#plus there's the hostesses and the reapers (i've done most of those tho) and some substories i missed

[nyxqueenofshadows]

yakuza 3 (sort of) done! thoughts under the cut cos they got quite long. they're a lot more coherent than my kiwami 2 ones cos i made them along the way rather than in a feverish mess at the end, though ofc they contain spoilers for 3 and ig gaiden??

overall thoughts, it's messy and weird and makes some Choices, but it's not a bad game, and the people who write it off as being shit are, imho, wrong. once i got into it i liked it, it introduced some great characters, had some really fun moments, and i'm gonna miss the morning glory kids (yes even riona).

if you're looking at this like when did you change the difficulty??? the bit where you have to run away from the police at millenium tower, fuck that bit so hard, none of the other chases gave me trouble but that one ughhhhh

also i neglected haruka i'm sorry

the combat is harder and more tedious, and i can see why it puts people off, but i find pulling off the combos and counters way more satisfying as a result. like, i tiger dropped lau ka long to finish that fight and it felt *so* good, way more than ending fights with heat actions or whatever has done in previous games. having said that the blocking oh jesus christ the BLOCKING

it’s the place we get the most on kashiwagi pre-y0 especially kiryu’s opinion of him (including the iconic lines about reimen) so you can’t knock it for that.

rikiya buddy i love you but wtf was that substory with natsumi. actually why is he suddenly a dick in all of his side content???? (i know he’s confrontational and that’s just how he is but idk, smth about how he is in the side content feels different). he’s rude to utabori to his face (despite kiryu repeatedly telling him not to), when he meets natsumi again he’s like yo i kept this necklace why are you in tokyo you don’t fit in here come back to okinawa with me, like ????? she clearly has a life she’s built up there (not a good one, i don’t think, but still) and they might have known each other when they were kids but we never get her side of the story on that, only rikiya’s. idk. it’s one of the first things he says to her, that’s a neon red flag if ever i’ve seen one.

also also during that entire scene in asia, kiryu watches rikiya’s reaction to the dancing the *entire* time. is that a bug of how conversations work or was that a deliberate choice or what

MACK buddy why aren't you in this game more

we had a second majima-no-nii-san! from hamazaki of all people! tho having said that i think he was being sardonic. like, he never says it again, and is generally kind of like that. he’ll use polite forms but he’s never being *polite*. lowkey obsessed with his hand on majima’s shoulder in that scene and what it says about his character and their relationship up to that point and how majima has ended up in this kind of position *again*. kiryu leaving - as it always does - fucked so many people over it’s not even funny.

some of the translations bother me. as an english script it’s for the most part pretty coherent and works well enough on its own, but in combination with the japanese it sometimes deviates in ways that change character moments or even just feel weird. like the addition of the puns in the seven mysteries substories is fun, very ace attorney, but sometimes it feels like they step too far (‘getting tight in your britches!’ for ビビった like ???? even ignoring the japanese what is that supposed to meannnnn)

specific moments i was thinking of were the really early line where taichi is like 晩ごはんまだぁ？ and they add in an unnecessary ‘i thought curry was supposed to be easy!’ in the english which then undermines later when they all sit down to eat and are like カレーだ！ like they didn’t actually know what was for dinner. another one is when kiryu leaves rikiya behind in okinawa and tells haruka that he can’t let him come (in various ways, three times). in the english they shake it up a bit by adding ‘it’s my burden to bear’ WHICH i’ll fully admit flows better and is a very kiryu thing to say but i think it shifts the tone of that scene from worry to responsibility? in a way that doesn’t feel quite right in context of the story as a whole. last one where mine calls kiryu a coward when he’s leaving after showing whatever was left of kanda in that box. again, it flows better and lines up with kiryu’s behaviour in later games but doesn’t feel quite right and i think it changes the point mine was trying to make there. there's also the minefield about how mine expresses his feelings about daigo right at the end. BUT i’m a learner this isn’t my job what do i know. they worked hard and faults aside it’s a fun read and they also had to deal with that fuck-awful section of exposition from the politician so no blame here. it’s not like the other games don’t have this, it just feels especially weird in this one to me.

i loved the little wrestling bit. it’s not perfect but it has the kind of heart and good intentions that makes those sections (and yakuza 3 as a whole) really enjoyable for me.

objectively very funny that the text you get congratulating you on all the revelations is from kaoru, and that she’s like hey your blog was very funny, go see my friend bob utsunomiya for your reward. i know it’s mostly game mechanics to make it make sense but is it not the funniest thing to imagine a. that kaoru knows a bob utsunomiya (how did they meet??? why???) and b. that on her breaks between Mystery Police Stuff she’s refreshing kiryu’s blog like what dumb shit is this idiot up to now asdfghjkl tbf his blog can’t be hard to find, it’s literally ‘day in the life of the dragon of dojima’ it’s a miracle he gets anything done ever with how bad he is at being on the downlow

standing on the morning glory beach, especially in the evening/at night and looking up at the sky while listening to the waves roll in is so calming, the first time i got to do it i stayed there for like ten minutes just chilling

some of the animation is genuinely really really good, like saki’s eyes shaking in fear or kiryu’s cheek twitch when he finds out about morning glory, or mine on finding out daigo's alive. idk how much is the work of the remaster and how much was originally there but i really like it

the last three chapters are such whiplash cos it’s like sad, sad, very sad, bulls! sad, very very sad, sad, jet! thumbs up! sad, sad, ANGRY, there is no change in the plan, sad, sad, on the roof, sad, sad, MACHO, things are gonna be fine! oh wait sad sa- please mr richardson they’re trying to have a moment -d sad sad surprise! murder! surprise! alive! done. you know?

idk if i was just hormonal or emotional but saki calling out to nakahara really got to me for some reason. her first word after years of silence was ‘dad’, and that hit me in a way i wasn’t expecting even tho i knew it was coming.

show us the akimoto/mizuki kiss, cowards

that last section was really fun to play for me (aside from that first little bit going up the first couple of floors of the hospital), the music’s great, the combat had (mostly) good pacing, the fights felt challenging in a good way, yeah i was all for it! reinforced for me how much i like mine as a character and wish we’d got to see more of him (but hey, look, if andre richardson survived the fall...?). like, the moment he realises daigo is still alive - and that he was about to kill the man he love- ahem sorry admired, so much - is seared into my brain.

#text #me #ryu ga gotoku #yakuza 3 #probably my lowest completion percentage on finishing the main story in an rgg game #but i've honestly not done a whole lot of the side content so that makes sense #i've not done any coliseum matches at all #plus there's the hostesses and the reapers (i've done most of those tho) and some substories i missed #am i doing all of that no absolutely not #but i won't be moving onto 4 for a bit yet #also sorry the picture isn't straight that's just how it is #not queued