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#minus some people
asavt · 5 months
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A shared headspace, a solution to Maria's nightmares. A look into the puppet's memories.
The technician unknowingly adopts the spirit that plays the role of the grim reaper.
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high-voltage-rat · 18 days
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man okay so I used to play mechquest and dragonfable back in like, 2008 when I was a kid with very little patience to follow a storyline. coming back as an adult and finishing mechquest has absolutely slapped me silly with how deep and serious the story is in between all the absurdist humour. I have. so many emotions over the whole storyline, and especially so many thoughts about the unique form of tragedy that is The Reset.
You save the world but it's not the world anymore. You and your friends survive but you don't know each other anymore- have nothing left of the lives you fought to keep. You 'save' everything but it's still all gone. Everything you knew and loved, gone, and you don't even know what you've lost. You can't even keep the memory of what you had- and that's almost kinder compared to being one of the 3ish people who DO remember... and have to live around everyone else who doesn't, knowing their closest friends look at them and see a stranger, and that they may as well be because they aren't that person they remember being.
And to top it all off, that terrible sacrifice doesn't even end it. you're still left fighting impossible and devastating wars over and over. It's the tragedy of doomed time loops with extra layers of devastating all over the place. The GEARS University students being forced to become soldiers because they're all that's left to protect their homeworld. The horrors of the Shadowscythe virus taking over friends and loved ones you may be forced to put down to save yourself. The town of Falconreach burning over and over because no matter how hard they fight, it's never enough. The people like Sha'rae who sacrifice themselves to try and prevent tyrrany from seizing power, only for it to be utterly useless.
Anyway the brainrot is severe and especially dangerous since I'm coming into exam season and all my hyperfixated brain wants to do is chew on glass about these games.
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oh-shtars · 23 days
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Hello fellas!!!
Look at all your sonas all in one place!!! 💖💖
@annymation @kstarsarts @uva124 @gracebethartacc @emillyverse @rascalentertainments @tumblingdownthefoxden
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All of you look so great! With all the unique character designs and all the sparkly shiny stardust-
Hold on-
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Star dust-??
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pirateprincessjess · 5 months
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hi jess! as someone who has never seen a godzilla film, where would you suggest i start to get into the franchise? sorry if this question has been asked a lot, if so then feel free to use this as an excuse to gush about the franchise :3
I think there are some very good places to start with Godzilla. I’m gonna give met recommended starting points here, and then I’ll elaborate under the “view more”
So, my list of Godzilla starting points in no particular order.
Godzilla (2014) - this is a reboot and it’s the beginning of the monsterverse series
Godzilla (1984) - this is a reboot and it’s the beginning of the Hesei era Godzilla series that runs until 1995
Shin Godzilla - a stand alone movie. No sequels to prequels
Godzilla (1954) - it’s the original Godzilla story and it’s good, but I also understand that older movies can be intimidating for newer viewers
Godzilla Against Mechagodzilla - Not to be confused with Godzilla vs Mecha Godzilla, this millennium era Godzilla movie is part of a self contained duology that I personally really enjoy
Now, I’ll explain why I recommend these as staring points bellow:
Godzilla 2014 and Monsterverse
Godzilla (2014) is probably my favorite place to start new fans of Godzilla, even if it’s not my favorite Godzilla movie.
G2014 is the first movie in the Monsterverse series, and there are still Monsterverse projects coming out today. Godzilla X Kong the New Empire is coming soon, and Monarch season 1 is releasing right now. It’s fun to watch something and be a part of something while it’s new and coming out.
I think you will probably enjoy all of the Monsterverse movies, but pay attention to which one you like the most, because it will act as a good indicator of which Godzilla movies to watch next because the Monsterverse movies do a really good job of capturing the tone and feel of different eras of Godzilla movies. It’s like watching through a sampler platter of the entire franchise. G2014 is a beautifully shot cinematic movie that holds its own when compared to the best Godzilla films, while Godzilla King of the Monsters is an action packed monster melee reminiscent of the Hesei era films. Godzilla vs Kong is a campy monster movie that feels like the Showa era films, and Monarch is shaping up to be an introspective look at society that feels in line with the more recent Godzilla projects (shin Godzilla, Singular point, Minus 1).
