#like wow good job making up things that don't exist and getting upset about them??? dumbass

[foolishnpd]

i simply cannot have a normal positive reaction to anything normal happening ever T_T

#lilyroaring #actually npd #actually narcissistic #npd safe #i'd detail but it's actually the most loser behavior on earth #green with petty envy and unjust paranoia #i have to be less insane about everything #maybe i didn't fully cycle through my emotions from yesterday a thousand times over to exhaust them yet #or my mother explicitly telling me she's not gonna pay much attention to me soon #but i am just being so hypersensitive today #like wow good job making up things that don't exist and getting upset about them??? dumbass #ahhh i don't even know what i'm feeling #i think i'd be happy if i just never experienced a Thought tm ever again though #WHATEVER I'M GONNA GO DRAW and if it comes out even slightly badly i think i'll just consider suicide :D

[brightgnosis]

“Wow, ‘tomato clam juice cocktail’. What a weird 50′s recipe! They ate some really gross things in their day”

Meanwhile my uncle (a white trash redneck transplant to Oklahoma, originally from Washington): Literally still drinks clamato beer daily in 2023 and has for as long as I can remember, ever since I was a literal child.

Also: Bloody Mary’s are still popular, and are barely just one step removed from them ... There are, in fact, even clamato versions that do exist and are still incredibly popular in some regions!

This is why I absolutely hate people like B. Dylan Hollis who make it an entire point of their whole personality and schtick to shit on Vintage Recipes — and that whole trend in general. Especially since it's most frequently being done by privileged people specifically to recipes belonging to minorities and the severely impoverished.

It's also why I'm always telling people that Vintage cooking is not actually all that weird at all- or, at least, isn't actually any weirder than things we still eat today ... As with all things in both life and history: You just need the actual historical context in order to understand food trends properly.

ETA: Don't @ me with Hollis apologetics because "well he eats everything he makes". Ultimately that's not really the point, it's missing the point entirely, because eating it and making fun of it are two very different things (I can't believe I even have to explain that). So is getting upset whenever it actually tastes good because you expected (and actively wanted) it to be bad- because your schtick actively hinges on old food being "bad" or "weird" or "backwards" compared to modern food.

Also do not @ me with a "well have you told him about this context yourself to see if it changes his behavior?", either. Because yes. I have actually told people like this many times. However? It's ultimately not my job to educate others on this stuff in the first place. Largely I am not a food or history educator. This is a hobby and an interest for me- not my day job. It is not my responsibility to educate people.

But furthermore- and most importantly: I shouldn't have to educate people like Hollis (and the hundreds of others who do this; he's far from the only one, only the most popular currently) on something which they should be reasonably be educating themselves on. Especially not when the historical context is something they will naturally come across anyways whenever uncovering these materials to begin with. Because you literally cannot divorce things like food and fashion from their sociopolitical, economic, and other historical contexts. It's impossible to do.

Like ... Listen ... I have been doing early 20th century fashion and food and domestic history for nearly my entire life at this point. This is not new to me at all, and I am not a stranger to this. I literally run an entire blog that's dedicated to correcting misinformation about the early to mid 20th century in some facet, hilariously enough. And something I know for certain, beyond a shadow of any doubt, from doing this for as long as I have? Is that you cannot pick up or look for materials on these subjects without inherently running into some element of their appropriate historical contexts (how do you think I got into it, y'all) ... Historical contexts that should make any reasonable person who cares stop and think "hmm" for two seconds. But they don't because they don't care.

It's very rare that educating any one of them suddenly makes them start caring because caring literally ruins the entire schtick. And that schtick hinges on the fact that we are socially conditioned to think of making fun of the past (but especially the 1900's to 1950's) as "weird" and "backward", as acceptable and even outright encouraged, regardless of the historical context. And the kind of people who get into that kind of an act are not the kinds of people who care about historical context, historical integrity, ancestral compassion, or any of the other concepts. What they do care about are the laughs they can get at the expense of our ancestors (many of whom are still living) and what they frequently had to make do with, or proprietarily innovated.

I will delete your comments and block you.

ETA 2: Yelling at me to "let people have fun", calling me a "pretentious gatekeeper" and saying "who cares about the historical context, it doesn't matter", before finishing your ignorant tirade off with "I don't care if you delete my comment and block me" doesn't make you a white knight or mean you win any kind of a fight. It just confirms you as one of the exact idiots I was talking about.

No one is stopping anyone from "having fun", here. I literally do have fun making vintage recipes all the time, and have an entire collection of vintage cookbooks, and I enjoy hosting vintage themed holiday parties all year (which I put a lot of research and dedication into every time); I even shop and wear mostly vintage clothing and jewelry, lol ... There are plenty of ways to respectfully "have fun" in the vintage world, with vintage things (or, further than that, in the antique world, with Antique things). It's not actually difficult. The difference is called actually having a little respect for people and their lived histories and experiences.

If your idea of "having fun" includes actively making fun of the food and clothing, histories and life experiences (etc) of the poor and impoverished, sometimes disabled, often people of color- and that bare basic historical context absolutely doesn't matter to you on any level, to the point that even remotely pointing it out is "pretentious gatekeeping" in your eyes? You need to actively check your abelism, classism, and racism, seek some fucking counseling, and learn to be an actual goddamned Human Being.

#Personal #2023 #Vintage Recipes #B Dylan Hollis #Dylan Hollis #B Hollis #Food Is The Ultimate Love Language #NonTrad Housewife #NonTrad Homemaker #NonTrad Homemaking #Homemaker #Homemaking #Housewife #Ye True Olden Days #Original Vintage / Antique Content #Queer Housewife

[xanderxone]

9/18/2023

Journaling Is Stimming

The moment I fell in the autism rabbit hole, I started devouring videos and the ones about stimming always seemed to grab my attention. One idea that was consistent across all the videos is that autistic people stim to release excess energy that gets built up in their bodies. It has to do with the idea of autistic inertia which I will probably make a post about sometime later.

I have always had what I considered to be an overactive imagination. I often get stuck in my own fantasy worlds in my head or replay conversations or fret about the future or fret about the present or get so lost in a special interest that I can think of nothing else. Wow. I actually spend way more time in my own head than I thought. And while there are times where this is something that I absolutely love about myself, like when I have to drive 3 hours on a long boring highway to my hometown to visit my family. Sometimes I actually look forward to just having 3 hours alone in a car to list to music and let my mind roam. But for the other 99% of my life, I need to actually be present and paying attention. So now I will be on the lookout for my tell-tale circular thoughts so I can just write them down and get them out instead. I've also started to employ a similar strategy at work because I often find myself in situations where I have a question about something that will probably get answered later but I just want to make sure I don't forget to check it. And I have actually started to just write those things down in OneNote and saving them to review later. AND WHEN I TELL YOU THE STRESS THAT HAS JUST WASHED OFF OF ME BECAUSE NOW I KNOW I WON'T FORGET IT LATER IS PALPABLE. I feel like I love my job again and I feel the joy coming back that was gone for a long time.

And so, dear reader, I think if I start writing down anything that gets stuck inside my head, it will be a stim and move all that anxious energy outside of me. And in turn, I will be able to harness a lot more of my mental capacity for other, more important things. AND I WILL STOP FUCKING FORGETTING EVERYTHING.

An interesting emotion that all of this is bringing up is one of shame and humiliation. And I know that it's irrational so I'm keeping it at arm's length to avoid being truly upset by the emotion, but it's existence is intriguing. God I sound like a robot sometimes. Anyway, I think its because I feel really dumb for not realizing all of this sooner? I do struggle a lot with depersonalization issues which I think has also led to me not realizing I was trans until... the same time I learned I was autistic. Look, it's been a really long year, okay? But I think all of the things that have made me incredibly good at masking all these years are the same things that have made me feel like I have a very limited sense of self. I think I'm gonna work on developing one.

One last thing: I always felt like a journal had to be neat and organized and pretty or else it wasn't right. And so I would spend all this time trying to get it perfect and it wasn't sinking in that the whole point is to journal your thoughts and get them out. And so I just felt like it did nothing for me but it's because I was dumb. This blog will be a way for me to stim when I need to get things out. And then I'll also keep a pretty journal full of pages of stickers and pieces of paper that I rip up and glue down that can be a creative outlet for when I need to get out creative energy (it's called junk journaling and if you are a little packrat gremlin who loves tactile doodads and thingies and art, you will love it. And all of the supplies are SO CHEAP online. Look it up on tiktok. Trust me.)

I feel like I might be getting an A in therapy.

--Xander

#adventures in autism #please be kind to me #I am but a goofy boy online #just trying to find his way #journal #diary #autism #self diagnosis #self diagnosed autism #audhd #audhd things #audhd ideas

[freak-phone]

heyyy questions for opal :) 2, 14, 30, B!

Wow did you know that if you ctrl-z in tumblr's new text editor it will delete everything you've been typing and not put it back. I HAD... SEVERAL PARAGRAPH ANSWERS THAT I HAD TO REDO. TRYING TO BE SERENE ABOUT THIS. anyways ty these were really fun especially B, i dont think i've talked this much about my oc making process before! answers below

2- How easy is it for your character to laugh?

HMM. I think surprisingly kind of hard! not that he's too serious for it, I think that opal just doesn't get jokes very easily, and has a hard time telling when people are joking. but the 'if you have to explain the joke it isn't funny' rule totally doesn't apply to him, if a joke goes over his head he WILL laugh after you explain it to him.

if i had to think of something that would for sure make them laugh... i feel like visual stuff gets him for sure, i think they'd really love those little dogs on social media with the fucked up haircuts.

they'd laugh so hard they'd pass out at this thing

14- What animal do they fear most?

probably just any large dangerous animal. he has a sort of scared prey animal quality about him... i think he has 'being chased by a jaguar/tiger/bear/shark' dreams a lot. but it's really just anything they think could eat them and or rip them apart physically, common phobia animals that are more just 'creepy' like snakes or bugs are no problem.

30 - Who do they most regret meeting? 

HMMM. interesting to answer because the campaign opal was in has been concluded for a while and I feel like he's resolved most of his personal issues with people. also, he's not very good at holding grudges really lol

there were some characters that were making his life harder for reasons he, at the time, did not have the full scope of understanding. opal viewed his involvement with them as his own fault (impulsively went in on crazy expensive body mod surgeries, ended up in debt to a kinda-evil rich guy & regularly being harrassed by someone sent to collect) so he definitely regretted it. but, again, things turned out to be a lot more complicated!

honestly upon finding out he was involved in some huge-scale universe at stake stuff after all, rather than being upset he was mostly just like oh i don't owe that guy thousands of dollars fr? Sweet (instantly forgets about all of it)

B- What inspired you to create them?

most of the campaigns i am or have been in have a particular time period they're set in, so that's usually where my dnd character concepts start! with opal's we were prompted to choose a distinct era/universe of our choosing for our player characters, since they'd all be from different worlds. i definitely had retro futurism on the brain for opal, specifically 80s to y2k era...

he's a character that came to me in aesthetic and design first i think. more than the more shiny glam looks that come to mind in y2k futurism and modern stuff that replicates it, i really wanted that sort of... sterile, uniform-y, limited color palette look. lots of beige and white and grey, functionality-first and technical-made-fashionable. his outfit is just the company-assigned uniform he wears to his manual labor and service jobs, but it still has that cute stylish spin to it!

a specific example i referenced would be these looks from Michiko Koshino F/W 1996. graphic and fashionable while still evoking the functionality and simplicity of a uniform or other more practical wear.

the future opal is in is really the future as it exists in a dated, speculative vision from the 80s to early 2000s. not quite as fantastical as a lot of space-age futurism, because it's from an era where 'futuristic technologies' were really beginning to be made on a consumer scale and put to use in day to day life... so it's a bit more cynical and fearful and dystopian, because the practical applications & the consequences of futuristic advancements were a bit easier to consider.

opal's world has the bleak nightmarish feeling of i have no mouth and i must scream & even to more overtly comedic degrees as like, black mirror lol... but it's still kind of silly and impractical and campy. as much as he exists as a working class individual in a hyper capitalist hellworld, those 'zenon girl of the future' disney movies are a big ingredient to him as well! as miserable as his life gets he isn't meant to be a sad character. he's not mopey. he gets dressed up in silly little outfits and has a silly little laser gun.

Wow did you know 2001 a space oddysey and barbarella came out the same year? it's that sort of dichotomy of scifi vibe.

uhhh also i'd just played a confident mean boy (kalibri) and thought a spineless scared guy would be fun to try next

#asks #triptrippy #opal

[cakepoppresent]

I'll Fix Everything 1

After leaving Su to help put Xavier the other day, Vaghun invites Su over to make up for ditching him that day.

"It's nice to know you remember you have a best friend, almost thought I didn't exist" "Still a petty bastard, good to know nothing has changed these few days"

Su: How's things going with Veronica? did helping out her little brother get you closer to securing the bag?

Vaughn ponders over these past few weeks with Veronica, things feel different with her and he can't place his finger on it "Yea man, like I said I'm playing the long game

Su: You sure? you've been AWOL these past few weeks. I have girls asking me where you are, when was the last time you got laid?

Vaghun: I haven't really thought about it. It's been a while. It's just since being with Veronica I don't have an interest in dealing with other women

Vaghun: Enough about me. How's Grayson doing? Got him to dump his boyfriend?

Su: Just like you I'm playing the long game. That loser of a boyfriend can't even protect him properly

Vaghun: Wow, so you break them up then what?

Su: I date him of course

Vaghun: Whose worse? Me or you?

Su: You, I plan on staying with Grayson. You plan on fucking and leaving a young lady. We are not the same

Vaghun: Wow, just ripping me to shreds I guess

Su: That's my job, anyways I'm leaving can't leave Little Grayson alone for too long

Grayson: Su! thank god you're here. I don't know what happened I had the painting all wrapped up and ready to give the client but he is here now and I can't find the painting anywhere!

Su: Whoa Little Man breath! Tell me slowly what happened. Who is the client? where is he now?

"It's Mr. Riely," Grayson whispered through labored breaths. "He's so upset, and he's yelling in the office upstairs. Su, I'm terrified. I swear I didn't misplace that painting, but I have no idea how this mess happened."

Grayson covers his face and wails "My career is over! Mr.Riley said he would make sure I never get a job anywhere else! What am I supposed to do! Su's templed pulsed as a headache crept in. Dealing with Mr. Riley can be very challenging

"Take a deep breath," Su stated softly. Su gently cradled Grayson's face in his hands, guiding it upward until their eyes met. "Do you trust me? Do you believe that I'll find a way out of this for us?" Grayson's face heats up as he looks into Su's eyes "Yeah I trust you" Su whispers "Good boy," as he gently removes his hold on Grayson. Su's gaze remained locked with his, not willing to turn away. "Just trust me, little man. I'll fix it all, I promise.'"

#Lol fucking su #what am i going to do with you #ts4 screenshots #thereevesfamily #sims 4 maxis match #sims #sims 4 creator #sims 4 legacy #sims 4 gameplay #ts4 #ts4 gameplay #ts4 legacy #ts4 lookbook #ts4 simblr #ts4 stories #ts4 story #the sims 4 #sims 4 #black simblr #black simmer #black sims 4 #black sims cc #black sims of color

[dehmaridiary]

I feel like those I love would be better without knowing or loving me, as all I do is become a stagnant pool of depression that disappoints them and I don't do anything of actual benefit. Not just to those I love, but to society at large. How can I feel good about myself for what? Learning Keyboarding? Wow, you know how to use Microsoft Word, that's so fucking useful. Oh good job, you took a humanities class. You're so cultured, we need more people like you in the world.

