#everyone just go through his songs he has such vibes and bangers he is fueling my insanity atm | Explore Tumblr Posts and Blogs

vanityloves · 3 years

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anyways im gonna listen to/read the fuckin...rise of the ogre shit bc ive been putting it off 🪓🥴 im gonna put stuff under the cut bc im gonna be TALKING n dont wanna make a new post everytime

piss

ok he performed for 2 pounds 50. which is basically $3 today i- well it was absolutely a power play on his father behalf that also had the promise of money so.

also lol he said Rejection fueled my ambitions which, yknow,, i already knew but it still hurts and i will continue to talk ab it xoxo

AH HELP. "...if ebay had been invented at the time he would've sold me online there and then,"

"man hands on misery to man, yknow"

THEN PROCEEDS TO CONNECT IT TO MUSIC/HIS CAREER. this man said :) the one thing i truly have a passion for. the one thing i fucking like.

oh yeah. bullied by students AND teachers.

oh god hes 42ish during this interview? ok.

the fuckin school bully saying he wouldve acted differently if he knew what hed become

getting called "faceache", then proceeds to call 2d that. jfc he really does just repeat what everyone says. really "treating others how i was treated/how they treat me"

maybe thats why? hes kinder to fans? bc :] you support me and like me so, ok ill return that energy

MURDOC GETTING HIS ASS BEAT N PARADING HOME LIKE WELL I WON BC 'I PISSED YOU OFF' SJDJD

a real rowdy boy. absolute nasty boy. fraud and arson... shooting ppls windows with his air pistols

black sabbath being a huge inspiration? fucking absolutely.

became a satanist n shit at age 16? "it fitted me like a glove" "heavy metal and devil worshipping became my favorite past times" ajsj funny that ppl in trying times often seek religion or following of some sort

heavy metal being his favorite, n loving the clash, while hannibals was more punk based

hannibal breaking murdocs nose for the 2nd and 3rd time for playing his music on hannibals turntable

he doesnt sound that bitter? ab hannibal? he doesnt sound incredibly fond but he talks ab how he got him into a lot of music. so, i imagine they we're a bit closer than i thought?

international baccalaureate in antisocial? anthropology?

MURDOC IS ACTUALLY SMART HE WAS JUST. NOT INTERESTED IN THE SUBJECTS? I GUESS? (also,,, he literally Built cyborg noodle and i think he had a PhD too lol. but its always nice to hear hes actually...yknow, interested or good at other things)

alright but murdoc having a fascination w/ other cultures - or at least some interests, that lead him to actually study the damn subject and "pass with flying colors"

'fuck college though. im gonna be a rockstar'

he sold his soul at 18ish? whenever the fuck he got kicked out but college was mentioned so my brain goes to 18ish idk

he lived with his father still and paid rent via low paying jobs one including 'part time dressing as santa'

help he was ab to take a Personal Job for quick cash and uhh well, "still made me call him sir though" he really said 20 dollars is 20 dollars, huh "that story was totally true"

alright, 1997,,,

2d stuff

loves zombie stuff? thats really cute, and is freaked out by the way they move. god he rambles

both he and murdoc are horses in the chinese zodiac

[[jfc ok if the official shit compares them a lot i understand why ppl ship them but Dont. its a narrative foil and that doesnt always mean Romance jfc.]]

SUMTHINK.

truly... a lil stinker. super cute bouncing baby and a "bit thick" which is stull so endearing to me. hes just a happy man!

excitable 10 year old and would dance around his room

jfc the fact he has normal/caring parents. i kinda forget how opposite hes supposed to be from murdoc but i think thats another thing jsjsysg (murdoc said why isnt my tragic story making me famous why does he get to be the Star. no wonder he acts like a loon)

i still dont get how gettin bonked by a tree branch made him go bald and also turn his hair blue

big tiddy nurse mommy,,,

went to the same school as The Cure and got decent grades despite hittin the noggin quite hard. WANTED TO BE A STORM CHASER... OMG??

oh thats really cute, hed bond with his dad by building keyboards toegther 🥺💕

messed around with paints and graffiti? artistic king

MURDOC AGAIN: QHDJ 'VILLANOUS' GANG HELP

oh yeah d day...new instruments, new band, new singer - and 'had to be the best or no dice' and absolutely CONFIDENT that his songs were bangers ajsjd

but on that same note, had absolute faith (or desperate) in 2d which i love

ransacked the fucking music shop jdjdj and 2d said he was Just Standing There behind the counter the whole shift hdhdh