The monsterverse franchise feels like a love letter to the entire Godzilla franchise, and it makes it the perfect starting point.
Godzilla 1984, and the Heisei continuity
My favorite Godzilla movies are the ones from the Heisei era. Godzilla 1984 was made as a reboot of the franchise, and it’s the start of a solid continuity that lasts until 1995s Godzilla vs Destoroyah. These movies have incredible practical effects and have aged very very well. There are tons of cool monsters and they are just fun. To me this era of Godzilla movies will always be the best, but I also understand that it’s not for everyone.
Shin Godzilla and the Reiwa era
I like Shin Godzilla a lot. It feels like a new philosophical direction for Godzilla as a franchise, while still being respectful of the series roots, but it’s also a hard movie to talk about without spoiling the film. (Don’t worry no spoilers here). Shin Godzilla and its success opened the door for some very interesting projects (like Godzilla singular point, G vs G, Godzilla Minus One and Godzilla earth). I have mixed feelings about some of the Reiwa era Godzilla projects, but I appreciate that they are taking risks with the franchise.
Godzilla 1954 the original
Obviously the original movie was going to be on this list. I think it’s a movie that everyone should see, but I actually don’t think it needs to be the first movie you see. It’s an excellent starting point but I also understand not being in the mood to watch a 70 year old movie. That being said, when you are in the mood for an older movie, you should watch it.
Godzilla Against Mechagodzilla and the millennium era.
After the Heisei Godzilla movies ended they rebooted the franchise again, but instead of starting a new continuity they created a series of stand alone movies that were each in their own continuities. The only exception to this is the two part story of Godzilla Against Mechagodzilla, and Godzilla Tokyo SOS.
You could watch any of the movies from this era without having seen any other Godzilla films, I just happen to like Godzilla Against Mechagodzilla the best. (Godzilla 2000 is a close second).
These are in my opinion the best places to start, but In actuality you can start anywhere. Even the movies with the most continuity around them are pretty stand alone and self contained, so if none of these movies appeal to you then just find one that looks fun and start there
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smilesrobotlover · 7 months
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Sometimes when I’m writing my lbl au I get nervous and self conscious about how the different Link’s are written and I’m afraid that people won’t like it, but then I remember that it’s my au and I shouldn’t care what other people think and that they can suck it
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bonefall · 8 months
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This might be too much, but maybe you can kind of use both Mouse and Ash, by really amping up the idea there's some behind the scene meddling. Like Mouse was supposed to be the OG lawyer, but is being mysteriously held up by something (clues hinting at some characters Ashfur works with later during the next arc)
Obviously a lot of the tension is genuine, but there could be some very bad faith players deliberately trying to increase animosity since the stakes are pretty high (Especially for thistle law leaning characters who don't want Squirrel to win)
So just a few weird mishaps that get overlooked in the chaos of the trial, only being brought to light when the imposter arc happens, being kind of a stealth set up that things are about to go very, very wrong
Too little is far, far worse than too much imo. I'm a whole-pussy kind of writer. I spell suBtlety with a capital B.
I'm leaning very strongly towards Mousefur being Ashfur's first victim, done in a fit of entitled anger because he wanted to take over the trial. But I think your suggestion of mishaps should be important too, that's a very good detail
Thoughts...
The trial was paused through some accident of one of Ashfur's cohorts. Someone broke something or called for a break.
The last person to see Mousefur was a Traditionalist, leaning on the harder side.
Mouse either goes missing just before Leafpool's Trial, or midway through.
