things at school, some of the kids draw their working parents seperate from the rest of them...
Absent father and when he’s at home you get the crumbs of him that you get and you’re grateful for it and that’s that <333
She doesn’t know how much he loves them bc he hasn’t showed them in a long time </3
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The horror of drunk Chil in my fics is often about what in this state he can’t do rather than what he could do, how someone who’s as proud of his skills and work ethics as he is has truly changed, not comprehending how he could become so sloppy or how he could allow himself to get like this, marred the values he preaches above all else. It’s in the way that he fumbles with doorknobs, that he could never lockpick a door if you were to lock it, and it both being your salvation and bringing you extreme distress at the thought of it all. His footsteps usually featherlight now sound heavy as stone, like a troll’s.
You know the thing that gets me so bad with alcoholism angst is when people describe the drunk person as a stranger. Often making a metaphor that they’re monsters, have some monster they shapeshift into uncontrollably once in a while, as a way to split the unreconciliable halves of the person sober and drunk in your vision of them……. It gets me soooo bad Little Puckpatti growing up on tales of trolls kidnapping disobedient kids and replacing them with doubles so no one even knows they’re gone… Coming face to face with a drunk Chilchuck that roams the halls of the house with heavy steps in the night, because she wanted to go drink a glass of water, too thirsty to sleep………..
And this is where I reveal that I wrote a fic about just that!! Trolls that thump and tiptoe through the night Mei @ Chil, You made me of stone and still every day you wear me down and chip away at me bit by bit
In the end notes I describe my takes and interpretations: With Mei I tried to give the sense of a kid who sacrifices some parts of childhood to feel closer to her parent, like not playing games to spend more time with him no matter how empty, or wanting to be worthy in his eyes. With Fler, since she was the one in canon to take in their mother and write Chil a letter explaining the situation, I feel like she’s always been the one most involved and aware of the problems in their family. The one most there to emotionally support or to understand what the vibes in a room meant. Puckpatti I think knows her father the least, since with time I think Chilchuck was more and more away from work and more and more cynical like the flashbacks of younger him dungeon diving. I think because of her not minding unstable odd jobs that she’s the most passive, that she’s the most go with the flow. I do also love when Mei is the one most aware of her parents’ flaws and most critical as the eldest, but not in this fic. Meijack grows up to never touch a drop of alcohol, what people joke is the one difference between her and her father. Flertom drinks, too much sometimes, but she considers drinking should be a social activity rather than a habit. Puckpatti only drinks on special occasions when she has the chance.
They already don’t have that much time together because of his work, I wonder how big of a percentage the amount of memories the daughters have of him are when he’s not himself truly… How they kinda reconcile it all. It’s their normal. 
And the thing that’s gutting too, is that Chil always looks so so much more open, relaxed, cheerful and happier when drunk than he usually is. He doesn't know how to get his defenses down without alcohol
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"you're all that's good"
Because we do see how he truly used to not be so closed off and bitter. But distrust and fearing for betrayals from both coworkers and then his wife aka the person who’s supposed to be closest to him (he doesn’t even have close family besides his daughters. Does he even have close friends) turned him into what he is now. He was so cheerful!! Happy and trusting and optimistic.
He leaves and she left
God there’s the whole ‘wife leaving him’ trauma too is the thing… It had to have fucked him up so bad like no wonder he got paranoid and decided not to open up to ANYONE like. He never saw it coming is the scariest thing. He didn’t expect her to just up and leave. He didn’t see the warning signs. He won’t know if it’s coming this time either.
….. But then also, why he didn’t reach out to her (besides hurt) was because it was a petty silence treatment, like "oh she left without saying a word? Fine well I won’t reach out to her either" <- man who is so not fine and collected about it. It’s been FOUR YEARSSSSSSS I wonder if he always was like… "This week she’s gonna send a letter. … Ok fine, this month she’s gonna crack. … Within the year she’ll come crawling back." and it’s a bit why it was allowed to go on for this long unchecked like… Why he still considers her his wife even though functionally she’s more of an ex by that point after 4 years.