I burn myself to every core trying to do well in my studies because that's how they told me I'm going to provide for the people I love, as if that's going to make me less disabled and more desirable to the general workforce. Of course, a degree won't help me very much if I'm blind, which I just found out I might legally be. A 4.0 isn't useful when you seize so hard that you can't look at your screen for two days.

And I know I need to support my people more and keep holding them up and trying to make sure that they're okay, but that's so hard when I've lost all my muscle strength, so to speak. No one tries to pick me up. I talk to my mother about something I found interesting or a problem and I get cut off within my first sentence or two so she can tell me about cheap shit she saw online or what my sister is doing, or where my sister should apply. I told her I texted my biological dad to ask a question about-- oh, I have to find the link to apply there to send to your sister, I think she'd enjoy working there.

I can't say any of this without it seeming like trauma dumping, which is why that's exactly what I'm doing to another stupid tumblr because I can't handle burdening anyone in my life with the truth: I want to fucking die. I want to fucking die so bad. I don't want to exist anymore. I talk myself out of suicide every day. Multiple times, most days.

People say you should talk about your feelings but don't understand that some people physically can't, because I'm not going to tell people what's wrong or how critical everything is because that's being a burden, which is the exact thing that got me here. I can't talk to most people in my life without being told that what I said is bad, or upsetting to the person, or [insert anything negative] when they don't hold themselves to the same standard.

My partner was upset that I wasn't able to comfort them and be there for them when they got some bad news, and that's valid, but then they posted subtweets-ish because I tried to explain that I wasn't intentionally ignoring them but trying to recover from a serious medical issue. Of course, no one takes it as being serious, because I downplayed it so much to the few people I told and said oh it's no biggie. Then again, I just found out I'm actually fucking blind and no one knew because I've been minimizing my feelings and my pain my entire life.

[fakeikemen]

I am like, nothing short of absolutely disgusted at Bryke's portrayal of Katara in the comics and TLOK???

And apparently a majority of the audience is okay with this portrayal??

Just a recap:

This is Katara

A girl with severe abandonment issues because her mom was murdered by a Fire Nation soldier and soon after her dad left to fight in the war, leaving her alone to take care of her brother and the village.

This is Aang

A boy with chronic running away issues. This fault of his has led to a war extending up to 100 years causing death and destruction all around the world.

Katara does not acknowledge this fault of his because she idolises him as the Avatar but still his actions hurt her. A lot.

Katara: It's not brave, it's selfish and stupid! We could be helping him and I know the world needs him, but doesn't he know how much we need him, too? How can he just leave us behind?

Logically speaking, a person with abandonment issues should never be with a person who has a tendency to run away from their issues. But Aang and Katara get together anyway.

But then the comics happen.

Literally anyone who cared about Katara as a character of her own (and not just as Aang's love interest) was infuriated at how she was portrayed. She was stripped of all her autonomy and characterization and was made into "The Avatar's Girlfriend". Nothing of her own.

Some people actually call this relationship sweet. Yuck.

But the thing is, it has panels like this:

Katara, the girl with abandonment issues looks— that's right, abandoned and forgotten.

Even if the "abandonment issues" angle is thrown out of the window, the above panel from Katara's pov is a very unhealthy and shitty experience. (I can vouch with personal experience)

When you clearly don't have anyone else and the one person who you completely dedicate yourself to is completely avoiding you in favour of other people who don't really matter that much just because it makes them feel better/superior, how lonely and abandoned does that make you feel?

Also this sort of behaviour is undeniably selfish and self centred.

This problem of "Aang paying more attention to fangirls" exists in the show as well but atleast Aang corrects his behaviour or accepts that it was incorrect. The comics however:

Katara, who was abandoned, ignored and lonely in this entire comic is reasonably upset about this. But instead of the comic validating her feelings, it makes her feel guilty???

What the fuck??

If this isn't a fulfilment of the male fetish of gfs/wives putting their own mental issues and feelings on a back bench just for the sake of the man's hApPineSs, then what is this?

Not to mention this fetish is pretty disgusting.

This is what young kids are supposed to learn form the comics?

This is harmful for boys AND girls.

But sure couple goals and soulmates or whatever.

Moving on,

The very existence of LOK!Katara is just—

Like what—?

This definitely isn't the Katara I know and love.

Katara, who was completely devastated by her mother's death but got her shit together immediately and seamlessly slipped into the role of her mother and was so damn good at it that her elder brother could conveniently use his coping mechanism to supress their mother's memories with Katara's instead.

You're telling me this same girl grew up to be a sad old lonely widow who spent her days and nights wallowing in the grief of the death of her husband—

Bullshit.

That's straight up romanticization of "life is nothing without you" trope where the wife just becomes a non-functional person after the death of her husband. That, and Bryke not giving a shit about Katara's character.

There's the evident drama of Aang ignoring his two other kids in favour of the Airbending one; leaving Katara with the other two kids. Just like how she was left alone in charge of things as a child.

And then there's this:

They actually take the time to show us that Katara is sad and lonely and abandoned??

What family does she have left at the South pole? None.

And yet, people manage to think Katara is perfectly fine and happy.

Katara, a person with severe abandonment issues spends her entire life being abandoned??

What the fuck Bryke?

Like, it's pretty clear that they didn't give two shits about Katara as a character; she was just supposed to be a pretty arm candy for the Hero™ with some handy dandy waterbending abilities.

But if other people have done a spectacular job of turning this cardboard character into a fully fleshed out, multi dimensional character, why would you throw it away??

Like, that's just dumb.

Why would they take an infinite number of steps back to turn Katara back into a cardboard character and fulfil romanticized misogynistic tropes?

Much wow, many thanks.

#katara deserved better #so much better #katara #pro katara #atla #atla meta #atla critical #atla salt #anti lok #anti atla comics #avatar the last airbender #anti kataang #i guess? #anti bryke #oh yeah definitely #ira's posts

[rendevousz]

not a lonely birthday

teen!actress!reader x platonic!jeremy renner

brief reader x marvel cast

req by @maximeevansblog : The reader (me ) is dating jeremy renner its the readers birtday, and jeremy renner spoiling her, taking to the hair salon and to the nail salon , and the trows a party for her, and he asks her to marry him, and a couple months later the reader is asked to been on say yes to the dress and alot of fluff please (i'm so sorry i couldn't write your exact request. i added the other cast too but it's still mainly jeremy renner so i hope you enjoy this still)

summary: you thought you were gonna have to spend your birthday alone but jeremy had other plans.

word count: 3296

note: i told her i couldn't really write romance because my blog is mainly teen!reader and she said i could just turn it into an x teen!reader so i did. i mean, i can write a non teen!reader but it probably won't be anytime soon so i'm not taking requests that aren't x teen!reader as of now <33

"are you sure you'll be okay?"

"yes, mum, i'll be fine here. i've been doing fine for the past two and a half months, what's another week without you guys gonna do to me?" you told your mother on the phone, rolling your eyes at her excessive, unnecessary worrying.

"we're so sorry about this, sweetheart," you heard your dad speak and you figured he must've been listening the whole time. your mum must've had it on speaker since the beginning of the phone call.

"you shouldn't have to spend your birthday all alone. i promise we'll make it up to you, honey." your mother spoke again and you groaned. "i keep telling you that it's fine. and what do you take me for, a loner? i've got the others here, mum, i'll be fine." you told her, a smile ghosting over your lips at how concerned she is of you.

your birthday was coming in two days and having a whole movie to film meant that you weren't allowed to leave the country for just a weekend to celebrate it with your family. so, they worked around your schedule and planned a trip to visit. unfortunately, your idiot of a brother managed to get himself into a skating accident and had to be hospitalised, affecting their whole plan of coming to celebrate your 18th birthday with you. well, not on the day of your birthday, at least.

"i'll make sure sarah'll bring you out to celebrate, okay? i'm so sorry about this, y/n." you could practically hear the pout in her voice and you held back the urge to tell her off for profusely apologising, you didn't want to receive a beating when she finally arrives here.

"i'll be fine, mum," you whined. "as i said, i'll be filming on my birthday too so i'll at least be with the cast then. it's never a dull day with them. and i'll be waiting for your gift from sarah on my birthday." you teased her. you knew she had a habit of getting birthday gifts way too early. for once, she was grateful for that because she had given sarah—your manager and also a family friend— your birthday present for her to safe-keep in case anything like this happened and she couldn't give it to you on your birthday.

"i'll give you permission to whack your brother once we come." your dad tells you seriously and you laughed. "thanks, dad. i'll be sure to remember it. anyways, i have to get back on set soon. i'll talk to you guys when i can?"

"of course, honey. have fun on set!" your parents bid you goodbye and you hung up with an adoring smile on your face. you missed your family and having been able to hear your parents' voices for a mere five minutes was enough to cure it for even just a little bit. sure, you were disappointed that you weren't going to get to spend your birthday with them but spending it doing what you love—acting— with the people, aside from your family and friends from home, that you love—the cast— didn't sound so bad.

"i'm so sorry about this, darling." you heard someone say, effectively breaking your train of thoughts. you turned to the source of the voice, meeting the hazel eyes of your manager and long-time family friend, sarah. she pulls you in for a hug that you groaned into but still returned. you rolled your eyes playfully when she let go. "i'm not upset, sarah."

"i know. but you're disappointed." she says softly, fixing your costume after the hug messed it up a little. "maybe i am, but it doesn't matter. i chose this life so technically i brought all of this upon myself. i signed up to have a normal life stripped away from me." you told her honestly, internally cringing because you hadn't meant to get that deep.

"y/n," her hands rested on both of your shoulders and she looks down at you with that stern mum glare she'd give you whenever you were being a little troublemaker. she was practically your second mum, having promised your own that she'd take care of you whenever you had to travel for filming.

"i know, i know, i'm sorry. i didn't mean it in a bad way. i love my job but it sucks that i have to be far away from family, you know?" you sighed. "i understand, darling. it's hard but hey, i'll be with you the whole day, okay? we'll go out and have a nice girl's day out together, do whatever you want. that sound nice to you?" she places a gentle hand against your skin, careful not to rub the fake dirt and wound makeup on your face.

"that sounds great, sarah. i have only a half day of filming that day, right?" you ask her, knowing she remembers your schedule better than you yourself do. "yup. anyways, they need you on set 3. get out there and make me proud, darling."

-

"and....cut!" the director called out and you dramatically dropped limp against the wire harness attached to your body, the wires holding up your weight so you didn't drop down to the floor but also didn't have to remain standing on your own.

you heard sebastian laughing, him being the closest to you in the scene you had just filmed. "you tired, y/n/n?" evans chuckled as he walked towards where you and seb were standing. "yeah, i just wanna sleep right now." you told them, standing up on your own when a crew member wanted to get your harness off.

"well, at least you get to rest now. you're done for the day right?" seb asked, the three of you now walking to the snack table together. "yeah but sarah wanted to take me out so maybe not rest but i'll get to relax. that's good enough," you say, peeling off a banana and taking a bite while the two men drank some water.

"she's taking you out later today? is there a special occasion?" chris asked and you smiled at him. "nah, nothing much. she just thought i've been stressed lately." you lied. you didn't want to seem attention-seeking for telling chris and sebastian that it was your birthday so you settled on a little lie.

"she's not wrong. you have been working hard and you deserve a relaxing evening off work." seb agreed.

"oh she's walking over here right now. are you going now?" chris asked, eyes trained behind you as he watched sarah coming closer. you turned around, meeting her frown-etched face and you blinked profusely in confusion. "i thought we're going in two hours?"

"y/n, i'm so sorry. some stuff came up and i have last minute errands to run all day," she told you, offering a guilty expression when your face dropped slightly. "oh.. i– um, yeah, it's fine."

"are you sure it's fine? i promised you though," she frowned. "it's fine, i know you have a lot to handle and it's totally fine if we don't go out today. i'll just take a nap and be on netflix all day, i guess." you joked but sarah didn't laugh. "sarah, it's fine. you know i've been wanting to catch up on a list of shows. when else will i be able to do this?" you assured her, trying to mask your disappointment.

"i have to go now. i'll make it up to you, darling, i promise." she gave you a hug before running off somewhere. you felt bad for her because she probably had to be running here and there all day but it didn't change that you were disappointed. maybe you really did deserve this for choosing this life.

"hey kiddo," you felt someone ruffle your hair and you were almost going to go off on them for doing that before remembering you had just finished your last scene for the day. an arm rested over your shoulder and you looked up to see jeremy taking over sarah's previous spot.

"um excuse me? do we not exist?" chris joked when jeremy didn't greet him nor seb. jeremy rolled his eyes at them, turning back to look down at you. "you did great today, kiddo." he complimented and you smiled, thanking him.

"wow okay, i guess we really don't exist, huh? c'mon seb, let's go somewhere else where people appreciate our presence." evans sassed, glaring at you two as both men strutted away.

"good riddance," jeremy said, dropping his arm so that you two were now face to face. "happy birthday, y/n." he says, handing you a little bronze coloured box. you gasped as you took it in your hands.

"how'd you know it was my birthday?" you asked him, eyes wide in surprise. "of course i know your birthday, kiddo. after all, you are my favourite co-star." he grins, gesturing for you to open the box.

you did and your hand immediately flew to cover your mouth in shock. "jeremy! you didn't!" you gently took out the necklace from the box, examining it closely. the charm was in the shape of your favourite animal and the chain was gold. this must've costed him a fortune.

"jeremy, you didn't have to!" you exclaimed, pouting at him to prevent yourself from bursting into tears right then and there. "kiddo, i love you a lot, how could i not?"

playing clint's adopted, eldest daughter in the films, as well as a member of the avengers, you and jeremy worked together a lot. he helped you a lot with practicing your lines and emotions for specific scenes and you bonded over so many things you two had in common. even off set jeremy still acted like your father so practically everyone knew how close you two were. if sarah is considered your second mum, you'd say jeremy is your second dad.

"so i heard sarah bailed on your birthday date today," he says as he helped you put on the necklace, smiling fondly when you looked down at it happily. "thanks a lot, jeremy. you really didn't have to," you hugged him tight, the man chuckling as he hugged you back.

"and sarah didn't bail. she just has errands to run all day. can't blame her, she's a busy woman." you told him. "yeah yeah, anyways, how 'bout i take you out instead? a birthday lunch and a day out with your favourite cast mate?" he wiggles his eyebrows at you, a smirk playing on his lips.

"you don't have anymore scenes to shoot?" you ask. "i do but i have plenty of time before then." he replies. you agreed happily and he tells you to meet him outside the set in an hour so you two could change out of your costumes.