"thats when your eye came out, yeah" "yeah!-" HELP WHY DOES HE SOUND SO HAPPY AB IT ?? yes he said ut hurt but he sounds...ok

jfc murdoc ragdolling this poor mf around. dunking him and slapping him around. actually? so incredibly terrible and abusive and i hate him for that 🔫 im sorry 2d stans. we dont condone that behavior here ong.

how and why the FUCK did 2d's parents allow that fucker near their child after that i??? help. wtf. his moms a nurse why didnt she just have murdoc sit in plain view of other people. god damn.

2d flying out the window n hitting the curb "whoops"

"just two black holes...[ah] it looked great...a blue hair, blacked eyed GOD- the girls would go wild-" "pretty boy looks" ???? HELP. HE DOESNT GO LIGHT ON THE COMPLIMENTS, HUH

RUSS TIME

oh yeah, he straight up kiddnapped this man help. idk how he managed that, russ is a Big Man??

AND MURDOCS MUSIC WAS SO FUCKING SEXY GOOD that russel said hm alright ill stay, :] out ifbhis owm free will im screaming.

"oh this is one of them febreeze commercials" "uh . yeah sure. *murdoc turning on his Sick Tunes*" but that either means? it was just his guitar playing the convinced russ? unless he and 2d recorded sumn?

"2d was the looks, murdoc the brains, then russel truly was the heart"

'while 2d and murdoc liked music, this man was a MUSICIAN' god fucking bless this book holy shit ny man russ getting some respect. he said back hurts from carrying this band.

murdoc basically heard this guy had big trauma that gave him So Many Skills n said "thats what i want" ok idk thats actually really? inch rest ting to me. seems that murdocs fine handing out compliments but i guess that where his charisma really helps out yeah?

"he was going to be in my band whether he liked it or not" ...murdoc-

HELP. 2D IS LIKE BRO GO ON IM LISTENING 🥺 despite hearing the story 50-60 times and murdoc said fuck off you lil shit.

ok irrelevant but i love his voice! its super comforting n nice to listen to 🥺

HELP MURDOCS SO BITTER. "NOTHING THAT HAPPENS TO US IS NORMAL" WELL YEAH. THIS IS TRAUMA CENTRAL.

idk how/why he sucked up all his friends souls though ... how are they all possessing the same person. they said "its my turn on The Russ"

DELL IS HIS ACTUAL, LITERAL SOULMATE...KING...😭

went to a private school,,, and was already possessed? and the thing where he gets bigger and smaller is a reoccurring thing?

was in a coma for 4 years?

hiphop machine...time and history...the ultimate set i guess.

his knowledge was infinite and hes a "Renaissance man" hes so fucking smart our king. jack of all trades but a master of drums. he said i know im good and what of it

PAULA.

HELP. HE RMBRS THE STALL: CUBICAL NUMBER 3 🥴 IF I DO RECALL 🤤

yes russel our king. fuck up his nose 5 more times. probably stunted his growth too. he shrunk after russ gave him a wallop im sure

why dies paula sound like tracer overwatch

also only dated 2d for 2 months before joining the band?

HELP SHE REALLY WAS THE FIRST MURDOC FUCKER: "but when i saw murdoc with his thick greasy hair, green teeth and yellow skin i thought 'oh this is the ine for me!'" "OH HES SUCH A DANDY-" HELP ME IM HQJDHD

sick in the head...like i want to hurt people help girl. shes fucking Crazy. but she rly said damn i didnt hear back from him again 😭 and my purse is gone JSHHD

MURDOC: SHE WAS DEPRESSINGLY UGLY *still fucked her*

NOODLE TIME

"small japanese person!"

2d: we werent gorillaz until noodle arrived!

im dying the reason he chose gorillaz. 'swinging through the jungle baring my ass'

noodle really said "im just happy to be here" and she balanced everyone out 😭 "she gave off pure love and the fact that she could laugh at murdoc REALLY helped too" RUSS... IS BABY

JFC MURDOCS SO FUCKING CONFIDENT IN THIS BAND IM LIVING FOR THAT. HE SAID YOU WANT US SO BAD IT MAKES YOU LOOK STUPID. THE CHARISMA

2d rambling ab some girl he met and "ssSs" "whats the s stand for hawhaw" "i dont know!".

