#odéon paris

[forthepleasureofmylife]

Odéon Paris

Photo: Dieter Krehbiel

#black and white #passage #odeon #photography #source: forthepleasureofmylife #dieter krehbiel #green eyes 55 #photographers on tumblr #street photography #black and white photography #high grain #france #paris #odéon paris #2010s #urban #urban architecture #urban life #restaurant #bar #source:forthepleasureofmylife

[walker-diaries]

#paris #france #streets #people #darkness #light #odéon #75006

[makoto-oka]

★ ☆ ★ 最近、昔の話をブログに書くことが多くて…それに合わせて昔の写真を引っ張り出してきているのだけど…不思議なもので 10年も前の写真なのに 撮った時のことをしっかり覚えていることに驚く。 これだけ覚えているなら…頼まれた牛乳を忘れるなちゅ〜話です。 #snap #voyage⠀ #paris #france ⠀ #street #odéon⠀ #danslemétro⠀ #Voyagerdanslepassé⠀ ⠀ #fujifilm #x100s⠀ (Paris,France) https://www.instagram.com/p/CpVKDNjyWSe/?igshid=NGJjMDIxMWI=

#snap #voyage #paris #france #street #odéon #danslemétro #voyagerdanslepassé #fujifilm #x100s

[johnnymartyr]

Exploring Used Camera Shops in Paris

by Johnny Martyr My wife and kids were kind enough to indulge my photographic interests obsessions by exploring some cool camera shops during our recent stay in Paris, France. Here in Maryland, United States, camera shops are an endangered species. And the few that remain are very different than what we discovered in Paris. In the early 2000’s, there were quite a few camera stores in and…

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#Atelier Images Services #black and white #camera repair #camera stores #Euro Photo #Euro Photo Beaumarchais #Film Photography #France #Leica #Leica Store Paris #Leica Store Paris Saint-Honore #Odéon Occasions Photo #Odéon photo #paris #Photo Vincent

[revolutionarywig]

Frev locations compile

Thought of compiling a list of frev significant locations so it can help with recommendations for anyone who happens to be travelling/visiting! This is only done to my knowledge and not a complete list, please feel free to suggest if you happen to know more locations that I completely missed!

so here is the frev pilgrimage list! Long post warning.

(Note: The items are not in any particular order)

(Note: I typed this post up a long time ago but couldn't finish, a lot of thanks to the people who helped out on contributing information and your patience with me.)

Musée Carnavalet (Paris)

This one is very obvious, it is a must go for seeing a collection of frev related artifacts and paintings, including Couthon’s wheelchair, Robespierre’s hair, the most iconic portraits etc. Also its FREE.

Panthéon (Paris)

You can see the statue of the National Convention deputies. It doesnt have too much related to frev directly, but Rousseau and Voltaire (and Carnot…..) are interred there

La Conciergerie (Paris)

If you want to see the Deseine bust of Robespierre, but cant go to Vizille, there is a copy of it here within Paris at the conciergerie. It is the place where most frev figures as well as Antoinette spent their last monents.

Musée des archives nationales (Paris)

(June 2023) There is a temporary exhibit featuring frev rn which I highly recommend (also its free to go so like GO)

But beyond the temporary exhibit, I believe there are still a few things in permanent collection (Robespierre’s note book page, Antoinette’s last letter in prison, Comte d’Artois’ letter etc), including the famous 9 thermidor table that Robespierre supposedly lied on. the museum is free to visit.

Père la Chaise (Paris)

@robespapier wrote a better post on navigating the cemetery. It helped me so much with finding the graves of Lebas, Elisabeth and Eleonore Duplay! Thank you so much for the guide!

Rue Saint Honoré (Paris)

the current address of the Duplays household is 398 rue saint-honoré, which is now next to a louboutin store…. There is a commemorative plaque there indicating Robespierre’s residence there. Im not sure about going inside the residence….There was construction when I visited and the door was open, heres how it looks on the inside.