-

"you ready for the best day ever, kiddo?" jeremy asks as you entered the passenger seat. "best day ever? then shouldn't we invite the rest?" you teased, buckling your seatbelt. "hey! i'm pretty fun too!"

you chuckled at his childishness. "i'm kidding, you are fun. now let's go already, i'm starving." you complained and he started the engine, letting you play whatever songs you wanted as background to your small talk.

you had lunch first at your favourite restaurant but not before you two had a debate of whether you were allowed to because you were supposed to be on a diet during the length of the movie shooting and him ultimately going 'to hell with that diet, it's your special day' and then dragging you in. after that, he said he had a surprise for you and told you to just get in the car.

when he finally stopped somewhere, you realised it was a pretty well known hair salon in town and you tilted your head in confusion. why would he bring you here?

"you said you wanted to dye your hair, didn't you? let's do it." he says nonchalantly, unbuckling his seatbelt before you both exited the car. "are you crazy? we're still in the middle of filming!" you exclaim in disbelief. this man was crazy.

"yeah but it's not like they can't just get a wig of your current hair and use that for the rest of the filming. scar and lizzie wear wigs all the time, you can too. now let's go dye that stupid colour you want!" he cheers, tugging you along with him by your wrist, into the salon. you chuckled at his antics, letting him drag you.

the next hour or two was spent with you worrying that your parents would kill you for this, or worse, anthony or joe. you knew it would be a meltdown for them if you came back with your hair a completely different colour.

jeremy assured you that the russos, as well as your parents, would not get mad at this but you were pretty sure you'd get an earful from both pairs. you made him promise that he would talk to both parties that he was the one who convinced you to do this. but once your hair was done, all worries flew out the window as you admired your new hair.

"you look great, kiddo. this colour looks good on you." he looks at you with a fond smile, trying to resist the urge to ruffle your newly done hair but failing. you pouted at him when he did so, reaching up to fix it again. "sorry, y/n/n, couldn't resist," he states, pinching your cheek.

"alright, next stop now, let's go!" he pulls you by the wrist once again and you let him, used to him doing this already. the next time he stopped, you damn right almost had another heart attack because again, this man was crazy.

he did not just bring you to a nail place. surely he isn't about to let you get your nails done, right? the russos would have your head and his too if you were to get them done and casually get back to the studio.

"no." you said firmly, crossing your arms over your chest as you stayed seated in the passenger seat. "c'mon, y/n/n," he whined, throwing a tantrum outside the car door as he tried to get you to leave the car.

"no, jeremy, they'll literally send me back here to get it off because in case you forgot, in all my scenes, i don't have fancy nails." you reasoned, noticing that jeremy has now moved to your side of the car and the passenger seat door has now been opened, the man continuing to make a fuss closer to you now.

"no they will not, i'll make sure they don't. c'mon kiddo, it's your birthday, let's have a little fun!" he says but you were still unsure about the whole thing. "i don't know.."

"okay fine i guess i'll tell you this now. they didn't want to tell you until later today because they wanted it to be your kinda birthday present but your avenger suit has changed. it's not like the one in the last movie, it's got gloves now! and the rest of your scenes excluding the last few ones are all in your superhero suit right?" your eyes widened at this new information, a smile growing on your lips.

"wait, for real? are you sure they're not just fingerless gloves?" he smiles down at you. "yeah. i planned this day well, okay? put some trust in me, geez," he sassed, moving out of your way as you finally exited the car.

"this better not be a joke, renner, because if it is, i'll have your head." you threatened jokingly. "yeah, yeah. oh also, can you just pretend to be shocked when they tell you about your suit upgrade? because i really wasn't supposed to tell you this." he scratched the back of his head awkwardly as you walked two walked into the nail salon.

the entire time, he awkwardly sat at the side, waiting for you to be done. when you were though, he quickly got up, as if he had been restless sitting down the whole time.

"they're pretty," he says as you walked back to his car. "yeah, i really like them. haven't had my nails done in a long time." you replied, getting in the car and waiting for jeremy to get in on his side. once he did, he immediately started the engine and started driving back to the set where he had to continue shooting and where you knew sarah would be waiting for you.

it was after many different topics and finally arriving outside the set did you decide to get a little emotional. "hey, i just wanna say thanks for today. i thought i was gonna spend the day alone watching netflix all day like some loser but you made this day really enjoyable. you have no idea how much this really means to me, thank you so much jeremy. i love you." you pouted at him, trying not to cry. "aw kiddo, of course. you're an important person to me. couldn't let you be a loser on your special day," he teases, bringing you into a hug where he didn't miss his chance to ruffle your hair.

once you let go, he kept an arm around your shoulder as you both walked in. he opened the door for you both and you almost jumped in place.

"HAPPY BIRTHDAY!"

your jaw dropped at the sight in front you. every single one of your co-stars, along with some crew members were wearing party hats holding up a banner that said 'HAPPY BIRTHDAY, Y/N'. sarah was in the middle, holding a huge birthday cake with a smile on her face. you slowly walked towards her, hand over your mouth in shock.

sarah gave the cake over to robert before opening her arms up for you. you gave her a tight hug. "you didn't have to do all this," you say, letting go of her. "jeremy and i planned this right when your mother called beforehand and told me they couldn't come in time." she explained.

you turned to jeremy who had been standing next to you the whole time, giving him another hug which he happily accepted. "you guys didn't have to." you told them, trying not to cry at the thought that these people loved you enough to do this for you.

"but we wanted to. and the rest wanted to join in too. now before you start bawling your eyes out, let's get this party started!" he cheered.

"but before that, make a wish, kiddo." robert tells you after evans finished lighting up all the candles. you closed your eyes, making a wish and blowing them all out. everyone cheered before walking away to grab food or to talk to others. or in your cast mates' cases, fighting over who gets to give you your present first.

"you knew it was my birthday!" you exclaimed when you locked eyes with evans, who was in the middle of a brawl with both mackie and robert. he laughed out loud. "yeah! i did! your lie couldn't fool me, child!" he says dramatically, before being pushed aside by robert.

you laughed as they continued to fight right in front of you about who you love more and therefore getting to be first to give you their gift. they even managed to slip in a few compliments about your new hair, while they were literally fighting. you watched in glee, realising that even if your biological family couldn't make it for your special day, you still had a second one to make it special.

taglist <3

@amourtentiaa @rqmanoff @abitofeverythinggg @andreasworlsboring101 @cay-writes-fan-fiction514 @teenwonder @sevenmorningstars @fleurlovesbucky

#marvel cast x reader #marvel x teen!reader #marvel cast x teen!reader #jeremy renner x reader #jeremy renner x teen!reader #x teen!reader #chris evans x teen!reader #sebastian stan x teen!reader #avengers x teen!reader #avengers x reader

[thinkingisadangerouspastime]

(pt 1) i really enjoy all your atla analyses & you've done a great job breaking down the usual arguments re how eip shows that kataang shouldn't have happened. i'm curious about your take on one specific argument that i just saw today, in an analysis of the show by a zker that was otherwise quite good and respectful (i know you've already talked about eip a lot, so no problem if you don't feel like rehashing). the premise: aang didn't just pressure katara in eip, he threatened her.

(pt 2) they point to when katara joins aang & asks if he’s alright: “aang: no, i’m not! i hate this play! katara: i know it’s upsetting, but it sounds like you’re overreacting. aang: overreacting? if i hadn’t blocked my chakra, i’d probably be in the avatar state right now!” the suggestion is he’s threatening her when he says ‘i’d probably be in the avatar state right now’ to describe his anger. i think this take exaggerates and oversimplifies it, but interested in your thoughts on it.

Hello my friend!! It is true I am Old inside and don’t like rehashing dhdlksjslks BUT your comments on my posts are always incredibly kind and insightful so I am more than willing to do a bit of rehashing for you 🥰 Besides! I’ve seen this general take before a few times and it’s always irked me for the exact reason you point out - it simultaneously exaggerates and oversimplifies the situation (and honestly that’s an impressive duality since it’s seemingly contradictory, so hats off to them lmaooo) - and now is as good a time as any to address it. So, for starters, let’s go ahead and get the excerpt they love to focus on so much:

Cut to Aang standing alone on a balcony. Katara enters and walks up to him.

Katara: Are you all right?

Aang: [Angered.] No, I’m not! I hate this play! [Yanks his hat off and throws it on the ground.]

Katara: I know it’s upsetting, but it sounds like you’re overreacting.

Aang: Overreacting? If I hadn’t blocked my chakra, I’d probably be in the Avatar State right now!

Here’s the thing about so-called analyses of this excerpt: in a manner extremely convenient to the poster, they never seek to contextualize this moment. (I mean, to do so would deplatform their entire “argument” - perhaps that’s why they avoid performing a full analysis?) So let’s avoid that pitfall from the start.

Firstly, below are some links to related posts; I’m going to do my best to summarize the most relevant parts, but for anyone who desires greater detail, I gotchu 😤

This post explains why EIP (the play, lol) is imperialist propaganda and is intended to belittle the entire Gaang.

This post explains how Aang never acted “entitled” to Katara’s affections, particularly in regard to EIP.

This post breaks down the infamous EIP kiss like Snopes Fact Checker, covering common misconceptions, important perspectives to consider, etc.

Alright. With that out the way, it’s time for some context.

Aang and Katara have this conversation on the balcony after watching 95% of “The Boy in the Iceberg,” a play chock-full of Fire Nation propaganda that demeans the entire Gaang in order to prop up the Fire Nation as superior (hence why the play ends with Ozai’s victory). Here is my general breakdown of Aang and Katara’s treatment in particular from a previous post:

- katara, an indigenous woman, is highly sexualized and portrayed as overly dramatic and tearful, because the fire nation objectifies women not of their own people and views them as less intelligent and less emotionally stable

- aang, the avatar, the sole survivor of the fire nation’s genocide of the air nomads who is incredibly in-touch with his spirituality and femininity, is portrayed as an overly-airy and immature woman. the fire nation portrays him with a female actor to demean him (like, that’s classic imperialistic propagandist tactics) and furthermore writing his character as a childish airhead reinforces the fire nation sentiment that the air nomads were weak, foolish people who did not deserve to exist in their world

In other words, these kids have just watched almost an entire play that preys upon their insecurities and depicts them using racist and sexist stereotypes about their respective nations. It is completely understandable that tensions might run a little high and that their interactions would not be as balanced as usual (Katara and Aang have a great track record of communicating well with each other, as it happens!).

So we have to keep that in mind when examining the aforementioned excerpt. But there are other factors to consider, too! Namely: they are kids. Children. Teens. Aang is 12, Katara is 14.

If we want to be scientific, a person’s brain doesn’t finish developing until they are 25, lmao, and the preteen/teen years are when the prefrontal cortex that controls “rationality,” “judgement,” “forethought,” etc. is still developing. This doesn’t mean Aang and Katara are irrational and make poor decisions 24/7 (obviously not), but it does mean that in an intense, highly emotional situation, like after watching a play that intentionally demeans them and depicts them as inferior, they are more likely to overreact, more likely to be emotional, and more likely to make mistakes. Like, I’m serious, lol. “Teens process information with the amygdala.” That’s part of the brain that helps control emotions! It’s why teens sometimes struggle to articulate what we’re thinking, especially in situations that require instinct/impulse and quick decisions, because we’re really feeling whenever we make those choices. Acting more on emotion. Our brains simply haven’t finished developing the decision-making parts, lmao.

In sum: Aang and Katara are both kids, not adults, and should be interpreted as such. This doesn’t negate their intelligence, because they are both incredibly smart and Aang is arguably the wisest of the Gaang, but they are human. Young humans. They have emotions, and we should not be so cruel as to assume they’d never act on them.

So taking that all together, we can now acknowledge the high stress Aang and Katara are under, understand why they might be upset (*cough* imperialist propaganda is hurtful *cough*), and examine how their youth might play into their emotional reactions. And funny thing - all analyses that come to the conclusion of Aang “threatening” Katara here do not usually bother with this context. I can’t imagine why!

And you know what, let’s add one more piece of context: Sokka states that Aang left the theater “like, ten minutes ago,” which is what cues Katara to go look for him on the balcony. The reason I mention this line is because to me, it suggests Aang knew he was more worked up than usual! He chose to separate himself from his friends so he could process his frustration! He did not take his anger at the play out on them; instead, he purposefully took time and space to be alone.

With that in mind, I don’t understand at all how Aang’s Avatar state quote could be interpreted as a threat? Canonly, Aang is someone who was aware enough of his frustration to separate himself from the others - yet the logical next step is him threatening Katara as a result? He knew his intense emotions were because of the play (which he says himself), so the logical conclusion is that he then pinned the fault on Katara? What?? Sorry, that interpretation has no textual basis, lmao. But I digress!

Aang tells Katara, “If I hadn’t blocked my chakra, I’d probably be in the Avatar State right now!” As you said, this is the line people point to in an attempt to justify their (baseless) conclusion that Aang is “threatening” Katara. So let’s bring in the two key pieces of context: imperialist propaganda and age. Given that Aang is 12, and given that Aang has just watched almost a full play that demeans him and everything his people stood for (and let’s not forget it also mocks his and Katara’s love for each other)…

His reaction is understandable. An exaggeration and needlessly dramatic, but understandable. He feels vulnerable and insecure and Aang is human. He is human and flawed and he overreacts here and I love that A:TLA shows how even our heroes, even people who are truly good at heart and in soul, can get overly upset (especially given the aforementioned circumstances!). Would Aang actually be in the Avatar state at that moment, had it been possible? Of course not! He’s young and he’s hurt and as such he says something dramatic to convey his anxieties and frustrations. The line is not meant to be taken literally, and seeing people do so despite all the factors that should be taken into consideration when analyzing it… Cue a long, tired sigh from me and so many other A:TLA fans.

And to be honest? I cannot fathom how people watch this episode and come to the conclusion that Aang is “threatening” Katara. To me, this episode - besides being a recap episode - is one that humanizes our cast even further. Aang snaps at Katara, kisses her when he shouldn’t (which the story appropriately treats as wrong). Katara pushes down her true feelings and retreats into herself, afraid to start a relationship with the boy she loves because she’s already lost him once before and can’t bear to do so again. Zuko further confronts the hurt he’s enacted upon others, especially upon Iroh. Toph practices being vulnerable and accepting vulnerability from others by conversing with Zuko. Sokka witnesses how others have erased his contributions and labelled him as nothing more than the token nonbender in the group. Even Suki learns that she is not the only person who holds a place in Sokka’s heart and that she can never replace what he has lost.

To watch this episode where our heroes must come to terms with how the Fire Nation deems them inherently inferior, with how they have more fights to overcome in the future with the Fire Nation than a single war, and to come to the conclusion that… that what, Aang is abusive? A monster? Irredeemable? That he would threaten his best friend, someone he loves in every way?

Wow. That says more than enough about the viewer, doesn’t it?

