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weekendwarriorblog · 3 years

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The Weekend Warrior 3/19/21: SXSW, Zack Snyder’s Justice League,The Courier, City of Lies, Happily and More!

Remember a couple weeks back when I stated the plan was to bring back the Weekend Warrior as a regular weekly series again? Yeah, well if you looked for a column last week and wondered what happened, I just didn’t have time to write one. And I also just haven’t been able to get back on the ball in terms of writing reviews. It just takes a lot of time to watch all the movies let alone review them the way I did last year. I honestly have no idea how I did it last year, but things have been busier than ever at Below the Line, which does throw a bit of a spanner into any extracurricular plans.

The big event this week is the annual SXSW Film Festival, which I’ll be taking part in virtually, and somewhat tangentially, watching as much as I can while still doing other things. It’s been a while since I’ve attended SXSW in person, but it tends to have great docs, especially music docs. In fact, this year’s Opening Night Film is the documentary, Demi Lovato: Dancing with the Devil, about Demi Lovato’s drug overdose from 2018 and its aftermath. Other music docs of interest include Poly Styrene: I Am A Cliché, about the late frontwoman from early punk band X-Ray Spex through the eyes of her daughter; Mary Wharton’s doc Tom Petty, Somewhere You Feel Free made from archival footage of the late singer making his 1994 record “Wildflowers”; Alone Together about Charlie XCX’s pandemic record; Under the Volcano about George Martin’s AIR Studios Montserrat; and it gives another chance to see Edgar Wright’s excellent, The Sparks Brothers, which was picked up by Focus Features after Sundance. There’s also an amazing doc about Selma Blair’s fight with MS, Introducing, Selma Blair, which is equal parts heartbreaking and inspirational.

SXSW also has pretty solid Midnighters, and there’s a number of those I’m also looking forward to, including Travis Stevens’ Jakob’s Wife, starring horror legends Larry Fassenden and Barbara Crampton, who were so great in my buddy Ted Geoghegan’s We Are Still Here. (No coincidence since Stevens produced that movie.) And I hope to watch a few others like Lee Haven Jones’ The Feast, Jacob Gentry’s Broadcast Signal Intrusion, and Alex Noyer’s Sound of Violence. We’ll see how much I get to see this week, cause it’s a lot of movies over only a couple days, basically from Tuesday through Saturday.

Closer to home at the Metrograph, the still-closed movie theater is doing a virtual series called “Bill Murray X6” which has already shown Lost in Translation and What about Bob? With Rushmore screening until Thursday, and then The Life Aquatic with Steve Zissou available through Friday. Become a digital member for just $5 a month! This past weekend I saw a really amazing 7-part doc series called Untitled Pizza Movie by David Shapiro. In fact, I stayed up late on Sunday to watch the whole thing since it was leaving the digital screeners, but it’s a very entertaining, intriguing and personal story about the director, his friend and partner in crime Leeds, who he went around to different NYC pizza shops in the ‘90s trying to find the perfect slice, and then they come across pizzaman Andrew Belluci at the world-famous Lombardi’s in Soho. The project that took over 20 years to make follows what happened to the three men, but mainly Leeds and Belluci as they have ups and downs that ultimately leads to Belluci starting his own pizza joint in Queens. Everything that happens in between is quite fascinating.

I saw a couple other movies this past weekend including Robin Wright’s Land, which I quite enjoyed, and the rom-com Long Weekend, which came out last Friday but I totally missed. Land is a pretty amazing directorial debut that’s mostly a one-woman show with her character alone in the wilderness until she runs into trouble and meets Demian Bichir’s kindly Samaritan and they become friends. Directed by Stephen Basilone, Long Weekend stars Finn Wittrock and Zoe Chao in what starts as a meet cute rom-com and turns into something much deeper with a couple sci-fi-tinged twists, a bit like Palm Springs, but much more grounded. I loved the two leads and how Basilone made a romantic comedy that actually was romantic and very funny, as well. Both movies I recommend.

