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#reminiscing on old episodes with the boys... this one's always vivid in my mind
chickpeamcb · 8 months
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lady & peebles
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‘The Art of the Reboot: Why I like Roswell: New Mexico’
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In a word: Ugh.
 It was like everywhere I turned, there they were. Remakes. Reboots. Reimaginings.
 Hollywood just could not let it go. I got it. Nostalgia could be a hell of a drug. However…was nothing sacred. Nostalgia was that for a reason. A nice memory from when you were a kid. That time when things were simpler. It was fun. It was vivid with delights. So no one wants such a thing tainted.
 “So when are you watching it?”
 What was the show this time? Charmed. After such a success with superhero shows, The CW was branching out into reboots of old TV shows like Roswell and Charmed. Charmed was a show about three sisters who were part of a long line of witches. It ran on the defunct WB network from 1998-2006 and starred Shannen Doherty, Holly Marie Combs, Alyssa Milano, and (later on) Rose McGowan. All actresses that I liked.
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 Great memories were attached to that show. My sister, brother, mother, me, and my nieces and nephew could be counted on to be around the television watching it. I still remembered how my sister loved how fierce the Halliwell sisters dressed. And who did not want to have Prue’s power to move things with your mind…or Piper’s power to freeze…or angst over Phoebe getting a love life. Yeah, good times.
 “I don’t know,” I replied to the question. “I don’t even really want to watch it. Maybe a hatewatch.”
 Hatewatch. When you watched a show because you disliked it so much that you sat there and nitpicked it to death. Something I felt that I would do to Charmed. I just did not see a reason to bring it back.
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 That was the same way I felt about the news of Roswell, New Mexico. Old School Roswell was on the WB (and later on UPN) as well, running from 1999 to 2002. I was a late starter to it, drawn in by the potential sci-fi, but who didn’t love the relationship between main alien Max and human teenager Liz or the sparring between alien Michael and feisty Maria? Yeah, I admit that I was curious to see how it would do. I did not have much faith in it. Perhaps just another hate-watch.
 I was wrong. 
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 So What Makes It Work: Plot and Character on Roswell New Mexico
 What makes a good reboot?
 Well for one, it could not be a retrace of what came before. Been there, done that. Have the T-shirt. Who would want to see that AGAIN when you already did it? Also like a sequel to a successful movie, most times one cannot beat out the original.
 For another, a good reboot also respected what came before as well as attempted to do something new with the source material which began as a book series by Melinda Metz. A good reboot was a balancing act, a case for nostalgia while being fresh.
 And coming away from the first season of Roswell, New Mexico…it was.
 Old School Roswell was about the idea that aliens were among us and trying to fit in while they explored their origins. They were always in fear of being discovered. At the same time, they could not help, but feel ‘other.’ Into this main alien Max Evans and human Liz Parker fell in love.
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 New School Roswell was respectful to that with a twist…Max and Liz (as well as their friends) were all aged up a decade into adulthood versus the high school years of the original. And just like Old School Max pined for Liz, this version of Max had pined for Liz since they were kids. Both Lizs discovered the truth about Max and aliens after being healed by Max. 
Another change that Roswell, New Mexico made…Liz taking back her name. Ortecho. In the books, Liz was of Mexican descent. In the WB/UPN show, Liz was played more like the typical smart teenager. In the reboot, the show never shied away from the fact Liz was of Mexican descent. It explored that fact and how it impacted her in the United States now. Given current events, that made Liz’s family life…her world…EXTREMELY relevant. And most importantly relatable.
 Max feeling his otherness. Liz feeling her otherness. Quite a match. That wrote itself. And the closer they got to each other, the more they (and the viewers) learned about them.
 Anyone who knew me or read my books (https://www.amazon.com/LaTorre-Mays/e/B00E0LUID4) knew that I loved duality. Quite a few characters on Roswell, New Mexico had that. Kyle had gone from typical jock hothead to compassionate doctor. Alien Michael liked to be bad cowboy playboy with the swagger to match to heart on his sleeves guy who loved one guy when he was not projecting an image. Even memories of Liz remembering her sister Rosa (something else different from the WB Roswell) revealed there was more to her sister than meets the eye.
 Speaking of Rosa, the reboot kept something else that the original show had. Mystery mixed with some sci-fi and romance was the plot of the original show. Who was the fourth alien? Why were Max, Michael, and Isobel brought here? What had happened on their old planet? Who were the Skins?
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 Roswell, New Mexico continued that plot tradition, but again did its own thing. The Season 1 mystery had to do with the events surrounding Rosa’s death. Was it an accident? If it was not (spoiler alert…it wasn’t) what happened? Who killed Rosa and why? On top of that…who was Rosa really? Good girl? Bad girl with toxic baggage? A misunderstood girl with a bag of secrets not her own? Not only that who was the murderer? The mystery surrounding her death built over Season 1’s 13 episodes. Even better, just when you thought you knew something, something else was revealed or was turned what was known on its ear. Like an onion, a fan pulled back its surface only to find more surface. Layers. Season 2 took the mystery idea a step farther by having Max, Isobel, and Michael dive into their alien origins, specifically what had happened to their parents and how that involved human ally (and one of Michael’s love interest) Alex’s family the Manes. That mystery as well, while slower than Season 1’s plot arc, revealed itself to also be an onion. Again…Layers.