#getting back into the swing of things babey ✌️ #aang #katara #kataang #kataangtag #the ember island players #atla #avatar the last airbender #amy answers #dramaticowl #amy analyzes #also i am speaking in GENERAL TERMS here lmaooo this is not a direct response to any one post 😂😂

[im-just-trying-to-get-bi]

(Black screen with text; The sound of buzzing bees can be heard) Narrator: According to all known laws of aviation, there is no way a bee should be able to fly. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway because bees don't care what humans think is impossible. (Barry is picking out a shirt) Barry: Yellow, black. Yellow, black. Yellow, black. Yellow, black. Ooh, black and yellow! Let's shake it up a little. Janet: Barry! Breakfast is ready! Barry: Coming! Hang on a second. (Barry uses his antenna like a phone) Barry: Hello (Through phone) Adam: Barry? Barry: Adam? Adam: Can you believe this is happening? Barry: I can't. I'll pick you up. (Barry flies down the stairs) Martin: Looking sharp. Janet: Use the stairs. Your father paid good money for those. Barry: Sorry. I'm excited. Martin: Here's the graduate. We're very proud of you, son. A perfect report card, all B's. Janet: Very proud. (Rubs Barry's hair) Barry: Ma! I got a thing going here. Janet: You got lint on your fuzz. Barry: Ow! That's me! Janet: Wave to us! We'll be in row 118,000. Bye! (Barry flies out the door) Janet: Barry, I told you, stop flying in the house! (Barry drives through the hive,and is waved at by Adam who is reading a newspaper) Barry: Hey, Adam. Adam: Hey, Barry. (Adam gets in Barry's car) Adam: Is that fuzz gel? Barry: A little. Special day, graduation. Adam: Never thought I'd make it. (Barry pulls away from the house and continues driving) Barry: Three days grade school, three days high school... Adam: Those were awkward. Barry: Three days college. I'm glad I took a day and hitchhiked around the hive. Adam: You did come back different. (Barry and Adam pass by Artie, who is jogging) Artie: Hi, Barry! Barry: Artie, growing a mustache? Looks good. Adam: Hear about Frankie? Barry: Yeah. Adam: You going to the funeral? Barry: No, I'm not going to his funeral. Everybody knows, sting someone, you die. Don't waste it on a squirrel. Such a hothead. Adam: I guess he could have just gotten out of the way. (The car does a barrel roll on the loop-shaped bridge and lands on the highway) Adam: I love this incorporating an amusement park into our regular day. Barry: I guess that's why they say we don't need vacations. (Barry parallel parks the car and together they fly over the graduating students) {♬ Playing "Pomp and Circumstance" ♬} Barry: Boy, quite a bit of pomp...under the circumstances. (Barry and Adam sit down and put on their hats) Barry: Well, Adam, today we are men. Adam: We are! Barry: Bee-men. Adam: Amen! Barry and Adam: Hallelujah! (Barry and Adam both have a happy spasm) {♬ "Pomp and Circumstance" Ends ♬} Announcer: Students, faculty, distinguished bees, please welcome Dean Buzzwell. Dean: Welcome, New Hive Oity graduating class of......9:15. That concludes our ceremonies. And begins your career at Honex Industries! Adam: Will we pick our job today? (Adam and Barry get into a tour bus) Barry: I heard it's just orientation. (Tour buses rise out of the ground and the students are automatically loaded into the buses) Tour Guide: Heads up! Here we go. Announcer: Keep your hands and antennas inside the tram at all times. Barry: Wonder what it'll be like? Adam: A little scary. Tour Guide: Welcome to Honex, a division of Honesco and a part of the Hexagon Group. Barry: This is it! Barry and Adam: Wow. Barry: Wow. (The bus drives down a road an on either side are the Bee's massive complicated Honey-making machines) Tour Guide: We know that you, as a bee, have worked your whole life to get to the point where you can work for your whole life. Honey begins when our valiant Pollen Jocks bring the nectar to the hive. Our top-secret formula is automatically color-corrected, scent-adjusted and bubble-contoured into this soothing sweet syrup with its distinctive golden glow you know as... Everyone: Honey! (The guide has been collecting honey into a bottle and she throws it into the crowd on the bus and it is caught by a girl in the back) Adam: That girl was hot. Barry: She's my cousin! Adam: She is? Barry:

Yes, we're all cousins. Adam: Right. You're right. Tour Guide: At Honex, we constantly strive to improve every aspect of bee existence. These bees are stress-testing a new helmet technology. (The bus passes by a Bee wearing a helmet who is being smashed into the ground with fly-swatters, newspapers and boots. He lifts a thumbs up but you can hear him groan) Adam: What do you think he makes? Barry: Not enough. Tour Guide: Here we have our latest advancement, the Krelman. (They pass by a turning wheel with Bees standing on pegs, who are each wearing a finger-shaped hat) Barry: Wow, What does that do? Tour Guide: Catches that little strand of honey that hangs after you pour it. Saves us millions. Adam: (Intrigued) Can anyone work on the Krelman? Tour Guide: Of course. Most bee jobs are small ones. But bees know that every small job, if it's done well, means a lot. But choose carefully because you'll stay in the job you pick for the rest of your life. (Everyone claps except for Barry) Barry: The same job the rest of your life? I didn't know that. Adam: What's the difference? Tour Guide: You'll be happy to know that bees, as a species, haven't had one day off in 27 million years. Barry: (Upset) So you'll just work us to death? We'll sure try. (Everyone on the bus laughs except Barry. Barry and Adam are walking back home together) Adam: Wow! That blew my mind! Barry: "What's the difference?" How can you say that? One job forever? That's an insane choice to have to make. Adam: I'm relieved. Now we only have to make one decision in life. Barry: But, Adam, how could they never have told us that? Adam: Why would you question anything? We're bees. We're the most perfectly functioning society on Earth. Barry: You ever think maybe things work a little too well here? Adam: Like what? Give me one example. (Barry and Adam stop walking and it is revealed to the audience that hundreds of cars are speeding by and narrowly missing them in perfect unison) Barry: I don't know. But you know what I'm talking about. Announcer: Please clear the gate. Royal Nectar Force on approach. Barry: Wait a second. Check it out. (The Pollen jocks fly in, circle around and landing in line) Barry: Hey, those are Pollen Jocks! Adam: Wow. I've never seen them this close. Barry: They know what it's like outside the hive. Adam: Yeah, but some don't come back. Girl Bees: Hey, Jocks! Hi, Jocks! (The Pollen Jocks hook up their backpacks to machines that pump the nectar to trucks, which drive away) Lou Lo Duva: You guys did great! You're monsters! You're sky freaks! I love it! (Punching the Pollen Jocks in joy) Lou Lo Duva: I love it! Adam: I wonder where they were. Barry: I don't know. Their day's not planned. Outside the hive, flying who knows where, doing who knows what. You can't just decide to be a Pollen Jock. You have to be bred for that. Adam: Right. (Barry and Adam are covered in some pollen that floated off of the Pollen Jocks) Barry: Look at that. That's more pollen than you and I will see in a lifetime. Adam: It's just a status symbol. Bees make too much of it. Barry: Perhaps. Unless you're wearing it and the ladies see you wearing it. (Barry waves at 2 girls standing a little away from them) Adam: Those ladies? Aren't they our cousins too? Barry: Distant. Distant. Pollen Jock #1: Look at these two. Pollen Jock #2: Couple of Hive Harrys. Pollen Jock #1: Let's have fun with them. Girl Bee #1: It must be dangerous being a Pollen Jock. Barry: Yeah. Once a bear pinned me against a mushroom! He had a paw on my throat, and with the other, he was slapping me! (Slaps Adam with his hand to represent his scenario) Girl Bee #2: Oh, my! Barry: I never thought I'd knock him out. Girl Bee #1: (Looking at Adam) What were you doing during this? Adam: Obviously I was trying to alert the authorities. Barry: I can autograph that. (The pollen jocks walk up to Barry and Adam, they pretend that Barry and Adam really are pollen jocks.) Pollen Jock #1: A little gusty out there today, wasn't it, comrades? Barry: Yeah. Gusty. Pollen Jock #1: We're hitting a sunflower patch six

miles from here tomorrow. Barry: Six miles, huh? Adam: Barry! Pollen Jock #2: A puddle jump for us, but maybe you're not up for it. Barry: Maybe I am. Adam: You are not! Pollen Jock #1: We're going 0900 at J-Gate. What do you think, buzzy-boy? Are you bee enough? Barry: I might be. It all depends on what 0900 means. (The scene cuts to Barry looking out on the hive-city from his balcony at night) Martin: Hey, Honex! Barry: Dad, you surprised me. Martin: You decide what you're interested in? Barry: Well, there's a lot of choices. But you only get one. Do you ever get bored doing the same job every day? Martin: Son, let me tell you about stirring. You grab that stick, and you just move it around, and you stir it around. You get yourself into a rhythm. It's a beautiful thing. Barry: You know, Dad, the more I think about it, maybe the honey field just isn't right for me. Martin: You were thinking of what, making balloon animals? That's a bad job for a guy with a stinger. Janet, your son's not sure he wants to go into honey! Janet: Barry, you are so funny sometimes. Barry: I'm not trying to be funny. Martin: You're not funny! You're going into honey. Our son, the stirrer! Janet: You're gonna be a stirrer? Barry: No one's listening to me! Martin: Wait till you see the sticks I have. Barry: I could say anything right now. I'm gonna get an ant tattoo! (Barry's parents don't listen to him and continue to ramble on) Martin: Let's open some honey and celebrate! Barry: Maybe I'll pierce my thorax. Shave my antennae. Shack up with a grasshopper. Get a gold tooth and call everybody "dawg"! Janet: I'm so proud. (The scene cuts to Barry and Adam waiting in line to get a job) Adam: We're starting work today! Barry: Today's the day. Adam: Come on! All the good jobs will be gone. Barry: Yeah, right. Job Lister: Pollen counting, stunt bee, pouring, stirrer, front desk, hair removal... Bee in the front of the line: Is it still available? Job Lister: Hang on. Two left! One of them's yours! Congratulations! Step to the side. Adam: What'd you get? Bee in the front of the line: Picking crud out. Stellar! (He walks away) Adam: Wow! Job Lister: Couple of newbies? Adam: Yes, sir! Our first day! We are ready! Job Lister: Make your choice. (Adam and Barry look up at the job board. There are hundreds of constantly changing panels that contain available or unavailable jobs. It looks very confusing) Adam: You want to go first? Barry: No, you go. Adam: Oh, my. What's available? Job Lister: Restroom attendant's open, not for the reason you think. Adam: Any chance of getting the Krelman? Job Lister: Sure, you're on. (Puts the Krelman finger-hat on Adam's head) (Suddenly the sign for Krelman closes out) Job Lister: I'm sorry, the Krelman just closed out. (Takes Adam's hat off) Job Lister: Wax monkey's always open. Adam: The Krelman opened up again. What happened? Job Lister: A bee died. Makes an opening. See? He's dead. Another dead one. Deady. Deadified. Two more dead. Dead from the neck up. Dead from the neck down. That's life! Adam: Oh, this is so hard! (Barry remembers what the Pollen Jock offered him and he flies off) Adam: Heating, cooling, stunt bee, pourer, stirrer, humming, inspector number seven, lint coordinator, stripe supervisor, mite wrangler. Barry, what do you think I should... Barry? (Adam turns around and sees Barry flying away) Adam: Barry! Pollen Jock #1: All right, we've got the sunflower patch in quadrant nine... Adam: (Through phone) What happened to you? Where are you? Barry: I'm going out. Adam: Out? Out where? Barry: Out there. Adam: Oh, no! Barry: I have to, before I go to work for the rest of my life. Adam: You're gonna die! You're crazy! (Barry hangs up) Adam: Hello? Pollen Jock #2: Another call coming in. If anyone's feeling brave, there's a Korean deli on 83rd that gets their roses today. Barry: Hey, guys. Pollen Jock #1: Look at that. Pollen Jock #2: Isn't that the kid we saw yesterday? Lou Lo Duva: Hold it, son, flight deck's restricted. Pollen Jock #1: It's OK, Lou. We're gonna take him up. (Puts hand on Barry's shoulder)

Lou Lo Duva: (To Barry) Really? Feeling lucky, are you? Bee with Clipboard: (To Barry) Sign here, here. Just initial that. Thank you. Lou Lo Duva: OK. You got a rain advisory today, and as you all know, bees cannot fly in rain. So be careful. As always, watch your brooms, hockey sticks, dogs, birds, bears and bats. Also, I got a couple of reports of root beer being poured on us. Murphy's in a home because of it, babbling like a cicada! Barry: That's awful. Lou Lo Duva: (Still talking through megaphone) And a reminder for you rookies, bee law number one, absolutely no talking to humans! All right, launch positions! Pollen Jocks: (The Pollen Jocks run into formation) Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Lou Lo Duva: Black and yellow! Pollen Jocks: Hello! Pollen Jock #1: (To Barry)You ready for this, hot shot? Barry: Yeah. Yeah, bring it on. Pollen Jocks: Wind, check. Antennae, check. Nectar pack, check. Wings, check. Stinger, check. Barry: Scared out of my shorts, check. Lou Lo Duva: OK, ladies, let's move it out! Pound those petunias, you striped stem-suckers! All of you, drain those flowers! (The pollen jocks fly out of the hive) Barry: Wow! I'm out! I can't believe I'm out! So blue. I feel so fast and free! Box kite! (Barry flies through the kite) Barry: Wow! Flowers! (A pollen jock puts on some high tech goggles that shows flowers similar to heat sink goggles.) Pollen Jock: This is Blue Leader. We have roses visual. Bring it around 30 degrees and hold. Roses! Pollen Jock #1: 30 degrees, roger. Bringing it around. Stand to the side, kid. It's got a bit of a kick. (The pollen jock fires a high-tech gun at the flower, shooting tubes that suck up the nectar from the flower and collects it into a pouch on the gun) Barry: That is one nectar collector! Pollen Jock #1: Ever see pollination up close? Barry: No, sir. (Barry and the Pollen jock fly over the field, the pollen jock sprinkles pollen as he goes) Pollen Jock #1: I pick up some pollen here, sprinkle it over here. Maybe a dash over there, a pinch on that one. See that? It's a little bit of magic. Barry: That's amazing. Why do we do that? Pollen Jock #1: That's pollen power. More pollen, more flowers, more nectar, more honey for us. Barry: Cool. Pollen Jock #1: I'm picking up a lot of bright yellow. could be daisies. Don't we need those? Pollen Jock #2: Copy that visual. Wait. One of these flowers seems to be on the move. Pollen Jock #1: Say again? You're reporting a moving flower? Pollen Jock #2: Affirmative. (The Pollen jocks land near the "flowers" which, to the audience are obviously just tennis balls) Ken: (In the distance) That was on the line! Pollen Jock #1: This is the coolest. What is it? Pollen Jock #2: I don't know, but I'm loving this color. It smells good. Not like a flower, but I like it. Pollen Jock #1: Yeah, fuzzy. (Sticks his hand on the ball but it gets stuck) Pollen Jock #3: Chemical-y. (The pollen jock finally gets his hand free from the tennis ball) Pollen Jock #1: Careful, guys. It's a little grabby. (The pollen jocks turn around and see Barry lying his entire body on top of one of the tennis balls) Pollen Jock #2: My sweet lord of bees! Pollen Jock #3: Candy-brain, get off there! Pollen Jock #1: (Pointing upwards) Problem! (A human hand reaches down and grabs the tennis ball that Barry is stuck to) Barry: Guys! Pollen Jock #2: This could be bad. Pollen Jock #3: Affirmative. (Vanessa Bloome starts bouncing the tennis ball, not knowing Barry is stick to it) Barry: Very close. Gonna hurt. Mama's little boy. (Barry is being hit back and forth by two humans playing tennis. He is still stuck to the ball) Pollen Jock #1: You are way out of position, rookie! Ken: Coming in at you like a MISSILE! (Barry flies past the pollen jocks, still stuck to the ball) Barry: (In slow motion) Help me! Pollen Jock #2: I don't think these are flowers. Pollen Jock #3: Should we tell him? Pollen Jock #1: I think he knows. Barry: What is this?! Ken: Match point! You can start packing up, honey, because you're about to EAT IT! (A pollen