It is NOT known that Ashfur has this terrifying ability yet, though. His cohorts simply think that Mousefur is having a hard time getting back to StarClan, not knowing that Ashfur has been messing around with the boundaries between realms too.
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shikai-the-storyteller · 10 months
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Vegetta heard that some members of the server are scared of him and he was like "Why? I'm not even a tryhard, I was the last person to get slime armor" and I'm like... Vegetta people are already scared of you, WHY would you respond to that with "But this isn't even 1% of my true power''
#i talk#qsmp talk#Vegetta be like ''This isn't even my final form''#Vegetta be like ''well if you're going to be scared of me at least let me give you a good reason for it /pos'' lmao#It's always so baffling to me (as a KarmaIand fan) seeing how Vegetta's depicted in Fool/igetta fanworks#because the way people often depict Foolish as this incredibly powerful demigod (only sometimes incorporating his actual personality / lore#is how people depicted Vegetta (minus the ''we're disregarding his personality'' part that sometimes happens) in Karmaland#Like it's almost a perfect reverse uno in terms of how people depict Vegetta in KarmaIand vs Q.S.M.P#I'm not mad about it or anything I'm just genuinely amused by how people manage to underestimate him and STILL are afraid of him#like oh honey....... whatever Foolish's ties to immortality and godhood are pale in comparison to Vegetta's#(This is nothing against Foolish BTW his lore on the previous server was fun and I'm bitter we never got to see more of it)#(The entire death totem thing was sick and also the concept of totem gods is so interesting)#The way Vegetta is depicted in Karmaland is very strange#he seems like a being (not necessarily a god but definitely something powerful)#who made their world then stepped back so he could be a part of it#So even though he respects the guidance of elders like Merlon#(to some degree)#and talks about the ''gods'' (admins) as higher powers#the world still bows to him#and that includes the QSMP world#realistically we know this is because every single admin adores Vegetta and grew up with him#but we're looking at this through a lore lense#I can get into this more later - I feel like I should elaborate on my thoughts here and add some canon backing to explain myself a bit more#but you get the jist#Me: let's post a silly little thought about the minecraft series I'm watching#Also me: LET ME CITE MY SOURCES -#Listen man you can't unlearn some things#I'm a professional writer it's in my nature
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dark-elf-writes · 3 months
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Elrond is a sugar daddy but instead of buying pretty clothes, Legolas has had all that since they day he was born thanks, he gets Legolas the finest birkenstocks in all the lands
Elrond: I will buy you whatever you want
Legolas: I have quite literally more money than I could ever spend at my disposal
Elrond: I said what you want. Not expensive pretty things you can afford yourself. Things that your father would scream if he ever saw them in his house
Legolas already with a Birkenstock box in hand: I have never been more in love with you
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ctl-yuejie · 1 year
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ramblings on Li Ming (and Heart) and homosexuality
moonlight chicken has so many things to offer in terms of technical beauty and interesting themes but what i cannot stop thinking about is the different ways they approach homosexuality in the story.
we have Wen who has a rainbow flag on his desk and pictures of him and Alan on the wall. Wen, who openly flirts with Jim and has no qualms talking openly about his one night stand. Wen, whose step father knows about his sexuality and is close enough with him to discuss his love life.
Kaipa we don’t know too much about. But his mom knows and is supportive and some of the vendors and the chicken family seem to know. But if anyone was questioning in what reality this show is set with all the class discussion and corona featuring, his part of the story shows that homophobia exists and he is worried about how he fits in with his own family, the expectations of his mother and possible the awareness that he makes the family he has “different”.
Jim is arguably even more visibly gay than Wen in terms of what we see throughout the show. He opened the shop with his ex, they prayed at the temple together and even though he objected due to proprities sake eventually they loudly declared their love to each other and the whole neighbourhood knows. Wen somehow feels like he is living in the remnants of a bubble: his circle of friends seems very queer, his closest friend and the whole gym seem to be all part of that as well. This only might change now with him questioning his work and breaking up with Alan: some gatherings he won’t attend anymore apparently.
