hi jess! as someone who has never seen a godzilla film, where would you suggest i start to get into the franchise? sorry if this question has been asked a lot, if so then feel free to use this as an excuse to gush about the franchise :3
I think there are some very good places to start with Godzilla. I’m gonna give met recommended starting points here, and then I’ll elaborate under the “view more”
So, my list of Godzilla starting points in no particular order.
Godzilla (2014) - this is a reboot and it’s the beginning of the monsterverse series
Godzilla (1984) - this is a reboot and it’s the beginning of the Hesei era Godzilla series that runs until 1995
Shin Godzilla - a stand alone movie. No sequels to prequels
Godzilla (1954) - it’s the original Godzilla story and it’s good, but I also understand that older movies can be intimidating for newer viewers
Godzilla Against Mechagodzilla - Not to be confused with Godzilla vs Mecha Godzilla, this millennium era Godzilla movie is part of a self contained duology that I personally really enjoy
Now, I’ll explain why I recommend these as staring points bellow:
Godzilla 2014 and Monsterverse
Godzilla (2014) is probably my favorite place to start new fans of Godzilla, even if it’s not my favorite Godzilla movie.
G2014 is the first movie in the Monsterverse series, and there are still Monsterverse projects coming out today. Godzilla X Kong the New Empire is coming soon, and Monarch season 1 is releasing right now. It’s fun to watch something and be a part of something while it’s new and coming out.
I think you will probably enjoy all of the Monsterverse movies, but pay attention to which one you like the most, because it will act as a good indicator of which Godzilla movies to watch next because the Monsterverse movies do a really good job of capturing the tone and feel of different eras of Godzilla movies. It’s like watching through a sampler platter of the entire franchise. G2014 is a beautifully shot cinematic movie that holds its own when compared to the best Godzilla films, while Godzilla King of the Monsters is an action packed monster melee reminiscent of the Hesei era films. Godzilla vs Kong is a campy monster movie that feels like the Showa era films, and Monarch is shaping up to be an introspective look at society that feels in line with the more recent Godzilla projects (shin Godzilla, Singular point, Minus 1).
The monsterverse franchise feels like a love letter to the entire Godzilla franchise, and it makes it the perfect starting point.
Godzilla 1984, and the Heisei continuity
My favorite Godzilla movies are the ones from the Heisei era. Godzilla 1984 was made as a reboot of the franchise, and it’s the start of a solid continuity that lasts until 1995s Godzilla vs Destoroyah. These movies have incredible practical effects and have aged very very well. There are tons of cool monsters and they are just fun. To me this era of Godzilla movies will always be the best, but I also understand that it’s not for everyone.
Shin Godzilla and the Reiwa era
I like Shin Godzilla a lot. It feels like a new philosophical direction for Godzilla as a franchise, while still being respectful of the series roots, but it’s also a hard movie to talk about without spoiling the film. (Don’t worry no spoilers here). Shin Godzilla and its success opened the door for some very interesting projects (like Godzilla singular point, G vs G, Godzilla Minus One and Godzilla earth). I have mixed feelings about some of the Reiwa era Godzilla projects, but I appreciate that they are taking risks with the franchise.
Godzilla 1954 the original
Obviously the original movie was going to be on this list. I think it’s a movie that everyone should see, but I actually don’t think it needs to be the first movie you see. It’s an excellent starting point but I also understand not being in the mood to watch a 70 year old movie. That being said, when you are in the mood for an older movie, you should watch it.
Godzilla Against Mechagodzilla and the millennium era.
After the Heisei Godzilla movies ended they rebooted the franchise again, but instead of starting a new continuity they created a series of stand alone movies that were each in their own continuities. The only exception to this is the two part story of Godzilla Against Mechagodzilla, and Godzilla Tokyo SOS.
You could watch any of the movies from this era without having seen any other Godzilla films, I just happen to like Godzilla Against Mechagodzilla the best. (Godzilla 2000 is a close second).
