#monk boudreaux

[bostonfly]

Listen/download: Shoo-Fly by Bo Dollis and Monk Boudreaux with the Rebirth Brass Band

#music #bo dollis #monk boudreaux #rebirth brass band #laissezlesbontempsrouler

[jazzlunatique]

And happy birthday to my big Chief, Joseph Pierre “Monk” Boudreaux! The day he was born was literally “The Day That Will Live In Infamy.” We love you Monk! Happy birthday https://www.instagram.com/p/Cl5TLl9LlJg/?igshid=NGJjMDIxMWI=

[thejoyofviolentmovement]

New Audio: Cha Wa Unifies in a Divisive Time Through Funk

New Audio: Cha Wa Unifies in a Divisive Time Through Funk @ChaWaBand @SingleLock @shorefire

https://soundcloud.com/single-lock/cha-wa-my-people-1 Deriving their name from a slang phrase popularly used by Mardi Gras indian tribes that means “we’re comin’ for ya” or “here we come,” the Grammy Award-nominated New Orleans-based funk act Cha Wa — currently founding member and bandleader Joe Gelini, along with Spyboy J’Wan Boudreaux, Second Chief Joseph Boudreaux, Ari “Gato” Teitel, Joseph…

View On WordPress

#Berklee College of Music #Big Chief of the Golden Eagles #Boston MA #Brass Band #Cha Wa Funk &039;n&039; Feathers #Cha Wa My People #Cha Wa My People LP #Cha Wa Spyboy #Dr. John #funk #Good Morning America #Grammy Award #Idris Muhammad #Monk Boudreaux #mp3s #My People #New Audio #New Audio: Cha Wa Unifies in a Divisive Time Through Funk #New Orleans #New Single #NPR #Single Review #Single Review: Cha Wa My People #Single Review: My People #singles #The Joy off Violent Movement: New Audio: Cha Wa Unifies in a Divisive Time Through Funk #The Meters

[thinkingisadangerouspastime]

Allison sighed, rubbing her forehead in frustration. He was right. The physical evidence—limited as it was—pointed to Marcus, even though she knew for as good as fact that Vanessa was the guilty party. “Well, maybe she’s framing him.”

“Maybe,” Lee agreed, sounding as far from convinced as humanly possible.

“No, Mrs. Dubois might be onto something,” Monk said, matching pace with Lee and Allison. Sharona was only a step or two behind him. “Vanessa Sawyer deliberately pointed us in the direction of Marcus Jackson when she lied about the status of his and Louise Boudreaux’s relationship.”

“That’s right,” Sharona said, snapping her fingers. “She’s the only one who said anything about their relationship being on the rocks! Nobody else could confirm that.”

“Exactly,” Monk said. “They were on the verge of marriage, not breaking up!”

“According to your readings of Jackson’s body language,” Lee countered. “And he’s not exactly the most credible figure when it’s his significant other who’s dead. Besides, Sawyer was Boudreaux’s roommate. It’s entirely possible she heard stuff straight from Louise that wasn’t being passed over to Marcus.”

“Vanessa’s credibility is just as shot,” Allison insisted as they all came to a stop in front of Lee’s police cruiser. “Her story doesn’t add up and you know it.”

“Did you check out her car?” Monk asked. “The blue Nissan she claimed to own?”

“I did,” Lee confirmed. “She doesn’t own any Nissan, blue or otherwise. At least not one that’s registered with the DMV.”

“Then why did she have a key for a Nissan?” Monk demanded. He frowned. “And there was something off about her key, too. I wish I’d gotten a closer look at it.”

“I mean, she could’ve been holding onto the key for someone,” Sharona pointed out. “I agree there’s something fishy about her, but it’s possible the key wasn’t hers.”

“Then why would she lie and say it was?” Monk protested, raising his shoulders and holding out his hands. “She’s the guy. There’s a connection between that key and the murder of Louise Boudreaux.” He faltered, shoulders falling. “I just don’t know what it is. Yet.”