 But speaking of Alex, there was another thing Roswell, New Mexico also pulled out some originality on, but honored the original series.
 The relationships.
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 What Keeps It Working: Relationships on Roswell, New Mexico
 So what were you? A Stargrazer? Or maybe a Dreamer? Perhaps you were more for M&M aka Candy?
 Old Roswell had its shippers before anyone knew what a shipper was. Shipper = people who loved a couple, worshipped them, and lived for every moment between those characters. Whether you loved the destiny pairing of Max/Liz, the Bickerson-ness of Maria/Michael, or the ‘opposite attracts’ aspect of Isobel/Alex, there were quite a few to choose from. And those could help in the case of bad writing, something that people debatably said about Season 2 and definitely said about Season 3.
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 And what ships they were. Even the reboot series did the now famous scene (also in the book as well) of Liz being shot and Max healing her. The scene of her pointing up to the scene after Max explained where he was from. The various scenes of Maria and Michael arguing, but that fire always bringing them together whether it was him watching her dance at the start of Season 2 or them dancing at the senior prom after a misunderstanding. Or who could forget the time when Alex stripped at Isobel’s birthday party to impress the popular girl…and of course the comedy that ensued?
 In a word…relatable.
 On Roswell, New Mexico….well, the saying was true. The more things change…
 And boy did it change! By aging up the characters, the show stepped away from the old typical high school dramas. Good news with the change? It allowed for deeper subject matter and relevant subject matter for today’s work. Illegal immigrants. Bisexuality. Identity.
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 But again…not too different. Hehe!!! The Liz of the Roswell Reboot was the child of illegal immigrants. That opened up for a new audience to see a whole different culture. It also showed the problems with being one. Meanwhile, the Max of the Roswell reboot was a sheriff with a darker edge to him. A Liz who constantly proving that she could save herself. A Max who may be a savior, but was not above being a little more selfish. Watching the two of them come together slowly was interesting to watch and reminiscent of old school Max and Liz. More so since this Max also had a crush on Liz.
  Not only did they have their differences to deal with, but a mystery involving the death of Rosa which of course involved the aliens somehow. The who, what, why of the death was the driving force of the first season, but Max and Liz (ship name Echo) was the heart of it. And in Season Two, the drama for their relationship was wisely focused on them. If the drama for the relationship in the first season was external, season two focused on how their differences could be a problem and thus, internal.
 Speaking of identity, one cannot talk about Roswell, New Mexico without talking about Michael Guerin…and Alex.
 While Isobel dealt with some identity issues that touched on assault, abortion, and self-exploration, Michael was in a league of his own. While Michael in the old Roswell was a hothead with not much drive searching for his place in the world, Michael of Roswell, New Mexico…was actually the same. However, part of the reason Michael did not have a drive was that he was busy playing cover-up behind Rosa’s death with Max and Isobel. And the other reason became very clear when he laid eyes on Alex Manes after years. Lost love was usually that way.
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 Yes. On the new reboot, Michael and Alex had a lost love from when they were teenagers. And seeing each other again brought that all back. Shame since Alex’s father was anti-alien and homophobic. So viewers got to watch them deal with their issues. From how tragic things ended when they were kids. From dealing with the issues of the closeted lover. Add on the alien issues and the Rosa mystery, and you had a couple named Malex that had a lot of past and present issues to deal with.
 Enter…Maria.
 Just like the old series, Michael and Maria had a sparring partner relationship. One thing led to another and during a break from Alex, Michael and Maria hooked up. So a chemistry filled triangle began. And Michael found himself asking what was more important…the past or the present?
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 And all of the relationships kept people tuning in. Not to mention the alien hijinks. I was happy to see that while the writers were very good at plotting out a mystery with twists, turns, and flashbacks, the writers knew what made old Roswell an enduring show. The relationships like Max and Liz and Michael and Alex…and Michael and Maria. The writers knew about the search for self when a person knew they were different. They knew none of it would mean anything if the characters were not relatable. And at the same time, they threw curveballs to keep this version of Roswell fresh and original while still honoring what made old Roswell Roswell.
 And knowing that meant they got the art of the reboot.
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 And I…couldn’t wait to see what they did next.
   #reboots #art #roswell #roswellnewmexico #cw #upn #wb #charmed #echo #malex #candy #stargrazer #dreamer #melindametz #max #liz #rosa #shannendoherty #alyssamilano #hollymariecombs #rosemcgowan #michael #maria #nostaglia #characters #plotting #childrenof #respect #originality #refresh #remake
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297: 10 Ideas for Making the Most of "Between the Years"
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"Have you noticed that something very special happens between Christmas and New Year each year? For a few days, a portal to another world opens up. Everything is quieter, less rushed, more gentle in this secret place. Peering through the doorway, I always imagine there will be snow, although the sky usually offers knitted fog and dull winter sunshine. Nevertheless, calm descends as we catch a glimpse of a slower life away from all the deadlines and to-do lists. I call this time 'The Hush', and I encourage you to savour it." —Beth Kempton, from Calm Christmas and a Happy New Year (2019)
A soft place to rest. A window of time to catch one's breath. The space to fully see what was, what is and what we wish it to be.
