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eightysixed · 3 years

Text

happier than ever

You call me again, drunk in your Benz Drivin' home under the influence You scared me to death, but I'm wastin' my breath 'Cause you only listen to your fuckin' friends I don't relate to you I don't relate to you, no 'Cause I'd never treat me this shitty You made me hate this city

words: 3.2k plot: emma and tomo’s relationship, in a nutshell. trigger warnings: abuse, assault, drugs, cheating, violence, blood, suicidal ideation, nsfw

Five years is a lifetime when you’ve just begun your twenties. It’s half a decade of years so formative and important that you don’t really realize their importance until they have flown past.

Emma spent those years with Tomo.

[ SEPTEMBER 2014 ]

A twenty-one year old goes to an Outkast concert. She gets propositioned by a guy. Rough, pushy, handsy, it’s enough to make her feel suffocated, plan paths of escape or desperately look for a face in the crowd that could intervene. Then he comes in with his buddies and they all but rescue her. How ironic Emma thinks, years later. What a Disney-ified, damsel in distress moment to have and to meet by.

They spend the rest of the concert together, follow it up with an after hours at Los Coyotes, wolfing down soft shells in between food-spitting laughter. Emma, Tomo, and his two buddies. The energy is infectious, and she doesn’t want to say goodbye at the end of the night. It’s a feeling she has never felt before; those sparks in his eyes that are in hers too, the way he grounds and floors her. They exchange numbers and Emma’s face lights up as she’s getting off her Muni owl: it’s a text from him.

It doesn’t take long for his contact name to acquire an Emoji heart next to it, the girl who ridiculed these kinds of things in high school now finding herself enamoured, head-over-heels, and not caring for the criticisms of formerly cynical self.

[ OCTOBER ] A month later and she’s packed up and moved into his place, about as happy as she has ever been of late; everything in life falls into place with him, just makes sense.

[ NOVEMBER ] He gets エマ tattooed on his collarbone; her name in katakana. She gets 23, his lucky number.

They spend thanksgiving with her mom in Cupertino. Frankie hasn’t seen Emma this animated again in a long time, composes a poem about in her head as the green beans and pumpkin pie are passed around. Later of course, she pulls out the baby photos, much to Emma’s embarrassment and Tomo’s delight. “You were such a fat baby, Jesus,” Tomo laughs. “She looks like she ate baby Jesus,” her mother quips.

When her mom falls asleep, they sneak out and climb up Emma’s childhood treehouse armed with blankets. They gaze at a sliver of night sky through a gap in the roof as Emma tells him her childhood dreams of flying to space and inventing computers that could contact extraterrestrial life. They kiss, they make love, Emma ponders her stance on marriage being outdated and for chumps and losers next to a snoring Tomo.

[ FEBRUARY 2015 ] Their first Valentine’s day together they drop acid at Pier 39. An irate parent yells at them for making out on the merry-go-round in view of children; have they no shame.

She makes new friends, dozens, someone always at their place as Tomo plays them new tracks, smoke weed together, and watch the oil projector light show make shapes on the ceiling. They talk about the future, fame, and world domination.

They don’t discuss babies because neither of them care for that sort of shit — but they do talk about moving into a bigger place together, maybe getting a dog or two — the breed is subject of many arguments.

[ MARCH ] In peak puppy fever, Emma adopts a two year old rescue bulldog named Tito. It’s the first, tiny sign of a crack in their relationship, of dissent — she thinks she sees Tomo glare at the precious pup when he thinks she isn’t looking. But maybe she imagined it. He does shed and slobber uncontrollably after all, and her boyfriend happens to be a clean freak.

[ JULY ] That summer, Emma braves a plane once more to see Tomo play in Atlanta. His set is off the walls and for the first time, she is amazed to see just how many fans he has, how far this boyfriend of hers has come from making tracks in his living room. It’s just too bad she is fast asleep when he tiptoes out of their hotel room to meet one of said fans for a back-alley blowjob.

They roadtrip across the South to play some more venues and the pattern repeats itself in Louisiana, Texas, New Mexico. She wakes up in a cold sweat one night in Vegas, confused as to why he’s gone. “Out getting food. Got hungry.” The message hits her in a weird place, but she is tired, sleepy, and in a haze; Emma accepts, does not question. He even returns with some Taco Bell for her.

Timeskip — 3 years:

[ APRIL 2018 ]

Emma is on her hands and knees in a bathroom, vomit dripping off the toilet rim. She can’t remember how or why she got here, but she’s here. Everything seems to be swimming backwards. Eventually she is able to collect herself off the floor, splash water against her face and wall-to-wall stagger back out of the bathroom. It didn’t work, she’s purged the worst of it but still feeling funny. “Oh, Emma, there you are.” A man’s hands wrap around her. He says he’s friends with Tomo. Says he’ll take her to him. Fade to black.

Waking up with strange bruises should not become a norm, but it does. Emma dismisses it, goes to work, does her best.

