EVERY SINGLE DAY there are MILLIONS of characters in their late 20s who get falsely accused of being father figures to teenagers when in reality the description of "weird older cousin" or "step-sibling that moved out before you were born" is 1000000x more apt
oh you mean the doctor who that has flattened human skin as a character? the doctor who that has the episode love and monsters? the doctor who that says that the english royal family is werewolves? the doctor who that has james corden in it? the doctor who that in the same episode that james corden is in not only does the doctor speak baby, but the baby wants to be named Stormageddon, Dark Lord of All, AND the doctor can also play soccer very well.
Half-foots are highly discriminated against in the world of dungeon meshi.
They have a difficult time living in places outside of their own territories because places where larger races live aren’t built for their size and crowds can be dangerous.
they’re the least valued race by long lived races because their life spans are the shortest out of all the races. this means that they’re dehumanized and often considered disposable. their superior senses make other races use them as “lures” when hunting succubi/mermaids (usually dying in the process).
They’re often mistaken for/treated like children because of their appearances, and because of this they have a difficult time getting jobs because it’s assumed that they’re immature/can’t handle it.
Because of this, when living outside of Half-foot territories they’re forced to get money by any means necessary (often resorting to crime), so other races stereotype them as “cunning” “greedy” and “manipulative”.
On top of that, members of long lived races who tend to fetishize them.
Even the name “Half-foot” is discriminatory.
Ryoko Kui does a fantastic job at world building.
But even after all of that, im not gonna stop talking about how bad i wanna put Chi Chi in my pocket.
Danny was tired, like 'I feel it in my bones and soul' tired.
And he didn't want sleep at home because there's only so many nights, he could spend lying awake making sure his heart was beating in case his parents checked on him.
Currently he was flying aimlessly not really taking in his surroundings, but he could neither sleep while flying or fly forever.
Normally he'd sleep over at Sam or Tucker's, but the Mansons had made it clear that he wasn't welcome at their house anymore and Tucker was grounded.
Both would sneak him in if he asked, but he didn't want them to get in trouble for him.
Which leads him to decide between his two choices, sleeping in a graveyard, or sleeping in a forest.
The graveyard was a little crowded with all the ghosts that called it home but he could probably find a quiet spot to sleep.
The forest had a great view of the stars but was filled with traps from both his parents and the GIW after tracking his ecto-signature.
Both options weren't appealing, but he wasn't about to chance sleeping on the roof of his house again.
There were too many ghost detecting guns attached to it now.
Danny sighed, graveyard it was, at least the ecto from all the shades/ghosts would hide him well enough.
Decision made, now all he had to do was make his way over there.
But first, where the heck was he?
Danny looked around at the unfamiliar grey sky and gargoyles littered around and realized he had no clue where he was.
He must have flown too far away from Amity without noticing...Again.
It was really becoming a bad habit.
Danny stared down at the city's inhabitants that were going home or heading to nightshifts or whatever and dreaded the long flight back to his town.
And maybe it was ghost instinct, or maybe it was just his exhaustion.
But his brain suggested 'What if I just possess someone?' And to him that seemed like a perfectly logical train of thought.
He wouldn't control their body or anything, just sleep in their skin...That did not make it sound better at all.
Before he could think twice, someone left a general store, arms filled with stuff and somehow projecting an aura of safety.
The two thoughts of 'They look comfy' and 'screw it' clashed together in his head as he made the very stupid decision of performing a swan drive right into the someone.
"WHAT THE-" "Don't worry, I'll be gone by morning I just need to sleep" Danny cut off the persons freakout-he should really get their name at some point- he would have explained more but the sleep gods had already done their job.
This left one very confused, scared, and freaked out Batkid.
HELP PALESTINIAN ARCHITECT EVACUATE HER FAMILY FROM GAZA
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
I feel like many people have a fundamental misconception of what unreliable narrator means. It's simply a narrative vehicle not a character flaw or a sign that the character is a bad person. There are also many different types of unreliable narrators in fiction. Being an unreliable narrator doesn't necessarily mean that the character is 'wrong', it definitely doesn't mean that they're wrong about everything even if some aspects in their story are inaccurate, and only some unreliable narrators actively and consciously lie. Stories that have unreliable narrators also tend to deal with perception and memory and they often don't even have one objective truth, just different versions. It reflects real life where we know human memory is highly unreliable and vague and people can interpret same events very differently