I sat down to read the concluding third of Beth Kempton's festive book - chapters 7-9 - and devoured it in a couple of hours. While I do enjoy Christmas, I much prefer the Between the Years time. Perhaps because it is nondescript and open to individual tailoring. Perhaps because in 2009, the idea of TSLL blog came to be an actual place to share, write, connect and dare to dream in real-time. But so too can be the time leading up to Christmas as Kempton's book inspires each of us to do, and in the future my approach to Christmas may change as it is now quite simple and until 2020 was filled with work; however, in this particular year, I am observing how it can be so much more, and I hope it will be someday.
One of the gifts given by 2020 in my life is the realization of what "living well" feels like. I have known from a distance and momentarily in person what it felt like, and this past year validated in vivid technicolor what doing so day after day could enable to blossom.
In the spirit of nurturing ourselves, healing ourselves and opening a door to a better year in 2021, today's episode/post is shared with the intention of providing inspiration for you to do just that as you tailor the final week of the year - the Between the Years as my readers taught me last year (read this post from last year which was inspired by this aha of the term) - to nurture you, heal you, open your eyes to a better, more deeply contented 2021.
Inspired by Kempton's book as well as additions of my own, I highly recommend Calm Christmas and a Happy New Year. Many readers have shared they choose to read it again as the holidays come around as a way to slow down, focus on what matters most to them and in turn, regarding the latter chapters, read just as the old year comes to a close to help them best start the new year in their own way.
1.Let Spontaneity be your guide
While throughout the year, we may try to limit the "should"s and replace them with natural inclinations, now it the time to practice the good habit of listening to what we need - rest, curious pursuits, lovely intimate conversations and self exploration, whatever is dancing about in your mind, heed it and it may just lead you to something beyond your wildest expectations.
2. Put the technology away (at least for a day)
Yep, put the phone down, the iPad down, the podcasts away (ironic that I am suggesting this), but on your walk, let Mother Nature be the soundtrack. Let your energy be your guide for when to sleep and wake, eat and be. Feel your way through the day and observe at the end of your tech-free day how you feel - your energy, your peace of mind, your thoughts, etc..
3. Plan a change of scenery, a getaway, for the eyes and being
Whether you can or want to leave your home for a couple of nights and days (keeping in mind that this year, it might be best to just remain home or in your local area), choose to do something or follow a different daily routine that piques your interest and soothes your being. I love to escape to the coast. A small inn, my own little cottage, plenty of space to social distance, and the boys especially love the new ground to explore and round-about freely upon. Simply going a different direction on a trail you've walked for years can give you a new perspective and feel fresh and new.
4. Carve out a day entirely for you to get your life situated
Kempton's describes such a day as a 'sort-out-my-life' day, and it is apt and wholly rejuvenating when tended to fully. Essentially it is a personal business day to get your affairs in order - money, files, budget, stationery for ease of correspondence, and clarity about financial responsibilities moving forward. Editing, noticing, improving, correcting. All simple tasks to provide clarity about where you stand financially and how well you are standing. Do you need to be making certain reoccurring payments for this service that you never use? How can you reduce the debt on that one credit card faster, can you refinance? Etc., etc., etc..
5. Carve out an entire day to "sort-out-your-home"
In many ways I feel a kindred connection to Kempton as her approach to how to relish in these final days of the year align nearly exactly with my own. Her suggestion for a "sort-out-your-life" day and a "sort-out-your-home" day have been highly productive and help for me in years past.
A handful of her concrete suggestions are being adopted this year happily to hopefully reduce unwanted simple, yet annoying stresses throughout the year: checking and replace smoke alarm batteries, cleaning the fridge, tending to any semi or annual home maintenance jobs to free up time later in the year.
6. Give yourself a "me" day
Void of any 'have-to's, designate a day to fully go where your curiosity, your predilections, your body and mind need you to go. Usually my me-day, if I am at the coast which I will be this year, involves visiting a bookshop, perhaps an antique or second-hand shop, multiple long walks on the sand listening and witnessing the waves rise and recede. Preparing a simple seafood dish paired with a glass of white wine, I turn on a cozy British or French program and not once do I peer at the clock.
7. Spend an afternoon or morning checking in with your life
Reflecting, recalibrating, reaffirming or reforming.
What will be let go, planning momentous events, giving your life space, honoring your heart's path, honoring the path of those you share your life with.
Follow Kempton's Life Map of the Year that was. I will share freely, I don't usually follow directions by authors to fill "this" in, complete "this" written task, as I do about it in my own way inspired by their directive, but again, Kempton speaks my language in her approach to Between the Years and I found this particular template incredibly helpful to visualize the year chronologically, breaking down the energy and cause and effects which resulted and overall, see the themes that emerged. So much can happen in a year that we can sometimes forget what we were worried about, what brought us delight and relief and everything in between. Find her template here and print it out to discover a treasure or two as to how you might want to adjust your journey forward into 2021.
