Are there any fic ideas that you'd want to see but don't want to write?
Oh boy! Of course!
To be honest, the Green Lantern story is one of the big ones lmfao. It would be a massive undertaking for an audience of maybe five people. A niche audience normally doesn't stop me, but for such a long story, there's other uses of my time. There is also the fact that it just feels made for television. Same with my Legion of Superheroes Zoobomafoo thing - it just doesn't feel right in a text format. It's webcomic coded. I wish I could draw sometimes!
Then there's the story ideas for my AUs and other fandoms I've moved on from. There's still a few ideas for the No Chip AU in my back pocket (Cody redemption feat. Boba Fett following him around Tatooine yelling at him; Fox as the vigilante sidekick to his insane PA) and my normal Roleswap (Luke & Leia embark on a Great Father Mystery Hunt and bother Fox in the woods). There's also the continuation stories/sequels I've started but haven't finished and don't know if they will get finished (Roleswap Obi-Wan meets his birth family; my Buffy fic Angel and Cordelia through the years). There's other unfinished stories there (the Frenchie story which is literally only missing the final scene, the Heroes For Hire meeting story which is literally only missing the final scene) which I'm pretty sure I'll finish when I feel like it. I don't consider those WIPs so much as 'when I care again I'll go finish them'.
Then there's the stories that I just couldn't make into a decent story (the Naruto fix-it; the roleswap(ish?) story with adult bounty hunters Boba and Omega teaching runaway clones Luke and Leia the power of family and incredible violence). Not every idea is good outside of concept lol.
TL;DR: If I have a fic idea but haven't written it, it's because of one or more reasons: a) the idea itself is too big, b) the idea just doesn't seem right for fic, c) I've moved on from the fandom and don't want to work on it at this moment anymore, d) it just wouldn't make a good story.
If you notice, these are all active choices on my part. I only mention this because a lot of my friends can't relate, so I don't know how common it is even though I assumed it was common, and it's kind of hard to describe: there's no barrier between me having an idea and writing it. Does that make sense? If I have an idea and it'll make a good story and I want to write it I'll write it, at least until I realize that it wouldn't make a good story and I scrap it. If I think about something for too long I write it [this is why I am easily egged on][this is also why I write things I swore never to write very frequently].
Writing is like. It's easy. You just write stuff. You just think something and then you write it. It's uncomplicated.
If it's bad. Writing is easy if what you're writing is bad. It's easy to write 100k if the 100k is bad. There's a ton of shortcuts you can take, which are really useful for beginning writers and was really useful for me a few years ago. I can describe those if you'd like. It's much, much, much harder to write something good. It's hardest when you need something to be good. Writing a good 100k is really hard. I am constantly telling people not to jump into the novels kjlsdf.
Double TL;DR that has nothing to do with the topic: You can write whatever you want if you're okay with it being bad. Making bad art rocks and is a lot of fun and completely necessary towards my emotional well-being. I highly recommend it.
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I am sooo close to falling headfirst into a new special interest with the works of Stanislaw Lem, especially the short story collection Star Diaries around the spacefaring adventurer Ijon Tichy. I fucking love the Washing Machine Tragedy, I just finished The Futurological Congress and bought a physical copy of the rest of the stories.
But what if those stories are bad? What if I don't like them? What if I don't have the mental capacity to finish them? What if they have bad political opinions about 60s and 70s era Poland my uneducated ass doesn't get? What if Lem is a "bad" author the likes of JKR and I'm telling on myself by liking him? Well, he's dead, so at least there's that.
Wow, my mental health is in great shape these days.
Dear tumblr, do you know Stanislaw Lem? The Star Diaries? Solaris? What's your opinion?