SJ’s bust (Paris & Angers)

I have not visited either of the two locations yet, but you can find that white bust of Saint-Just (that seemed to be modelled after the pastel portrait in the Carnavalet) in either Petit Palais (Paris) or Galerie David d’Angers (Angers). @orpheusmori has posted some Petit Palais pictures here @robespapier has posted some Galerie David d'Angers pictures here

Marat sign (Paris)

i have an image of this plaque sitting on my phone, I forgot where it was located until @orpheusmori helped me track the location of it! It is in the Odéon area and should be in the small narrow street with the back side of Le Procope. It commemorates the location as an important area during the French Revolution as well as the place where Marat established his printing shop.

The front of the same building also has another Marat plaque! I didnt know about it before thank you @orpheusmori for finding and contributing the photo! This one is above an Jewellery store (Amour de Pierres) https://maps.app.goo.gl/8X9zgKYpMiLJcULq7

Olympe de Gouges sign (Paris)

Once again, i have a photo of the plaque proving its existence, but I took it years ago and i dont remember where it was exactly.... It was all in the Odéon area, it shouldn’t be too far from the other….

Danton statue (Paris)

there is a Danton statue! Right outside the Odéon metro! You cant miss it. Also the placement of the statue is where he once lived.

Procope (Paris)

Its a really old cafe frequented by a lot of philosophes as well as many frev figures. There is also a bicorn from Napoleon inside. Right now its still a restaurant establishment, and its difficult to visit unless you eat inside….which is expensive…. However ! This whole general Odéon area is full of other frev landmarks (some more mentioned below). Including the metro station which has a bust of Danton.

Versailles revolutionary room (Versailles)

Beyond the royal family, there is a room dedicated to a lot of major Revolutionary Army generals and battles. Theres that one painting of Lafayette if u into that

Musée des armes/Invalides (Paris)

It has a significant collection of military artefacts from the French Revolution and its a really good resource for armory researches. The museum also has a sword that belonged to Lafayette, as well as a sword belonging to Carnot during the Directoire (image below)

Louvre

The Louvre does not have a lot relating to the French Revolution but it has a few significant paintings and a lot of David’s work. One of the Death of Marat copies produced by David’s studio should be in the museum, as well as a painting featuring the battke of fleurus (with SJ cameo)

Tennis court (Versailles)

Near the palace of Versailles you can find the room where the deputies swore the famous oaths. It is free to enter, although last time I went it was undergoing construction, hopefully it should have finished by now.

Musée de la Révolution Française (Vizille)

If you can go to Vizille… GO TO VIZILLE! The easiest way by transport would be to stay at Grenoble then take one of the buses that runs between Grenoble and Vizille. It is a whole museum dedicated to the revolution (and it is free) and the park is really pretty. This is where you can find the statue of Marat,

The Deseine busts including dear Bonbon,

And DJ Saint-Just.

Also special thank you to @citizentaleo for taking me there, I would’ve otherwise been lost in the French mountains lol, thank you!

Maison Robespierre (Arras)

You can visit Robespierre’s residence in Arras. It is possible to visit the inside, but it has a very specific and short opening hours.

I wasn’t able to go in since I was only in Arras for a few hours….But I got to attend a conference by Hervé Leuwers aaa (He is very sweet and I learned quite few new things from the presentation, but thats post for another day)

Robespierre metro stop (Paris suburb)

There is in fact, a Robespierre metro station on line 9! Not much beyond name but at least some credit to him! Alas it is not exactly within Paris and just on the outskirt. (Oh and there is also Voltaire)

Cordeliers club (Paris)

I dont have much information on what happened to the original location of the Cordeliers club and how it was modified, but the location is part of the sorbonne campus now i believe. I'd be very curious if anyone knows more information on this.