— from ch. 3 of my untitled monk x medium crossover

#hellooooooo more snippets no one cares about but me 😌 #adrian monk #sharona fleming #allison dubois #lee scanlon #monk tv #monk usa #medium tv #medium cbs #medium nbc #amy writes

[where-vali-at]

New Orleans Jazz Fest Lineup October 2021

The lineup for Jazz Fest 2021 has officially been announced. The following acts are scheduled to appear: Dead & Company, Stevie Nicks, Foo Fighters, Jimmy Buffett & The Coral Reefer Band, Lizzo, Demi Lovato, The Black Crowes, H.E.R., Brandi Carlile, Norah Jones, Tedeschi Trucks Band, The Beach Boys, Ludacris, Trombone Shorty & Orleans Avenue, Jon Batiste, Wu-Tang Clan feat. The Soul Rebels, Ziggy Marley: Songs of Bob Marley, Elvis Costello & The Imposters, The Revivalists, Brittany Howard,  Randy Newman, Irma Thomas, Melissa Etheridge, The Isley Brothers, Nile Rodgers & CHIC, Boz Scaggs, Rickie Lee Jones, Ledisi, Tower of Power, David Sanborn, Tank and The Bangas, Big Freedia, Chris Isaak, Keb’ Mo’ Band, Preservation  Hall  Jazz Band,  PJ Morton, Samantha Fish, Tribute to Dr. John, The Count Basie Orchestra, Galactic, Playing for Change Band,  Terence Blanchard feat The E-Collective, Rebirth Brass Band, Shovels & Rope, Cyril Neville, Hurray for the Riff Raff, Asleep at the Wheel, Arturo Sandoval, Davell Crawford, El Gran Combo, Kermit Ruffins & the Barbeque Swingers, Martha Redbone Roots Project, Ricky Skaggs, Doug Kershaw, Boyfriend, Charlie Musselwhite, Ivan Neville’s Dumpstaphunk, The Radiators, Anders Osborne, Christone “Kingfish” Ingram, Terri Lyne Carrington + Social Science, The Dirty Dozen Brass Band, The Soul Rebels, Lil’ Ed & the Blues Imperials, Tab Benoit, Leo Nocentelli, Walter Wolfman Washington & the Roadmasters, Puss N Boots, Deacon John, The Campbell Brothers, George Porter Jr. & Runnin’ Pardners, Little Freddie King, Nicholas Payton, Kathy Taylor and Favor, David Shaw, Tribute to Bessie Smith, The Roots of Music Marching Crusaders, Big Chief Monk Boudreaux & the Golden Eagles Mardi Gras Indians, Lost Bayou Ramblers, Jermaine Landrum & Abundant Praise Revival Choir, New Orleans Nightcrawlers, Ronnie Lamarque, We are One and Divine Ladies Social Aid & Pleasure Clubs, plus hundreds more artists scheduled to appear at the first-ever Jazz Fest in October.

[wineschool-blog]

