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aion-rsa · 3 years

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Best Movies Coming to Netflix in July 2021

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Movies are back. It at least feels that way when you see the numbers that films like F9 and A Quiet Place Part II are earning. But more than just the thrill of going back to theaters, July signals what is typically considered to be the height of the summer movie season. On a hot evening, there are few things better than some cold air conditioning and a colder drink of your choice while escapism plays across a screen.

That can prove just as true at home as in theaters. And as luck would have it, Netflix is pretty stuffed with new streaming content this month. Below there are space adventures, comedies, dramas, and more than a few epics worth your attention, either as a revisit or new discovery. And we’ve rounded them up for your scrolling pleasure.

Austin Powers: International Man of Mystery (1997)

July 1

When the first Austin Powers opened in 1997, it was intended to be as much a crude love letter to the popular cinema of the 1960s as a modern day raunchy laugh-fest. Now with the benefit of another 20 years’ worth of hindsight, Mike Myers and Jay Roach’s spoof of Bondmania is itself an amusing time capsule of 1990s comedy tropes. There’s Myers’ cartoonishly larger-than-life characters—beginning with Powers but most dementedly perfected with Dr. Evil, the comedian’s riff on Ernst Stavro Blofeld—as well as the pair’s embrace of what they considered to be the defining trappings of the late ‘90s.

The film’s nostalgia for the ‘60s and its value as a piece of kitsch ‘90s nostalgia makes this Austin Powers (and to a lesser extent the second movie, The Spy Who Shagged Me) a fascinating relic, as well as a genuinely funny lowbrow symphony of sex gags, bathroom humor, and multiple digs at British stereotypes, including bad teeth. In other words, it’s a good time if you don’t take it too seriously. Just avoid the third one, which is also coming to Netflix.

The Karate Kid (1984)

July 1

1984’s The Karate Kid is the cultural apex of Reagan America’s obsession with martial arts movies and Rocky-style underdog stories. It offered ’80s kids the ultimate fantasy of learning martial arts to defeat local bullies and finding time to squeeze in a love subplot along the way. Granted, the Cobra Kai series has thrown a wrench into this film’s seemingly simple morality tale, but just try not to root for Daniel by the time you reach arguably the greatest montage in movie history.

There’s also something eternally comforting about watching Pat Morita beat-up ’80s thugs while validating parents everywhere by suggesting that you to can one day grow up to be a great warrior if you just sweep the floor, wax the car, and paint the fence.

Love Actually

July 1

Christmas in July? Sure, why not. This Yuletide classic likely needs no introduction. Writer-director Richard Curtis’ Love Actually is the ultimate romantic comedy, stuffing every cliché and setup from a holiday bag of tricks into one beautifully wrapped package. Perhaps its greatest strength though is it mixes in a touch of the bitter with its sweet, and doesn’t hide the thorns in its bouquet of roses. Plus, its use of “All I Want for Christmas” is still a banger nearly 20 years on.

Admittedly, we aren’t particularly inclined to watch this in July ourselves, but if you don’t mind the Christmas of it all, there are few better rom-coms in your queue at the moment.

Memoirs of a Geisha (2005)

July 1

This adaptation of the Arthur Golden novel of the same name was one of the highest profile literary adaptations of the early 2000s. It’s the story of a young girl sold to a geisha house in the legendary Gion district of Kyoto who then grows up to be the most famous geisha of 1930s imperial Japan… right before the war. The film (like its source material) had controversy in its day due to having a somewhat exoticized view of Japanese customs, as well as for the casting of Chinese actresses Michelle Yeoh and Zhang Ziyi in the roles of icons of Japanese culture, with Zhang playing central geisha Sayuri.

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But whatever its shortcomings, Memoirs of a Geisha is still an exquisitely crafted melodrama that provides an often delicate window into one of he most graceful and misunderstood arts. The film won Oscars for its costumes, art direction, and cinematography for a reason. Plus whenever Zhang and the actually Japanese Ken Watanabe share the screen, unrequited sizzle is hot to the touch.

Mortal Kombat (1995)

July 1

Look, 1995’s Mortal Kombat isn’t a great movie in the classic sense of the word. Those looking for notable ’90s schlock might even have a better time with 1994’s Street Fighter and Raul Julia’s scene-stealing performance as General M. Bison.