Getting into some of the streamer offerings this week, ZACK SNYDER’s JUSTICE LEAGUE will hit HBO Max on Thursday, so we can finally see whether or not that extra money and work paid off. I’ll be reviewing this over at Below the Line, so won’t spend too much time here. I figure that anyone who has been waiting for this will watch it, as will anyone who has been curious about it. As you can read from my review, I was quite impressed by the film as an achievement in finishing what is clearly a far superior film to the 2017 theatrical release. Some of the highlights include great stuff between Ray Fisher’s Cyborg and his father, a far more fun introduction to The Flash that was cut from the 2017 release and just some insanely crazy good action. I can’t wait to watch the movie again.

Kicking off on Friday is the anticipated Marvel Studios series, THE FALCON AND THE WINTER SOLDIER (Disney), bringing back the title characters played by Anthony Mackie and Sebastian Stan, who were introduced in one of the MCU’s better movies, Captain America: The Winter Soldier. I was sent the first episode and unfortunately, there’s an embargo until Thursday afternoon, but I do think that MCU fans are gonna be thrilled with the first episode, especially with the Falcon’s opening action sequence, which is like something right out of the movies.

Okay, fine, so let’s get to some new movies and some real reviews…

Probably the movie with the widest release this weekend will be THE COURIER (Lionsgate/Roadside Attractions), starring Benedict Cumberbatch, which I’m guessing will be in 1,000 or so theaters. The movie premiered at Sundance way back in 2020 under the significantly worse title of “Ironbark” with plans to release it later in the year, but then COVID happened. I’m not sure if Roadside Attractions planned for this to be an awards movie, but after a few delays, releasing it in mid-March just days after the Oscar nominations, I’m guessing probably not?

Directed by Dominic Cooke (On Chesil Beach) from a screenplay by Tom O’Connor (The Hitman’s Bodyguard… wait, WHAT?), this Cold War spy thriller set in the early ‘60s stars Cumberbatch as Greville Wynne, a British businessman who is coerced by agents from MI6 and the CIA (repped by Rachel Brosnahan) to smuggle Russian secrets from military man Oleg Penkovsky (Merab Ninidze). Greville’s trips to Moscow start getting more and more dangerous under the shadow of the Cuban Missile Crisis, and his wife (the always great Jessie Buckley) wants him to stop taking the trips. It all leads up to a pretty exciting second act as the KGB starts to figure out what Greville and Oleg have been up to and work to put a stop to it.

I have to admit that as much as I enjoy a good spy-thriller, a lot of this reminded me of Cumberbatch’s earlier film Tinker Tailor Soldier Spy – yes, the John Le Caree adaptation, which I was never a particularly big fan of. This has similarities in that it starts out fairly slow, making me think this might be one of those well-made, well-acted movies that are just plain boring cause the subject doesn’t interest me. I’m sure when this was greenlit, there was probably more relevance to the situation between the U.S. and Russia, although this is obviously a British production and maybe something better to watch on the Beeb than in a movie theater.

In general, the stuff with the two men and their families tends to be the best part of the movie. I wasn’t familiar with Merab Ninidze beforehand, but he’s a really good actor who holds his own in scenes with Cumberbatch. Although Cumberbatch’s performance is significantly better here than in The Mauritanian, that’s definitely a better movie, so even in the last act which sees Wynne in a Russian jail, it just doesn’t compare. This is the second film with Rachel Brosnahan in which she didn’t really impress me much after hearing how great she is on Mrs. Maisel. Even so, the movie did make me want to go back and rewatch the beginning again to see if maybe I wasn’t as focused on it, as it should be.

As far as box office, I don’t have much hope for this making more than $2 or 3 million this weekend, since it seems more like a prestige platform release that would have to build audiences from rave reviews or positive word-of-mouth. Coming out so long after its festival debut (kinda like that Thomas Edison movie a few years back) may have helped people forget about the midling festival reviews. Even so, this movie just doesn’t have much buzz or interest from #FilmTwitter who has had its tongue so far up the superhero movie ass this week between Zack Snyder’s Justice League and Marvel’s The Falcon and the Winter Soldier to pay much attention to this. (Hey, facts is facts!)

Johnny Depp and Forrest Whitaker star in Brad Furman’s crime-thriller CITY OF LIES (Saban Films), which is about the real-life search for the killer of the Notorious B.I.G. aka Biggie Smalls with Depp playing Detective Russell Poole, who ended up on the case in 1997, and Whitaker playing reporter Jack Jackson, doing a story on Smalls for the 20thanniversary of the unsolved murder.