Swiss Wines

https://j.mp/2Uvo4RI Swiss Wines - Keith Wallace - Switzerland The people of Switzerland have so much love for their wine that they only export a small portion of it. The question is whether this is by design or lack of demand from outside countries. The Swiss consume many imported wines from other countries, but they also drink most of their own wine production. Is this due to the high price tag of many Swiss wines, the lack of understanding of their wines outside of Switzerland, or the Swiss simply loving to drink their own juice? Processed with VSCOcam with a6 preset Availability of Swiss Wines Swiss wine is difficult to find, especially in America, where the dominant regions are Napa, Tuscany, and Boudreaux. As a result, Swiss wine is foreign to Americans and the rest of the world, including Europe. In fact, only about 1% of Swiss wine is exported at all.   Swiss Vineyards The Swiss take outstanding care of their vineyards which account for 36,922 acres of land. However, the attention to detail and care for the vines doesn’t come easy due to the high costs of producing wine in a costly country and the hard work of growing grapes at some of the highest elevations in Europe. Wine in Switzerland is as diverse as its culture. Three distinct language areas can define Switzerland wines; the French, Italian, and German-speaking areas. Two distinct grapes can also sum up wine here; Pinot Noir, the major Burgundian grape, and then more exclusive white grape to Switzerland; Chasselas. Winemaking History Much like most countries rich in wine culture, swiss wine dates back before the Roman Era, around 800-600 BC. It went through the middle ages, being spread by Christian Monks, and much like other countries, they struggled through Phylloxera in the early 1900s, where they resorted to crossing their vines with American rootstocks as a cure (‘Merica). Still, this caused a decline in wine production up until the mid-20th century. After this decline, Swiss wine has made huge advancements in improving quality in their wine and creating their own identity. Neutrality So what makes Swiss wine special? Therefore, Swiss wine is not in the EU; it goes by its own rules regarding wine laws.  That is not to say they don’t abide by their own stringent wine rules. For instance, a major step forward was disallowing the blending of imported wines into their own, which further created their own identity and a sense of their own special terroir. Money & Wine Swiss wines come with a heavy price tag. Switzerland is a costly place to do business, and that includes producing wine. It doesn’t help that grapes are grown in high altitudes, and it takes a lot more hours to tend vines here than nearly anywhere else in the world. Another issue increasing the cost of Swiss wine is that more people want to drink Swiss wines than wine on the market. Chaptalization Many winemakers practice chaptalization: adding sugar to an unfermented grape to increase the alcohol content. This practice was adopted to counteract the high acidity in the grapes due to the strong continental climates at such high altitudes. This is how Swiss winemakers can coax concentrated strong flavors from their grapes; some of their Pinot Noir varietals can be described as big and concentrated, which is unusual for this type of climate and grape. Valais The largest wine region in Switzerland, Valais, is in the French section of Switzerland. The region takes up 12,500 acres of land situated on the slopes of the Upper Rhône Valley.  It is a dry, sunny region that produces mostly Chasselas. Other grapes grown include Sylvaner, Marsanne, and Pinot Gris. Chasselas Chasselas is the most famous Swiss grape: Chasselas is what Shiraz has become to Australia, Malbec to Argentina, and Carménère to Chile; it has become notoriously Swiss if it has become notoriously Swiss not historically so. This grape is now over a quarter of the country’s wine production.   It is an elegant grape with varied expressions from vineyard to vineyard. It is the Coors Light of Swiss wine in some vineyards due to its light and refreshing. However, in better vineyards, it is complex with a depth of smoky minerality and raw earth. It can also express beautiful herbal and floral notes. AKA Fendant In Valais, a Chasselas wine is called Fendant (meaning “to split” in French due to how the grape breaks apart when squeezed), and here is where many wine lovers say the grape shines the most because the fruit flavors are present in this grape through this area, along with flint-like taste, and even some bitterness all while still holding to the light mineral flavors and creaminess that is more familiar in the grape.   Burgundian Grapes Valais is also famous for blending Burgundian varieties such as Pinot Noir with Gamay outside of Chasselas and white wine production to make the Swiss call the Dôle blend.  These wines can have that Pinot funk with some earthiness and some flintiness. It is the red Fendant because it is a staple in the area and presents some of the same mineral flavors in both wines. Vaud Still, in French Switzerland territory, Vaud is the second most important region in Switzerland. Although, like in Valais, many of the same grapes are used, 70% of the wine production comes from Chasselas grape, and they even have their own blend of Pinot Noir and Gamay they call Salvagnin.   Here in the Vaud Canton terroir takes on a mind of its own between some of the different encompassing regions: Aigle, La Côte, Lavaux, Dézaley, Chablais and Yvorne. Then there are two Grand Cru Regions; Dézaley and Calamin. Again, La Côte is where the fruit flavors shine, while the minerality from the soils stands out in Aigle, Yvorne, and Calamin. Dézaley manages to express both fruit and minerality in their wines. As a result, some very famous producers can purchase a wide range of high-quality wines from this area. Ticino The last two areas are less important regions concerning Swiss wine fame, which is very little, and they are the Italian and German Cantons. The most interesting thing about the Canton of Ticino (the Italian-speaking canton of Switzerland) is that it is actually dominated by up to 80% of the Bordeaux varietal Merlot.  Here Merlot del Ticino is oak-aged and high quality but lighter than the French or Americans. German Canton The German Canton offers a range of sweetness in their wines, from sweet and juicy to strong and concentrated. The most popular grapes here are Pinot Noir and Blauburgunder.   A noteworthy viticultural innovation from this region is the Müller-Thurgau grape. It was invented by crossing Riesling and Sylvaner. This white wine dominates the Canton. Economics of Swiss Wine Why aren’t there more Swiss wines in your local wine shop? It’s not about quality. There are many great wines from obscure wine regions in the world that you will never experience. The casual drinker may not be aware of Turkish wines or the French wine region of Jura, but both make exceptional wines. Often, it’s simply a matter of supply and demand, with the added layer of additional costs. Wines from regions that don’t have established routes for shipping wine are saddled with higher costs. Often, unknown wine regions will be competing with Napa and Tuscany in cost. This is because wine buyers know they buy a well-known Priorat or Bordeaux for less money. This is the cycle that keeps the prices of Swiss wines artificially high. Wine Courses L1 Online Wine Certification Core (L2/L3) wine Courses Advanced (L4) wine Programs Wine Region Articles Major Wine Regions Wine Regions of the World Italian Wine Regions Spanish Wine Regions Portuguese Wine Regions East Coast Wine Regions The Best East Coast Wineries Terroir of East Coast Wines Best Wineries Near Philadelphia International Wine Regions Austrian Wine REgions Israeli Wine Regions Beaujolais Turkish Wine Regions Swiss Wine Regions Texas Hill Country Vinho Verde The Story of Champagne - https://j.mp/2Uvo4RI