Place de la Bastille (Paris)

The Bastille is of course not there anymore, but the ground around the square and including the metro stations near by have traces/marks of where the old prison would have stood.

(and yea the picture was taken during a manif)

Pavillon de flore (Paris)

The pavillon attached to the Louvre and next to the Pont Royale is the Pavillon de Flore, which is where the Committee de Salut Publique worked.

Jacobin club (Paris) Alas the original convent in which the Jacobin gathered is no more and replaced by a commercial centre instead (Passage de Jacobins) . There is a sign however recognizing the place for what it was.

Place de la Concorde (Paris) Originally Place de la Révolution, there is a plaque remembering the executions that took place here near the obelisk.

Maison SJ (Blérancourt) I have not been to Saint-Just's house yet, because it is very hard to commute there without a car. But it certainly is still there and (I believe) maintained by the Saint-Just Association.

Catacombs (Paris) According to wikipedia....The bone remains of many revolutionaries buried in Cimitière Errancis (which has a plaque indicating it in the 8th arrondissement, according to wikipedia) are transferred to the catacombs, including Robespierre, Danton, etc. The catacomb is roughly organized chronologically but there is obviously no sign indicating which bone it actually is.

Cluny La Sorbonne station (Paris) It is on metro line 10 and the waiting tunnel is decorated with signatures of prominent French figures. It doesn't have any actual frev artifacts, but it looks cool and you can spot Robespierre, Danton, and Camille Desmoulins' signatures on the ceiling.

Louis le Grand (Paris) The school that Robespierre attended is still under the same name and still in use as a school! (i've reached the image maximum alas i cannot add more images...)

And that is all I can think of so far! There is surely a lot more that are out there (including outside of France). Once again, please feel free to mention if you know more frev landmarks that I missed out on. And to whoever happens to be travelling I hope you find this list helpful to start with.

#french revolution #frev pilgrimage #frev list #resource

[famousinuniverse]

The Cour du Commerce-Saint-André is a public street located in the Monnaie district in the 6th arrondissement of Paris. The Cour du Commerce-Saint-André is served by lines 4 and 10 at Odéon station.

#Cour du Commerce-Saint-André #Paris #France

[morerawerbreath]

"Two Paris playhouses, both alike in dignity, putting on rival new Shakespeare productions.

Thus expectations were high for a springtime face-off — with contemporary stagings of “Macbeth” and “Hamlet” — between the Comédie-Française, France’s top permanent company, and the Odéon-Théâtre de l’Europe, the Left Bank’s most venerable theater.

The results certainly felt French. 

At the Odéon, Jatahy cast a woman, the outstanding Clotilde Hesme, as Hamlet, explaining in a playbill interview that her goal was to refocus the story on three female characters: Hamlet, Ophelia and Hamlet’s mother, Gertrude. And while a female Hamlet is hardly news — the French star Sarah Bernhardt performed the role back in 1886 — Jatahy’s premise looks promising for the first few scenes."

#On the one hand I can't fucking believe I'm missing a female hamlet in paris #on the other hand these productions sound terrible and like I would hate them #THE RESULTS CERTAINLY FELT FRENCH #get dragged #shakespeare #performance #hamlet #macbeth #l'odeon #la comédie française

[opera-ghosts]

The exquisite French tenor Lucien Muratore (1878-1954). 