Based on the book “Labyrinth” (the movie’s original title), it’s a story that takes place in two time periods, Los Angeles in the ‘90s after the Rodney King beating and L.A. riots and how it’s made the criminal element that surrounds rap mogul Suge Night. It begins with Poole investigating the death of a black police officer named Gaines, shot by a white police officer (Shea Whigham) in what is seemingly a road rage incident. As Poole investigates, he learns about police corruption in the force including a number of officers tied directly to Knight.

As Jackson interviews Poole to try and find out who killed Biggie, we flashback to Poole’s investigation and interaction with some of those corrupt cops and being put into extremely dangerous situations. The movie isn’t bad, especially the scenes between Whitaker and Depp, who gives a far more grounded performance than we’ve seen from him in recent years. Even so, the performance that really impressed me was Toby Huss as Poole’s superior, who just brings something new to the tough head detective role we haven’t really seen.

Regardless of what you think of Depp’s activities off-camera, this is a fairly solid crime thriller (as was Scott Cooper’s Black Mass), and though you never actually get to see Biggie, Tupac or Suge Night, it’s an interesting examination into a period in L.A. that seems so long ago but still rings true to what’s been going on in the last year.

BenDavid Grabinski’s HAPPILY (Saban/Paramount) is a dark comedy-thriller starring Joel McHale and Kerry Bishé as Tom and Janet, a happily married couple who annoy their friends by still having sex on the regular whenever they possibly can. In fact, their friends decide to uninvite Tom and Janet to their planned couples’ weekend because they’re so annoyed by them. One day, a mysterious man (played by Stephen Root) shows up at Tom and Janet’s house, one thing leads to another and they kill and bury him. Thinking that the man’s visit might be part of a friend’s prank, they go to the planned couples’ trip, trying to figure out if the prankster has gotten suspicious about what they’ve done.

For the sake of transparency, I met Grabinski at my very first Sundance ever as he was friends with some of my colleagues, but I never spent a ton of time talking to him. This film impressed me, since it’s a prtty strong debut from him, one that benefits greatly from a strong cast that includes Paul Scheer, Breckin Meyer (who I didn’t even recognize!), Charlyne Yi, Natalie Morales and more, making for a really solid ensemble dark comedy that reminded me of the tone of last year’s The Hunt or Ike Barinholtz’s The Oath or a great lesser-seen movie from last year, Robert Schwartzman’s The Argument. Dark comedy isn’t for everyone, and this is definitely a little mean-spirited at times, but more importantly, it’s very funny and tends to get crazier and crazier as it goes along.

More importantly, I loved Grabinski’s musical choices from Devo’s “Working in a Coal Mine” to not one but two OMD songs, and great use of Public Image Limited as well. The way Grabinski puts this together comes across like a hipper and fresher Hitchcock, and while it might not be for everyone, I could totally see this killing at a genre fest like Fantastic Fest or even this week’s SXSW. It’s clever and original and rather intriguing how Grabinski puts all the various pieces together.

Hitting Shudder on Thursday is Elza Kephart’s horror-comedy SLAXX (Shudder) about a possessed pair of jeans brought to life to punish the practices of a trendy clothing company, which it does by terrorizing the staff locked in overnight. Didn’t get to watch this before getting bogged down in SXSW but definitely looking forward to it.

Another horror film coming out this week is the horror anthology PHOBIAS (Vertical), exec. produced by the filmmaking team “Radio Silence” (Ready or Not) with segments directed by Camilla Belle, Maritte Lee Go, Joe Sill, Jess Varley and Chris von Hoffman. The stories follow five dangerous patients suffering from extreme phobias at a government facility with a crazed doctor trying to weaponize their fears.

Jeremy Piven stars in Paolo Pilladi’s LAST CALL (IFC Films) playing real estate developer Mick, who returns to his old Philly neighborhood and must decide whether to resurrect his family bar or raze it. I actually watched a few minutes of this, but apparently, IFC Films isn’t allowing reviews, so I have nothing more to say about the movie beyond the fact that it’s coming out on Friday.

Opening at the newly reopened Film Forum – currently doing a hybrid of in-person and virtual cinema – is Chris McKim’s doc WOJNAROWICZ: F**K YOU F*GGOT F**KER (Kino Lorber), premiering virtually on Friday. It’s about David Wojnarowicz, one of the loudest voices in the ACT-Up movement during the ‘80s who died of AIDS himself in 1992. (Correction: Film Forum actually isn’t reopening until April 2.)

