Now that TMA is trending and we’re all collectively talking about archives again, I feel like it’s a good time to mention that the last time I went in for an interview to work as an assistant archivist, I tripped on my own shoelace midway through the workplace tour and nearly spilled a box full of literal human bones.
I still somehow got the job.
I don’t quite know what my point is here. Follow your dreams, I suppose? Archives are genuinely just Like That, although maybe mine is just weird? Either way, if I can manage to fuck things up almost irreparably during a first impression and still come out of it relatively unscathed, you can DEFINITELY do whatever you put your mind to. Just try not to spill too many sharpie-labeled boxes of human remains on the way there.
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(sfw concept but my blog is 18+ so minors dni)
nancy loves dressing u up like her pretty little doll!! every morning she takes the time to lay out an outfit for you, it's gotta b at least a little coordinated with her own, and she always goes through like a million options and u just sit patiently while she holds up like every shirt u own and is like "hmm, maybe this one today baby? with the cardigan? don't want my baby getting cold."
after she's picked out your outfit, she starts taking care of her own little routine (and by little I mean she takes like, an hour to get ready) and you sit n watch her n kick ur feet and twirl ur hair as u watch her do her own hair and then finally nancy makes u sit in front of her so she can do your hair
and the whole time she's telling you about what you're going to do today and telling you how pretty you are and and and
"you look so cute in that new shirt i got you, sweet girl."
"you gotta sit still for me a little longer, i'm almost done."
"aw did I pull your hair too hard? mhmm, then whyd you moan?"
"i said sit. still."
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Hey! I saw throughout some of your tags that you got to see both Macbeth and The Enfield Haunting! (to which I'm insanely jealous, please hand over your memories to me at your earliest convenience!) What did you think of them??
Oh hi!!
The Enfield Haunting was enjoyable. Reviews for it have been overly harsh, for the most part, and I think part of that might be the genre bias horror often faces. The dialogue is clunky, particularly in the beginning, but I can say it's a fun show if you're a Conjuring, Enfield Poltergeist, or general haunted history fan. It presents the supernatural influence vs troubled children aspect in a balanced way, as is necessary for this plot. It also builds tension rather effectively once it gets going, while letting Catherine punctuate it with moments of lightness and her usual impeccable timing. There are some really good parts where a theme seemed to come together of this overwhelmed woman dealing with a rotating cycle of overbearing men (invasive investigators, infatuated neighbor, disrespectful ex-husband, and the poltergeist, of course) making nuisances of themselves in her home while she's just trying to push through each day without losing herself or her children to their collective unhappiness. If the theme had carried through more cohesively, it would have been a strong play. Unfortunately, I was left yearning for a bit more of that story, as it gets messy and lost maybe two thirds of the way though when the focus shifts to the investigator. But mainly, Catherine is so, so talented. She carries the whole thing on her back, with some help from the young actress who plays a very creepy Janet. It's hard to take your eyes off of her as Peggy, even when she's harried and anxious or reacting in furious silence to the action happening on the other side of the stage. She just... draws your gaze. And when she steels her spine to stand up for her family and her space, she's positively luminous. Plus there's an unexpected delight in a couple of scenes where Catherine sings Only Wanna Be With You--very sweetly, just a bar or two--and my heart felt like it was going to fucking burst. Hello, her voice... I need her to do another musical, preferably one we get a soundtrack to.
And she's so kind at the stage door. It was a two show day and she had a con the next morning but she still took the time to speak to every single person that was waiting there.
__
Macbeth, I wasn't carrying even the slightest hope of seeing but then I was able to get a standing ticket in my cart while on the flight there (though I had to let it go) and realized my years of stalking concert presales were about to come in handy. Ironically, my partner was the one who did snag the tickets two days later. I... actually ended up with a first row seat, though she was in the standing section. But that's just me rambling about the process because I still can't believe it worked out the way it did.
I'm not even sure what to say about the show itself. The whole cast is phenomenal. The production is conceptually very cool. The audio tricks they play with the witches--via a headset for each audience member and the eerie sense of movement and foreboding conveyed by bilateral audio--plus the starkness of the empty white stage and simple dark costuming just work. The contrast of the blood when David is centerstage, distressed and panting as he washes it away, feels poignant rather than pretentious. He's captivating the whole way through, but especially then, when he temporarily strips away the ambition along with his stained clothes to reveal the broken and guilty thing underneath. There's nothing like how DT delivers Shakespeare--the meaning flows out of him as naturally as the words themselves and it's incredibly approachable without losing any of its gravitas. The dynamic between the leads is atypical in a really lovely way. David's Macbeth and Cush's Lady Macbeth come across more like codependent partners and ruthless accomplices than a greedy but hesitant royal and his calculating wife egging him on. He looks to her for support rather than a push to kill Duncan, and the adoration between them is palpable, even as they each deteriorate in their own ways. I walked out of this show feeling so deeply affected, it was like a religious experience.
(Macbeth also feels very gender, which shouldn't be a surprise to anyone who's a fan of DT's Benedict, though this is obviously in a very different way. As does Malcolm, played by Ros Watt--who's non-binary--and Ross, played by Moyo Akandé. I adore the whole cast, honestly.)
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me and my lecture on the importance of local newspapers even if you think that they're nothing but obits and coupons because the journalists and the editors are part of the community they report on and so have a vested interest in what's happening:
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