THE RECORD LABEL GUY.

one song is all it took i ❤ good for them

just murdoc talking ab the party that they threw for thier deal and saying "you dont know how much of a dick i felt like [when carrying one of those huge checks]" like oh thats whatll make you a dick? alright.

A FOOD FIGHT THAT WENT SO HARD THAT IT KNOCKED 2DS TONSILS OUT? WHAT THE FUCK

ahshdj damon and murdoc not getting along bc of Rival Band One Uppery + damon calling murdocs cuban heels crap since ge wore steel ones with gold spurs.

MURDOC FEELIN EMBARRASSED BC HES 'QUITE PROUD OF HIS SHOES'

but the band and damon getting over music and their ambitions and became a "paternal figure"

HELP MURDOC SAID AWIOGA @ RACHEL WHICH MADE HER THROW HER DRINK IN HIS FACE AND SPLIT FROM 2D. kinda sad actually, she said i still like 2d but murdoc kinda ruined it by trying to get it in with me, it put a strain in our relationship :/ oh god murdocs That Dude

nov 31 1998: started recording :]

40 tracks that got cut down to 15 holy shit

KONG STUDIOS 🤲

hooking up cameras in every room ejdjsu

webby artist of the year in 2006? holy shit

noodle learning ab kong studios omfg

JFC. YES I KNEW KONG WAS BUILT ON/IN A CEMETERY BUT I DIDNT KNOW PPL FOR THE FUCKING PLAGUE WHERE THROWN THERE HDJD

built in 1739?

the ghost of the first owners ghost still roams around in the kitchen in the early hours and moans 'aaa glass of water'

theres some rotting bullshit near the studios and in the summer its fucking TERRIBLE

the former owners were a biker gang, and they all died in a fire

murdoc said this place has bad vibes. i want it.

grim weather

the building feels impossible to escape from huHgg

#rip lol i feel annoying but my blog my rights ig #brainworm ivy #gorillaz rambles

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jobrosupdates · 5 years

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‘Sucker’ Punch: The Behind-the-Scenes Players to Launch Jonas Brothers’ First No. 1 | Variety

The trio's manager, A&R and label chief explain how an authentic thaw in sibling relations led to a strategy of silence, then shock and awe.

March 11, 2019 by Chris Willman

America is collectively a sucker for the Jonas Brothers again — or at least that’s the strong indication from first-week results for their comeback, a full decade after the trio last had a top 30 single. “Sucker” just became their first song ever to top the Billboard Hot 100, and the first by any band to debut at the top of the chart in more than 20 years. According to Buzz Angle Music, the first seven days for “Sucker” racked up a combination of 30 million audio streams, 16 million video streams and 88,000 digital sales, on top of a fast radio start that found nearly every pop station adding the tune.

How’s it possible one of the biggest phenomena of the late 2000s never had a No. 1? Back in their original heyday, radio and older fans were both mutually suspicious of any act coming out of the Disney camp, no matter how massive the ticket sellouts or record sales (they had four straight platinum or double-platinum albums, if you count the “Camp Rock” soundtrack). Ten years later, pent-up fan energy is meeting no such gatekeeper resistance.

“As big as they were previously, they’ve never seen this kind of chart action, which is pretty wild at this point of their career,” Monte Lipman, the chairman/CEO of Republic Records, tells Variety. “They were an arena act, but in terms of the traditional record flying up and down the charts, they never had that. From the outside looking in, I was always intrigued by their success and thinking about what would happen if they had a record that stormed the charts on top of all of that, like they do now. So we’ve been having a blast.”

Crucial parts of the campaign: “Having Nick’s and Kevin’s wives and Joe’s fiancée be a part of the video was really powerful, and that visual provided a lot of fuel at launch that was beneficial to the whole campaign,” says Phil McIntyre, founder/CEO of Philymack, their management company. “And the platform of James (Corden, whose show featured the Jonas Brothers for an entire week) was phenomenal and made for great, fun content that travels.” The “Carpool Karaoke” was even revealing enough about the brothers’ personal story to make up for a lot of interviews they could have done and didn’t. But prior to the video and Corden, the perhaps even more critical component in the plan was… silence. “It was definitely part of our strategy, to try to keep it under the radar, and it was helpful that it stayed there,” says McIntyre, “because we were totally expecting that it wouldn’t.”