8. Read Chapter 8 of Beth Kempton's book
Discover oodles of reflective questions offering the opportunity for you to answer and explore your responses. Your honesty is the key to a better year.
9. Revolve rather than reinvent yourself
"Besides being a dynamic and powerful call to arms, the word 'revolution' — from the Latin revolver ('roll back') — invites us to sweep away the layers of expectation, worry, conformity, convention, even comfort, and see what is waiting to be born this [new] year. Instead of making random resolutions, we will practise nourishing rituals. instead of setting ourselves unrealistic goals, we will articulate beautiful dreams, then work out how to bring them to life." —Beth Kempton
Shedding the layers of the world that don't fit us well because they constrict, limit, constrain or inhibit our life force from being expressed and reveled in each day of our lives, this is why we must revolve rather than reinvent. We are already ourselves wholly if we would only share ourselves with the world. That's the gift we can give ourselves in this last week of the year, this Between the Years.
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10. Be honest about what you yearn for
Kempton helpfully brings readers to the awareness regarding what we think we want versus what we actually want. For example, we may think we want a large family or children, but when we explore more deeply and honestly, what we may actually be yearning for is the love, the community, a sense of feeling needed and being able to nurture others. It doesn't mean that we cannot have a large family, but having a large family does not guarantee such an outcome.
The crucial honesty you must have with yourself is why you are seeking or being drawn to what you are being drawn to. For myself, a place of permanency brings peace for my mind to create and wander, not being worried about the rent being raised, the landlord visiting my home every six months to make sure I am caring for my rental something reminiscent of a parent checking on a child. My independence in this instance, my feeling of being grounded is what enables me to fly and explore. Again, this is what I yearn for and why I yearn for it, yours will be unique to you. Enjoy the journey of exploration of yourself and what tugs at your heart.
Between The Years. Space and time to find hope for the new year. It exists and we can find it, and when we do, our personal new year has amazingly bright potential.
~Learn more about becoming a Subscriber and enjoy exclusive content including the monthly A Cuppa Moments video series.
~Enjoy TSLL's Quiet Holiday Playlist for Jazz & Classical Music Lovers (no lyrics)
SIMILAR POSTS/EPISODES YOU MIGHT ENJOY:
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How I Spend the Time that is "Between the Years" (the 13 Ingredients) + an Introduction to Who I Am As Well as Who TSLL Community Is
Petit Plaisir
—Luscious, Flavorful Tomato Soup
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Lusciously Rich Tomato Soup
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Adapted from NYTimes Cooking recipe, and the perfect amount for a household of two people to be enjoyed for two or three days.
6 Tbsp unsalted butter (high quality, high butterfat percentage)
2 medium sweet onions (diced)
1/4 cup flour
2 28 ounce cans of diced tomatoes
3/4 cup chicken broth
1/8 cup sugar
1 Tbsp fleur de sel
1 tsp celery seed
3/4 tsp freshly ground black pepper
1/3 cup half and half
In a Dutch Oven on top of the stove (medium heat), or in a large sauce pan, cook the onions in the butter for about 20 minutes until nearly transculent.
Add the flour to absorb the liquid, but do not let the onions brown - about three minutes.
Add the canned tomatoes (and all of their juices!), chicken broth, sugar, salt, celery seed, and pepper. Bring to a gentle boil, then reduce to simmer and cook for about 20-25 minutes. Stirring from time to time to remove any tomatoes that may become adhered to the bottom of the pot. (uncovered)
Add the half and half. Cook just long enough to reheat after the soup was momentarily cooled with the addition of the half and half.
Remove from heat (or turn off the gas) and using an immersion blender, blend the soup until smooth or to your preferred consistency. (If you do not have an immersion blend, simply us a stand up blender, adding small batches to the blender, pureeing and then repeating until done.)
Serve with a drop of half and half and enjoy. :) (I enjoyed mine with a Croque Madame :))
SPONSORS for Today's Episode:
~SantM
use promo code CIAOSIMPLYLUX for a 20% discount on Cortina Mules through Dec. 31, 2020
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~The Simple Sophisticate, episode #297
~Subscribe to The Simple Sophisticate:  iTunes | Stitcher | iHeartRadio | YouTube | Spotify
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Episode Four: Wolves Gone Wild
[Podcast Theme]
[King Falls AM music]
Ben: Top of the hour here at King Falls AM, at 660 on the AM dial. And we’re live here on this crisp King Falls evening. It’s a full moon, and you know what that means so be careful out there. It’s 4 am on the dot and as per instructed by Merv, the station manager, we will be-
Sammy: You’re really gonna play that?
B: Oh, look who’s talking again, everybody, Sammy Stevens, ladies and gents.
S: Very funny, Ben. You know we’ve played this apology enough, lets just get back on track, how about it?
B: Gotta do it.
*tape starts*
S: Hello, this is Sammy Stevens, and I’m sitting here with Ben Arnold, your cohost of King Falls AM *record scratch*
S: No! We aren’t doing this Ben.