These are in my opinion the best places to start, but In actuality you can start anywhere. Even the movies with the most continuity around them are pretty stand alone and self contained, so if none of these movies appeal to you then just find one that looks fun and start there
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tagged by @herbaklava @timrothencrantz and @wutheringdyke to post my top nine new-to-me watches of the year—thank you all!
in no particular order (l-r, top row to bottom row):
skinamarink (kyle edward ball, 2023)
great freedom (sebastian meise, 2021)
earth mama (savanah leaf, 2023)
nineteen eighty-four (michael radford, 1984)
enys men (mark jenkin, 2022)
marina abramović & ulay: no predicted end (kasper bech dyg, 2022)
paris 5:59: théo & hugo (olivier ducastel and jacques martineau, 2016)
nationtime (william greaves, 1972)
giants and toys (yasuzo masumura, 1958)
while i hit my continual goal of half of the films by women and nonbinary filmmakers, i still definitely need to keep up with deliberately seeking out films by directors of color! tell me your faves if you’ve seen any of these; do we think i can hit 150 titles in 2024? 👀🎬🍿🎥
i'll tag @sightofsea / @lesbiancolumbo / @nelson-riddle-me-this / @draftdodgerag / @edwardalbee / @majorbaby / @radioprune / @glennmillerorchestra / @deadpanwalking and anyone else who'd like to do this!
my full watchlist is included under the cut, favorites of the year are bolded in red:
The Final Exit of the Disciples of Ascensia (Jonni Phillips, 2019)
Nothing Bad Can Happen (Katrin Gebbe, 2013)
Dive (Lucía Puenzo, 2022)
The Menu (Mark Mylod, 2022)
The Wonder (Sebastián Lelio, 2022)
The Whale (Darren Aronofsky, 2022)
Shapeless (Samantha Aldana, 2021)
Skinamarink (Kyle Edward Ball, 2023)
Avatar: The Way of Water (James Cameron, 2022)
Actual People (Kit Zauhar, 2021)
Honeycomb (Avalon Fast 2022)
Warrendale (Allan King, 1967)
Women Talking (Sarah Polley, 2022)
This Place Rules (Andrew Callaghan, 2022)
Nationtime (William Greaves, 1972)
Deep End (Jerzy Skolimowski, 1970)
Incident in a Ghostland (Pascal Laugier, 2018)
Keane (Lodge Kerrigan, 2004)
I Start Counting (David Greene, 1970)
Bones and All (Luca Guadagnino, 2022)
Tár (Todd Field, 2022)
The Most Dangerous Game (Ernest B. Schoedsack and Irving Pichel, 1932)
These Three (William Wyler, 1936)
Dead End (William Wyler, 1937)
The Sport Parade (Dudley Murphy, 1932)
We're All Going to the World's Fair (Jane Schoenbrun, 2021)
Ratcatcher (Lynne Ramsay, 1995)
Smile (Parker Finn, 2022)
Holiday (Isabella Eklöf, 2018)
When Women Kill (Lee Grant, 1983)
Softie (Samuel Theis, 2021)
My Old School (Jono McLeod, 2022)
Beyond The Black Rainbow (Panos Cosmatos, 2010)
The Diary of a Teenage Girl (Marielle Heller, 2015)
Infinity Pool (Brandon Cronenberg, 2023)
Murina (Antoneta Alamat Kusijanovic, 2021)
The Banshees of Inisherin (Martin McDonagh, 2022)
Doubt (John Patrick Shanley, 2007)
Enys Men (Mark Jenkin, 2022)
Bully (Larry Clark, 2001)
My King (Maïwenn, 2015)
Festen (Thomas Vinterberg, 1998)
Marina Abramovic & Ulay: No Predicted End (Kasper Bech Dyg, 2022)
Elles (Małgośka Szumowska, 2011)
Poison Ivy (Katt Shea, 1992)
ear for eye (debbie tucker green, 2021)