“As hard as it is to keep a secret in 2019, especially when you’re three of the most followed guys online,” says Republic’s EVP of A&R, Wendy Goldstein, “they did a great job at keeping it quiet. And the Jonas Brothers as a band may have been dormant, but their individual development and success probably contributed to amplifying excitement. They’ve been out there for six years in the public eye, but not as Jonas Brothers,” she says. “It was the perfect tease.”

Adds Lipman, “Because when you think about the marketplace, nearly 150,000 new songs are made available every single week, and the greatest competition we’ve got right now is that sheer volume — the static, the noise. So in this case the best thing to do was almost the opposite, something without any messaging, and literally just drop it out of the sky — and ka-boom, it’s the loudest bang you can create.” But everyone was concerned the secrecy could be blown at any moment. “Any time the guys were ever seen in the same room together, the rumors started flying. So there was a lot of denial, absolutely.”

Plausible deniability, though, because the Jonases really did have another reason to be in one another’s company — a documentary — and the recording was an outgrowth of the unofficial on-camera therapy sessions undertaken for that.

“A year ago, we started making a documentary with just the intention of telling what an incredible story these brothers have of taking this journey together and growing up in the public eye together as a family, and the ups and downs of it,” says McIntyre. “And it was not to necessarily make new music or anything like that. So it unfolded in the most authentic way possible, and I think that’s part of why there was an element of surprise, because for the most part when they were seen together, most people thought it was for the documentary.”

When did a documentary shoot turn into a resumption of the Jonas Brothers as a commercial and artistic enterprise? “I would say it was toward the end of the summer last year,” McIntyre says. “Because we probably did four or five different trips with the brothers: They went to Australia where Joe was shooting ‘The Voice.’ They went to Jersey and to a couple other locations, and probably after the fourth or fifth location, they had sort of processed through so much of the things that tore ‘em apart earlier in their career, and just started to get honest with each other. And there’s a magic to when they’re together, and as much success as anyone’s had on their own solo journey, it doesn’t necessarily compare to what they’ve experienced as brothers. So it was toward the end of summer that they started to have the conversations around it, and it was at that point that I said, ‘I’ve got to get with Monte and talk through this.’ Because in my mind, there was only one place to do this, and that was with Republic. I just knew that they would they would be able to nail it.”

Finding a new label home for the Jonas Brothers, many years after their departure from Disney’s Hollywood Records, wasn’t a stretch. Republic had had Joe’s interim project, the group DNCE, and been jointly involved with Island Records on Nick’s solo career.

Lipman says he didn’t offer any preferences for which stylistic direction the Jonas Brothers should take their new music, once he was brought in. “Monte Lipman? No,” he chuckles, as if the idea that he’d get personally involved in their A&R is a laugh. “I learned a long time ago just let them let them do their thing. The cool thing about working with the Philymack camp in particular and the Jonas Brothers as their partners is that when they come to the table, so much of it is been vetted, and ‘Hey, this is the way we’d like to present the music. This is the aesthetic.’”

But Goldstein did get highly involved as recording continued — and had a strong preference when it came time to pick a single out of the supposed two albums’ worth of material the trio has recorded. “There are some really powerful bangers ready to go,” she says. “But ‘Sucker’ just had a vibe. It felt like a great way to come out. I think everybody agreed on that.” After her persuasiveness, anyway. “There definitely was a debate as far as what the first look would be,” says McIntyre, “and to Wendy’s credit, she was the one who said, ‘I feel strongly that “Sucker” is the right first sound and first song.’”

“Sucker” is much more akin to the dance-oriented material Nick and Joe have done in the interim years than the guitar-based, power-pop sound the brothers played in the 2000s. At recent “secret” shows in New York and L.A., the group sounded like they did in the first part of their career — that is, like a straight-up, heavy-on-the-hooks rock band — and they rearranged the one new song they played, “Sucker,” just enough that it fit in with the guitars-and-live-drums ethos of their old sound. But that may not be an indication of where the eventual album will be headed.