Lucien Muratore (1876-1954) was a French dramatic tenor whose impressive career spanned some three decades. Born in Marseille, Muratore began studies there as a saxophone and oboe player before switching his focus to voice several months later. Initially pursuing a career as a dramatic actor, the young performer made his debut at the Variétés in Paris at the age of 20. Muratore spent several seasons there, as well as at the Casino in Monte Carlo and the Odéon Theatre in Paris, playing juvenile leads. During this period, he enrolled at the Paris Conservatory, where he continued his vocal studies. Muratore’s operatic debut took place at the Opéra-Comique on December 16, 1902 when he created the role of King Louis XIV in the world premiere of Renaldo Hahn’s La Carmélite. Although Hahn’s new opera was a failure, Muratore’s memorable performance helped launch him to an international career. In 1904, Muratore made his first appearance outside of his homeland, when he sang Werther at La Monnaie in Brussels. During the next decade, the tenor spent most of his time in the major theaters of the French speaking world, building his reputation as an artist of the first rank. Not only was Muratore quite skilled in his interpretations of the leads in such standard repertoire as Faust, Roméo et Juliette, Manon, Carmen, Mignon, Pagliacci, Cavalleria Rusticana and Die Meistersinger, he also sang numerous world premieres of such works as Février’s Monna Vanna, Fauré’s Pénélope, Saint-Saëns’ Déjanire and Massenet’s operas Bacchus, Roma and Ariane. In 1913, Muratore came to the U.S. for much heralded appearances in Boston, Chicago and New York. A North American tour followed, the vehicle for which was Bizet’s Carmen. Performances in Fort Worth, Milwaukee, Omaha, Kansas City, St. Louis, Tulsa and other major cities kept the tenor quite busy, but it was Chicago that would remain his artistic home from 1913 to 1922. 1919 saw the tenor in South America for performances with the Teatro Solis in Montevideo and the Teatro Colón in Buenos Aires. A series of concert appearances with his wife, soprano Lina Cavalieri, were also well received. However, the strain of professional life took its toll and Muratore and Cavalieri separated in 1919. By the early 1920s, Muratore was back in Paris where he remained until his retirement from the stage in 1932. The tenor also made his mark on the big screen, with a starring role in 1931’s “Le Chanteur Inconnu”. Interestingly, Muratore had made previous film appearances during the silent era, including the role of des Grieux in 1914’s Manon Lescaut (opposite Cavalieri in the title role). Although he continued to appear in films well into the 1930s, Muratore primarily focused on teaching. He was briefly the director of the Opéra-Comique in 1944 but was relieved of his duties following the liberation of Paris. Muratore passed away in Paris on July 16, 1954, a few weeks shy of his 78th birthday. Lucien Muratore was the possessor of a sturdy spinto-dramatic tenor instrument which he used to great effect in over 30 diverse roles. He was also one of the finest operatic actors of his generation. His recordings, made for G&T, Odeon, Pathé, Zonophone, Edison, A.G.P.A. and other labels, show a singing actor who used his voice to great effect.

#opera #classical music #music history #bel canto #composer #classical composer #aria #classical studies #Lucien Muratore #Muratore #dramatic tenor #tenor #actor #Conservatoire de Paris #Opéra-Comique #Palais Garnier #Opéra Garnier #Paris Opera #classical musician #classical musicians #classical voice #classical history #musician #musicians #history of music #historian of music #diva #prima donna #maestro #chest voice

[paperandsong]

Phantom of the Opera and the 1871 Paris Commune in 2022

Thanks to everyone who participated in PotO Paris Commune Week 2022! There were four new PotO-Commune fics published this year: 

Old Friends by @textsfromthefifthbasement​ (Comet19): After ten years, Nadir reunites with Erik in the midst of the chaos of the Semaine Sanglante.

Hope by @textsfromthefifthbasement​ (Comet19): Les Mis Crossover AU, An older Cosette lives through yet another revolution in Paris. One night at the beginning of the Semaine Sanglante, she has a mysterious visitor.

La beauté est dans la rue by @paperandsong: Mai 68 AU, Christine and Raoul occupy the Odéon Theatre during the May 1968 student protests in Paris. When Christine ventures out on her own, she meets a strange man in a gas mask.

I Am My Own Revolution by @shinyfire-0​: Peaky Blinders Crossover AU,  Erik is commissioned by Tommy Shelby to do a job in 1920s Birmingham, on the 50th anniversary of the Paris Commune. What happens when two dangerous men work together?