jock coughs which confused Ken and he hits the ball the wrong way with Barry stuck to it and it goes flying into the city) Barry: Yowser! (Barry bounces around town and gets stuck in the engine of a car. He flies into the air conditioner and sees a bug that was frozen in there) Barry: Ew, gross. (The man driving the car turns on the air conditioner which blows Barry into the car) Girl in the car: There's a bee in the car! Do something! Dad driving the car: I'm driving! Baby Girl: (Waving at Barry) Hi, bee. (Barry smiles and waves at the baby girl) Guy in the back of the car: He's back here! He's going to sting me! Girl in the car: Nobody move. If you don't move, he won't sting you. Freeze! (Barry freezes as well, hovering in the middle of the car) Grandma in the car: He blinked! (The grandma whips out some bee-spray and sprays everywhere in the car, climbing into the front seat, still trying to spray Barry) Girl in the car: Spray him, Granny! Dad driving the car: What are you doing?! (Barry escapes the car through the air conditioner and is flying high above the ground, safe.) Barry: Wow... the tension level out here is unbelievable. (Barry sees that storm clouds are gathering and he can see rain clouds moving into this direction) Barry: I gotta get home. Can't fly in rain. Can't fly in rain. Pollen Jock #1: You are way out of position, rookie! Ken: Coming in at you like a MISSILE! (Barry flies past the pollen jocks, still stuck to the ball) Barry: (In slow motion) Help me! Pollen Jock #2: I don't think these are flowers. Pollen Jock #3: Should we tell him? Pollen Jock #1: I think he knows. Barry: What is this?! Ken: Match point! You can start packing up, honey, because you're about to EAT IT! (A pollen jock coughs which confused Ken and he hits the ball the wrong way with Barry stuck to it and it goes flying into the city) Barry: Yowser! (Barry bounces around town and gets stuck in the engine of a car. He flies into the air conditioner and sees a bug that was frozen in there) Barry: Ew, gross. (The man driving the car turns on the air conditioner which blows Barry into the car) Girl in the car: There's a bee in the car! Do something! Dad driving the car: I'm driving! Baby Girl: (Waving at Barry) Hi, bee. (Barry smiles and waves at the baby girl) Guy in the back of the car: He's back here! He's going to sting me! Girl in the car: Nobody move. If you don't move, he won't sting you. Freeze! (Barry freezes as well, hovering in the middle of the car) Grandma in the car: He blinked! (The grandma whips out some bee-spray and sprays everywhere in the car, climbing into the front seat, still trying to spray Barry) Girl in the car: Spray him, Granny! Dad driving the car: What are you doing?! (Barry escapes the car through the air conditioner and is flying high above the ground, safe.) Barry: Wow... the tension level out here is unbelievable. (Barry sees that storm clouds are gathering and he can see rain clouds moving into this direction) Barry: I gotta get home. Can't fly in rain. Can't fly in rain.(a raindrop hits him, but before he can recover, another hits him) Mayday! Mayday! Bee going down! (Barry sees a window ledge and barely makes it there, then crawls through the open window.) Vanessa: Ken, could you close the window please? Ken: Huh? Oh.. Hey, Check out my new resume. I made it into a fold-out brochure. You see? Folds out. Barry: Oh, no. More humans. I don't need this. (tries to fly out the window but bounces off of it) Oof! Ow! What was that? (tries again) Maybe this time. This time. This time. This time! This time! This, this, this, this... Drapes. (taps the glass) That is diabolical. Ken: (showing off his resume:) It's fantastic. It's got all my special skills, even my top-ten favorite movies. Andy: What's your number one? Star Wars? Ken: Nah, I don't go for that... (mimics lasers firing) ...kind of stuff. Barry: No wonder we’re not supposed to talk to them. They're out of their minds. Ken: When I walk out of a job interview, they're flabbergasted. They can't believe the things I say. Barry: There's the sun. Maybe

that's a way out. (flies towards the light near the ceiling) I don't remember the sun having a big 75 on it. (bounces off it and starts falling, landing in a bowl of chip dip) Ken: I gotta tell ya, I predicted global warming. I could feel it getting hotter. At first I thought it was just me. (Andy scoops up some of the dip with a tortilla chip, including Barry, and brings it towards his mouth) Ken: Wait! Stop! Bee! Anna: Kill it! Kill it! Ken: (grabs something to kill it) Stand back. These are winter boots. Vanessa: Wait! Don't kill him! Ken: You know I'm allergic to them! This thing could kill me! Vanessa: Well, why does his life have any less value than yours? (Vanessa places a lass over Barry) Ken: Why does his life have any less value than mine? Is that your statement? Vanessa: I'm just saying all life has value. You don't know what he's capable of feeling. (Vanessa rips Ken's resume in half and slides it under the glass) Ken: My brochure. Vanessa: (carries the glass with Barry inside over to the window and release him) There you go, little guy. Ken: I'm not scared of him. But yeah, it's an allergic thing. Andy: Hey, why don't you put that on your resume-brochure? Ken: It's not funny. My whole face could puff up. Andy: Hmm, make it one of your "special skills". Ken: You know, knocking someone out is also a special skill. (later, as the rain stops and the sun comes back out) Anna: Right. Bye, Vanessa. Thanks. Ken: Vanessa, next week? Yogurt night? Vanessa: Ah, yeah, sure, Ken. You know, whatever. Ken: You could put carob chips on there. Vanessa: Bye. Ken: Supposed to be less calories or somethin'. Vanessa: Bye. (the last of her guests have left. She shuts the door and begins cleanup.) Barry: (sighs) I gotta say something. She saved my life. I've got to say something. All right, here it goes. (Barry flies back into her house through the almost-closed window and stops in front of a can of Bumble Bee Chunk Light Tuna as Vanessa walks by, stopping right in line with the mascot. He starts to walk away and looks back. Says, "Huh" and turns back around to look at the mascot, then says "Nah" as he dismisses the picture and continues walking.) (Barry resumes flying and lands on a postcard from Coney Island taped to the refrigerator, again in a position where Vanessa doesn't notice him.) Barry: What would I say? I could really get in trouble. It's a bee law. You're not supposed to talk to a human. I can't believe I'm doing this. (begins debating with himself) I've got to. Oh, I can't do it. Come on! No. Yes. No. Do it. I can't. How should I start it? "Ya like jazz?" No, that's no good. Here she comes! Speak, you fool! Barry: (to Vanessa:) Um, hi! (Vanessa gasps and drops the dishes) Barry: I'm sorry. Vanessa: Hah, you're talking. Barry: Yes, I know, I know. I'm so– Vanessa: You're talking. Barry: I know. I'm– I'm sorry. I'm so sorry. Vanessa: No, it's okay. It's fine. It's just... I know I'm dreaming. But I don't recall going to bed. Barry: Well, you know, I'm sure this is very disconcerting.... Vanessa: Yeah! I mean, this is a bit of a surprise to me. I mean, you're a bee! Barry: Yeah. Vanessa: Yeah. Barry: Yeah, I am a bee. And, uh, you know I'm not supposed to be doing this, but... (Vanessa makes a small "Oh" and "uh-huh" noises while Barry's talking) Barry: ...they were all trying to kill me. And if it wasn't for you... I mean, I had to thank you. It's, it's just the way I was raised. (Vanessa grabs a fork and stabs herself in the hand, then cries out) Barry: Oh! That was a little weird. Vanessa: I'm talking to a bee. Barry: Yeah. Vanessa: I'm talking to a bee. Barry: Anyway... Vanessa: And the bee is talking to me! Barry: Um, I just want to say I'm grateful, and I'm going to leave now. Vanessa: Wait, wait, wait, wait! How did you learn to do that? Barry: What? Vanessa: That- that- that- that... The talking thing. Barry: Oh, same way you did, I guess. "Mama, Dada, honey." You pick it up. Vanessa: (laughs unconvincingly) That's very funny. Barry: Yeah. Bees are funny. If we didn't laugh, we'd cry with what we have to deal

with. Anyway... Vanessa: Can I uh... get you something? Barry: Like what? Vanessa: I don't know. I mean.. I don't know. Coffee? Barry: Well, uh, I don't want to put you out, unless you're making it anyway. Vanessa: Oh, it's no trouble. Oh, it takes two minutes. Barry: Really? Vanessa: It's just coffee. Barry: I hate to impose. Vanessa: Don't be ridiculous! Barry: Actually, I would love a cup. Vanessa: Hey, you want a little rum cake? Barry: I really shouldn't. Vanessa: Have a little rum cake. Barry: No, no, no, I can't. Vanessa: Oh, come on! Barry: You know, I'm trying to lose a couple micrograms here. Vanessa: Where? Barry: Well... these stripes don't help. Vanessa: You look great! Barry: I don't know if you know anything about fashion. (Vanessa walks away and begins pouring coffee onto the floor, a coffee cup in her other hand) Barry: Are you all right? Vanessa: No. (fade to Vanessa and Barry on her roof terrace, talking and having coffee) Barry: He's making the tie in the cab as they're flying up Madison. So he finally gets there. Vanessa: Uh huh. Barry: He runs up the steps into the church. The wedding is on... Vanessa: Yeah? Barry: ...and he says, "Watermelon? I thought you said Guatemalan." Vanessa: Uh huh? Barry: Why would I marry a watermelon? (Barry laughs) (Vanessa's more confused than amused. Barry gestures, indicating his joke is done.) Vanessa: Oh, Is that a... a bee joke? Barry: Yeah, that's the kind of stuff that we do. Vanessa: Yeah, different. So, anyway, what are you gonna do, Barry? Barry: About work? I don't know. I want to do my part for the hive, but I, I can't do it the way they want. Vanessa: I know how you feel. Barry: You do? Vanessa: Sure. My parents wanted me to be a lawyer or a doctor, but I wanted to be a florist. Barry: Really? Vanessa: My only interest is flowers. Barry: Our new queen was just elected with that same campaign slogan. Vanessa: Oh, huh. Barry: Anyway, you see if you look... There. There's my hive right there. You can see it. Vanessa: Oh, you're in Sheep Meadow! Barry: Yes! You know the turtle pond? Vanessa: Yes? Barry: I'm right off of that. Vanessa: Oh, no way! I know that area. Do you know I lost a toe ring there once. (behind them, a janitor comes onto the roof and begins working on replacing a light bulb) Barry: Really? Vanessa: Yes. Barry: Why do girls put rings on their toes? Vanessa: Well, why not? Barry: I don't know. It's like putting a hat on your knee. Vanessa: Maybe I'll try that. Janitor: You all right, ma'am? Vanessa: (realizing how it must look, talking to herself:) Oh, yeah, fine. Just having two cups of coffee. (she laughs) (Vanessa and Barry share a little quiet time) Barry: Anyway, this has been great. Thanks for the coffee. Vanessa: Oh, yeah, it's no trouble. Barry: Sorry I couldn't finis it. If I did, I'd be up for the rest of my life. Are you... Umm. Can I take a piece of this with me? Vanessa: Sure! Here, have a crumb. (She passes one to Barry on her fingertip) Barry: Oh, thanks. Vanessa: Yeah. Barry: All right, well, then... I guess I'll see you around, or not, or... Vanessa: Okay, Barry. Barry: And thank you so much again... for before. Vanessa: Oh, that? That was nothing. Barry: Well, not nothing, but... anyway... (Barry extends his hand. Vanessa touches it with her finger and they gingerly shake. The janitor looks over and continues tightening the bulb in the socket. It shorts, causing him to lose his balance and fall backwards.) (The next day at the Honex building, hurricane survival testing is in progress. A bee wearing a parachute is in a wind tunnel.) Testing bee 1: This can't possibly work. Testing bee 2: Well, he's all set to go. We may as well try it. (via intercom:) Okay, Dave. pull the chute. (Dave pulls the cord and is immediately blown backwards. He slides down the wall and shakily gives a thumbs up signal. Barry and Adam walk by the outside of the testing chamber.) Adam: Sounds amazing. Barry: Oh, it was amazing. It- it was the scariest, happiest moment of my life. Adam: Humans! Humans! I can't believe you were with humans! Giant scary

humans! What were they like? Barry: Huge and crazy. They talk crazy, they eat crazy giant things. They drive around real crazy. Adam: And do they try and kill you like on TV? Barry: Some of them. But some of them don't. Adam: How'd you get back? Barry: Poodle. Adam: Look, you did it. And I'm glad. You saw whatever you wanted to see out there, You had your "experience", and now you're back, you can pick out your job and everything can be normal. Barry: Well... Adam: Well? Well? Barry: Well, I met someone. Adam: You met someone? Was she Bee-ish? Barry: Mmm. Adam: Not a wasp? Your parents will kill you. Barry: No, no, no, not a wasp. Adam: Spider? Barry: You know, I'm not attracted to the spiders. I know to everyone else it's like the hottest thing with the eight legs and all. I can't get by that face. (Barry grimaces and makes a noise.) Adam: So, uh, who is she? Barry: She's... uh... a human. Adam: Oh no, no, no, no. That didn't happen. You didn't do that. That is a bee law. You wouldn't break a bee law. Barry: Her name's Vanessa. Adam: Oh, oh boy! Barry: She's so-o nice. And she's a florist! Adam: Oh, no. No, no, no! You're dating a human florist? Barry: W-w-well, we're not dating. Adam: You're flying outside the hive. You're talking to human beings that attack our homes with power washers and M-80s. That's one-eighth of a stick of dynamite. Barry: She saved my life. And she understands me. Adam: This is over. Barry: (pulls out the rum cake crumb) Eat this. (pushes it into Adam's face.) Adam: This is not over. What was that? Barry: They call it a crumb. Adam: That was so stingin' stripey! Barry: And that's not even what they eat. That just falls off what they eat. Do you know what a Cinnabon is? Adam: No. Barry: It's bread... Adam: Come in here! (opens the door to the office where he works and guides Barry inside) Barry: ...and cinnamon, Adam: Be quiet! Barry: ...and frosting. They heat it up– Adam: Sit down! Barry: Really hot! Adam: Listen to me! We are not them. We're us. There's us and there's them. Barry: Yes, but who can deny the heart that is yearning... Adam: There's no yearning. Stop yearning. Listen to me. You have got to start thinking bee, my friend. (another bee joins in:) Thinking bee. (and another joins in:) Thinking bee. (all bees in the office begin chanting:) Thinking bee. Thinking bee. Thinking bee. (Outside his house, Barry sits on a raft in his family's hexagon-shaped honey pool, legs dangling into the honey. Mom and dad approach, wearing cabana-type outfits, sun shining behind them.) Mom: There he is. He's in the pool. Dad: You know what your problem is, Barry? Barry: I've got to start thinking bee? Dad: Barry, how much longer is this going to go on? It's been three days. I don't understand why you're not working. Barry: Well, I've got a lot of big life decisions I'm thinking about Dad: What life? You have no life! You have no job! You're barly a bee! Barry: Augh. Mom: Would it kill you to just make a little honey? (Barry rolls off the raft and sinks into the pool.) Mom: Barry, come out from under there. Your rather's talking to you. Martin, would you talk to him? Dad: Barry, I'm talking to you. (Barry keeps swimming downward through the honey, which clears and leads him to a park where Vanessa is waiting for him, reclining on a picnic blanket. "Sugar Sugar" by The Archies is playing in the background. She swats a mosquito that lands on her leg, then looks at Barry for his reaction. Both are surprised, but then laugh about it.) Vanessa: You coming? (said in a sultry way) Barry: Got everything? Vanessa: All set. (She gets into a one-man ultralight plane with a black-and-yellow paint job and puts on her helmet. She and the plane are now Barry's size.) Barry: You go ahead. I'll catch up. Vanessa: Don't be too long. (The plane takes off. Barry soon catches up and they fly together.) Vanessa: Watch this! (The plane does a loop, trailing red smoke that forms a heart, then crashes into the side of a rock pile, bursting into flames.) Barry: (yelling in anguish:) Vanessa! (his cry changes to bubbles escaping