[queensugardaily]

QUEEN SUGAR META WEEK DAY 1: Thoughts on Charley & Micah in 2.03 "What Do I Care For Morning" - Part 2

Charley & Micah in the car

These shots of Charley and Micah’s’ faces reflected in the car mirrors emphasize Charley’s disconnection from Micah and the distance between them as well as the current fragmentation of their relationship. We can only see fragments of their bodies in the car mirrors which is like how Charley can only see Micah in pieces as he won’t let her into the entirety of what he is going through.

Charley looking in on Ralph Angel & Blue

Throughout the episode, Charley feels helpless at not being able to get through to her son. However, by the end of the episode, she comes up with several ways of helping him. One of them is by allowing Davis access to Micah. This scene where Charley quietly observes Blue and Ralph Angel ensconced in a happy world of their own in Rah’s room (as well as the scene later in the episode where Charley observes Rah and Micah talking) is part of what causes Charley to change her mind about Davis. Charley can’t get Micah to talk to her but this is what she can give her son for now: his father.

Charley also realizes that she can make her own home for Micah just as Rah does for Blue - as she says to Aunt Vi, “taking care of the things and people you love is what makes a house a home.” At the end of the episode, she decides it’s time to move out of Aunt Vi’s and to find a place for Micah and herself.

There are recurring shots throughout the episode which frame Charley on the outside, looking in. In this scene, Charley is woken up in the quiet of the early morning by the happy chatter of a child’s (Blue’s voice). Inside Rah’s room is a world where childhood innocence is still alive and well, one that Micah has been so brutally wrenched from. Charley stands on the threshold, outside this protected safe space of parent & child. Her child has lost his innocence and Charley feels like he’s shut himself away in a room which she can’t enter. It is also a space of protection she feels that she can no longer give Micah. The sight of Ralph Angel and Blue in their room is one that makes her smile but it takes on a hint of wistfulness because it is something which she has lost.