“Creatively, they’ve evolved, as any artists would after a decade,” says Goldstein, not quite willing to commit them to a genre. “I don’t think it’s tied to any era in particular. They were adamant about making an honest, real and somewhat raw comeback. They draw on their history together, but it’s an exciting new chapter.” McIntyre is a little more committal about how fans shouldn’t expect the new material to exactly revive the 2000s: “I would say that you will be able to see and hear the influences of what Joe did in his solo career and what Nick did in his solo career come together in a very natural way.”

It was a good time for the brothers to reunite, personal reasons aside, because although their solo endeavors had kept them somewhat in the limelight — Nick as a solo artist and Joe with DNCE had both made the top 10, and had ongoing success on the dance charts — neither had had such an ongoing run of hits that a resumption of the brother act would seem like a step backward. Nothing was guaranteed: The last time the Jonas Brothers tried coming back after a layoff, in 2012-13, on an indie label, the media and radio weren’t much interested, and their personal disagreements took such a toll that a planned album and tour were canceled as they officially broke up. But clearly a few years of their absence as a collective made the public heart grow fonder.

“They were part of a lot of people’s most influential years, of their childhoods or beyond,” says McIntyre, “and so I think that the timing of them bringing those positive, good times has resonated, and people appreciate them now for being the soundtrack to their lives.” Plus, there’s the small matter of the song being good, “so we do get the opportunity to get a whole new audience that isn’t there for nostalgic reasons. It’s very much a two-pronged strategy.”

As for an album, “We’re working through the timeline now,” McIntyre says. “I think everybody would like to get it out as quick as possible, so I would look to the first half of this year.” As for a live return, the brothers had 35 minutes of material very solidly rehearsed for their secret El Rey show last week, but the nature of a tour is still under discussion. Picking up where they left off at the height of their careers, in arenas, has been part of the conversation, but so have more modest venues. Nick leaves this week to shoot a “Jumanji” sequel, which may put a slight speed bump in those discussions.

Will the documentary, done in partnership with Amazon, come out simultaneously with the album? “As of right now they’re separate things,” McIntyre says, “but we’re looking at it. Because as you tell this story, you realize that so much of the story revealed itself through the process that then led to the music. So we’re playing with just how to kind of roll out the two bodies of work.”

McIntyre says some healing had gone on before work on the documentary started, but the filming process caught any sense of alienation further breaking down. “I think that they are like most families out there — that they had touched on the issues enough to be able to move forward, but they didn’t really get into it,” says the manager. “They didn’t go into the depth of where the hurt was each one of them really felt in those moments, and being able to articulate it and explain it to each other. That was a discovery along the way of making this. It wasn’t something that we knew was there, necessarily; it was once we got into it, we sort of all looked at each other and were like, ‘Wow, there’s a lot of layers to this that need to be discussed.’”

Lipman also says the documentary will further reveal that the reunion “is not a marketing ploy. It’s not anything that was calculated. It wasn’t a money grab.” But if they’re able to mint some out of the finally refreshed brotherly love, that will be a significant Jonas bonus.

Source: Variety

#jonas brothers #phil mcintyre #monte lipman #text #article #2019

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hiphopmademedoit · 6 years

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Czarquan- Hunting Season Review

Written by DJ Toasty Z

Three weeks ago, NY underground heavyweight Czarquan released Hunting Season, his much anticipated follow up to Juice Wayne.

With Juice Wayne, Czarquan established himself as a household name and a force to be reckoned with in the New York underground scene. He stood out as a commanding figure whose “just ate a bowl of nails for breakfast” voice paralleled the darker side of the city he called home. His gritty voice over airy eirie production painted a picture of a true new yorker’s new york. On Hunting Season, Czarquan builds on this while showing a degree of versatility like never before.

The 12-track project clocks in at around 30 minutes. Short and Sweet. No Filler. Just 12 high-quality tracks. The album is produced almost entirely by Czarquan himself and his partner in crime Tony Seltzer.

When, I sat down with Czarquan for an interview, he emphasized how influential Tony Seltzer is on his art. They create a partnership where each one fuels the other, in turn elevating the final product. In today’s internet age, where rappers and producers are often just emailing tracks back and forth, the two processes are often detached from one another. It’s refreshing to see Tony and Czarquan’s chemistry, which allows them to carve out a truly unique sound on Hunting Season. Peep a clip from our interview below where Czarquan speaks on the genius of Tony Seltzer.