PotO Commune Fic from 2015

Long Journey Home by Phantom Night Owl (ffn): Two unlikely people forge an alliance and a tentative friendship in the dark days of the Paris Commune. A young ballerina is saved from a horrible fate by a deformed recluse deep in the bowels of the Paris Opera House. Together they overcome the deprivations of war, and Louise must learn to understand the paradox that is Erik. Begins ten years before the events in Leroux's book.

Commune Fic in other Fandoms: 

千銃士 | Senjyuushi | The Thousand Noble Musketeers (Video Game)  

Allons enfants de la patrie by @m2-km (MoMo_KM on AO3): A Chassepot rifle named Florence sees, hears, and lives the great historical force that is the Commune. The second chapter includes some great Commune refences, especially links to a collection of images and propaganda. 

Les Misérables

Le Temps des Cerises by spadeK: Les Mis AU, Les Amis de l'ABC but during the 1871 Commune. This fic is in Chinese, but I was able to enjoy reading it through Google Translate. This fic was posted in 2020, but I didn’t see it until recently.

历史的回响 by Lingling_E: Les Mis AU, Based on Volume III, Book IV, Chapter V Enlargement of Horizon, another Chinese language fic that places Les Amis in the Paris Commune. This one includes Marius and Enjolras. This fic was published in May 2022. 

Thanks to everyone who supported these fics through reblogs, kudos, and comments! You can find more Commune fics, including the Poto-Commune fics written last year by filtering for “Paris Commune” on AO3. If you’re still working on a Commune fic, just let me know when you’ve posted it and I’ll add it to this list. 

Have I missed any Commune fics? Send me a link to any other fics you know about so that I can add them to this list!

#poto paris commune 1871 #phantom of the opera #les miserables #phic #phic in chinese

[frogsfallingfromtheskyagain]

À l’heure qu’il est, ma valise pour Arles devrait siéger dans un coin. C’était une surprise que j’avais en tête depuis un moment, toujours un peu plus présente à mesure que l’angoisse de l’âge s’immisçait dans nos conversations. C’était une surprise qui se voulait intimiste, pour ne pas bouleverser ton quotidien. Mais la revendication nationale en a voulu autrement. Difficile alors d’aller contre la remise en cause d'un système qui nous méprise, après avoir voté à gauche... À défaut de pouvoir être en colère, j’ai d’abord été triste, avant que me revienne notre dernière discussion de ta vingtaine : les grèves. Ça m’a fait sourire. Les trajets de RER vers le 94 avaient déjà rythmé notre premier échange prolongé. De la B à la C, de la 4 direction Odéon à la 14 vers BNF, au TGV qui n’arrivera jamais… Même lorsqu’ils nous éloignent physiquement, les transports continuent de nous rapprocher autrement.

Si je parle autant de voyages en train - outre leur image mélancolique (enclencher «la misère est si belle») - c’est peut-être qu’il m’est difficile d’écrire «vulnérablement». D’écrire tout court, même. Je n’avais même pas de papier pour le faire. Et lorsque j’ai commencé à t’écrire, l’encre de mon feutre a traversé la feuille. J’ai ensuite trouvé mon écriture illisible, puis mes phrases trop longues. Tel un jeune Robbie écrivant à Cécilia, j’ai froissé pas mal de pages. Puis je me suis dit qu’au-delà d’un lâcher-prise, on méritait surtout quelque chose qui nous ressemble à toutes les deux.

Malgré le contexte IRL de notre rencontre, je continue de me dire qu’on aurait pu se croiser au détour d’une URL. Deux oiseaux de nuits dans des univers parallèles. Aussi proches qu’un clic, aussi loin qu’un nom de domaine. Moi sur skyblog, rêvant d’atteindre un jour la patience et l’esthétisme des filles de tumblr. Toi ici, personnification encore inconnue de tout ce que j’imaginais de ces dernières : des références soignées et des looks intemporels. Porté sur toi dans la vraie vie, mon regard admiratif ne s’est que confirmé depuis.