Dawn-Lyen Gardner has said that Micah gives Charley a purpose that is grounding and that “Micah is really at the core of Charley’s life. Especially his innocence. I think what she has gone through in Season One, there’s almost no room for innocence, and Micah represents an untouched, sacred space.” Micah’s loss of innocence has profound consequences for Charley. This episode shows us a Charley who is adrift, shaken to the core who is looking for solid ground. The untouched, sacred space that Micah represents has been devastated. Micah’s encounter with police brutality not only forces Micah to re-examine his identity, but so too does it do so for Charley.

Charley looking out at Ralph Angel & Micah

There are similarities between Charley and Ralph Angel’s parenting of their sons which is shown in the parallel shots of Charley looking in on Ralph Angel & Blue and Charley looking out at Ralph Angel & Micah. Queen Sugar is deeply invested in the question of how to raise black boys in a white supremacy that wreaks violence upon them and denies them innocence. Both Charley and Rah are fiercely protective of their sons’ innocence and seek to preserve their softness and sweetness.

The episode’s title comes from a poem, “What Do I Care for Morning” by Harlem Renaissance poet Helene Johnson:

What do I care for morning, For a shivering aspen tree, For sunflowers and sumac Opening greedily? What do I care for morning, For the glare of the rising sun, For a sparrows noisy prating, For another begun? Give me the beauty of evening, The cool consummation of night, And the moon like a love-sick lady, Listless and wan and white. Give me a little valley, Huddled beside a hill, Like a monk in a moastery, Safe and contented and still. Give me the white road glistening, A strand of pale moon’s hair, And the tall hemlocks towering, Dark as the moon is fair. Oh what do I care for the mornin, Naked and newly born– Night is here, yielding and tender– What do I care for dawn!

I looked up some information on Helene Johnson (as I don’t know much about Harlem Renaissance poets) and I found a chapter written by Maureen Honey called, “Survival and Song: Women Poets of the Harlem Renaissance.” It’s part of a book - Analysis and Assessment 1980-1994. I was able to read this chapter on Google Books.  

According to Maureen Honey, this poem is a proclamation that blackness signified by the night is preferable to whiteness/morning. It subverts the positive imagery that white supremacist society usually associates with whiteness/morning. Morning comes with a harsh “glare of the rising sun,” and the overwhelmingly loud “noisy prating” of sparrows. In contrast, evening is beautiful, the night associated with cool consummation, safety, contentedness and stillness. Maureen Honey also wrote that in black women’s poetry of that time such as Helene Johnson’s there was a preference for nighttime over daytime. One of the functions it serves “was to assert the primacy of Blackness in a world that highlighted white things.” This theme of the primacy of blackness and black people is something that can be seen in the episode as well (and the show as a whole).

The motif of night time can also be seen in this scene. Micah dwells now in the blue shadows of night time where Ralph Angel joins him briefly in a moment of support. Morning has become for Micah, mourning but out here on the patio, in Micah’s night, there is still tenderness and solace, hope and life to be found. Queen Sugar is not just about pain and trauma but it’s also about what happens after, the in-between – it shows black people healing, supporting each other, growing; living.

Maureen Honey also talks about how trees were a common motif in the poetry of the Harlem Renaissance women. “The tree offered an attractive symbol for the enduring self in its quest for growth, in its proud dignity and in its will to survive.” In Johnson’s poem, “the tall hemlocks” are “towering, dark as the moon is fair,” which suggests fortitude and resilience. The episode is an affirmation of Micah, of the tenderness and resilience of black boyhood. Even though white supremacy denies black boys their innocence, we are shown Micah’s tenderness (like the night in the poem) and his youth; his journey of dealing with his trauma and how he continues living and growing despite it. It is whiteness like the police, the Landrys and the Boudreaux in contrast who are harsh like the glare of the sun.

Also for Micah, his brush with police brutality (as pointed out by Nick Ashe) is an awakening and it sets him on a journey of growth towards embracing his blackness and to coming into his racial identity.