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The album also features production from Black Noi$e, Terror, Rago Foot, & A Lau.

The album has no guest features, another point that Czarquan emphasized when we sat down. He mentioned that there was a Nocturnal Sons Posse collaborative tape coming sometime in the near future and that the much anticipated sequel to the Jaguar Pyramids self-titled project was “lowkey in the chamber”. He wanted to buckle down and feed the fans with some fresh solo material. He did just that with Hunting Season.

If I had two describe Czarquan in one way, it’d be “so New York”. This comes through on Hunting Season as he draws from the New York OG’s, while creating a new innovative sound that isn't stuck in the 90’s. On the album, he also sprinkles in nods to everyone from Mickey Mantle to the late great Prodigy.

The Record starts with the incredibly high-energy, “456″, which serves as a great introduction of what’s to come. The line “shorty so fly, I don’t need no sidechick” stands out as a refreshing line that subtly supports faithful monogamy. He goes on to re-emphasize this sentiment saying, “baby fuck me good. I don't think bout cheating.” This subtly offers a refreshing sentiment that is not often represented in mainstream hip-hop culture.

Czarquan shows a degree of versatility that he haven’t seen before in his other solo work. He hits the listener with high energy bangers in songs like “456”, “Mikey”, “Remix”, and “No Scope”, but also brings a more chilled out vibe with tracks like “Grand Prix” and “Tens”.

We also see a much more introspective side to Czarquan this time around. On “Stuck”, he speaks on much of his discomfort and disdain with the business part of the music business. The fakers, the fronters, the dwellers.

On, “Sacrifice” he goes on to offer an important commentary on how the city he loves is slowly changing from the influx of outsiders.

Next thing you know they go and gentrify Brownsville.

I can tell from the first word, you ain’t from round here.

Out of staters should need visas, yeah that sounds fair.

Though he feels a bit of resentment towards these people he goes on to say “Very few that I fuck with aren’t city kids, but they all authentic”. At the end of the day, he can get down with the real ones no matter where they are from.

While, hitting on more impactive and introspective topics, he still hits us with many of the stereotypical themes of luxury and drug use that are found in much of mainstream hip-hop today. However, his lyricism allows him to talk about these topics in a rather atypical unique manner.

Rather than using simply terminology like purp, drank, syrup, etc., He hits us with clever lines like “this year I probably drank 20 louie belts”. Many rappers often compare the amount of money they spend on drugs to other luxury items. However to use the metaphor of drinking louie belt stands out in the listener's mind. He similarly remarks, “Pint costs a breast implant, that’s a D cup”. That may not be the first breast implant reference that I’ve heard in a rap song before, but it's nonetheless a clever line that gives me a good chuckle.

He uses similar witty lines when talking about spilling his drank saying “technically I got a $4,000 floor now” and “$100 in a bounty”.

On “Remix”, he remarks “We sippin’ muddy, not that cheap shit, remix remix remix, I don’t do that watered down shit”. This has both a literal meaning, but also touches on the fact he doesn’t fuck with watered down fake individuals that “move funny”. Check out the music video for “Remix” below.

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On, “No Scope”, Czarquan uses the phrase “diamonds dancing like disco”, giving a spin to the common reference to diamonds “dancing” on one’s wrist. This conjures up the image of literal disco dancing, but also how the “dimaonds” on a disco ball dance and spins. It’s fitting that I can’t help but dance when this track comes on.

Even on “Money Prey” and “Exfoliate”, Czarquan uses simply analogies to create a catchy hook that fits perfectly into the themes of the album. Money is to prey, as he is to a hunter. Nothing profound, but a simple way to seamlessly tie back into the title of the album. There is often beauty in simplicity and Czarquan understands that perfectly.

All in all, this project lives up to the hype. If you are looking for something fresh and new that’s innovative, while still having the spirit of traditional New York hip-hop, Hunting Season is a must listen.

Standout Tracks: 456, Mickey, Stuck, Remix No Scope, Sacrifice

Rating: 8/10

Peep Hunting Season below and also check out full length interview with the man himself.

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If you like this interview check out our other artist interviews HERE and consider subscribing to our youtube channel to keep up to date our weekly interviews, freestyle videos, music vlogs, and other content.

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