And finally, we have Li Ming. At school he doesn’t seem to open up to his classmates on most things and additionally is in the closet. While there wasn’t anything alluding to homophobic rethoric being spread at school we can see how the heteronormativity gets to him and feel that there must be good reason as to why no one knows. And it could just be how Li Ming is judging the situation based on vibes, we don’t know. His mother is or at least was homophobic but at the same time he is raised by his gay uncle who is surrounded by other gay people. And I love how it feels like this might have given him enough security to be comfortable with his own sexuality but how it also isn’t enough to shield him from the world at large.
With so many great shows coming out of Thailand and most of them getting more and more political it just feels so real and 2023 to me that Li Ming is part of a generation that knows who they are but still have to battle with the shadow that homophobia has cast way before they were born.
#moonlight chicken#i had this in my draft for a week now thinking if i'd get the time i could put this more leloquently but that was a lie as it turns out#might edit some stuff later#but for now i just have to write about how fantastic this show is for giving these varied realities of queer life#which are all influenced by their environment but also in the way the characters connect across generations#we don't know if him had a gay mentor who could've guided him#whereas li ming technically has him and his neighbourhood friends to reference#but li ming - understandibly so - seems more closeted than anyone else (minus Heart possigly)#in middle school everyone around me proclaimed how supportive they were of lgbt+ rights#but as soon as one guy came out he become the TALK of the school for weeks#he got reduced to his sexuality#and when he dated a girls some months after he got called attention seeking for coming out as gay before#and most people thought they were doing an open-minded thing#and despite knowing that i know that i am not the only queer kid who decided to not come out lest we'd become that talk of the whole school#and our dating lives scrutinized#even though all of us were super comfortable with who we are#and for me that was mostly the case because i had adult lesbian role models close to my family#so i knew i was good and that nothing strange was going on#but still - this othering made the school environment hostile enough to keep me in the closet#so yes - i am extremely delighted with how they depict this dynamic with li ming
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leonardcohenofficial · 4 months
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tagged by @herbaklava @timrothencrantz and @wutheringdyke to post my top nine new-to-me watches of the year—thank you all! in no particular order (l-r, top row to bottom row):
skinamarink (kyle edward ball, 2023) great freedom (sebastian meise, 2021) earth mama (savanah leaf, 2023) nineteen eighty-four (michael radford, 1984) enys men (mark jenkin, 2022) marina abramović & ulay: no predicted end (kasper bech dyg, 2022) paris 5:59: théo & hugo (olivier ducastel and jacques martineau, 2016) nationtime (william greaves, 1972) giants and toys (yasuzo masumura, 1958)
while i hit my continual goal of half of the films by women and nonbinary filmmakers, i still definitely need to keep up with deliberately seeking out films by directors of color! tell me your faves if you’ve seen any of these; do we think i can hit 150 titles in 2024? 👀🎬🍿🎥
i'll tag @sightofsea / @lesbiancolumbo / @nelson-riddle-me-this / @draftdodgerag / @edwardalbee / @majorbaby / @radioprune / @glennmillerorchestra / @deadpanwalking and anyone else who'd like to do this!