I can never stop thinking about him and his wife they’re fucking crazyyy. Him not reaching out to her started as a silent treatment from frustration. She never reached out to him either, she just up and left, didn’t even leave or send one last letter she’s just gone and has left this all behind, the house and everything in it. It’s been 4 years but he still considers her his wife and considers themselves only "estranged", "due to circumstances we haven’t seen each other in years". His face in the panel he said this is interesting too, trying to be casual but defensive and exasperated, already dreading the judgement and questions. He moved out of his house to rent a place in Kahka Brud instead. How much of him not reaching out was avoidance… Guilt, frustration, sadness, confusion, just procrastinating and dread and fear of a rejection more concrete, or something else… Maybe realizing he doesn’t miss her as much as he should, not enough to chase after her or try to get her back, just resigning himself to it… Is he a bad husband, is he a bad person? Should they reconcile?
Not seeing it coming… It’s half trust, that this person who’s so dear to you could never just up and leave and hurt you like that, half entitlement, thinking that she would never think of leaving, and third it’s blinding himself to the warning signs, not wanting to believe or acknowledge them. Because like, there WERE some, he said she "suddenly fell into a bad mood on the way back [from the outing]" and I don’t think he’s too dumb to be aware that something was off, he literally just dismissed it and then went surprised pikachu face when it turned out things were indeed off.
Part of it is definitely, how do you even react if your wife walks out on you without warning. If it happened to me I think that I wouldn’t reach out for a while either, wait for them to reach out to me first, give them space. As I put it in one of my marchil wips, "I respect your right to be rid of me too much to try and shackle you to me if you want to leave". Inaction is easier than admitting he’s scared to check and find out that the worst case scenario is true. It’s been years and he still hasn’t worked it out why she left. Do you think that’s on purpose. That he doesnt want to know for sure. It’s so so so scary to try and do anything about it
He said he didn’t reach out right away when she left because he was petty and wanted to give her the silence treatment back. Ok but is it that he blames her for their marriage falling apart or does he blame himself and he’s just misdirecting the conflicted feelings? Did he not reach out because a part of him was too scared to know why she left or if she would refuse to come back? Did he just think that she’d come back on her own, and things would get fixed while still staying unsaid and unconfronted like they always have, the first month, then the next and the next, until it was a year in and it sunk in that oh, maybe she wasn’t coming back?
He seems genuine here when he says that he was angry about it and gave her the silent treatment, but it is an habit of his to lie to make himself look worse instead of showing vulnerability, so who knows.
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He is so so scared of being affected by relationships. Same thing with his compulsive habit to disguise his worry for anger. It’s why he doesn’t want people to have expectations of him, "I’m a coward I’m selfish", because then they can’t be disappointed, they can’t be surprised if he bites, they can’t leave when you lose what they’ve been staying for.
He has avoidant tendencies too. Every time there’s an interpersonal issue he just accepts it’s out of his control immediately. He’s passive when it comes to relationship problems, just like with coworkers, relationships are a ticking time bomb to him, and he just wants to be left out of it and come out unscathed. It comes back to his pessimism. He doesn’t think that like, things could be better. According to him life is tough and cruel, you accept your lot in life and make the best out of it and that’s it. If people are scummy you don’t whine about how unfair it is, you close yourself off and work to not be taken advantage of again and adapt. So then with his wife, when Marcille is like "Have you tried… Talking?" it’s such a crazy idea that it might work at all, that he could have the power to fix things… And that’s why it’s such a big deal when he goes "Alright I’ll try… I don’t know if it’ll go as well as in the stories, but I’ll try". That CRUMB of allowing himself to be hopeful is so huge
Honestly for the longest time I misread this bit, I thought she left in the night like how Marcille framed it, but no she left after he left for work. She left after he left again.