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bonerattle arena fucks severely. i was not expecting it to rival my love for jammin' salmon junction, but wow. this map feels like a love letter to people who love and enjoy salmon run. (i ended up playing the rotation for around 3.5 hours... which you can watch here if you like!)
the map's circular shape on normal/high tide effectively makes the spawns from this map come from every angle. it's a test of awareness and movement skill- and the walls + inkrails really, really make rotating around the map feel so fluid and easy.
and low tide's hexagonal two-ring design is so fascinating too! instead of testing movement, it tests your team's ability to make judgment calls on luring and making sure you don't overwhelm basket from luring too much.
i also feel that every special in salmon feels really rewarding to use on this map- even reefslider! i've played enough to see that most specials bring so much utility and value, and i just love that no special feels like it's "useless" on this map.
there's also a few flyfish tech on this map that echoes the bomb tricks on jammin' salmon junction and spawning grounds (and i guess gone fission too), it feels really intuitive on what spots can pop two baskets at once (it's the grates and the rails) and i just? feel really rewarded for playing as much salmon as i do.
i feel that the map's inclusion of the ink rail mechanic evokes a lot of similar vibes to ruins of ark polaris- and i really liked that! there's definitely some things i want to fine tune and understand better about them, but they're really fun.
i still need to see how other weapons feel on this map, but it feels like both mobile and stationary weapons can exceed here- there's nice perches for long range weapons, lots of walls for quick weapons to use to escape situations... it's so swag...! a very good final map, i think!
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I’ve gotten a WAVE of asks about this AU, so I decided to flesh it out some more and answer some of those questions!
I’ll probably polish this extended summary up at some point and submit it to AO3. But for now, here’s a rundown of my thoughts–please feel free to send more questions! I’ll update this post if I get any more. But if you’re someone who wanted to write fic for it, don’t worry, you don’t need to take my headcanons as gospel. It’s a pretty basic AU honestly lol
Summary:
The portal accident results in a violent explosion that wipes out the whole block, and condemns all of Amity Park. Danny haunts the city for 100 years, before Sam and Tucker find him.
Setup:
In the 1920’s, 19-year-old Danny went into the incomplete portal on his own, hoping to help out his parents. Ripping the portal open through unnatural means created a huge burst of energy that resulted in a massive explosion. A good portion of the Amity Park population died, many were injured, and the ones on the fringes relocated–Amity was quickly deemed too dangerous due to the excess ectoplasm in the area that attracted ghosts.
While the disaster was in Amity, the fallout was seen around the globe. Before, natural portals were rare, short-lived, and rarely allowed ghosts to fully slip into our realm (the most severe cases being on par with poltergeists that most people didn’t believe in). Now, natural portals pop open frequently around the world, large enough to allow the entirety of a ghost into the physical plane. They’re more common the closer you get to Amity, but they happen enough elsewhere that this change was something of a small apocalypse before people settled back down and found out how to combat at least some of their new, permanent neighbors.
Danny is unaware that he’s only half-dead, believing he’s a full ghost. He ends up sticking around Amity, unintentionally making it his haunt. His grief and guilt over causing the death of his loved ones (and many others) makes him isolate and avoid human contact. Though he has, at times, scared nosy people away from the city in a mix of territorial instinct–and to get them to leave before a less friendly ghost finds them.
Ghosts are much more of an uncontested danger in this AU. Lesser ghosts are practically mindless, and while stronger ghosts are capable of reason, their interests are limited. They’re highly territorial, possessive, and often destructive. Most worrisome is that they also like to snack on the life force of anything alive. No one is sure what dictates a ghost’s propensity to attack or hunt the living for their life force since ghosts don’t exactly experience hunger. At least, not the way we do. If a human is rescued before their life force is fully drained, they can make a full recovery–though humanity has still not yet found what this “life force" is.
And since the Fentons’ research died along with them, there aren’t many tools available to the public to protect them from ghosts. Most homes have standard ghost shields and some weapons are available on the market, but certified ghost hunters are required to take care of anything more powerful than your average spook.
Sam and Tucker met in high school, and are now rooming together for college very close to the Amity border. Rent is surprisingly cheap when you’re a stone’s throw away from a condemned area crawling with ghosts. Sam is the one who drags Tucker along with her fascination over finding out more about the city, and its largely mysterious demise. Sam is aware of the danger, but feels ghosts have a place in this world just like everything else, and does exercise caution–like one would while foraging in the woods with a known tiger population.
What she and Tucker weren’t expecting was to run into a ghost that felt almost human. One that hasn't hurt them, not for lack of trying–while being powerful enough to walk past ghost shields without so much as a flinch. The long white hair is familiar in the whispers of the ectobiologist community, but there’s no way it could be the rumored ghost king Phantom, right?
About Danny:
He has very long hair, claws, and black sclera. His hazmat suit is more torn and ragged, with exposed hands and feet that fade into a burnt black.