B: Sammy, I’m gonna have to file a report if we don’t play this apology at the top of every hour.
S: Write it up.
B: I don’t want to!
S: Then don’t!
B: Sammy? Can we talk about this? Folks, we’re just gonna take a quick break for-
S: No break, no apology, you wanna play that tape?
B: No, but we have to.
S: Fine. You know what, we’ll do this one live kids, and uh, boy are you in for a treat.
B: I don’t know if I-
S: So there’s a note on the board when we came in. We’re to record an apology to you, the dear listeners and residents of King Falls.
B: Merv simply asked that we apologize for...creating a controversy at the 55th annual-
S: We talk about the news here. Relevant subjects that affect this town. What we don’t do, *wry laughter*, what we would never do, is apologize for trying to cover a breaking news story. A dead body at a public event that King Falls AM is covering is news.
B: Maybe Mayor Grisham went a little overboard kicking us out, I’m not saying he-
S: If I owned the station, if I owned the station I’d go after him. I mean, why isn’t Merv mad at Grisham, why is this on us? Have you even met Merv, Ben?
B: Yes. I mean, not in person, but, look, we have a show to keep on track. In a few minutes we’ll be speaking with both of the winners of the 55th annual bass tournament.
S: How about this, how about we open up the phone lines and talk about how the good Mayor Grisham is strong arming the media- *static*
Announcer: This Sunday evening at 7pm, we say goodbye to long time host of King Falls Sewing Corner, Esther Rollins, the way she would have wanted us to.
Esther Rollins: Talking about life, talking about love, and crocheting a mean doily while we’re at it.
A: While we will all miss Esther’s sweet stitchery tips and needlepoint mastery, we’ll miss Esther even more.
ER: We’ll darn your socks and maybe even darn your men to heck while we’re at it.
A: We’ll reminisce and play clips from Sewing Corners illustrious 24 year run. As well as a live music tribute from Esther’s favorite band.
*heavy metal music*
ER: Oh I just love these boys. All Possible States. Always remember, bad times never last, but badasses certainly do. We’ll see you soon King Falls.
A: Hopefully not too soon, Esther. 7pm, this Sunday. Help us say goodbye to King Falls most bitching granny.
*heavy metal music*
B: I didn’t cut you off Sammy!
S: Real mature, Ben.
B: You were looking right at me, I didn’t even touch the board. And you know Esther Rollins was slated for 4:32 am. I’d never-
S: Oh, okay, it must have been General Abilene, right?
B: You know he’s in Sweetzer Forest. Sheesh. Can’t we just take some calls, you’re killing me. Line six.
Cecil: Benjamin Arnold, Mr. Sheffield here. Why’re you on the radio?
B: Crap, bass tournament winners were scheduled for two minutes ago, uh, I’m gonna call the other.
S: Oh, so we can talk about the tournament, we just can’t talk about the dead body.
B: Sammy!
S: Ladies and gentlemen, please welcome Mr. Cecil Sheffield to the show, cowinner of the 55th annual King Falls bass tourney.
B: It’s great to have you Mr. Sheffield.
C: It’s good to be talking to you fellas too. Ben, how’re your grades holding up this year?
B: Uhh...I’ve, *nervous laughter* I graduated already, several years ago.
C: No more late papers this semester Mr. Arnold!
S: Yeah Ben, no more late papers.
B: For those of you who don’t know, Mr. Sheffield was my history teacher at King Falls high school. Shouldn’t he be retired by now?
C: *singing* Rising mists, the gold and orange, grandly into the blue, reaches our dear alma mater-
S: *clapping* There you have it folks, Mr. Cecil Sheffield, winner of this year’s King Falls idol.
C: Go Falls! I really love talking to you guys.
B: And we...love talking to you.
S: How about we talk about the big win at the tournament, huh, you split the grand prize, $500 and a bass boat, is that correct?
C: Oh, it was awesome. Standing up there at the podium with my good friend Hershel. I’m happy to share the prize with such a great man. I haven’t gotten a chance to use the new boat-
B: And we’ve got Hershel Baumgardner.
S: Sorry to cut you off, Cecil, Hershel you’re live on King Falls-
H: You usurping, unsportsmanlike, son of a b**** filth. I know all of you were colluding against me this year. It’s a conspiracy!
S: I’m sorry, what now Mr. Baumgardner?
H: You know exactly what I’m talking about, big city!
B: We actually don’t Mr. Baumgardner.
H: Don’t mouth off to me you conspiring little bag of d****!
S: Hey, hey, Hershel, no one is conspiring against anybody here! You should be happy right now, this is what, your fourth time winning the tournament? Granted, lets be honest, the cadaver should probably give this one an asterisk.
B: 1989, 1992, and now back to back titles in 2014 and 2015, you're the first ever to have four titles!
H: Well, when you put it like that...I guess...I never thought of it that way...I was just so red faced about someone poking a hole in the bottom of my boat right after I caught my last fish. Old Cecil wouldn’t have come close if some boob stain hadn’t messed with my damn boat.
B: Kingsy got you!
H: It wasn’t Kingsy. That serpenty little b***.