Au-delà d’un refuge à l’approche d’une nouvelle décennie, le passé offre finalement une distorsion du temps précieuse en amitié. S’y lover nous permet de rattraper les années que nous n’avons pas vécues ensemble, comptées en films indés visionnés loin de l'autre. Une capsule temporelle rassurante car inchangée, retrouvée chaque soir au creux d’une insomnie, le reflet d’un écran sur le visage.

Que l’on se rassure. Il y a quelque chose de beau dans le fait de grandir. Pour moi, ça a été te voir évoluer. Essayer de te raisonner puis tout envoyer valser. Douter de ton regard puis le voir s’adoucir. Apprendre à te choisir sans sacrifier les autres. Refaire confiance et croire à nouveau. Le tout, avec la constance délicate d’un cœur bien trop rare. À 25 ou 30 ans, qu'importe, le privilège d’être dans ta vie ne sera jamais acquis.

Un jour, dans un futur (espérons très très lointain), on aura fait le tour des crêpiers de Paris et perverti ses lieux romantiques de l’enseigne McDonald’s. On y sera résolument sages ou résignées à refaire les erreurs dont on pensait avoir appris. Peut-être qu’on continuera de refaire le monde jusqu’à la fermeture du Starbucks ou, qu’après l’agitation, on aura fini par apprécier le silence. Qui sait. J’espère que d’ici là, on saura juste apprivoiser le vertige pour saisir l’instant.

En parlant de présent… nous sommes le 6 juillet 2022. Il est 03h47 et tout ce que je cherche à te dire au fond c’est : franchement t’es grave le sang j’espère tu vas bien dormir*.

Joyeux anniversaire ma sœur <3

MJ

*Je t’aime, en venus verseau

[forthepleasureofmylife]

Nouvel Odéon Paris

Photo: Dieter Krehbiel

#cinema #nouvel odeon paris #photography #black and white #source: forthepleasureofmylife #dieter krehbiel #green eyes 55 #photographers on tumblr #street photography #urban #2010s #black and white photography #nouvel odéon paris #france #paris #showcase #source:forthepleasureofmylife #urban photography

[sysk-ehess]

MARK FRANKO

Lundi 29 avri 2024 à 19h (heure de Paris)

Monday April 29th 2024, 7pm (Paris time)

@ MSH, 16 – 18 RUE SUGER, 75006 (métro Odéon ou St – Michel)

Mark Franko est un historien de la danse de réputation internationale. Il a renouvelé notre compréhension de la danse baroque autant que de la performance et de la chorégraphie du XXe siècle dont il a étudié particulièrement les relations avec le champ politique et la constitution des collectifs. Depuis Dancing Modernism/Performing Politics en 1995, il a publié Dance as Text: Ideologies of the Baroque Body traduit en Français par les Éditions de l’Éclat sous le titre La danse comme texte : Idéologies du corps baroque ; The Dancing Body in Renaissance Choreography: Kinetic Theatricality and Social Interaction (2022) ; The Work of Dance: Labour, Movement and Identity in the 1930s (2002) ; Martha Graham in Love and War : The Life in the Work (2012 )et, en 2020, The Fascist Turn in the Dance of Serge Lifar: Interwar French Ballet and the German Occupation. Il est aussi le co-éditeur de Acting on the Past: Historical Performance Across the Disciplines (2000). En 2018 une anthologie de ses écrits a été publiée par Routledge : Choreographing Discourses: A Mark Franko Reader qui permet de retrouver les nombreux articles qu’il a publiés dans Discourse, PMLA, The Drama Review, Res: Anthropology and Aesthetics, Theatre Journal… Mark Franko est professeur de Danse et président du département des Arts du Théâtre de l’Université de Californie, Santa Cruz. Mais Franko a aussi poursuivi une carrière de danseur et de chorégraphe, d’abord (1964-1969) dans le cadre du Studio for Dance, à New York, un bastion précoce de la danse post-moderne auquel il a consacré un livre, Excursion for Miracles: Paul Sanasardo, Donya Feuer, and Studio for Dance. Avec sa propre compagnie, NovAntiqua, fondée en 1985, il a travaillé le répertoire classique autant que la restitution des danses du Bauhaus par exemple. Son œuvre de chorégraphe a obtenu le soutien du National Endowment for the Arts, the Harkness Foundation for Dance, the Getty Research Center for the History of Art and the Humanities, the Zellerbach Family Fund and the New Jersey State Council on the Arts. NovAntiqua s'est produite au J. Paul Getty Museum (Malibu), au Berlin Werkstatt Festival, à la de la Torre Bueno Award Ceremony (Lincoln Center, New York), au Mueée d'Art de Toulon, à l'Opéra de Montpellier,au Lincoln Center Out-of-Doors Festival, aux Princeton University Theater and Dance Series, au Haggerty Art Museum (Milwaukee), et le ODC Theatre San Francisco.