my full watchlist is included under the cut, favorites of the year are bolded in red:
The Final Exit of the Disciples of Ascensia (Jonni Phillips, 2019)
Nothing Bad Can Happen (Katrin Gebbe, 2013)
Dive (Lucía Puenzo, 2022)
The Menu (Mark Mylod, 2022)
The Wonder (Sebastián Lelio, 2022)
The Whale (Darren Aronofsky, 2022)
Shapeless (Samantha Aldana, 2021)
Skinamarink (Kyle Edward Ball, 2023)
Avatar: The Way of Water (James Cameron, 2022)
Actual People (Kit Zauhar, 2021)
Honeycomb (Avalon Fast 2022)
Warrendale (Allan King, 1967)
Women Talking (Sarah Polley, 2022)
This Place Rules (Andrew Callaghan, 2022)
Nationtime (William Greaves, 1972)
Deep End (Jerzy Skolimowski, 1970)
Incident in a Ghostland (Pascal Laugier, 2018)
Keane (Lodge Kerrigan, 2004)
I Start Counting (David Greene, 1970)
Bones and All (Luca Guadagnino, 2022)
Tár (Todd Field, 2022)
The Most Dangerous Game (Ernest B. Schoedsack and Irving Pichel, 1932)
These Three (William Wyler, 1936)
Dead End (William Wyler, 1937)
The Sport Parade (Dudley Murphy, 1932)
We're All Going to the World's Fair (Jane Schoenbrun, 2021)
Ratcatcher (Lynne Ramsay, 1995)
Smile (Parker Finn, 2022)
Holiday (Isabella Eklöf, 2018)
When Women Kill (Lee Grant, 1983)
Softie (Samuel Theis, 2021)
My Old School (Jono McLeod, 2022)
Beyond The Black Rainbow (Panos Cosmatos, 2010)
The Diary of a Teenage Girl (Marielle Heller, 2015)
Infinity Pool (Brandon Cronenberg, 2023)
Murina (Antoneta Alamat Kusijanovic, 2021)
The Banshees of Inisherin (Martin McDonagh, 2022)
Doubt (John Patrick Shanley, 2007)
Enys Men (Mark Jenkin, 2022)
Bully (Larry Clark, 2001)
My King (Maïwenn, 2015)
Festen (Thomas Vinterberg, 1998)
Marina Abramovic & Ulay: No Predicted End (Kasper Bech Dyg, 2022)
Elles (Małgośka Szumowska, 2011)
Poison Ivy (Katt Shea, 1992)
ear for eye (debbie tucker green, 2021)
Spring Blossom (Suzanne Lindon, 2020)
God's Creatures (Saela Davis and Anna Rose Holmer, 2023)
I Blame Society (Gillian Wallace Horvat, 2020)
Bama Rush (Rachel Fleit, 2023)
Is This Fate? (Helga Reidemeister, 1979)
Paris 5:59: Théo & Hugo (Olivier Ducastel and Jacques Martineau, 2016)
Madeline's Madeline (Josephine Decker, 2018)
The Strays (Nathaniel Martello-White, 2023)
Here Is Always Somewhere Else (René Daalder, 2007)
The Weather Underground (Sam Green and Bill Siegel, 2002)
American Revolution 2 (Mike Gray, 1969)
Judas and the Black Messiah (Shaka King, 2021)
Underground (Emile de Antonio, Mary Lampson, and Haskell Wexler, 1976)
Saint Omer (Alice Diop, 2022)
Baby Ruby (Bess Wohl, 2022)
Welcome to Me (Shira Piven, 2014)
Clock (Alexis Jacknow, 2023)
Knock at the Cabin (M. Night Shyamalan, 2023)
Blue Jean (Georgia Oakley, 2022)
Soft & Quiet (Beth de Araújo, 2022)
Jesus' Son (Alison Maclean, 1999)
The Rehearsal (Alison Maclean, 2016)
Violent Playground (Basil Dearden, 1958)
Grizzly Man (Werner Herzog, 2005)
A Banquet (Ruth Paxton, 2021)
Jagged Mind (Kelley Kali, 2023)
The Night Porter (Liliana Cavani, 1974)
Good Boy (Viljar Bøe, 2023)
Sanctuary (Zachary Wigon, 2022)
Little Girl (Sébastien Lifshitz, 2020)
Séance on a Wet Afternoon (Bryan Forbes, 1964)
Massacre at Central High (Rene Daalder, 1976)
Summer of Soul (Amir "Questlove" Thompson, 2021)
Bad Things (Stewart Thorndike, 2023)
Still (Takashi Doscher , 2018)
Lake Mungo (Joel Anderson, 2008)
The Vanishing (George Sluizer, 1988)
