Team, it’s a bar. It’s a bar. That kitchen that has no stovetop, isn’t a kitchen. It’s a bar.
The cupboards under the bench -> they are not cupboards there’s no doors, they’re shelves where trays of pint glasses might have once lived. (They are also all empty - Babe please buy some plates or a blender or something)
Babe found himself a nightclub, thought I really like those holes in the walls and BAM, got myself a home.
Has anyone seen a fridge?
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Okay, no, sorry, I’m still mad about this. “Be critical of the media you consume and examine why you react to it in the way that you do, support marginalized and stigmatized identities.” Yeah, until it’s about mental illness.
A woman (or even man, if he’s deemed over-emotional) makes music about suffering from mental illness and people just go, “What are they complaining about, that’s so immature, hashtag wangst.” (And then, sometimes, inexplicably, if the mentally ill woman gets better and writes happier music, they then talk about how artistically bankrupt she is now and that she should go back to hating herself.) People LOVE cis white pRoBLeMaTiC (straight) fictional men until they are realistically mentally ill, in which case they’re “whiny” and “insufferable” and deserve to die violently, apparently (or, if fandom is merciful, they’re ignored). (And then they celebrate when they DO inevitably get killed off.) “Do your duty and watch [thing I, mc13, personally find insufferable] For The (white) Gays because it has Gays.” Sure, will you watch c4 Pure, the ONLY show specifically about OCD, then? (No, the answer is no, it’s always no.)
I can’t get anyone to watch Doom Patrol. I couldn’t get people (in general-I did convince a few irl friends thank GOD) to watch Crazy Ex-Girlfriend. One of the most popular and acclaimed shows right now has a character with schizophrenia who was turned into the Big Bad Villain for no fucking reason. One of the most commonly-cited examples of Iconic™ queer media involves a mentally ill man being broken over and over and over again before The Ship™ can reasonably happen. DW introduced a major character who was at one point suffering from mental illness in her past, AND THEN ALL MENTION OF THIS WAS COMPLETELY DROPPED IN THE FUTURE, WITH NO BEARING ON ANYTHING TO THE POINT WHERE I FORGOT IT EVEN EXISTED??!?!? R*tched was a thing that existed despite the Sad Sympathetic Backstory treatment being IN DIRECT CONTRADICTION OF WHAT PURPOSE THIS CHARACTER SERVED IN One Flew Over the Cuckoo’s Nest. THEY GAVE. A SAD WOOBIE VILLAIN TREATMENT. TO THE /LITERAL PERSONIFICATION/ OF ABLEISM. THAT IS HER FUNCTION. TO EXIST AS A SYMBOL OF ALL THE WAYS SOCIETY OPPRESSES THE DISABLED AND MENTALLY ILL.
I am!!! Literally!!!!! The only one!!!!!!!!! Complaining about these things!!!!!!!!!!!!!!!! THE ONLY ONE!!!!!!!!!!!!!!!!!!!! No one else has said ANYTHING!!!!!!!!!!!!!!!!!!!!!!!!!!!! No one is talking about it!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I’m so tired!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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@ofcscavengcrs | Starter for Leo..
"Hey! I remember you from the other night, Leo, right?" Charlie gave the other a soft smile. "You can sit with me if you'd like. I was just about to order some lunch, would be nice to not eat alone."
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I will start this by saying I do think Vivziepop is a good creator.
But
Reading about the production of HH and Helluva Boss worries me. In Twitter, Vivziepop is alway talking about how she is tired and overworked, because she has to work on two shows at the same time.
While I do feel bad for her, I am also thinking, “why is she trying to do it all at once?” Like, if Hazbin Hotel is already a huge project to manage, why is she trying to do it while completing a completely different spinoff?
I get the feeling that this might be one of the reasons the world building in Helluva Boss is so weird. Maybe she is rushing writing each script of each episode? I don’t know if that might be true.
If it is true, it is strange she is organizing it this way. Like, she doesn’t have to produce it all at once. She is literally her own boss.
I don’t know.
What do you think?
Yes, I've mentioned this before I believe. I'd be foolish to say I don't understand the struggle, the compulsion to jump from project to project and multi-task. I do that myself.
But that isn't something you can do in a corporate setting. She is 100% overworking herself and burning out. Her tweets have concerned me, and so many others.
It wasn't even just Hazbin Hotel and Helluva Boss. She made that Addicted music video, and a pilot episode for Zootopia, and back then also made that Holidaze short. If she had focused on just making shorts, that would be one thing, but the fact that she has to commit to not only one show, but two, is also just not possible. It's too much to keep consistent or even separate sometimes, especially for someone who is not used to that kind of work schedule. She even does all-nighters. It's not healthy.
She might not be the boss for Hazbin Hotel in its entirety, because she sold the rights to A24, but for Helluva Boss then yes.
However, I personally don't think she rushed the Circus episode because she made this tweet a month after the release:
"I'm proud to be making shows that come directly from and deeply involve a queer perspective. It's not always a norm but it's happening more and more! The shows are for everyone, but they are rooted in what we want to see and tell!"
Instead of the show's original premise of being a dark comedy featuring Blitzo's crew in Hell and how despite being bad people, still have intriguing relationships with reason, she decided to flatten and focus on the side character Stolas for the sake of turning him into a pure-hearted baby boy who was a closeted gay that suffered for years against an evil straight woman he was forced to marry.
and that is apparently something she wanted to tell, since she wrote that episode herself. It makes it seem like she's proud to tell this "queer story" in, unfortunately, a very very poor way.
Would not be surprised if some episodes were indeed rushed, but the Circus has layers to its writing and implications. Unfortunately, Helluva Boss has lost sight of what it wants to be. I wonder if it ever knew what it wanted to be. It's gone from dark comedy to romantic drama. Helluva Boss can't write funny dark comedy. Most of the punch lines are sex jokes, swearing, and screaming. It's gotten pretty old and repetitive. Fandoms are more drawn towards romantic drama, so it feels like they attempted to merge or switch the genres to cater to fans, but they fell flat. It's ironic, because, the skimmed-down romantic drama was doing just fine until the Circus episode, where they doubled down and took it the opposite direction of where it was initially heading.
But I digress. Viv has some great ideas but needs help to implement them since she's not always the best at making those ideas work for the better. She's overworking herself through her multi-tasking and burning out, and through it all, her fellow employees are suffering for it. I hope she has learned from this experience and will know to try and focus on one show at a time from now on, or just stick to shorts to make things easier for herself.
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