His hair tends to float a lot on its own. It can start morphing into fire under duress.
He does still technically have gloves and boots, they've just charred and melted into his skin towards the ends. He can't take them off in his ghost form. His hands and feet have a leathery texture that's tougher than the rest of his skin.
The white of his hazmat suit is both supposed to look like flames, and also a battered look representing his more violent, explosive death.
Overall, he appears rather listless and sad, with an unnerving air of danger around him–even for a ghost.
Danny’s “ghost sense” comes out as white smoke.
He does breathe black smoke at times, usually when agitated.
He's already fought and defeated Pariah Dark by the time Sam and Tucker find him, technically making him the Ghost King. This is heavily speculated by ghost experts, despite there being no real proof beyond a massive battle that scarred Illinois. He has not donned the Ring or the Crown, and captured sentient ghosts are hesitant to answer questions surrounding him. Danny basically has the throne but doesn’t do anything with it, and finds it meaningless enough to routinely forget he has the title. He only fought Pariah because he knew otherwise, humanity would have perished. A lot of ghosts are scared of him because he's so hard to figure out, and he's strong.
Danny is usually very quiet and speaks softly, because his lungs were damaged in the blaze that half-killed him. He's technically healed since becoming a ghost, so it's more of a compulsion due to the traumatic memory. That, and he’s just… very forlorn and distant, shy around humans who don’t seem to understand how dangerous it is to keep hanging around him.
His memories pre-accident are extremely fuzzy. He knows the very basics of who he was, but specifics have been muffled due to trauma and isolation. He routinely forgets human habits, etiquette, etc. and tends to act more like a full ghost with some odd quirks.
He does try to scare Sam and Tucker off numerous times. Unfortunately for him, they realized they shouldn't have been able to escape a ghost that strong–but they did, because he let them.
Sam and Tucker think he's mute at first! He doesn't speak a word to them until several encounters later, when he fumbles his whole scary act and saves them from another ghost.
He’s still half-ghost, though he doesn’t figure this out until Sam and Tucker come along trying to unravel the mysteries behind the Amity catastrophe. Physically and emotionally, he’s been stuck for 100 years–so his human form is still 19. It’s unclear at this point if he can age normally like a human as long as he stays in human form, or if he’s immortal.
Danny's family did not turn into ghosts, though he sometimes worries he'll find them in the afterlife as shells of their former selves. He doesn't know if it's better or worse that he's not sure he'd recognize them.
(Danny also still has some living family. Take a guess.)
Yes, he knows how to Wail. Understandably, he very rarely uses it. You do not want to witness this.
Danny :) is not immune :) from the allure of eating a human's life force :)))
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The Weeknd - Blinding Lights
2019
"Blinding Lights" is a song by Canadian singer-songwriter the Weeknd, from his fourth studio album, After Hours. The song was released as the album's second single. The Weeknd wrote the song with Max Martin, Oscar Holter, Belly, and DaHeala; the former three producing the song. It is a synth-pop, new wave, synthwave, and electropop track, which lyrically addresses the importance of a partner, and the desire to see someone at night.
"Blinding Lights" was praised by music journalists upon release, many noting its callback to the music of the 1980s, and its aesthetic. The song was a commercial success, topping the record charts in over 40 countries, including his native Canada, making it his most successful single to date. In the US, "Blinding Lights" topped the Billboard Hot 100 for four non-consecutive weeks, becoming his fifth number one in the country, and became the song with the most weeks spent in the top five and top ten, becoming the first song to hold a spot in the top ten for an entire year. It became the chart's longest-charting song for a short period of time, remaining on it for a total of 90 weeks, and was named as the chart's best-performing song of all time on November 23, 2021. It was also the best-selling global single of 2020, and became Spotify's most streamed song, and the first song to surpass 4 billion streams.
From its scale-laddering verses to its tension-filled chorus, the song exhibits the polish and "melodic math" for which Max Martin is renowned, according to Chris Molanphy from Slate. The Dorian structure provides a dreamy and euphoric nature to the song while still ultimately resolving to a minor chord. "Blinding Lights" also became Max Martin's 23rd Hot 100 number one single as a writer and 21st as producer.
"Blinding Lights" received a total of 87,8% yes votes!
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