his mouth) (Barry breaks the surface of the pool, gasping for air.) Dad: We're still here, Barry. Mom: I told you not to yell at him. He doesn't respond when you yell at him. Dad: Then why are you yelling at me? Mom: Because you don't listen. Dad: Ah, I'm not listing to this. Barry: (dries himself and puts on his sweater) Sorry Mom, I've got to go. Mom: Where are you going? Barry: Nowhere. I'm meeting a friend. Mom: (calling after him:) A girl? Is this why you can't decide? Barry: Bye! Mom: I just hope she's Bee-ish. (Vanessa exits her florist shop, flipping the sign over and locking the door.) Barry: (he see the Tournament of Roses Parade poster) So they have a huge parade of just flowers every year in Pasadena? Vanessa: Oh, to be in the Tournament of Roses, that's every florist's dream. Up on a float, surrounded by flowers, crowds cheering. Barry: Wow, a tournament. Do the roses actually complete in athletic events? Vanessa: No. All right, I've got one. How come you don't fly everywhere? Barry: It's exhausting. Vanessa: Hmmm. Barry: Why don't you run everywhere? Isn't that faster? Vanessa: Yeah, okay. I see, I see. All right, your turn. Barry: Ah! Tivo. You can just freeze live TV? That's insane. Vanessa: What, you don't have anything like that? Barry: We have Hivo, but it's a disease. It's a horrible, horrible disease. Vanessa: Oh my. (They turn a corner onto a busier street. People start swatting at Barry.) Man: Dumb bees! Vanessa: You must just want to sting all those jerks. Barry: We really try not to sting. It's usually fatal for us. Vanessa: So you really have to watch your temper? (they enter a supermarket) Barry: Oh yeah, very carefully. You kick a wall, take a walk, write an angry letter and throw it out. You work though it like any emotion– anger, jealousy, (under his breath) lust. (Barry lands on cardboard boxes in the aisle. A stock boy hits him with a rolled-up advertisement.) Vanessa: (to Barry:) Oh my goodness. Are you okay? Barry: Yeah. Whew! Vanessa: (to Hector, the stockboy:) What is wrong with you?! Hector: It's a bug. Vanessa: Well, he's not bothering anybody. Get out of here, you creep. (She slaps him with the advertisement and he leaves, muttering.) Barry: (shakes off the hit) What was that, a Pick and Save circular? Vanessa: Yeah, it was. How did you know? Barry: It felt like about ten pages. Seventy-five's pretty much our limit. Vanessa: Boy, you've really got that down to a science. Barry: Oh, we have to. I lost a cousin to Italian Vogue. Vanessa: I'll bet. Barry: (he stops when he sees the rows of honey jars) What in the name of Mighty Hercules is this? How did this get here? Cute Bee? Golden Blossom? Ray Liotta Private Select. Vanessa: Is he that actor? Barry: I never heard of him. Why is this here? Vanessa: For people. We eat it. Barry: Why? (he gestures around the market) You don't have enough food of your own? Vanessa: Well yes, we– Barry: How do you even get it? Vanessa: Well, bees make it... Barry: I know who makes it! And it's hard to make it! There's heating and cooling, and stirring... you need a whole Krelman thing. Vanessa: It's organic. Barry: It's our-ganic! Vanessa: It's just honey, Barry. Barry: Just... what?! Bees don't know about this. This is stealing. A lot of stealing! You've taken our homes, our schools, our hospitals. This is all we have. And it's on sale? I'm going to get to the bottom of this. I'm going to get to the bottom of all of this! (Barry rips off the label from a jar of Ray Liotta Private Select Honey) (Later, Barry's infiltrating the supermarket loading dock by covering up his yellow stripes with a Magic Marker and putting on war paint. Hector's opening more boxes of honey jars.) Man: Hey, Hector. You almost done? Hector: Almost. (Barry steps in some honey. Hector stops and turns.) Hector: He is here. I sense it. (he grabs his box cutter as Barry hides) (Barry hides behind a box again) Hector: (talking loud to the open room as he opens a jar of honey from a box:) Well, I guess I'll go home now, and just leave this nice honey out, with no one around.

(pretends to walk away) Barry: (he steps out into the light) You're busted, box boy! Hector: Ah ha! I knew I heard something. So, you can talk. (Barry flies at him, stinger first, backing him against the wall. Hector drops the knife.) Barry: Oh, I can talk. And now you're going to start talking. Where are you getting all the sweet stuff? Who's your supplier?! Hector: I don't know what you're talking about. I though we were all friends. The last thing we want to do is upset any of you... bees! (Hector grabs a push pin. Barry begins fencing with his stinger..) Hector: Ha! You're too late. It's ours now! Barry: You, sir, have crossed the wrong sword. Hector: You, sir, are about to be lunch for my iguana, Ignacio! (The fight continues. They cross swords and get nose-to-nose.) Barry: Where is the honey coming from? (Barry knocks the push pin away and put his stinger up to Hector's nose.) Tell me where! Hector: (points to a truck) Honey Farms. It comes from Honey Farms. (Barry flies after the departing truck, dodging a bus, taxis and a messenger on a bicycle. One driver yells at messenger, "Crazy person!") (Barry continues his pursuit, using the elastic strap on a bicycle messenger's helmet to launch himself towards the truck. He lands on the windshield, pressed against it by the wind. He sees himself surrounded by dead bugs, then works his way around them.) Barry: Oh my. What horrible thing has happened here? Look at these faces. They never knew what hit them. And now they're on the road to nowhere. (a mosquito opens his eyes) Pssst! Just keep still. Barry: What? You're not dead? Mooseblood: Do I look dead? Hey man, they will wipe anything that moves. Now, where you headed? Barry: To Honey Farms. I am onto something huge here. Mooseblood: I'm going to Alaska. Moose blood. Crazy stuff. Blows your head off. Ladybug: I'm going to Tacoma. Barry: (to a fly:) What about you? Mooseblood: He really is dead. Barry: All right. (the driver's hand moves to the windshield wiper lever) Mooseblood: Uh oh. Barry: What is that? Mooseblood: Oh no! It's a wiper, triple blade! Barry: Triple blade? Mooseblood: Jump on. It's your only chance, bee. (They hang onto the wiper as it moves back and forth. Mooseblood yells at the driver through the glass) Mooseblood: Why does everything have to be so dog-gone clean?! How much do you people need to see? Open your eyes! Stick your head out the window! (inside the cab, the radio's playing) Announcer: For NPR News in Washington, I'm Carl Kasell. Mooseblood: But don't kill no more bugs! (he is flung off the wiper as the washer fluid sprays onto the windshield) Beeeeeeeee! Barry: Moose blood guy! (Barry gets flung off, grabs ahold of the radio antenna. A cricket flying by grabs ahold of the antenna. Both scream are screaming.) Driver: You hear something? Passenger: Like what? Driver: Like tiny screaming. Passenger: Turn off the radio. (The driver turns off the radio and the antenna retracts. As it lowers, the cricket and Barry work their way to its top. Barry wins and the cricket has to let go, but then so does Barry, and he's sucked into the air horn on the top of the truck.) Mooseblood: Hey, what's up, bee boy? Barry: Hey, Blood! (inside the truck horn, later during the drive) Barry: ...and it was just an endless row of honey jars as far as the eye could see. Mooseblood: Wow. Barry: So I'm just assuming wherever this honey truck goes, that's where they're getting it. I mean, that honey's ours! Mooseblood: Bees hang tight. Barry: Well, we're all jammed in there. It's a close community. Mooseblood: Not us, man. We're on our own. Every- every mosquito is on his own. Barry: But what if you get in trouble? Mooseblood: Trouble? You're a mosquito. You're in trouble! Nobody likes us. They're just all smackin'. People see a mosquito, smack, smack! Barry: At least you're out in the world. You must meet a lot of girls. Mooseblood: Mosquito girls try to trade up, get with a moth, dragonfly.... Mosquito girl don't want no mosquito. (A bloodmobile passes them.) Mooseblood: Whoa, you have got to be kidding me.

Mooseblood's about to leave the building. So long bee. (he leaves and jumps onto the other vehicle, saying to the bugs on its windshield:) Hey guys. I knew I'd catch you all down here. Did you bring your crazy straws? (At Honey Farms, the truck stops. Barry flies out of the horn and lands on the nose of the truck. Two beekeepers walk around the back side of the gift shop. Barry follows, landing in a tree.) Freddy: ...then we throw it in some jars, slap a label on it. It's pretty much pure profit. Barry: What is this place? Elmo: A bee's got a brain the size of a pinhead. Freddy: They are pinheads. (both laugh and Elmo says, "Pinhead". Freddy opens a smoker box after they arrive) Freddy: Hey, check out the new smoker. Elmo: Oh, sweet. That's the one you want. Freddy: The Thomas 3000. Barry: Smoker? Freddy: Ninety puffs a minute, semi-automatic. Twice the nicotine, all the tar. (both laugh again) Freddy: Couple of breaths of this, knocks them right out. They make the honey, and we make the money. (Barry flies onto Freddy's hat and onto the brim.) Elmo: "They make the honey, and we make the money." (Freddy and Elmo walk onward. Freddy opens an apiary box and sprays it with smoke. Inside, the bees start moaning and gasping.) Barry: Oh my. (Barry flies into the open box as Freddy leaves and makes his way into an apartment. Two bees are just waking up.) Barry: What's going on? Are you okay? Howard: Yeah, it doesn't last too long. Barry: How did you two get here? Do you know you're in a fake hive with fake walls? Howard: (points to a picture) Our queen was moved here. We had no choice. Barry: (looks at the picture) This is your queen? That's a man in women's clothes. That's a drag-queen! (The walls separating the apartments are removed, revealing hundreds of them.) Barry: What is this? (Flies through the apartments and out into the open air. He hovers high above a tree, where he sees even more apiary boxes on the farm. He begins taking pictures) Oh no. There's hundreds of them. Bee honey, our honey, is being brazenly stolen on a massive scale. (Back at home, Barry's talking with his parents, Adam and Uncle Carl.) Barry: This is worse than anything the bears have done to us. And I intend to do something about it. Mom: Oh Barry, stop. Dad: Who told you that humans are taking our honey? That's just a rumor. Barry: Do these look like rumors? (Barry throws his pictures on the table) Uncle Carl: That's a conspiracy theory. These are obviously doctored photos. Barry: Ugh. Mom: Barry, how did you get mixed up in all this? Adam: 'Cause he's been talking to humans! Mom: Whaaat? Dad: Talking to humans?! Adam: He has a human girlfriend... Dad: Oh Barry. Adam: ...and they make out! Mom: Make out? Barry? Barry: We do not. Adam: You wish you could. Barry: Who's side are you on? Adam: The bees! Uncle Carl: I dated a cricket once in San Antonio. Man, those crazy legs kept me up all night. Hotcheewah! Mom: Barry, this is what you want to do with your life?: Barry: This is what I want to do for all our lives. Nobody works harder than bees. Dad, I remember you coming home some nights so overworked, you- your hands were still stirring. You couldn't stop them. Dad: Ehhh... Mom: (to her husband:) I remember that. Barry: What right do they have to our hard-earned honey? We're living on two cups a year. They're puttin' it in lip balm for no reason whatsoever. Dad: Even if it's true, Barry, what could one bee do? Barry: I'm going to sting them where it really hurts. Dad: In the face! Barry: No. Dad: In the eye! That would really hurt. Barry: No. Dad: Up the nose. That's a killer, heh heh. Barry: No. There's only one place you can sting the humans. One place where it really matters. (The scene cuts to the title sequence of the "Hive at Five" program. The title sequence shows news events covered in the past: a Pollen Jock coming in for a crash landing with a stinger that's on fire, a protest about bee beards, and a bear destroying a hive. Next are the newscasters.) voice over: Hive at Five, the hive's only full hour action news source. With Bob Bumble

at the anchor desk, weather with Storm Stinger, sports with Buzz Larvi, and Jeanette Chung. Bob: Good evening, I'm Bob Bumble. Jeanette: And I'm Jeanette Chung. Bob: Our top story, a tri-county bee, Barry Benson is saying he intends to sue the human race for stealing our honey, packaging it, and profiting from it illegally. (Broadcast shifts again to another studio in the building for "Bee Larry King Live".) Bee Larry King: Don't forget, tomorrow night on Bee Larry King, we're gonna have three former Queens, all right here in our studio, discussing their new book, Classy Ladies, out this week on Hexagon. (to Barry:) Tonight, we're talking with Barry Benson. Did ya ever think, I'm just a kid from the hive. I can't do this? Barry: Larry, bees have never been afraid to change the world. I mean, what about Bee-Columbus? Bee-Ghandi? Be-geesus? Bee Larry King: Well, where I'm from, you wouldn't think of suing humans. We were thinking more like stick ball, uh, candy stores. Barry: How old are you? Bee Larry King: Well, I want you to know that they entire bee community is supporting you in this case, which is certain to be the trial of the bee century. Barry: Thank you, Larry. You know, they have a Larry King in the human world, too. Bee Larry King: It's a common name. Next week on Bee Larry King... Barry: No, I mean he looks like you. And he has a show with suspenders and different colored dots behind him. Bee Larry King: Next week on Bee Larry King... Barry: Old guy glasses, and there's quotes along the bottom from the guest you're watching even though you just heard them... Bee Larry King: Bear next week! They're scary, they're hairy, and they're here live. (he exits) Barry: Always leans forward, pointy shoulders, squinty eyes.... Very Jewish. (Nighttime at Vanessa's Flower Shop. Law books and legal forms are piled up.) Ken: Look, in- in tennis, you attack at the point of weakness. Vanessa: But it was my grandmother, Ken. She's 81. Ken: Huh, honey, her backhand's a joke. I'm not going to take advantage of that? Barry: Quiet, please. Actual work going on here. Ken: Is that that same bee? Barry: Yes it is. Vanessa: I'm helping him sue the human race. Ken: Wha? Barry: (enters room, sees Ken) Oh, hello. Ken: Hello, bee. Vanessa: This is Ken. Barry: Yeah, I remember you. Timberland, size ten and a half. Vibram sole, I believe. Ken: Why does he talk again, hun? Vanessa: Listen, you better go because we're really busy working. Ken: But it's our yogurt night. Vanessa: (she pushes him out the door) Oh... bye bye. Ken: (from outside the now-closed door) Why is yogurt night so difficult? Vanessa: Oh you poor thing, you two have been at this for hours. Barry: Yes, and Adam here has been a huge help. (Adam is asleep inside an empty Cinnabon box, covered in frosting and muttering in his sleep about it.) Vanessa: (referring to the coffee:) How many sugars? Barry: Just one. I try not to use the competition. Ooh! So, why are you helping me, anyway? Vanessa: Bees have good qualities. Barry: Si, Certo. Vanessa: And it feels good to take my mind off the shop. I don't know why, instead of flowers, people are giving balloon bouquets now. Barry: Yeah, those are great... if you're three. Vanessa: And artificial flowers. Barry: Oh, those just get my psychotic! Vanessa: Yeah, me too. Barry: The bent stingers, the pointless pollination. Vanessa: Bees must hate those fake plastic things. Barry: There's nothing worse than a daffodil that's had work done. Vanessa: Well, maybe this could make up for it a little bit. (they exit the flower shop and go to the mailbox) Vanessa: You know, Barry, this lawsuit is a pretty big deal. Barry: I guess. Vanessa: Are you sure that you want to go through with it? Barry: Am I sure? When I'm done with the humans, they won't be able to say, "Honey, I'm home," without paying a royalty. (Outside the courthouse, a reporter begins her segment, talking to the camera.) Reporter: Sarah, it's an incredible scene here in downtown Manhattan where all eyes and ears of the world are anxiously waiting, because for the first time in