Things with Tomo are a violent rollercoaster; some days are great, some days nondescript; and some days downright nightmarish. They fight, throw shit, break shit, yell at each other. Things almost border on the unacceptable as words turn into threats, threats turn to action. A hand around the throat; a body pinned to the wall — her body, of course. His weed grinder he threw that hit her in the head which he swore he’d meant to only toss at the wall. It never crosses a line into the unacceptable, though. That’s what Emma tells herself. He might push her down on the bed, sure, but a bed was soft. He might squeeze her throat in the heat of an argument, but never so much that she’s passing out. He doesn’t hit, kick, or punch her. That was what abusers did, not him.

She tells herself he can’t help it, his mother used to punish him and his father didn’t love him and now he lashes out the only way he knows how, on the only person he can. He didn’t grown up in as loving a home like she did. He had his reasons. It was okay. They were okay. And the makeup sex afterwards? The best ever.

[ MAY 2018 ] A month later and Emma is walking in on some girl riding Tomo’s dick like the world was ending, right there on their couch. On their goddamn couch they picked out together, hauled up the stairs with the delivery men. Somehow, the worst part about it all, Emma’s fucked up brain tells her, is that Tito is there to witness it. Her innocent, furry son, witnessing his ‘dad’ for all intents and purposes, cheating on his mom. A ridiculously thought but one she has nonetheless as she’s driving away, Tito next to her in the passenger seat. She goes to sleep at a friend’s and sobs the entire night.

Despite herself, she doesn’t break up with him; but the rift is a mile wide and constantly palpable. Tomo becomes relentlessly apologetic. Not only does he beg forgiveness, he does it live on-air at a radio station, on social media, Emma bombarded by strangers she doesn’t know writing her to take him back. Then he goes and uses her personal kryptonite pulls a Lloyd Dobler outside her work with a Cocorosie song she was absolutely weak for. She hates making a public scene but the sentimental part of her is melting at the gesture, the boombox, all of it. Emma stays. He’d been a shitbag, but he was her shitbag, with all his lovable and terrible qualities wrapped into one person, and she just had to take the shit with the good. Because there was no one else she’d rather be with, ripping side-stitches from too much laughter at four in the morning, tears in her eyes for a good reason this time, from one of his horrifying jokes.

He was hers and she was his, that’s just how it was to be. Well, as much as she could call him hers when he seemed to be everybody else’s in the process.

Emma does ridiculous, degrading, uncomfortable things in the name of love, and yet in the end she can’t hold on to the love she had for him in the beginning. Way back when they were going up on that ferris wheel at the pier and he looked at her like he had nothing but love in this world, for her. That was what hurt the most, because now the ferris wheel only went down.

There are threesomes, fivesomes, sixsomes, so many bodies in between hers and the one she loves, all in the name of exciting him, holding onto him, trying to be something for him that measured up to Enough. But none of it is enough. None of it makes him happy, nor did it make her happy. She gives him an inch and he takes a mile and then demands more, smiling with blood in his mouth. She breaks down and becomes something she doesn’t recognize in the mirror. Whether it was an act of revenge or desperation, or finally wanting to give him a taste of his own medicine, Emma sleeps with Corey, one of his best friends. She takes pictures, sends them to him “by accident”. She hates herself through it all, every moment of it, mostly for what he made her into. And yet, underneath all the layers of attempts at hurting him she was really just crawling on all fours, begging him to love her again, need her and want he the way he did in the beginning. Craving to get that first hit back, the one she had been on a residue high off of for four years, the one that now tasted metallic and rancid in her throat.

The worst part? Tomo doesn’t care. He texts her back, telling her to have fun, to send more pictures. She’s never felt this hollow, this empty, this non-entity of a being. The day of her high school graduation flashes in her mind, her dad telling her to never lose her identity, the core of what made her, her. Emma took that core and probably threw it into the Pacific. Somewher between Japan and California, it lies at the bottom of the ocean.

[ APRIL 2019 ]

Turns out, Emma could draw a line, and that line was becoming accessory to a drug deal. She knew Tomo sold on the side to make up for all the money going into the records, but it had always been a few pills here and there, nothing big. But this? Fentanyl, Xanax, bricks of coke and hash? It was a lot. It was too much.

He sells the drugs and her to go with it, and that’s the end right there. The package she delivers to the apartment he asks her to deliver it to turns into a hostage situation, and she leaves hours later, bruises and caked blood on her. She can’t go home, doesn’t want to. She wants to jump off the bridge she’s crossing from Oakland back to the city. Any bridge, any of them would do. She understands why people jump from the Golden Gate now, or maybe always had. She was there now, climbing the railings, she was ready. She wanted that plunge so badly, would be sad to leave one parent, but good to be reunited with the other. Maybe there she’d be happy, maybe there she’d find peace.

She calls Ben that night. She’s dry eyed and unemotional, but as soon as she gets the right words, verbalizes her situation, she’s sobbing again. Tomo is out of the city, across the country in Philly on tour. Now was the time, if there was any time for it. She’s not even done with the call when Ben is getting in his car to drive to her. It’s 6 hours from Ojai to San Francisco; he tells her he’ll be there in five. She never deserved a friend like him and never would, Emma thinks as she packs, hastily because somehow Tomo walking through the front door as a ‘surprise’ wouldn’t be out of the question. In the end, she can’t pack everything, has to leave so much behind, her records, books, knickknacks. Five years in this apartment and she’s leaving all of it behind, making a getaway in the middle of the night like some kind of burglar.