C: Is that Hershel? How you doing buddy? I miss you. Why you don’t answer when I call?
H: Cecil! You cheating dog pecker, I’d knowed it was you that sunk my battleship, you couldn’t stand to have me win all by myself this year, you limp d*** drunkard!
B: Uh ha, we’re gonna have to ask you to watch your language, Mr. Baumgardner.
H: Now you listen here you motherf******- *dial tone*
S: Hello?
B: Sorry, Sammy, Merv’s already not happy, lets not have the FCC join him.
S: You know you’re getting real good with that dump button trigger finger tonight Ben. B: I told you I didn’t dump you. Hershel, yes, but not you.
S: You, *laughs*, you were so right about this full moon tonight Ben.
B: This is a nightmare.
S: Hey. I’m sorry, okay? I shouldn’t have gotten so fired up.
B: You and Hershel both. You know how hard I work on this schedule? Don’t...puppy dog eye me, Sammy!
S: Hey, I’m just trying to ice this apology cake buddy.
B: 6:20, you buy me a stack of pancakes at Rose’s Diner, and we’ll call it even.
S: Sounds like a plan. So, you’ve heard our story King Falls, now let's hear-
B: Good grief, we’ve got line two, he’s in a panic.
S: Aren’t we all? You’re on the air with Sammy and Ben, what can we-
Archie: No time for pleasantries, I need the law!
B: Sir, uh, 911 is probably your best bet.
S: Or maybe tweet Troy and #kingfalls911, I dunno.
A: You silly Sally’s, I’ve already called the deputy is on the way, but I’m having a terrible night and I don’t appreciate the two of you making it worse.
B: Wait, is this Archie Simmons?
A: The one and only.
B: Is there something wrong down at the Pomchi Palace?
S: Pomchi? What the hell is a pomchi?
A: Oh my god, read a book Sammy
B: It’s a dog breed, half pomeranian, half chihuahua.
S: Oh. So, Archie’s a professional dog breeder?
A: Best bitches in the tristate area!
B: That’s their motto.
A, to the dog: That’s a good baby, daddy loves you. Oh, what’s that, that angry mean werewolf violated you? Don’t you worry, daddy will make him pay!
S: Did he just say werewolf?
A: You bet your bottom dollar I did.
S: Ben, I...I can’t.
B: Tell us what’s going on, Archie.
A: Well, I live off of route 72, damn near out of town. It’s usually nice and quiet except for those damn trashy rednecks and their trailer park every damn Saturday night.
B: But, tonight it’s not nice and quiet?
A: Hell no! I woke up to the most god awful squalling. I mean, it sounded like a freight train hit a barrel of screaming billy goats. Half a step below a damn eight *** bottle rocket.
B: That is vivid.
S: Dare I say, was it a half man half wolf?
B: Good job Sammy.
S: Please don’t encourage this.
A: It was so terrible a noise. I thought I might have dreamed it, but then I heard it again.
S: Go on.
A: So I threw on my slippers and went running towards the back of the house. And I’m scared, because I just paid, well I paid a bundle, for a couple of these new pomchi bitches. So I’m worried that maybe Rufus, that’s my labradoodle-
S: Labrado-
B: Labrador poodle mix.
A: Dammit, google it fellas, and keep up! I’m worried that Rufus has maybe snuck in the backyard and roughed up the new pomchis, so I rush towards the back, and Rufus is in the Florida room, just a growling mind you, so it wasn’t him. So I burst open the back door and what do I see?
B: What, uhh, what did you see?
A: I see a half man, half dog bent over hunching the hell out of my $2400 Princess Von Barktooth.
B: Not Princess Von Barktooth!
S: Okay, so you run outside in your slippers and you see some skeezy pervert and he’s got your dog.
A: In the biblical sense! But the man was a werewolf.
S: Are we really talking about wolfman werewolves here? I’m sorry, Ben.
A: You shouldn’t be sorrying to Ben, he’s not the one who’s been sodomized by a damn man wolf. And now I gotta stay up all night watching the princess and dealing with the law. Lord knows I’m worried that leads to long term emotional distress or worse. And we can just throw out winning the Westminster trophy. That was not in our five year plan!
B: I have to...what was the five year plan?
A: Princess Von Barktooth is supposed to fall in love with another purebred pomchi who sweeps her off her feet, holds open all the doggy doors for her, and shares all his treats. Isn’t that right little princess? *barking*
S: This is just silly. I mean, it was obviously just a creep with serious issues, not a mythical-
A: Are you calling me a liar? *howling in the background* I saw that abomination with my own two baby blues.
B: Sammy likes to look at these paranormal events from all angles, Archie.
A: Well the angle that I saw it at was a g-d crime against humanity and dogmanity alike. The beastman looked at me, evil in his eyes, and desire in his heart, tossed my princess like a ragdoll, howled at the moon like the wretched demon that he is, and scampered off.
B: Uh, Archie, have you had issues with the werewolves before?
A: Oh my gosh who hasn’t? Old Dylan ‘Hillbilly’ Baxter used to pepper buckshot those chicken thieving shapeshifting sons of bitches.