history, we're going to hear for ourselves if a honey bee can actually speak. (Inside, Barry, Vanessa and Adam sit at a table.) Vanessa: What have we gotten into here, Barry? Barry: I don't know, but it's pretty big, isn't it? Adam: I can't believe how many humans don't have to be at work during the day. Barry: Hey, you think these billion dollar multinational food companies have good lawyers? (Back outside the courthouse, a policeman announces though a megaphone, "Folks, everybody needs to stay behind the barricade." A very expensive car drives up with a license plate saying "ALIBUY" and the initials LTM on the hood ornament. The lawyer gets out, sees a bug and steps on it. Inside, Barry shudders.) Vanessa: What's the matter? Barry: I don't know. I just got a chill. Layton T. Montgomery: Well, if it isn't the B-Team.. (waves a honey packet he picked up from the saucer holding his drink) Any of you boys work on this? (he chuckles) Bailiff: All rise! The Honorable Judge Bumbleton presiding. Judge Bumbleton: All right... Case number 4475, Superior Court of New York. Barry Bee Benson vs. the honey industry, is now in session. Mr. Montgomery, you're representing the five major food companies, collectively. Layton: A privilege. Judge: Ah, Mr. Benson. You are representing all bees of the world? (Inside and outside the courtroom, everyone is waiting to hear what he will say.) Barry: Bzzz bzzz bzzz...Ahh, I'm kidding, I'm kidding. Yes, your honor. We are ready to proceed. Judge: And Mr. Montgomery, your opening statement, please. Layton: (clears throat and speaks in a very heavy and exaggerated Southern drawl) Ladies and gentlemen of the jury. My grandmother was a simple woman. Born on a farm, she believed it was man's divine right to benefit from the bounty of nature God put before us. If we were to live in the topsy-turvy world Mr. Benson imagines, j-j-just think of what it would mean. Maybe I would have to negotiate with the silk worm for the elastic in my britches. Talking bee. How do we know this isn't some sort of holographic motion picture capture Hollywood wizardry? They could be using laser beams, robotics, ventriloquism, cloning...for all we know, he could be on steroids! Judge: Mr. Benson? Barry: Ladies and Gentlemen of the jury, there's no trickery here. I'm just an ordinary bee. And as a bee, honey's pretty important to me. It's important to all bees. We invented it, we make it, and we protect it with our lives. Unfortunately, there are some people in this room who think they can take whatever they want from us 'cause we're the little guys. And what I'm hoping is that after this is all over, you'll see how by taking our honey, you're not only taking away everything we have, but everything we are. (Vanessa smiles and silently claps and the bees in the courtroom are moved by his words. Back at their house, Barry's parents are watching on TV.) Mom: Oh, I wish he would dress like that all the time. So nice... Judge: Call your first witness. Barry: So, Mr. Klauss Vanderhayden of Honey Farms. Pretty big company you have there? Vanderhayden: I suppose so. Barry: And I see you also own Honey-Burton, and Honron! Vanderhayden: Yes. They provide beekeepers for our farms. Barry: Beekeeper. I find that to be a very disturbing term, I have to say. I don't imagine you employ any bee free-ers, do you? Vanderhayden: Uh, n-no. Barry: I'm sorry. I couldn't hear you. Vanderhayden: (louder) No. Barry: No. Because you don't free bees. You keep bees. And not only that, it seems you thought a bear would be an appropriate image for a jar of honey? Vanderhayden: W-well, they're very lovable creatures. Uh, Yogi Bear, Fozzy Bear. Oh! Build-a-Bear? Barry: Yeah, you mean like this?! (Vanessa and a man enter, guiding a giant grizzly bear restrained by a collar with chains atttached to both sides. They bring him in front of Vanderhayden. The bear lunges at him and roars.) Barry: Bears kill bees! How would you like his big hairy head crashing through your living room? Biting into your couch, spitting out your throw-pillows...rowr, rowr! Bear:

Rowr!! Barry: Okay, that's enough. Take him away. (Vincent stops roaring. He and the man depart without incident, leaving Vanderhayden trembling with the Judge glaring at him and Layton angrily growling himself.) (Later, Barry questions another witness.) Barry: So, Mr. Sting. Thank you for being here. Your name intrigues me, I have to say. Where have I heard it before? Sting: I was with a band called "The Police". Barry: But you've never been a police officer of any kind, have you? Sting: Uh, no, I haven't. Barry: No, you haven't. And so, here we have yet another example of bee culture being casually stolen by a human for nothing more than a prance-about stage name. Sting: Oh, please. Barry: Have you ever been stung, Mr. Sting? Because I'm feeling a little stung, Sting. Or should I say, Mr. Gordon M. Sumner? The jury gasps Layton: (to his assistants:) That's not his real name? You idiots! (later on, Barry's questioning another witness) Barry: (reading from the base of the statue the witness is holding) Mr. Liotta, first may I offer my belated congratulations on your Emmy win for a guest spot on E.R. in 2005. Ray Liotta: Thank you. Thank you. (he laughs maniacally) Barry: I also see from your resume that you're devilishly handsome, but with a churning inner turmoil that's always ready to blow. Ray: I enjoy what I do. Is that a crime? Barry: Not yet it isn't. But is this what it's come to for you, Mr. Liotta? Exploiting tiny helpless bees so you don't have to rehearse your part, and learn your lines, sir? Ray: Watch it, Benson, I could blow right now! Barry: This isn't a goodfella. This is a badfella! Ray: (suddenly upset, he tries to smash Barry with his Emmy statue) Why doesn't someone just step on this little creep and we can all go home? You're all thinking it. Say it! Judge: Order! Order in this courtroom! Order, I say! Mr. Liotta, please sit down! (The reaction from the press is harsh. The headline of the New York Telegram has "Sue Bee", the New York Post reads "Bees to Humans: Buzz Off", and the Daily Variety reports "Studio Dumps Liotta Project. Slams Door on Unlawful Entry 2.") (That evening, in Vanessa's apartment.) Barry: Well, I just think that was awfully nice of that bear to pitch in like that. Vanessa: I'm telling you, I think the jury's on our side. Barry: Are we doing everything right, you know, legally? Vanessa: I'm a florist. Barry: Right, right. (he raises his glass) Well, here's to a great team. Vanessa: To a great team. (both toast and Ken enters the apartment) Ken: Well, hello. Vanessa: Oh... Ken. Barry: Hello. Vanessa: Ah, I didn't think you were coming. Ken: No, I was just late. I tried to call. But, the battery... Vanessa: I didn't want all this to go to waste, so I called Barry. Luckily he was free. Barry: Yeah. Ken: Oh, that was lucky. Vanessa: Well, there's still a little left. I could heat it up. Ken: Yeah, heat it up. Sure, whatever. Barry: So, I hear you're quite a tennis player. I'm not much for the game myself. I find the ball a little grabby. Ken: That's where I usually sit. Right there. Vanessa: (from kitchen) Ken, Barry was looking at your resume, and he agreed with me that "eating with chopsticks" isn't really a special skill. Ken: (to Barry:) You think I don’t see what you’re doin'? Barry: Hey look, I know how hard it is trying to find the right job. We certainly have that in common. Ken: Do we? Barry: Well, bees have 100% employment, of course. But we do jobs like taking the crud out. Ken: That’s just what I was thinking about doing. (Ken reaches for a knife but pushes it off the table. He bends down to pick it up.) Vanessa: (from kitchen) Ken, I let Barry borrow your razor for his fuzz. I hope that was all right. (Ken hits his head on the table as he straightens back up, then presses the apple cider bottle against his temple to soothe it) Barry: I’m going to go drain the ol' stinger. Ken: Yeah, you do that. (Barry flies a couple of loops in front of Ken as he heads to the bathroom, causing Ken to shake the bottle and get cider in his eyes. Barry grabs a small section of Variety

Magazine as he goes.) Barry: Huh, look at that. (tears off a small corner off Variety Magazine as he goes in.) (as Barry finishes up and washes his hands, Ken enters carrying a large magazine) Ken: Y-yo, you known, I've just about had it with your little mind games. Barry: What's that? Ken: Italian Vogue. (he curls the magazine tight) Barry: Mamma Mia, that's a lot of pages. Ken: It's a lot of ads. Barry: Remember what Van said. Why is your life any more valuable than mine? Ken: That's funny, I just can't seem to recall that! (He whacks Barry with the magazine. He misses and knocks everything off the vanity. He grabs a can of air freshener.) Ken: I think something stinks in here! (He sprays at Barry) Barry: I love the smell of flowers. Ken: Yeah, How do you like the smell of flames?! (He lights the stream) Barry: Not as much. (Barry screams) Barry flies in a circle. Ken, trying to stay with him, spins in place. There are flames outside the bathroom door. Ken slips on the Italian Vogue, falls backward into the shower, pulling down the shower curtain. The can hits him in the head, followed by the shower curtain rod, and the rubber duck. Ken reaches back, grabs the handheld shower head. He whips around, looking for Barry. There's a water bug near the drain. Water bug: Water bug! Not taking sides! Barry is on the toilet tank. He comes out from behind a shampoo bottle, wearing a chapstick cap as a helmet. Barry: Ken, look at me! I'm wearing a chapstick hat! This is pathetic! (Ken is turning the hand shower nozzle from "GENTLE", to "TURBO", to "LETHAL".) Ken: I've got issues! (Ken fires the water at Barry, knocking him into the toilet. The items from the vanity (emory board, lipstick, eye curler, etc.) are on the toilet seat. Ken looks down at Barry.) Ken: Well, well, well, a royal flush! Barry: You're bluffing. Ken: Am I? Barry: Surf's up, dude! Ken: Poo water! Barry: That bowl is gnarly. Ken: Except for those dirty yellow rings! Vanessa: Kenneth! What are you doing?! Ken: You know what, I don't even like honey! I don't eat it! Vanessa: We need to talk! He's just a little bee! And he happens to be the nicest bee I've met in a long time! Ken: Long time? What are you talking about?! Are there other bugs in your life? Vanessa: No, but there are other things bugging me in life. And you're one of them! Ken: Fine! Talking bees, no yogurt night... My nerves are fried from riding on this emotional roller coaster! Vanessa: Goodbye, Ken. Ken: Augh! Vanessa: Whew. (Ken exits, then re-enters frame) Ken: And for your information, I prefer sugar-free, artificial sweeteners made by man! Vanessa: I'm sorry about all that. Ken: (re-enters again) Ken: I know it's got an aftertaste! I like it! Barry: I always felt there was some kind of barrier between Ken and me. I couldn't overcome it. Oh, well. Vanessa: Are you going to be okay for the trial tomorrow? Barry: Oh, I believe Mr. Montgomery is about out of ideas. Layton: We would like to call Mr. Barry Benson Bee to the stand. Adam: Now that's a good idea. You can really see why he's considered one of the very best lawyers... Barry: Yeah. Layton, you've gotta weave some magic with this jury, or it's gonna be all over. Layton: Oh don't worry Mr. Gammil. The only thing I have to do to turn this jury around is to remind them of what they don't like about bees. - You got the tweezers? - Are you allergic? Only to losing, son. Only to losing. Layton: Mr. Benson Bee, I'll ask you what I think we'd all like to know. What exactly is your relationship to that woman? Barry: We're friends. Layton: Good friends? Barry: Yes. Layton: How good? Barry: What. Layton: Do you live together? Barry: Wait a minute this isn’t about... Layton: Are you her little...bedbug? Barry: Hey, that’s not the kind of? I've seen a bee documentary or two. Now from what I understand, doesn't your queen give birth to all the bee children in the hive? Barry: Yeah, but... Layton: So those aren't even your real parents! Dad: Oh, Barry... Barry: Yes, they are! Adam: Hold me back! Layton: You're an illegitimate bee, aren't you, Benson?

Adam: He's denouncing bees! Layton: And don't y'all date your cousins? Vanessa: Objection! Adam: I'm going to pincushion this guy! Barry: Adam, don't! It's what he wants! Layton: Oh, I'm hit!! Oh, lordy, I am hit! Judge: Order! Order! Please! Layton: The venom! The venom is coursing through my veins! Judge: Mr. Montgomery! Layton: I have been felled by a winged beast of destruction! You see? You can't treat them like equals! They're striped savages! Stinging's the only thing they know! It's their way! Barry: Adam, stay with me. Adam: I can't feel my legs. Bailiff Take it easy. Layton: Oh! What angel of mercy will come forward to suck the poison from my heaving buttocks? Judge: Please I will have order in this court. Order! Order, please! The case of the honeybees versus the human race took a pointed turn - against the bees yesterday when one of their - Thank you! legal team stung Layton T. Montgomery. Now here’s Don with the 5-day. - Hey, buddy. - Hey. - Is there much pain? - Yeah. I... I blew the whole case, didn't I? It doesn't matter. The important thing is you're alive. You could have died. I'd be better off dead. Look at me. They got it from the cafeteria they got it from downstairs, in a tuna sandwich. Look, there's a little celery still on it. What was that like to sting someone? I can't explain it. It was all... All adrenaline and then... and then ecstasy! All right. You think that was all a trap? Of course. I'm sorry. I flew us right into this. What were we thinking? Look at us. We're just a couple of bugs in this world. What do you think the humans will do to us if they win? I don't know. I hear they put the roaches in motels. That doesn't sound so bad. Adam, they check in, but they don't check out! Oh, my. Say, could you get a nurse to close that window? - Why? - The smoke. Bees don't smoke. Right. Bees don't smoke. Bees don't smoke! But some bees are smoking. Adam that's it! That's our case! It is? It's not over? Barry: No, Get up, Get dressed. I've gotta go somewhere. You get back to the court and stall. Stall any way you can. And assuming you've done step 29 correctly, you're ready for the tub. Mr. Flayman. Yes? Yes, Your Honor! Where is the rest of your team? Well, Your Honor, it's interesting. You know Bees are trained to fly kind of haphazardly, and as a result, quite often we don't make very good time. I actually once heard a pretty funny story about a bee... Your Honor, haven't these ridiculous bugs taken up enough of this court's valuable time? How much longer are we going allow these absurd shenanigans to go on? They have presented no compelling evidence to support their charges against my clients, who have all run perfectly legitimate businesses. I move for a complete dismissal of this entire case! Mr. Flayman, I'm afraid I'm going to have to consider Mr. Montgomery's motion. But you can't! We have a terrific case. Where is your proof? Where is the evidence? Show me the smoking gun! Hold it, Your Honor! You want a smoking gun? Here is your smoking gun. What is that? It's a bee smoker! What, this? This harmless little contraption? This couldn't hurt a fly, let alone a bee. Barry: Members of the jury, look at what has happened to bees who have never been asked, "Smoking or non?" Is this what nature intended for us? To be forcibly addicted to these smoke machines in man-made wooden slat work camps? Living out our lives as honey slaves to the white man? - What are we going to do? - He's playing the species card. Barry: Ladies and gentlemen, please, free these bees! Free the bees! Free the bees! Free the bees! Free the bees! Free the bees! The court finds in favor of the bees! Barry: Vanessa, we won! Vanessa: Yay! I knew you could do it! High-five! Sorry. Barry: I'm OK! Vanessa, do you know what this means? All the honey is finally going to belong to the bees. Now we won't have to work so hard all the time. This is an unholy perversion of the balance of nature, Benson. You'll regret this. Barry, how much honey do you think is out there? All right. All right. One at a time. Barry, who are you wearing?