By three in the morning he’s here, and they get to packing her suitcases in the car, stacking them as best as they fit in his trunk and backseat, all of Tito’s things and then Tito on a bed in the seat in the back. Emma is in busy mode, stacking and packing everything as fast she can, still somewhere in the back of her mind thinking Tomo would appear at the last minute, and how with Ben here, things could get ugly. She doesn’t want them to get ugly. She loved him far too much to see him have to deal with Tomo, the only person in that specific firing line should be her and no one else.

They drive off. She only feels herself unclench an hour out of Daly City, somewhere in between the Bay and Southern California, where she can exhale. She’s still looking behind them constantly, wondering if every passing car could somehow be him. The saddest, most desperate part of all this that a part of her wants him to have followed. One last ditch attempt to get her back. An all out attempt, one where he would get on both knees and apologize, swear to never be this way again and follow through with it, because he was her person, he was her only person, there was nobody else in this world for her but him, but what do you do when you had to run from your person in the dead of night?

She pulls her raincoat tighter when they stop to get gas, a cold and windy middle of nowhere gas station. She’s not sure how she ends up embracing him, but they’re in it, and feeling someone’s arms around her, somebody that actually cares, who’d never hurt her, who was family, was her mom and his sister and everybody she loved rolled into one, feels like a reprieve. She feels like dirt for making him do this, making him worry, Emma was a piece of shit for that.

She says as much. He tells her to shut up, that she’s nothing like that and this was nothing that he wouldn’t have done for her on any night, any time at all. And maybe that, that was the night she fell in love with him a little bit, or realized she had always been, all along, but God likes to play Lucifer’s games with the little lives he watches over, and it wasn’t made to be, too late anyway since she’d left her heart in somebody else’s hands where it would stay. And he doesn’t need a mess like her anyway, just thinking of the name Catarina was enough. It had been five years but she still remembered the day like yesterday. How low he had been back then. How they would get high together and feel miserable together because at least they had that. They had Weetzie too, but she hadn’t experienced loss like they had, she sympathized but she’d never know what this particular slice of hell was like. But Ben and Emma knew. She knew it in that part of her ribs that met his, and she did not know what she would do if she didn’t have that, have Ben Abrams in her life.

[ MARCH 2021 ]

Fast forward two years, and the ex is in town. Here, in Los Angeles. That very ex you worked so hard to forget, to heal from, to act like he wasn’t there. And yet, reminders of him were constantly there, everywhere. She doesn’t tell her friends, doesn’t tell anybody he’s in town, just balks when his so called best friend turns up in her neighborhood. She nearly grabs Tito and runs the other way, but it had been too late for that and they have a forced, awkward catch-up. He’s oblivious to anything happening, had barely known about her and Tomo breaking up. Figures, Emma thought, that he would act like nothing happened at all.

He’s in town, and every day she goes to work dreading something happening. She thinks she sees him outside the tattoo parlor’s window, but it’s someone else entirely. She’s losing it again, losing sleep, falling prey to her nightmares. Has a boyfriend now but even that doesn’t help, if anything, he’s a guilty reminder of just how little progress she had made, because she couldn’t devote the time and attention somebody like that needed in her life. Not when all she could think about was him.

The worst part is that once he’s long gone again, back up north, she’s feeling that hollow feeling again. Feeling upset that he didn’t seek her out, didn’t come see her. Even though she knew what an unmitigated disaster that would’ve been, the horrible, rotten part of her wanted it. Of course it wanted it. Two years and her skin still itched for him like an addict longing to be in the throes of fullblown relapse. But he didn’t track her down, call, or text, and that was that. Her only run-in with him involves a party flyer papered on a wall, his name in big stylized letters as the headlining DJ at the club. She stares at that flyer for a little too long, it burns itself in her eye like she’d looked at the sun for too long. And then she does the worst thing she could probably do, go on instagram. Only to find he has a new girlfriend. A brunette with tattoos who looked fun and flirty and everything she had been all those years ago.

That was the last tip of the scale. She reactivates her Tinder, finds some half okay looking guy, makes plans to meet him that night. It’s terrifying, so terrifying going through with, but she gets sufficiently drunk, then high on top of that, and goes through with it. Thinking of another boy’s name the entire time, his face, his body, hands and all the rest. Twelve hours later she’s leaving his apartment, no longer the nun of two years she’d become and feeling shitty about that on top of everything else. It was probably time to go see Karen again she thinks, smoking a cigarette under the sun that melts her while waiting for her Uber home. Thanks friends, thanks family, I’ve made terrific process with all your help and am now back to square one. Thanks for everything.

Maybe in a decade’s time.

Maybe she’d be over it by then.

#billie eilish and her new album sponsored this para #literally billie wrote this song for emma i die #did i have his s.para tucked away for 2 whole years because i was too lazy to finish it? yup #emma #self para #self para: emma #npc: tomo slater

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