A few other things this week include Aengus James’ doc AFTER THE DEATH OF ALBERT LIMA hitting Crackle about Paul Lima, a son obsessed with capturing his father’s murderer who has remained at large in Honduras due to a failed legal system. Because of this, Paul travels to the Honduras with two bounty hunters to find and capture the killer.

Lastly, streaming on Topic Thursday, there’s Parliament, directed by Elilie Noblet and Jeremie Sein, about a young man named Samy who arrives in Brussels after the Brexit vote trying to get a job into the European Parliament without really knowing how it works.

That’s all for this week. It might be a while before I can get The Weekend Warrior back into some sort of fighting weekly shape, but I’m doing the best I can right now, so let me know if you’re reading any of this.

#TheWeekendWarrior #TheCourier #Movies #Reviews #BoxOffice #ZackSnyderJusticeLeague #Happily #CityOfLies

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pregnantcornbread · 7 years

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Mass Effect: Andromeda - Choices, romance, further questions.

So, I preordered Mass Effect: Andromeda to be delivered to me via courier on release day. Why? I absolutely loved Dragon Age: Inquisition, and loved BioWare’s style. The hard choices you have to make actually make a difference in the story, as do your personality and influence (not like TellTale’s Walking Dead series, who promote that your choices matter, when actually, they really don’t, the story continues regardless). In DA: I, I was a female hunter Lavellan, with not-so pointy ears (which made a difference how the other elves interacted with me), and a Ghilan'nain vallaslin (which endeared me to the halla herders). I originally romanced Blackwall, but when he left, I went full Cullen, a satisfying relationship filled with awkward coughs, innuendo, and drug withdrawal – and frequent visits to the ramparts for ‘alone time.’ I spent over 300 hours completing every side quest, relishing in new environments, killing everything bad in sight, trying not to whine when all the important choices somehow fell to me (including what is to be done with a man who is flinging goats at my stronghold) and taking down all the dragons. I never felt tired playing that game, the ‘fetch’ quests were fun due to the party banter (hint: if you have your romantic interest in your party, things get hilarious!), and the lovability of your party, well developed characters who don’t just rehash the same lines all the time (except in fight mode: “Solas needs help” is still ringing in my ears, after all this time). The DLC was quite well crafted as well (although The Descent is possibly my least favourite – why am I collecting mugs in the deep roads again? Trespasser had a great ending, and gave you another change to mix it up with your crew). So my expectations were quite high with ME: Andromeda.

After spending a quick five minutes deciding on a male or female Ryder, I chose the obvious. After having to play countless RPG’s as a man (Far Cry, Shadow of Mordor, Sleeping Dogs, GTA:V, Witcher), I chose a woman, because yeah, I am one. I spent an hour fixing my Sara to look like a human rather than whatever the preset was. My Sara, in the design part, sort of looked like a young Mary Steenburgen. Satisfied with my choice, I got on my merry way with the game. Upon waking up out of cryo, I saw everything that was wrong with my Sara’s face, the shading was shitty, the skin was terrible, her nose was way bigger, her eyes looked purple in some lights (instead of deep blue) and what was up with her goddamn eyebrows? But in some scenes, she actually looked like the Sara I had designed. Rather than spend another hour redesigning her face, I decided to roll with it and keep her. It was a good choice, because she looked like present day Mary Steenburgen with worse skin and a neck tattoo, and looked like she had seen some shit and could handle her shit, rather than some prim and proper pathfinder’s daughter who was only on the ark because her dad said so.

End game spoilers ensue, so please read at your own peril:

The following is split up into three parts: My choices in the game, romance, and post-game questions.

My game is at 111 hours and 98% completion. There were two quests that I did not finish before completing the game (excluding the medicine quest after Herbal Entrepeneurs, because it was bugged) – ‘Path of Hero’ and ‘Aid Apex’ (because I killed all the architects before I got the mission, and so had no option to scan them). Post game, these quests are no longer available to me.