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The way it’s told, it really sounds like Chilchuck just came home from work, stayed probably a couple of days in which they went to that outing together, then left for work again right away/soon after and it’s like. Was that outing the most special thing you guys did together. You came home from like a month of work, you had one outing where she ended up having a bad time, y’all didn’t talk about it further and then you left for another couple of weeks. Are you kidding me
Your married life is waiting for your husband to come home, spending mediocre time together, being shut down when you voice discontentment, and things being left unaddressed before he leaves again.
She left when he was gone for work, but did she leave the day of, or did she flip flop on it and took a while before working up the strength to leave? Was she waiting to see if he’d say anything before leaving and when he didn’t that was the last straw?
Chilchuck trying to prove a point that half-foots can make it out there, trying to rely more on himself because that’s the only person he can trust. His wife feeling like he's leaving her behind (because he does. over and over and over and over.) This guy just keeps throwing himself into work because he thinks it's what's best for everyone. Hey sir neglecting emotional needs can be kinda detrimental to everyone involved, I think you might wanna know that ^ quotes courtesy of @soappox
And to come back to alcoholism for a bit, alcoholism is alcoholism, and someone asked why I thought that a Chilchuck with depression would drink and cope through alcohol, since drinking seems to be something cheerful to him. It does puzzle me a bit but it’s worth going over, so… I don’t think him using drinking as a coping mechanism is far fetched at all. Cheerful drunks that are alcoholic still can absolutely use alcohol in ways like that. If something makes you happier, or even just more numb which translates to you feeling more free etc etc, then I definitely think it tracks that he’d keep drinking. Like personally I do think he’d drink a lot after his wife left him, and in rough patches like that. Depression -> not wanting to have to think, the days are blurring together and you either don’t want to be conscious or you want to feel something etc etc -> drinking for the alcohol. Alcoholics tend to be, well, dependent on alcohol. If something bad happens etc they’re usually more likely to go harder on it rather than stop. We can debate on when and why Chilchuck first started to drink but it’s straight up his favorite food now and it’s deeply ingrained in his life, in his favorite outings and activities and priorities and moods and meals. A CHEERFUL DRUNK IS STILL A DRUNK!!! They drink to get happy not drink because they are happy, though obviously the two can have overlap.
Chil represses sooo much. His solution to interpersonal conflict and feelings is just don’t think about it and dull your feelings & senses to everything ✨ I love him. I need to kill him with hammers Like the other day I was thinking about an AU where he might have ran away from his neglectful home or something, but then I remembered he deals with everything including his family by dulling his feelings and senses to things 🫠 He wouldn’t leave
I’d say he doesn’t look troubled by loss through death, moreso loss through mistakes. His nightmare is his daughters dying yes, but moreso them being killed, there’s an axe in the wall etc, it’s about having failed to protect them.
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If he can’t fuck something up or if he’s already fucked it up there’s this pacifying sense that he can’t have the rug pulled from under him, because that’s what having connections is, having a wife isn’t an insurance it’s a rug waiting to be pulled. And his brand is sort of Flawed Mr Mistakes Man so he’s kinda been having to cope lol. I do think he throws himself into workaholism, because it’s sort of the only way to live he knows, making yourself capable and useful and spending his days working like that, less time to think, too tired to think. Senses dulled, senses that are usually too sharp, cutting with clarity that he prefers ignoring and avoiding. Work is something he doesn’t have to feel through, something that gives him pride and self-esteem, something through all the danger and life or death risk feels safer, emotionally. No one taught him how to deal with things another way, it’s always been suck it up and work.
Conclusion
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Stop smoking we love you and we don’t want you to die
No drinking will not externalize your feelings no it won’t vent them out well please Chilchuck ple-ea-ease…….
</3 They should invent an alcoholism that doesn’t make you dysfunctional and hard to be around
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^ Drunk, by The Living Tombstone
I’ve been thinking about enneagrams and Chil is 6w7 highkey. Becomes 3 when stressed, a little 8 but it’s more that he wants security so much that he becomes paranoid rather than having the core of an 8 y’know. I haven’t dug into it for quotes yet but this paper goes hard if you’re curious.
Dropping my relevant Spotify playlists here bc why not: Chilchuck & his wife, marchil angst
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