S: Brass tacks here, is Princess Von Barktooth okay?
A: Needless to say, we’re more than a bit shaken by this turn of events.
S: Have you looked into silver bullets? Ebay, Amazon Prime?
A: You come out here the next full moon you sassy Sally, and I’ll show you more werewolves than you can shake a d*** at. *sirens in the background* Oh, I just heard deputy Troy pull up, I gotta go boys. *hang up sound*
B: Uh, thanks for letting all of us know that there’s been some activity on the wolf front Archie.
S: This is just too much. Look, stay safe Archie, listening public. I’m not saying that there’s werewolves on the loose-
B: There are.
S: Ben. Everyone stay safe, there’s definitely something in the air tonight.
B: Oh no. Sammy, can you take line one?
S: Do I even wanna ask?
Finn: Sammy! Ben! It’s bad. It’s real bad, y’know?
S: Are you alright, Finn?
F: I didn’t even see him coming! Must have ran headlong into the truck on my blind side.
S: Who did? What’s going on?
B: Finn hit a dog, off route 72.
S: You’re f***ing kidding me.
F: This poor little guy, I feel so bad, y’know? Actually, he’s not that little…
B: Finn, are you still in your truck?
F: Oh yeah, but I stopped it when I hit the fella. I’m shaking something awful here.
S: I think you should start the truck up and just keep on moving.
F: I think he’s still alive. I’m gonna have to do the right thing and check this out Sammy.
B: Sammy’s right-
F: I’m outside the truck, heading back towards the pooch.
S: Get back in the truck Finn! Uh, y‘know, because it could be a coyote or something, not a were, y’know.
F: Oh my, this poor fella don’t look too good. This looks, WHOA NOW!
B: Move your maple loving ass Finn!
F: It’s too late, running at me boys! What f***?
S: Finn? Finn?
*wolf noises, Finn struggling, more noises, and a howl that is soon echoed in the distance*
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politicsprose · 6 years
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2017 Holiday Newsletter
Welcome to the 2017 Politics and Prose Holiday Newsletter. As always, we’re proud to present a selection of some of the year’s most impressive books. Happy holidays to all!
American Fiction
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Jennifer Egan’s Manhattan Beach (@scribnerbooks) captures a time and place on the verge of momentous change. Set in Brooklyn in the 1940s, the novel tells the story of Anna Kerrigan, a young woman who has dropped out of Brooklyn College to contribute what she can to the American war effort. Unsatisfied with her job of inspecting and measuring machine parts, she attempts to enter the male-only world of deep-sea diving. Manhattan Beach is rich and atmospheric, highlighting a period when gangs controlled the waterfront, jazz streamed from the doors of nightclubs, and the future for everyone was far from certain. - Mark L.
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Shaker Heights is a perfectly planned town full of people with seemingly perfectly planned lives, but when Mia and her daughter Pearl move in they start a series of little fires, small rebellions, that shake the community to its core. Celeste Ng brilliantly explores the nature of art, family, and identity in her second novel, Little Fires Everywhere (@thepenguinpress). The writing is beautifully elegant and layered, and you’ll find yourself immediately swept up in the lives of the characters. At the heart of the story are four mothers: one whose carefully planned family was nearly derailed by a high-risk pregnancy and who watches her youngest daughter so carefully that she forgets to show her love; one who leaves her child at a firehouse to save her life in a hopeless moment; one who longs for a child and fears her chance will be snatched away before she can experience the wonder of motherhood; and one who made a dangerous choice to raise her child on her terms. Whether you are a mother or a child, the story of these women and their families will stay with you long after you turn the last page. - Tori O.
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Larry McMurtry has always been ambivalent about the success of the fiction in which he portrays the cowboy myth and the rugged Texas machismo that comes with it, but as you read the three novels collected in Thalia: A Texas Trilogy  (Liveright) you won’t be of two minds. Actually, upon learning that McMurtry wrote all these books in his twenties and that they were the very first three he wrote, you’ll be burning with envy. In Horseman, Pass By, McMurtry sets Lonnie Bannon with his love of his Granddad’s ranch and way of life against Hud, his step-brother, who is endlessly crude and cruel. At the center of Leaving Cheyenne are Gid, Johnny, and Molly, a rancher, his cowboy hand, and the woman they both love. They each take a turn telling the story of their unconventional lives in small-town Texas. Finally, there’s The Last Picture Show, in which we see Thalia as a dead-end place. Of the three, this is perhaps the most darkly comic, as nearly every character engages in self-deception in order to eke out an existence in a town where every day is the same. Amid the fantastic and perhaps unbelievably melodramatic events, McMurtry finds a bottomless well of compassion for his characters. This is one time capsule was worth re-opening. - Sharat B.