My Choices:

Sometimes I would leave the game running for hours while deliberating on a choice. My first choice was whether or not to have a scientific outpost or a military outpost on the first world, Eos. As your advisors tell you, what you choose will reflect on how the initiative is seen in the eyes of possible intelligent life in the system, and will set the standard of what you intend to do in the system. I chose a scientific outpost – less “we’re coming to invade you”, more “we’re just here to live and learn.”

First murderer: I chose to release Nilken, because intent is not a crime, but I also didn’t speak to his wife outside the jail, so his secret was not exposed.

Vehn Terev: I gave him to the resistance, because interfering with Angaran justice wasn’t the right play.

Path of a Hero: I spoke to Kerri, but declined her offer, as I was just new to this pathfinding business, and didn’t feel that I could offer any nuggets of wisdom. Then I forgot about it and it failed the quest. Meh.

Reyes Vs Kelly: Both are terrible choices for leaders, but at the time, I wanted to see where a romance with Vidal would go, I played it out, and was disappointed, but in my do-over, I still let Kelly die, because she was quite evil. Even though Reyes was a tosser for cheating, he still seemed the better hand.

Angaran AI: I gave the Angaran the AI, because I didn’t feel right about keeping it for myself – and potentially angering the Angara.

Secret Water reservoir: I let the Angara merchant keep the water in reparations for the outcasts killing her brother, and to prevent the Nexus from becoming a thoroughly colonising body in Elaaden.

Drive Core: This one was a bit fuzzy for me, because I was also doing the quest with the AI saboteurs, and they were talking about Overload (I think), a program about a weaponised AI, and Drack was sending me emails about Overload Morda, so I thought that Morda was a weaponised AI. I ended up scanning Knight’s hideout a little too thoroughly, which made her people hostile to me, and she ended up being sniped on the Nexus. Alain vows revenge, which is unfortunate, because SAM made him walk again. After finishing a few more quests, I came back to Elaaden and I ended up trusting Morda with the drive core, because pissing off all the Krogan was not my idea of ‘peace among worlds.’ Also, after all the shit the Krogan have been through, the Krogan need a voice at the table – they didn’t even get their own pathfinder!

Avitus Rex: Rex became a pathfinder, because he was out finding Turians when the Turians weren’t.

Sarissa’s Fate: I couldn’t let Sarissa keep her position after all that dickery that got her Pathfinder killed. It may not have been the smart move, but although she was the best person for the job, a huntress without her squad’s support will not go far. Also, I don’t think I could have looked at Cora if I agreed to lie to everyone about it. If Tann (number eight in line) can be the director, why can’t Valderia?

Salarian doctor: Ehh, what a moral dropkick. He got jail.

Exaltation facility: I let it stand, for further help in the final mission.

Salarian Pathfinder: This one was heartbreaking. A female Salarian who is an actual trained pathfinder (would have been the only one in my crew), who is captured trying to rescue her people despite my commands to get the f out of there vs Drack’s dime a dozen Krogan scouts. I had planned on saving the Krogan scouts beforehand, and had Drack in my party, but while I was doing this mission, I was really torn. If I choose the Salarian, the Krogan won’t trust or respect me, but if I chose the scouts, I would get further support from the Krogan, with no real consequences on the Salarian side. Whatever I chose, I would be taking a side, with consequences down the line. I went with ‘Krogan lives matter,’ despite sacrificing the most badass Salarian, ever. I mean, every Salarian would want to mate with her just for the prestige!

Kill code: While it may come to bite me in DLC or sequels, I used it, just to get it out of the way. I don’t trust Primus to honour his deal in the future.

Ambassador: I loved Morda for the choice (just to spite Tann), and Bradley would have been a good second, but I ended up conceding power to the Moshae, I believe she was the smart choice. Although I had enough of a presence to unite the Angara and the Initiative, the Moshae would not be swayed by outside or inside influence. If I chose Hayjer, the Krogan would hate me, as much as “Krogan lives matter,” Morda would only act in favour of the Krogan and Clan Nackmor, and possibly make a heated attack against the Salarians/Turians in retaliation for the genophage, and Bradley, well, I could be accused of being specist.

Romance:

This is where I think the game could use improvements. It is pretty disappointing if you are FemRyder or a MaleRyder who doesn’t romance Cora (the extreme effort put in this relationship compared to the minimal effort of the others is quite disappointing – they actually kiss properly and there’s thrusting!).

Look at those two humanoids realistically kissing!