The Ringleader: The Case of the Bling Ring (Erin Lee Carr, 2023)
Giants and Toys (Yasuzo Masumura, 1958)
Spoonful of Sugar (Mercedes Bryce Morgan, 2022)
Double Lover (François Ozon , 2017)
Hereditary (Ari Aster, 2018)
Bodies Bodies Bodies (Halina Reijn, 2022)
Don't Call Me Son (Anna Muylaert, 2016)
Great Freedom (Sebastian Meise, 2021)
Mother! (Darren Aronofsky, 2017)
The Mind of Mr. Soames (Alan Cooke, 1970)
The Bloody Child (Nina Menkes, 1996)
Bunker (Jenny Perlin, 2021)
Polytechnique (Denis Villeneuve, 2009)
Scouts Honor: The Secret Files of the Boy Scouts of America (Brian Knappenberger, 2023)
The Woodsman (Nicole Kassell, 2004)
Giant Little Ones (Keith Behrman, 2018)
The Killing of a Sacred Deer(Yorgos Lanthimos, 2017)
Nineteen Eighty-Four (Michael Radford, 1984)
Saltburn (Emerald Fennell, 2023)
Renaissance: A Film by Beyoncé (Beyoncé Knowles-Carter, 2023)
May December (Todd Haynes, 2023)
Free Chol Soo Lee (Julie Ha and Eugene Yi, 2022)
Girl (Lukas Dhont, 2018)
Queen of Hearts (May el-Toukhy, 2019)
Streetwise (Martin Bell, 1984)
System Crasher (Nora Fingscheidt, 2019)
Burden (Richard Dewey and Timothy Marrinan, 2016)
As Above, So Below (Larry Clark, 1973)
The Captive (Chantal Akerman, 2000)
Run Rabbit Run (Daina Reid, 2023)
Subject  (Jennifer Tiexiera and Camilla Hall, 2022)
Earth Mama (Savanah Leaf, 2023)
Woodshock (Kate Mulleavy and Laura Mulleavy, 2017)
Swept Away (Lina Wertmüller, 1974)
Meadowland (Reed Morano, 2015)
Brainwashed: Sex-Camera-Power (Nina Menkes, 2022)
La Ciénaga (Lucrecia Martel, 2001)
Zola (Janicza Bravo, 2021)
The Starling Girl (Laurel Parmet, 2023)
Night Comes On (Jordana Spiro, 2018)
Dance, Girl, Dance (Dorothy Arzner, 1940)
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lord-squiggletits · 7 months
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Another thing that gets me about Pharma's situation is a personal headcanon related to the way real life militaries work (I used to be really into the US military, don't throw tomatoes at me I stopped wanting to join it a long time ago) is that it's considered pretty much standard protocol to retrieve the bodies of fallen soldiers unless it's absolutely impossible. A literal "nobody is left behind" attitude.
Now granted, the LL isn't really acting in a military capacity because the war is over.
But I like to imagine that part of why Pharma felt so betrayed was because standard Autobot procedure would've been for any known missing/lost soldiers to be checked for, to try and find their body to confirm their death if nothing else. But the Autobots just left Messatine and left Pharma alone without even bothering to check if he lived or died. So to Pharma, it feels as if after all his years of serving the Autobots dutifully, they couldn't even do the bare minimum duty of looking for his body to confirm his death or god forbid give him proper funeral services.
Incidentally, this headcanon will be the premise for a "Pharma gets brought onto the Lost Light as a prisoner instead of getting left on Messatine" AU fic. With the justification being that Magnus hears about the Delphi situation and is like, wait you guys just left but the Autobot Code says we have to look for the body blah blah and I guess he acts annoying enough about it that someone goes looking for Pharma's body and finds him still alive.
