idk im not good at this stuff i collect magic items i don't study them
(im not good at riddles)
3rdL!Cleo: Oh no I completely understand that. I have no idea anything about magic. I might try and find Scar
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"Do not believe all that the Father of Lies tells you," Zane said.
"Incarnations of Immortality: On a Pale Horse" - Piers Anthony
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Red Hood Characterization
This is really long so I'm putting a cut here, I've been thinking about Jason Todd's character motivations and the question of whether or not his actions are based in a Moral Code (I don't think so, not to say he's without any morality) and I talk about that in more depth here.
I saw someone say on here that Titans: Beast World: Gotham City was some of the best Jason Todd internal writing they'd seen in a while, and I've been a Red Hood fan for 8 years or so now? pretty much since I read comics for the first time, so I went and checked out and I thought it was good! The way the person I saw talking about it as if it was rare and unusual made me wonder though, because as well-written as i thought his stances on crime were, there wasn't really anything in it that went against the way I conceptualize Jason?
This kinda plays into a larger question I've been thinking about for a while with Jason though, which is that, do people think that the killing is part of a fundamental worldview that motivates him a la batman, and that worldview is the reason he does the things he does?? Because 8 years ago i was a middle schooler engaging with fiction on the level that a middle schooler does, so I simply did not put much thought into it beyond "poor guy :(" but ever since I actually started trying to understand consistent characterization, I don't really see Jason as someone who's motivated by a moral code in his actions the way batman or superman is!
tbh my personal read is that he's a very socially-motivated guy, his actions from resurrection to his Joker-Batman ultimatum in utrh always seemed to me like every choice made leading up to his identity reveal was either a. to give him the leverage and skill necessary to pull off his identity reveal successfully, or b. to twist the knife that little bit more when he does let Bruce find out who he is. Like iirc there's a Judd Winick tweet like "yeah tldr he chose Red Hood as his identity because it's the lowest blow he could think of." And I think that's awesome, I think character motivations rooted so deeply in character's relationships and emotions are really fun to read! I also think it's where the stagnation/flatness of his character comes from in certain comics, because if his main motivation is one event in one relationship that passes, and he is not particularly attached to anything in his life or the world by the time that comes to pass, it's a little harder to come up with a direction to go with the character after that, because there isn't much of a direction that aligns with something the character would reasonably want? But I do think solving this by saying "all of the morally-off emotionally driven cruelty he did on his way to spite Batman was actually reflective of his own version of Batman's stance that's exactly the same except he thinks it's GOOD to kill people" isn't ideal. To be fully honest, it seems to me like he never particularly cared one way or the other about killing people to "clean Gotham of crime," he just did everything he could to get the power necessary to pull off his personal plans, and took out any particularly heinous people he encountered along the way (like in Lost Days.) Not to say I think the fact he killed people keeps him up at night anymore than everything else in his life events, I just never really thought he was out there wholeheartedly kneecapping some dude selling weed or random guy robbing a tv store for justice.
Looping wayyy back to my question, Is this (^) contradictory to the way he's written/the overall average perception of the character? Because like I enjoyed his writing in Beast World i have zero significant issue with anything there, I just didn't believe it would be a hot take, like yeah, that is Jason. It's been a while since I've read utrh and lost days, but I don't think my takeaway directly contradicts either of those too bad iirc. Idk all this to say I think Jason killing and being alright with killing is an obvious and objective fact, but i guess i've always seen it as more of a practical tactic than a moral belief, and I think taking the actions made during the lowest points of a character's life where he is obsessively focused on this ONEEEE thing and trying to apply it as a Motivating Stance to everything he's done after that, doesn't really follow logically for me.
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Since apparently we've stopped saying it often enough to catch Today's Lucky 10,000 and a lot more than that now need to hear it:
People using websites COSTS those websites money. Users do not directly translate into revenue unless the users are the PRODUCT that the website is selling on to other parties via ads or data harvesting.
Which is to say, the reason AO3 has funding drives is because they're not selling your porn-reading habits on to interested third parties. Please stop saying 'they should just make money like other websites.' I am fairly sure you do not really want them to do that. I certainly don't want them to do that. It's a voluntary drive; if you don't want to give you do not have to. The AO3 IRS won't get you on tax evasion.
Also like. You can care about more than one thing at a time. Your outrage and energy and give-a-damn does not have to focus like a laser on whatever you've deemed The Most Important Current Thing.
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To be honest I kind of just want to write a fic set after Frontiers where Tails ends up in Possum Springs and befriends that crew. Not for any plot reasons, there's no plot really, but just so he can hang around with a bunch of people who have problems and negative feelings and think it's A-OK to feel and express those negative feelings. They treat him like the kid he is because they're in their twenties, and he explodes with everything he's been through in a way to prove that he's not just a kid, and Mae responds with the NitW-certified understated, "Jeez." They take him to smash lightbulbs behind the Snack Falcon. They let him sit in at band practice. He helps Bea out at the Ol' Pickaxe so she can finally fire the creep that assaulted her. (She at first tells him that's probably a violation of child labor laws. He goes, "what are those." She says "fuck it" and hires him.) He and Lori get to gleefully shout, "everything sucks forever!!" while laying on the train tracks because sometimes you've just got to embrace the fact that, yeah, things suck! And maybe they always will! And maybe that's okay! Maybe it's okay to not be okay!!
There's no plot. This follows the events of NitW too, so there's no danger from the cult. Tails is aged up a little maybe, perhaps 12 so that he and Lori can be closer in age (since she's 14), because I want them to be besties and later pen pals. (She gets him a friendship necklace that's two halves of a star. Together they spell "BFF." She gives him the B, because he has a big brain, and keeps the second F because she wants people to think it means "fuck."
Tails: "So . . . Brains Forever Fuck?"
Lori: "Exactly" :3)
I just think it would be fun and maybe what he needs. Everything's dying in Possum Springs and everything sucks, Mae is severely mentally ill, Bea is cut off from her dreams, Gregg and Angus have no way of knowing if they'll ever manage to get out, Lori was probably going to be the next target of the cult. But hey, they're still alive. They can still smash lightbulbs and build crazy robots and tightrope walk on the power lines and have knife fights (ok that's just Mae and Gregg) and play grunge rock as loud as they can during band practice. Angus can tell Tails about a universe that doesn't care, and people who do. Gregg can commiserate on what it feels like to feel worthless, and Bea likewise on how it feels to be overwhelmed but knowing you have no choice but to keep going anyway. And Mae can save him the trouble of paying for a shit therapist by telling him, look, the only therapist around will tell you to just journal your thoughts and feelings. So do that. Maybe it helps. She doesn't know. But she does it, so hey, might be worth a shot.
I don't know, I just like thinking about it. Don't know if I'll ever write it, but the idea of Tails and Lori M being pen pals regardless is one I like a lot (as well as Tails taking a burned CD of the band's EP with him when he leaves, and actually picking up on that journaling thing big sis Maeday told him about . . .)
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