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Described as an “illustrated novella,” and looking like a quirky coffee table book, A Field Guide to the North American Family (Knopf), by Garth Risk Hallberg, is neither. This work, which Hallberg wrote before his 2015 New York epic, City on Fire, is an ingenious maze of a narrative based on the concept of the North American Family. Reminiscent of Lydia Davis’ seemingly quotidian pieces of pointed brilliance, Hallberg’s work is multi-layered, surprising, and deft. At one level the book uses a series of flash-fictions to recount the story of two families. At another, it’s an index of terms that readers can reference while reading the main plot—or savor for the wisdom they offer on their own. Then there are the photos. Each episode comes not only with its keywords but with a visual image. These are sometimes directly related to the text, like conventional illustrations, but often their relationship to the narrative is more elusive. Some pages look as if they’ve been torn from one scrapbook and pasted into this one, others look fresh and new. Grab this emotional map of North American family life and get ready to wander – it’s sure to be a warm, nostalgic trip. - Justin S.
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In Paul La Farge’s The Night Ocean (@penguinrandomhouse), Marina Willett’s husband, a famous-turned-infamous literary historian, has disappeared, seemingly a suicide case but maybe that’s just what he wants people to think. From this hook, the book’s tentacles spread into a kaleidoscopic series of investigations, as Marina double-checks her spouse’s leads to get to the bottom of a mysterious bit of H. P. Lovecraft apocrypha called “The Erotonomicon.” Cameos extend from Lovecraft to William Burroughs, Isaac Asimov, and more, becoming something like “The Savage Detectives of American weird fiction.” To follow this book’s incredible story, you don’t need to like, or even know, these figures, which are all fictionalized creations anyway, despite the author’s deep knowledge of their histories. La Farge critiques and parodies but does not romanticize these writers. He’s deeply attuned to how our human sympathies toward icons we learn about from afar can morph into blind obsession despite our best intentions. His narrative is a seamless combination of trickster humor and utter heartbreak, plumbing the depths to which people will go to forgive, embody, and take revenge upon their former idols, all while preserving their own reputation. The best writing lives inside you —even possesses you. The Night Ocean does just that. - Jonathan W.
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Lily Tuck, whose novel The News from Paraguay won the National Book Award in 2004, is one of our finest writers of novels-in-vignettes, and her latest, Sisters (@theatlantic), takes compression to extremes. Its “chapters” are often over in a page, a paragraph, sometimes a sentence, but they’re such vivid shards that you feel like you’re catching all the other pieces in a mosaic without having to see them spelled out. This is the story of a woman reflecting on her shaky marriage, whose trappings—her husband’s children, passions, and memories—all come courtesy of a prior spouse. Tuck centers on her narrator’s relationship with this other woman, who, though living across town, always seems to be in the air. What could turn spiteful in another writer’s hands comes off as gentle and empathetic in Tuck’s, as her lead character seizes on snatches of imagery (“a messy ponytail,” “did not wear rings”), to think through what her ostensible rival’s life must be like. Is it the narrator and not the man who links the two of them who truly understands this woman, she who sees that the bouillabaisse dinner he fondly remembers from France might have made her pregnant body sick? For such a short novel, Sisters is full of these kinds of insights, simply but inimitably framed. - Jonathan W.
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One of the most talked about books this autumn, and my favorite, was My Absolute Darling (@riverheadbooks), by Gabriel Tallent. Shocking and unsettling, at times difficult to read, the novel follows fourteen-year-old Turtle Alveston, who feels more at home in nature than she does with her survivalist and damaged father, as she searches for freedom and fights for her soul. Roaming the woods one night, wondering if her father would be able to find her, she meets two lost teenage boys and guides them safely out. And that is the moment she starts questioning her home life. The way Tallent brings you steadily into Turtle’s mind makes you almost feel her pain. He manages to capture her deepest thoughts, her internal struggle, her will to survive. Obviously suffering from Stockholm syndrome, she debates with herself over whether to stay or leave, doubting her worth every step of the way. But she fights and she survives. She is the kind of girl, brave and determined, with whom readers are almost duty-bound to fall in love. Tallent grew up in Mendocino and spent a lot of time outside. His love for the region is evident in Turtle’s view of the place and Mendocino itself is a strong character in the book. This is Tallent’s debut novel. And what a remarkable debut it is! - Marija D.
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Friendships seldom get the sustained literary treatment that romances do, but Claire Messud’s insightful novel The Burning Girl (@wwnorton) shows that these relationships strike as deep, stir as many emotions, and do as much to shape a person, for better or worse. They can have special force when formed early in life, and Messud’s protagonists, Julia and Cassie, are best friends from nursery school to roughly seventh grade. Narrating the friendship and its aftermath, Julia, the one who takes paths already there rather than striking out into untrodden territory—the one who sets limits—insists that she and Cassie are as close as sisters. Their two families never mesh, however, and Julia comes to realize that her notion of “home” is not Cassie’s. Much of Cassie’s home life is guesswork, and while Julia does that work, her version of Cassie is partly made up; at times Cassie seems like one of the characters Julia, an aspiring actress, inhabits on stage. Messud uses the inherently self-dramatizing period of adolescence as a lens to view more difficult questions of how well any two people can know each other, and she brilliantly demonstrates how the typical rites of passage—fantasizing about an alternative family, surviving junior high cliques—can suddenly yield “one of those events that that was little and big at the same time,” bringing about the kind of understanding that a person never forgets. - Laurie G.
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