More from Maureen Honey: “Another common metaphor is night which is both portrayed as protector and personified as a Black woman.” In this episode, we see Charley struggling and finding ways to protect Micah and to help him with his trauma. Queen Sugar not only affirms the preciousness of black boys but it also takes time and space to explore Charley’s journey on its own merit. At the end of the episode, Charley regains some power amidst the powerlessness she felt at being unable to protect her son from police brutality. She makes her moves to protect Micah - she gives Davis access to Micah and she decides to create her own home for him.

#queen sugar #qsmetaweek #qsmetaweek18 #submitted #qsmw day one #long post #submission

[dudewhoabides]

Choo Choo - Big Chief Monk Boudreaux - Whiskey Bayou Records

[jazzfunkdid]

The Wild Magnolias ‎– New Kinda Groove

Polydor ‎– 314 519 419-2 – Originally released in 1975. The Wild Magnolias ‎– They Call Us Wild. Alto Saxophone, Soprano Saxophone – Earl Turbinton. Bass – Erving Charles, Julius Farmer. Congas – Alfred "Uganda" Roberts. Congas, Bongos, Vocals – James Smothers. Congas, Vocals – Joseph Pierre "Monk" Boudreaux. Drums – Larry Panna. Guitar – Guitar June. Guitar Wah-wah – Snooks Eaglin. Keyboards, Synthesizer – Wilson Turbinton. Vocals, Tambourine – Theodore Emile "Bo" Dollis. Tambourine, Cowbell, Vocals – Lawrence "Crip" Adams. Tambourine, Triangle, Vocals – Washington "Bubba" Scott. Tambourine, Vocals – Leonard "Gate" Johnson, James "Gator June" Johnson, Jr. Tambourine, Whistle, Rap, Vocals – Johnnie "Quarter Moon" Tobias.

#The Wild Magnolias ‎– New Kinda Groove

[jazzlunatique]

Had to sacrifice my old Indian feathers to the River Goddesses. All hail the Black Indians of Mardi Gras! All hail the Mississippi River deities! All hail my Big Chief Monk Boudreaux Golden Eagles won’t bow down don’t know how! https://www.instagram.com/p/CENWabsF2NN/?igshid=dykt0c1eei0b

[thinkingisadangerouspastime]

“I have one more question, actually,” Monk said. He smoothed down the front of his jacket. “You’re planning to audition for Ms. Boudreaux’s position in the Phoenix Symphony, aren’t you?”

Vanessa stared at him. “I beg your pardon?”

“You’re a very talented violinist.” Monk gestured to the awards on the shelf to his left. “First chair material. It’s perfectly understandable for you to be interested in claiming the position, despite the… unfortunate circumstances by which it has become available.”

“Sir, I haven’t performed in years,” Vanessa said, both amused and offended. She lifted her left hand. Though she was still clutching the key ring, the scar that ran down her thumb was clearly visible. “I had a major surgery several years ago. I couldn’t even pick up my bow.”

Monk touched the rim of a lamp resting on a small table beside the couch. “You haven’t performed since,” he agreed, “but you have been practicing again.”

“What are you talking about?” Vanessa demanded. She glanced at Lee, who was observing the conversation with silent interest. “Detective, what does your consultant think he’s doing?”

“You have new calluses on your right fingertips,” Monk explained. Allison looked down at the woman’s right hand—sure enough, Monk was right.

“One of them blistered,” he continued, “and is now healing. You’ve been playing your violin again.” Monk paused. “Unless I’m wrong. Which, you know. I’m not.”

— from ch. 2 of my untitled monk x medium crossover

#i post what i want when i want where i want #adrian monk #allison dubois #lee scanlon #monk tv #monk usa #medium tv #medium cbs #medium nbc #sharona's in this scene just not this snippet apparently lmao #amy writes

[nativeamericancultures]

Rumble: The Indians Who Rocked the World is a feature documentary about the role of Native Americans in popular music history.

RUMBLE will tell the story of a profound, essential, and, until now, missing chapter in the history of American music: the Indigenous influence. Featuring music icons Charley Patton, Mildred Bailey, Link Wray, Jimi Hendrix, Jesse Ed Davis, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, and others, RUMBLE will show how these talented Native musicians helped shape the soundtracks of our lives.