[EN] Mark Franko is an internationally renowned dance historian. He has renewed our understanding of Baroque dance as much as of twentieth-century performance and choreography, whose relations with the political field and the constitution of collectives he has studied in particular. Since Dancing Modernism/Performing Politics in 1995, he has published Dance as Text: Ideologies of the Baroque Body, translated into French by Éditions de l'Éclat as La danse comme texte: Idéologies du corps baroque; The Dancing Body in Renaissance Choreography: Kinetic Theatricality and Social Interaction (2022); The Work of Dance: Labour, Movement and Identity in the 1930s (2002); Martha Graham in Love and War: The Life in the Work(2012 )and, in 2020, The Fascist Turn in the Dance of Serge Lifar: Interwar French Ballet and the German Occupation. He is also the co-editor of Acting on the Past: Historical Performance Across the Disciplines (2000). In 2018, an anthology of his writings was published by Routledge: Choreographing Discourses: A Mark Franko Reader, which brings together the many articles he has published in Discourse, PMLA, The Drama Review, Res: Anthropology and Aesthetics, Theatre Journal... Mark Franko is Professor of Dance and Chair of the Department of Theatre Arts at the University of California, Santa Cruz. But Franko has also pursued a career as a dancer and choreographer, first (1964-1969) with New York's Studio for Dance, an early bastion of post-modern dance to which he dedicated a book, Excursion for Miracles: Paul Sanasardo, Donya Feuer, and Studio for Dance. With his own company, NovAntiqua, founded in 1985, he has worked on the classical repertoire as well as the restitution of Bauhaus dances, for example. His choreographic work has been supported by the National Endowment for the Arts, the Harkness Foundation for Dance, the Getty Research Center for the History of Art and the Humanities, the Zellerbach Family Fund and the New Jersey State Council on the Arts. NovAntiqua has appeared at the J. Paul Getty Museum (Malibu), the Berlin Werkstatt Festival, the de la Torre Bueno Award Ceremony (Lincoln Center, New York), France's Toulon Art Museum, the Montpellier Opera, Lincoln Center Out-of-Doors Festival, the Princeton University Theater and Dance Series, the Haggerty Art Museum (Milwaukee), and ODC Theatre San Francisco.