My sweater is Ralph Lauren, and I have no pants. - What if Montgomery's right? - What do you mean? We've been living the bee way a long time, 27 million years. Oongratulations on your victory. What are you demand as a settlement? First, we're going to demand a complete shutdown of all bee work camps. Then we want back the honey that was ours to begin with, every last drop.We demand an end to the glorification of the bear as anything more than a filthy, smelly, big-headed bad-breath stink machine. I believe We're all aware of what they do in the woods. Wait for my signal. Take him out. He'll have nausea for a few hours, then he'll be fine. And we will no longer tolerate bee-negative nicknames... But it's just a prance-about stage name! ...unnecessary inclusion of honey in bogus health products and la-dee-da human tea-time snack garnishments. Can't breathe. Bring it in, boys! Hold it right there! Good. Tap it. Mr. Buzzwell, we just passed three cups, and there's gallons more coming! - I think we need to shut down! - Shut down? We've never shut down. Shut down honey production! Stop making honey! Turn your key, sir! What do we do now? Oannonball! We're shutting down honey production! Mission abort. Aborting pollination and nectar detail. Returning to base. Adam, you wouldn't believe how much honey was out there. Oh, yeah? What's going on around here? Where is everybody? - Are they out celebrating? - No, they’re just home. They don't know what to do. They're laying out, they're sleeping in. I heard your Uncle Oarl was on his way to San Antonio with a cricket. At least we got our honey back. Yeah, but sometimes I think, so what if humans liked our honey? Who wouldn't? It's the greatest thing in the world! I was excited to be part of making it. This was my new desk. This was my new job. I wanted to do it really well. And now... And now I can't. I don't understand why they're not happy. We have so much now. I thought their lives would be better! They're doing nothing. It's amazing. Honey really changes people. You don't have any idea what's going on, do you? - What did you want to show me? - This. Barry:What happened here? Vanessa:That is not the half of it. Barry:Oh, no. Oh, my. They're all wilting. Doesn't look very good, does it? No. And who's fault do you think that is? You know, I'm going to guess bees. Bees? Specifically, me. I guess I didn't think that bees not needing to make honey would affect all these others things. And it's notjust flowers. Fruits, vegetables, they all need bees. Well, that's our whole SAT test right there. So you take away the produce, that affects the entire animal kingdom. And then, of course... The human species? So if there's no more pollination, it could all just go south here, couldn't it? And I know this is also partly my fault. Barry: How about a suicide pact? Vanessa: How would we do it? Barry: I'll sting you, you step on me. Vanessa: That just kills you twice. Barry: Right, right. Listen, Barry... sorry, but I got to get going. I had to open my mouth and talk. Vanessa? Vanessa? Why are you leaving? Where are you going? To the final Tournament of Roses parade in Pasadena. They've moved it up to this weekend because all the flowers are dying. It's the last chance I'll ever have to see it. Vanessa, I just want to say I'm sorry. I never meant it to turn out like this. I know. Me neither. Tournament of Roses. Roses can't do sports. Wait a minute. Roses. Roses? Roses! Vanessa! Roses?! Barry? - Roses are flowers! - Yes, they are. Flowers, bees, pollen! I know. That's why this is the last parade. Maybe not. Oould you ask him to slow down? Oould you slow down? Barry! OK, I made a huge mistake. This is a total disaster, and it's all my fault. Yes, it kind of is. I've ruined the planet. and I wanted to help you with your flower shop. Intead, I've made it worse. Actually, it's completely closed down. I thought maybe you were remodeling. Nonetheless I have another idea, and it's greater than all my previous great ideas combined. I don't want to hear it! All right, here’s what I’m thinking they have

the roses, the roses have the pollen. I know every bee, plant and flower bud in this park. All we got do is get what they've got back here with what we've got. Vanessa: Bees. Barry: Park. Vanessa: Pollen! Barry: Flowers. Vanessa: Repollination! Barry: Across the nation! Barry: Alright Tournament of Roses, Pasadena, California. They've got nothing but flowers, floats and cotton candy. Security will be tight. I have an idea. Vanessa Bloome, FTD. Official floral business. It's real. Sorry, ma'am. That a's nice brooch by the way. Thank you. It was a gift. Then once we're inside, we just pick the right float. How about The Princess and the Pea? Yeah! I could be the princess, and ...yes, I think You could be I’ve- The pea! Yes, I got it. - Sorry I'm late Where should I sit? - What are you? - I believe I'm the pea. - The pea? It’s supposed to be under the mattresses. - Not in this fairy tale, sweetheart. - I’m going to go talk to the marshall. You do that! This whole parade is a fiasco! Let's see what this baby will do. Hey, what are you doing?! Then all we do is blend in with traffic... ...without arousing suspicion. And once we’re at the airport there's no stopping us. Stop! Security. - Did you and your insect pack your own float? - Yes. Has this float been in your possession the entire time? Would you remove your shoes and everything in your pockets?? - Can you remove your stinger. Sir? - That's part of me. I know. Just having some fun. Enjoy your flight. Then if we're lucky, we'll have just enough pollen to do the job. Oan you believe how lucky we are? We have just enough pollen to do the job! I think this is going to work Vanessa. It's got to work. Attention, passengers, this is Oaptain Scott. I'm afraid we have a bit of bad weather in the New York area. And looks like we're going to be experience a couple of hours delay. Barry, these are cut flowers with no water. They'll never make it. I've got to get up there and talk to these guys. Be careful. Hey, can I get some help with this Sky Mall magazine? I'd like to order the talking inflatable nose and ear hair trimmer. Excuse me, Captain, I'm in a real situation here. - What did you say, Hal? - I didn’t say anything Bee! No, no! Don't freak out! There's a chance my entire species... What are you doing? Stop! - Wait a minute! I'm an attorney! - Who's an attorney? Don't move. Oh, Barry. Good afternoon, passengers. This is your captain speaking. Would a Miss Vanessa Bloome in 24B please report to the cockpit? And please hurry! What happened here? I tried to talk to them, but then there was a Dustbuster, a toupee, a life raft exploded Now one's bald, one's in a boat, and they're both unconscious! - Is that another bee joke? - No! No one's flying the plane! This is JFK control tower, Flight 356. What's your status? This is Vanessa Bloome. I'm a florist from New York. Where's the pilot? He's unconscious, and so is the copilot. Not good. Is there anyone onboard who has flight experience? As a matter of fact, there is. - Who's that? - Barry Benson. From the honey trial?! Oh, great. Vanessa, this is nothing more than a big metal bee. It's got giant wings, huge engines. I can't fly a plane. - Why not? Isn't John Travolta a pilot? - Yes. How hard could it be? Wait a minute, Barry! We're headed into some lightning. This is Bob Bumble. We have some late-breaking news from JFK Airport, where a very suspenseful scene is developing. Barry Benson, fresh off his stunning legal victory... That's Barry! ...is now attempting to land a plane, loaded with people, flowers and an incapacitated flight crew. Flowers?! Well, we have an electrical storm in the area, and two individuals at the controls of a jumbo jet with absolutely no flight experience. Just a minute Mr Ditchwater. There's a honey bee on that plane. I'm quite familiar with Mr. Benson's work and his no-account compadres. Haven't they done enough damage already. But isn't he your only hope right now? Come on, technically, a bee shouldn't be able to fly at all. The wings are too small their bodies are too big... Hey, hold on a second.

Haven't we heard this a million times? "The surface area of the wings and body mass doesn't make sense." - Get this on the air! - You got it. - Stand by. - We're going live. Mr Ditchwater, the way we work may be a mystery to you. Because making honey takes a lot of bees doing a lot of small jobs. But let me tell you something about a small job. If you do it really well, it makes a big difference. More than we realized. To us, to everyone. That's why I want to get bees back to doing what we do best working together. That's the bee way! We're not made of Jell-O. We get behind a fellow.Black and yellow! - All:Hello! Left, right, down, hover. - Hover? - Forget hover. You know what, This isn't so hard. Beep-beep! Beep-beep! Barry, what happened?! Wait a minute, I think we were on autopilot that whole time. - That may have been helping me. - And now we're not! Well, then it turns out I cannot fly a plane. All of you, let's get behind this fellow! Move it out! Move out! Our only chance is if I do what I would do, and you copy me with the wings of the plane! You don't have to yell. I'm not yelling! We happen to be in a lot of trouble here. It's very hard to concentrate with that panicky tone in your voice! It's not a tone. I'm panicking! I don’t think I can do this! Vanessa, pull yourself together. Listen to me You have got to snap out of it! You snap out of it. You snap out of it. - You snap out of it! - You snap out of it! - You snap out of it! - You snap out of it! - You snap out of it! - You snap out of it! You snap - Hold it! - Why? Come on, it's my turn. How is the plane flying? I don't know. Hello? Hey Benson, have you got any flowers for a happy occasion in there? The Pollen Jocks! They do get behind a fellow. - Black and yellow. - Hello. Alright you two, what do you say we drop this tin can on the blacktop? What blacktop? Where? I can't see anything. Oan you? No, nothing. It's all cloudy. Adam: Come on. You got to think bee, Barry. - Thinking bee. - Thinking bee. Thinking bee! Thinking bee! Thinking bee! Wait a minute. I think I'm feeling something. - What? - I don't know. But it's strong, and it's pulling me. Like a 27-million-year-old instinct. Bring the nose of the plane down. Thinking bee! Thinking bee! Thinking bee! - What in the world is on the tarmac? - Get some lights on that! Thinking bee! Thinking bee! Thinking bee! - Vanessa, aim for the flower. - OK. Out the engines. Out the engines. We're going in on bee power. Ready, boys? Affirmative! Good. Good. Easy, now. That's it. Land on that flower! Ready boys? Give me full reverse! Spin it around! - Not that flower! The other flower! - Which flower? - That flower. - I'm aiming at the flower! That's a fat guy in a flowered shirt. I mean the giant black and yellow flower pulsating made of millions of bees! Pull forward. Nose down. Bring your tail up. Rotate around it. - This is insane, Barry! - This is the only way I know how to fly. Am I koo-koo-kachoo, or is this plane flying in an insect-like pattern? Get your nose in there. Don't be afraid of it. Smell it. Full reverse! Easy just drop it. Be a part of it. Aim for the center! Now drop it in! Drop it in, woman! Come on, already. Barry, we did it! You taught me how to fly! - Yes. No high-five! - Right. Barry, it worked! Did you see the giant flower? What giant flower? Where? Of course I saw the flower! That was genius man! Genius! - Thank you. - But we're not done yet. Barry: Listen, everyone! This runway is covered with the last pollen from the last flowers available anywhere on Earth. That means this is our last chance. We're the only ones who make honey, pollinate flowers and dress like this. If we're going to survive as a species, this is our moment! So, what do you say? Are we going to be bees, or just Museum of Natural History keychains? Bees: We're bees! Male bee: Keychain! Barry: Then everyone, follow me! Except Keychain. Pollen Jock: Hold on, Barry. Here. You've earned this. (places a pollen jock jacket on Barry and the 3 pollen jocks cheer while Vanessa gives him a thumbs up) Vanessa: Yay! Barry: I'm a

Pollen Jock! And it's a perfect fit. All I got to do are the sleeves. (The pollen jocks toss Barry a nectar pack) Barry: Oh, yeah. Mom: (proudly) That's our Barry! (Martin nods proudly in agreement) Mom! The bees are back! If anybody needs to make a call, now's the time. I got a feeling we'll be working late tonight! Here's your change. Have a great afternoon! Yes, can I help who's next? Would you like some honey with that? It is bee-approved. Don't forget these. Milk, cream, cheese, it's all me. And I don't see a nickel! Sometimes I just feel like a piece of meat! I had no idea. Barry, I'm sorry. Have you got a moment? Would you excuse me? My mosquito associate here will be able to help you. Sorry I'm late. He's a lawyer too? I was already a blood-sucking parasite. All I needed was a briefcase. Have a great afternoon! Barry, I just got this huge tulip order for a wedding, and I can't get them anywhere. No problem, Vannie. Just leave it to me. Vanessa:You're a lifesaver, Barry. Oan I help who's next? Who's next? Barry: All right, scramble, jocks! It's time to fly. Vanessa: Thank you, Barry! Ken: (Sees a sign that says "Vanessa and Barry: Flowers, Honey, Legal Advice" and becomes disgusted) Ken: Ugh! That bee is living my life! Andy: (guiding Ken protectively) Let it go, Kenny. Ken: When will this nightmare end?! Andy: Let it all go. Barry: Beautiful day to fly. Pollen Jock: Sure is. Barry: Between you and me, I was dying to get out of that office. Adam: You have got to start thinking bee, my friend. Thinking bee! Barry: Me? Adam: Thinking bee, thinking bee! Get smart and start thinking bee! Barry: Gee! Adam: Flying here and buzzin' there. Barry: I'm lovin' the views. Adam: Listen to me cousin, every buzzer must use to be a bee! Barry: Or not to be. Adam: Start thinking bee! Adam: Barry, you got no occupation. Barry: What, you mean like pollination? Adam: Hey now! That's thinking bee! Barry: Start thinking bee! Adam: Listen to me fella, ain't you been on a tour? Can't cha' stripes of Black and yella. Barry: I just want to be sure! Adam: To be a bee! Barry: Start thinking bee! Can't I wait and see? Adam: No, Barry that's not to be! Be a busy little bee not a tizzy little bee! Barry: Alright, hold it, hold it, hold it. Let's just stop for a second. Hold it. (Adam: What it's like to be a thinking!) Barry: I'm sorry. Adam: What? Barry: I'm sorry, everyone. Can we stop here? Adam: Oh, Barry. Barry: I'm not making a major life decision in the middle of a huge musical production number! Adam: Alright, alright. Barry: Take ten, everybody. Wrap it up, guys. I had virtually no rehearsal for that.

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