RUMBLE is inspired by the Smithsonian Institution exhibit “Up Where We Belong: Native Musicians In Popular Culture,” created by Tim Johnson and Stevie Salas for the National Museum of the American Indian.

RUMBLE has a long list of music artists, historians, family members, and experts participating in the film, including: Buddy Guy, Steven Van Zandt, Tony Bennett, Taj Mahal, Cyril Neville, Ivan Neville, Martin Scorsese, John Trudell, David Fricke (Rolling Stone Magazine), Steven Tyler, Derek Trucks, Corey Harris, Guy Davis, Alvin Youngblood Hart, Monk Boudreaux, George Clinton, Jackson Browne, Martha Redbone, James “Hutch” Hutchinson, Joy Harjo, Iggy Pop, Wayne Kramer (MC5), Marky Ramone (The Ramones), Taylor Hawkins (Foo Fighters), Pura Fe Crescioni (Ulali), Dan Auerbach (The Black Keys), Phil Soussan (Ozzy Osbourne), Matt Sorum (Guns ‘N’ Roses), Mike Inez (Alice in Chains), Robert Trujillo (Metallica), Taboo (Black Eyed Peas), Slash (Guns ‘N’ Roses), Charlie Sexton (Bob Dylan), Rhiannon Giddens (Carolina Chocolate Drops), Pat Vegas (Redbone), Robbie Robertson, Buffy Sainte-Marie, and many others.

#rumble #native american #american indian #rock and roll #rock n roll #music #trailer #rezolution pictures

[peaches-records-blog]

Beautiful photograph shot by our friend @steph1z. Happy Jazz Fest ya'll! #Repost @steph1z with @repostapp ・・・ Big Chief Monk Boudreaux 4.28.2017 📷StephZahn #concertphotography #nola #nolalife #neworleans #JazzFest #nolajazzfest #jazzfestafterdark #nolajazzfest2017 #neworleansindians #iheartnola #itsyournola #suchagreatnight #mardigrasindians #peachlife🍑

#repost #nolalife #suchagreatnight #nolajazzfest2017 #itsyournola #concertphotography #jazzfest #iheartnola #peachlife🍑 #mardigrasindians #nola #neworleansindians #jazzfestafterdark #neworleans #nolajazzfest

[mce-photography]

Big Chief Monk Boudreaux 10.21.17 - NOLA Mac N Cheese Fest - New Orleans, LA 

#Big Chief #Big Chief Monk boudreaux #nikon #nola #d750 #nola mac n cheese #new orleans #mardi gras indian

[jazzfunkdid]

The Wild Magnolias ‎– New Suit

Polydor ‎– 314 519 419-2 – Originally released in 1975. The Wild Magnolias ‎– They Call Us Wild. Alto Saxophone, Soprano Saxophone – Earl Turbinton. Bass – Erving Charles, Julius Farmer. Congas – Alfred "Uganda" Roberts. Congas, Bongos, Vocals – James Smothers. Congas, Vocals – Joseph Pierre "Monk" Boudreaux. Drums – Larry Panna. Guitar – Guitar June. Guitar Wah-wah – Snooks Eaglin. Keyboards, Synthesizer – Wilson Turbinton. Vocals, Tambourine – Theodore Emile "Bo" Dollis. Tambourine, Cowbell, Vocals – Lawrence "Crip" Adams. Tambourine, Triangle, Vocals – Washington "Bubba" Scott. Tambourine, Vocals – Leonard "Gate" Johnson, James "Gator June" Johnson, Jr. Tambourine, Whistle, Rap, Vocals – Johnnie "Quarter Moon" Tobias.

#The Wild Magnolias ‎– New Suit

[biffster]

Liked on YouTube: Anders Osborne & Big Chief Monk Boudreaux - Bury The Hatchet | HQ With Links https://youtu.be/vG9ygFSLeAQ

#IFTTT #YouTube