INCIDENTALLY-incidentally, I think the most likely canon answer for "whether Pharma fell or flew to his death" is that Pharma fell. We see on screen that the Red Rust's symptoms activate within minutes of being triggered and that it renders victims practically nonfunctional after only a short amount of time (limbs and the entire body slowly disintegrating). So if Pharma had transformed, he would've activated the rust and died very quickly, especially since he wouldn't be able to go back to Delphi and access actual medical equipment.......and had his hands cut off so he was physically incapable of tending to himself anyways.
Pharma has thrusters on his heels that probably wouldn't require transformation to activate, so my headcanon is that Pharma was able to cushion his fall enough to not die, but probably still broke his legs and was in too much pain/practically immobile and couldn't crawl to find any help. This would also align with Pharma saying that Tyrest found him "sleeping in the snow" and Tyrest calling Pharma "a disease waiting to happen", implying that Pharma was infected with the Red Rust but hadn't actually triggered its effects yet.
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meeeeeeese · 8 months
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Everyone: WOW the wizards are monsters for manifesting fractals where living, feeling people suffer and die. Even if they get useful data out of it!
Me, who's been charging into fractals and massacring the locals for years now, purely because of my lust for gold
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savage-rhi · 2 months
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.Magenta.
#in a nut shell...#my whole team betrayed me minus 2#i was told and swore up and down that my absences related to disability were not an issue#come to find out that wasn't the case#there was resentment and everyone did a damn good job putting on an act and masking#i cannot begin to describe the kind of betrayal i am feeling#i believe in being transparent especially if you're part of a team of people who help others with mental health issues#i expressed many times that if my conditon caused inconvenience or problems then approach me and we can navigate around it together#i worked with these people for over 10 months and no one said a damn thing#i had no indication or inkling there was anything amiss even when i inquired before.#even my supervisor who was supportive and freely gave me and approved of time off lied to my face#and as a i handed in my belongings today everyone was ordered not to engage with me because on monday i utilized the chill space#aka the rage room after hours when the kids were gone because after getting interrogated by HR trauma from former work places came up#and with long covid stuff im still figuring out i needed a spot to vent#im not the only employee btw that used that room for personal raging everyone at some point has used it to either be contemplative#scream or toss punch and throw things so long as the kids are not on grounds we can do that#yet when i finally hit that point and want to decompress safely suddenly i am the dangerous monster#these people are supposed to be trauma informed#well trauma informed my ass#on a positive blessing i never have to work with these assholes ever again and i pray we never meet in public#its going to take a long time and a lot of healing before i think i will be able to trust people fully again#savage magenta#magenta is my vent word
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bandtrees · 4 months
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everyone who knows me knows im a horror gore graphic dark shit etc guy but sometimes i remember that one mob psycho fic that described the cat that dies in the manga mogami arc in the most gruesome graphic detail imaginable for like 3 paragraphs and its just so stupid to me. like it was so over the top it stopped being upsetting and just started being kind of annoying
like, the cat dies in the manga offscreen and then is shown in a wide shot with a little pool of blood. and then it gets back up because its the mogami arc. hell even just the implication in the anime that they'll kill the cat is upsetting enough to get the point across even if they dont go through with it. how cheap a fic writer are you that you have to describe a cat being beaten and its intestines being out and blood everywhere to express that "bullies killing a cat in front of a kid" is upsetting
does bullying and abuse have to be some needlessly graphic serial killer shit to be meaningful? god
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gayemoji · 4 months
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this week on I DONT THINK HE WOULD FUCKING DO THAT: house ramming a car into cuddys house while she has guests
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ask-cloverfield · 5 months
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it is kinda weird that like I kept seeing stuff about how the cgi allowed Minus One Godzilla to be even more expressive in a way we couldn’t get with suits and like
I feel like Minus One’s was one of the least expressive Godzillas we have had
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