Spring Blossom (Suzanne Lindon, 2020)
God's Creatures (Saela Davis and Anna Rose Holmer, 2023)
I Blame Society (Gillian Wallace Horvat, 2020)
Bama Rush (Rachel Fleit, 2023)
Is This Fate? (Helga Reidemeister, 1979)
Paris 5:59: Théo & Hugo (Olivier Ducastel and Jacques Martineau, 2016)
Madeline's Madeline (Josephine Decker, 2018)
The Strays (Nathaniel Martello-White, 2023)
Here Is Always Somewhere Else (René Daalder, 2007)
The Weather Underground (Sam Green and Bill Siegel, 2002)
American Revolution 2 (Mike Gray, 1969)
Judas and the Black Messiah (Shaka King, 2021)
Underground (Emile de Antonio, Mary Lampson, and Haskell Wexler, 1976)
Saint Omer (Alice Diop, 2022)
Baby Ruby (Bess Wohl, 2022)
Welcome to Me (Shira Piven, 2014)
Clock (Alexis Jacknow, 2023)
Knock at the Cabin (M. Night Shyamalan, 2023)
Blue Jean (Georgia Oakley, 2022)
Soft & Quiet (Beth de Araújo, 2022)
Jesus' Son (Alison Maclean, 1999)
The Rehearsal (Alison Maclean, 2016)
Violent Playground (Basil Dearden, 1958)
Grizzly Man (Werner Herzog, 2005)
A Banquet (Ruth Paxton, 2021)
Jagged Mind (Kelley Kali, 2023)
The Night Porter (Liliana Cavani, 1974)
Good Boy (Viljar Bøe, 2023)
Sanctuary (Zachary Wigon, 2022)
Little Girl (Sébastien Lifshitz, 2020)
Séance on a Wet Afternoon (Bryan Forbes, 1964)
Massacre at Central High (Rene Daalder, 1976)
Summer of Soul (Amir "Questlove" Thompson, 2021)
Bad Things (Stewart Thorndike, 2023)
Still (Takashi Doscher , 2018)
Lake Mungo (Joel Anderson, 2008)
The Vanishing (George Sluizer, 1988)
The Ringleader: The Case of the Bling Ring (Erin Lee Carr, 2023)
Giants and Toys (Yasuzo Masumura, 1958)
Spoonful of Sugar (Mercedes Bryce Morgan, 2022)
Double Lover (François Ozon , 2017)
Hereditary (Ari Aster, 2018)
Bodies Bodies Bodies (Halina Reijn, 2022)
Don't Call Me Son (Anna Muylaert, 2016)
Great Freedom (Sebastian Meise, 2021)
Mother! (Darren Aronofsky, 2017)
The Mind of Mr. Soames (Alan Cooke, 1970)
The Bloody Child (Nina Menkes, 1996)
Bunker (Jenny Perlin, 2021)
Polytechnique (Denis Villeneuve, 2009)
Scouts Honor: The Secret Files of the Boy Scouts of America (Brian Knappenberger, 2023)
The Woodsman (Nicole Kassell, 2004)
Giant Little Ones (Keith Behrman, 2018)
The Killing of a Sacred Deer(Yorgos Lanthimos, 2017)
Nineteen Eighty-Four (Michael Radford, 1984)
Saltburn (Emerald Fennell, 2023)
Renaissance: A Film by Beyoncé (Beyoncé Knowles-Carter, 2023)
May December (Todd Haynes, 2023)
Free Chol Soo Lee (Julie Ha and Eugene Yi, 2022)
Girl (Lukas Dhont, 2018)
Queen of Hearts (May el-Toukhy, 2019)
Streetwise (Martin Bell, 1984)
System Crasher (Nora Fingscheidt, 2019)
Burden (Richard Dewey and Timothy Marrinan, 2016)
As Above, So Below (Larry Clark, 1973)
The Captive (Chantal Akerman, 2000)
Run Rabbit Run (Daina Reid, 2023)
Subject (Jennifer Tiexiera and Camilla Hall, 2022)
Earth Mama (Savanah Leaf, 2023)
Woodshock (Kate Mulleavy and Laura Mulleavy, 2017)
Swept Away (Lina Wertmüller, 1974)
Meadowland (Reed Morano, 2015)
Brainwashed: Sex-Camera-Power (Nina Menkes, 2022)
La Ciénaga (Lucrecia Martel, 2001)
Zola (Janicza Bravo, 2021)
The Starling Girl (Laurel Parmet, 2023)
Night Comes On (Jordana Spiro, 2018)
Dance, Girl, Dance (Dorothy Arzner, 1940)
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