The lack of dialogue choices means that relationships become boring and quickly. While in DA:I, the cut away sex scenes did hold a little to imagination, that fact that you could go and talk to your interest during long, arduous missions and sneak away for a little kiss cut scene helped keep your interest in them, and having them in your party was always a hilarious time (“Keep your eyes off the Inquistor’s behind!”). While playing the game, you get a sense of your SO and your squadmates, their endearing and not-so endearing traits, it almost felt like they’re almost real people. DA:I is a well-fleshed out, well-written RPG, and the relationships are defining trait of this game – I’m sure that if all there was to do was going around killing things, I probably wouldn’t care. Instead, you help Cullen get off his lyrium addiction, let Iron Bull teach you your umm… limits, hunt around trying to find the perfect gift for Sera (much to the utter dismay of your compatriots), read terrible poetry to Cassandra, strong-arm a fop for Dorian’s pendant, save a spirit with Solas, challenge Josephine’s fiancée to a duel, save Leliana from spy assassins, and want to give Blackwall the coward another chance.

The last major RPG I played that had multiple romance options was Fallout 4, and I romanced MacCready, Cait, Piper (just to shut her up – every time I’d talk to her, she’d want something more - ehhhhgghh), Danse and Curie (to also shut her up). Having one romance option in FO4 became too tedious, the only thing that changes is their scripted dialogue when they wake up next to you, so I romanced others to see what they said – because I honestly didn’t care about romance in that game because it was so flat.

Here’s who I romanced in ME:A (usually by flirting with everyone and then seeing what happens):

Liam – I started off flirting with Liam because he seemed interesting, until he quickly didn’t. His dialogue doesn’t change. You can’t really flirt with him in between missions after you’ve had a one night stand, and he’s so boring, I’d rather eject myself out of an escape pod than deal with him. If you go the whole game with Liam, he makes you a jump pack, but is it really worth it for being bored to death?

Vidal – I quite liked having someone off the ship to avoid a HR nightmare, but it turns out that after you become exclusive and dance with Reyes, that’s it – that’s your big romantic scene. Reyes becomes a chatterbox of nothing after that.

Jaal – Jaal is interesting, and unknown, and kind of reminds you of a perfect, dreamy boyfriend who is too in touch with their feelings, and you stay with them because you don’t want to deal with the fallout if you break up with them, because they’ll probably kill themself. Rocking a sexy, deep voice, I was almost convinced to be in a relationship with him, if not for Jaal’s confusing switch between Vulcan logic and hopeless romantic during the course of a conversation. Jaal is a warm space Mufasa, and will tell you what you want to hear, but his sex scene kinda sucked. Although the post coitus (?) debrief with Lexi is quite hilarious.

Vetra – I’m not sure if I didn’t flirt enough with Vetra, or if she didn’t want to be with me because I told Sid off – a lot, but perhaps it was never meant to be. My codex reads that Vetra hopes that we can be friends, so perhaps admonishing Sid worked against me.

Suvi – I didn’t flirt with her at the beginning, and I decided against a relationship with Suvi because her sex scene was awkward/awful.

Which leads to my commitment for the game:

Peebee is the one with the purple jacket… not young Sarah Paulson rocking the undercut…