Programmation et prochains rendez-vous sur ce site ou par abonnement à la newsletter : [email protected]

Pour regarder les séminaires antérieurs : http://www.vimeo.com/sysk/

Séminaire conçu et organisé par Patricia Falguières, Elisabeth Lebovici et Natasa Petresin-Bachelez et soutenu par la Fundación Almine y Bernard Ruiz-Picasso para el Arte

#something you should know #sysk #artist #producer #ehess #mark franko

[demoura]

DIA 21 DE ABRIL DE 2024: NA CULTURGEST “ NA MEDIDA DO IMPOSSÍVEL “DE TIAGO RODRIGUES UM PORTUGUÊS PODEROSO NO TEATRO EUROPEU :

Dans la mésure de l'impossible estreou em Genebra em 2022. As apresentações no Culturgest concluem uma tournée de dois anos que levou o espectáculo a teatros e festivais em todo o mundo como Avignon e Edimburgo . Podemos dar-nos por felizes . O mesmo não sucedeu com « Catarina ou a Beleza de Matar Fascistas « que esteve agora em Berlim mas em Portugal no ano dos 50 anos do 25 de Abril os portugueses terão de se contentar com o lançamento com (e a compra do livro.) …Eu admirador e actor de Tiago Rodrigues em By Heart não. Ontem o auditório estava esgotado de um público predisposto . Criado a partir de entrevistas com pessoas que trabalham no Comitê Internacional da Cruz Vermelha e dos Médicos Sem Fronteiras, o espectáculo recupera a experiência dos profissionais humanitários para falar sobre as condições extremas em que trabalham diariamente: Como gerir um campo de refugiados? Como lidar com escolhas de vida ou morte? Como se continua quando se sabe que não se vai mudar o mundo? Longe do nosso universo, onde as coisas são possíveis, os personagens falam do “impossível”, onde a guerra, a fome e a violência destroem o futuro e a própria vida. Sem cair no sentimento ou na moral, é a experiência diária e íntima daqueles que recusam o título de 'herói' que está no centro deste teatro.Numa representação íntimista multilíngue, com música ao vivo , Rodrigues criou uma peça de teatro de estilo documentário , tocante .Gabriel Ferrandini toca bateria e alguns outros instrumentos de percussão com grande habilidade, velocidade e precisão, e o espetáculo faz grande uso de suas habilidades. Está na moda . Não tenho certeza, no entanto, do quanto as longas seções instrumentais juntam ao desempenho geral, exceto talvez para imitar de alguma forma os sons implacáveis da artilharia numa zona de guerra. Belo o cenário da tenda , e xcelentes as luzes e os desempenhos com destaque para Beatriz Brás . Mas eu queria mais …. Classificação 4/5

Encenação e texto :Tiago Rodrigues

Interpretação :Adrien Barazzone, Beatriz Brás, Baptiste Coustenoble, Natacha Koutchoumov

Música ao vivo :Gabriel Ferrandini

Tradução:Thomas Resendes

Cenografia:Laurent Junod, Wendy Tokuoka, Laura Fleury

Composição musical:Gabriel Ferrandini

Luz:Rui Monteiro

Som:Pedro Costa

Colaboração artística, fantasias:Magda Bizarro

Diretor assistente:Lisa Como

Produção:Comédia de Genebra

Coprodução:Teatro Nacional D. Maria II – Lisboa, Odéon-Théâtre de l'Europe, Piccolo Teatro – Milão, Équinoxe – Scène nationale de Châteauroux, CSS Teatro stabile di innovazione del FVG – Udine, Festival d'Automne à Paris, Théâtre national de Bretagne – Rennes, Maillon – Théâtre de Strasbourg scène européenne, CDN Orléans / Centre-Val de Loire, La Coursive – scène nationale de La Rochelle

Colaboração

Internacional da Cruz Vermelha, Médicos sem Fronteiras

[audiophil]

#hamlet #harriet smithson #hector berlioz

[lonesomemao]

POUTINE C'EST LE MONDE PERDU

Paris

Odéon

Théâtre de l'Europe

To be or not to be

Hamlet œuf qui se lézarde

On a le respect pour une oviparité

Et mouvement du 22 mars

En reptile de France

Terre nous sommes l'espérance

Samedi 16 mars 2024

[lastmanstandin]

🇫🇷Ah~~Paris...(Odéon Station) 11/December/2023

#ilovelove