Peebee – Peebee is a thorn in your arse from the moment she joins your crew. Rem-tech this, remnant structures that. Tight-lipped, evasive, and a motor-mouth, she’s a bit like Sera from DA:I, but a bit more grown up. She has limited long-range fighting skills, so bringing her to anything bigger than a small raider camp firefight is pointless. She insults Vetra, Liam, and Cora, but has some quite funny conversations with Jaal (interspecies breeding) and Drack (about their age). Liam and Cora, even during the final stages of the game, relentlessly question her loyalty. I chose Peebee because her storyline was the most interesting, as opposed to other potentials (Liam – “Hey, I’m a boring human too.” Jaal – “I’m an alien, meet my mothers, I moisturise my neck flaps.” Vidal – bad boy Han Solo). I turned down Peebee’s offer of casual sex, because at the time I didn’t want anything to do with her, so I told her that I’d want more to get her to leave me alone, and I didn’t want a Liam thing – where you have a one night stand once and then all of a sudden they want you to commit. But I kept flirting with her, regardless, recycling the “I like it when you flirt” dialogue whenever I got on the ship. I couldn’t do that with Liam, Jaal, or Reyes. Turns out, the more I learned about Peebee, through doing her loyalty missions, the more endeared I became towards her. From being tight-lipped and evasive to slowly trickling out interesting snippets – like her relationship with Kalinda, and her rem-tech project, she started to grow on me as I realised that she was not like the others, who give you all the information up front and you spend the rest of the game cycling through dialogue that you first heard 70 hours ago, with minor changes mirroring your progression in the story. You have to prove to her that you’re trustworthy. If you do commit to a relationship with her, and reciprocate her trust - it leads to a pretty explicit sex scene – complete with Asari melding. While the mechanics of the scene are quite awkward with FemRyder’s weird facial features – she looks like she’s super confused and not enjoying it all – trusting Peebee enough not to leave you brain dead during the first time she has melded with someone, and having Peebee trust you enough to meld with you makes the relationship all that more worthwhile. While I’m all for space boinking, Peebee’s relationship was less about the physicality of the act of boinking, and more about the trust and emotional connection inherent in the relationship, which I felt was satisfying. Post-meld Peebee has some killer dialogue aboard the Nomad, inviting Cora over for a pyjama sleepover, faking extreme horniness to get Jaal to admit that he was faking being asleep, and at the end, when you ask her ‘what am I going to do with you?’ she offers to make you a list. But the relationship and closeness doesn’t really go anywhere near the level of a relationship that DA:I does, due to the stunted dialogue choices. Although, I hope I didn’t get Peebee pregnant.

Post-Game Mysteries:

The ending scenes kind of set up the unfinished issues for the DLC/sequels – Primus wanting to kettify everyone, exploring Meridian, understanding the Jaardan, finding all the other lost arks, how many more useless solar systems are around, etc. Some questions remain, though. Say if I find a way to fix Ellen Ryder, what could she add to the story, other than my mother being there? She may be able to assist with new gadgets for players who chose a biotic route, or will she just serve as a ‘bringing your romantic attachment home to mum’ trope? Should we care about Jian Garson’s death and the mysterious benefactor? You learn during the game that the Milky Way has been fucked over by the Reapers, but we can’t save them, should we care?

After finding out why Alec Ryder made Sara the Pathfinder, all I wanted to do was talk to Cora about it – she wasn’t “looked over” and the promotion was to protect Alec’s secrets (i.e. Ellen on board, Milky Way gone to shit). I felt like my number two deserved an explanation, rather than sullenly assisting the other untrained Pathfinders on the Nexus (who did nothing, by the way – go out and bloody Pathfind – it’s not that hard!). I noticed that after ‘Journey to Meridian,’ Cora seemed cold, and would barely speak to me. Perhaps she was disappointed in me choosing Peebee, or perhaps SAM leaked what I found out to Cora. Will I ever get the chance to tell Cora about it?

During the pre-prologue descision making process, you get to choose if you want a Male Shepard, or a FemShep (your ME:3 save has no bearing over this game). I went with a FemShep, like my ME:3 counterpart. Did I hear Jennifer Hale during the game? No. Does it even make a difference? Unknown.

After leaving Meridan and coming back to talk to everyone, some questions remain. During the epilogue, you meet the new crew responsible for Meridian. After you come back, the Australian implores you to go and find the sprog (a baby). Every time I see Addison, I ask about the baby that was born on a spaceship flying away from the Kett, who I suggested the family settle on Eos (no way was I going to get that lady on the Nexus – she’d have hated it!), but when I’m in Prodromos, I can’t find the baby. If that baby has been stolen by the Kett, I swear – I will hurt Bradley!

Further questions: Will Lexi and Drack ever get together? Will Vetra find love? Will Peebee take Jaal’s offer to try Asari-Angaran reproduction? Will the Nomad ever get some tunes? Will Drack live to see great-grandfatherhood? Will Cora hook up with Scott? If I agreed to sign up for Jill’s insemination program, and Peebee was carrying my child, could I raise them as siblings? How would my FemRyder deal with being a father?

What would happen if the Jaardan came back to Meridian to check on their experiments? What happens if the scourge takes over Meridian? Have I screwed over all of humanity by settling them there?

#me: a #mass effect #me:a spoilers #mass effect andromeda #kroganlivesmatter #me:a mysteries #andromeda spoilers

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