Yet at a time when video game movies still struggle to capture the magic of the games themselves, Mortal Kombat stands tall as one of the few adaptations that feel like an essential companion piece. It might lack the blood and gore that helped make 1992’s Mortal Kombat arcade game a cultural touchstone, but it perfectly captures the campy, shameless joy that has defined this franchise for nearly 30 years.

Star Trek (2009)

July 1

The idea of a Star Trek movie reboot wasn’t greeted with universal enthusiasm when it was first announced but then J.J. Abrams delighted many fans by creating a Trek origin story that was both familiar and new. Chris Pine shone as the cocky Kirk, bickering with Zachary Quinto’s Vulcan Spock while trying to save the universe from a pesky Romulan (Eric Bana). This was a standalone that could be enjoyed by audiences completely ignorant of the Star Trek legacy which also achieved the feat of not annoying many long-term followers of the multiple series. It was a combination of humor, heart, action and a zingy cast that won the day – it’s still the best of the three Star Trek reboot movies to date.

Talladega Nights: The Ballad of Ricky Bobby (2005)

July 1

Alongside Step Brothers, Tallageda Nights remains a a biting snapshot of the 2000s zeitgeist from writer-director Adam McKay. Eventually he would drop (most of) the crude smirks in favor of dramedies about the excesses of the Bush years via The Big Short (2013) and Dick Cheney biopic Vice (2018), however Talladega Nights remains a well-aged and damning satire of that brief time when “NASCAR Dads” were a thing, which is all the more impressive since it was filmed in the midst of such jingoistic fervor.

So enters Will Ferrell in one of his signature roles as a NASCAR driver and the quintessential ugly American who’s boastful of his ignorance and proud that his two sons are named “Walker” and “Texas Ranger.” He’d be almost irredeemable if the movie wasn’t so quotable and endearing with its sketch comedy absurdities. There’s a reason Ferrell and co-star John C. Reilly became a recurring thing after this lunacy. Plus, that ending where adherents of the homophobic humor of the mid-2000s found out the joke was on them? Still pretty satisfying.

Terminator 2: Judgment Day (1991)

July 1

This is the movie that changed everything. Filmmakers had been experimenting with computer-generated visual effects for years, including director James Cameron with 1989’s The Abyss. But Cameron, as usual, upped his game with this 1991 action/sci-fi epic in which the main character — the villain — was a hybrid of live-action actor and CG visuals.

Those of us who saw T2 in the theater when it first came out can remember hearing the audience (and probably ourselves) audibly gasp as the T-1000 (an underrated and chilling Robert Patrick) slithered into his liquid metal form, creating a surreal and genuinely eerie moving target that not even Arnold Schwarzenegger’s brute strength could easily defeat. There were moments in this movie that remained seared into our brains for years as high points of what could be accomplished with CG.

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This writer prefers T2 to the original Terminator. It’s fashionable to go the other way, but the first movie, while excellent, is essentially a low-budget horror film, Schwarzenegger’s T-800 a somewhat more formidable stand-in for the usual unstoppable slasher. The characters in T2 are far more fleshed out, the action bigger and more spectacular, the stakes more grave and palpable. It was the first movie to cost more than $100 million but it felt like every penny was right there on the screen. And Cameron tied up his story ingeniously, making all the sequels and prequels, and sidequels since irrelevant and incoherent. We don’t need them; we have Terminator 2: Judgment Day.

Underworld (2003)

July 1

Is Underworld a good movie? No, not really. Is it a scary movie, what with the vampires and werewolves? Not at all. Well, is it at least entertaining?! Absolutely. Never before has a B-studio actioner been so deliciously pretentious and delightful in its pomposity.

Every bit the product of early 2000s action movie clichés, right down to Kate Beckinsale’s oh-so tight leather number, Underworld excels in part because of the casting of talent like Beckinsale. A former Oxford student and star of the West End stage, she got her start in cinema by appearing in a Kenneth Branagh Shakespeare adaptation, and she brings a wholly unneeded (but welcome) conviction to this tale of vampire versus werewolves in a centuries-long feud. Shamelessly riffing on Romeo and Juliet, the film ups the British thespian pedigree with movie-stealing performances by Bill Nighy as a vampire patriarch and Michael Sheen (Beckinsale’s then-husband who she met in a production of The Seagull) as an angsty, tragic werewolf. It’s bizarre, overdone, and highly entertaining in addition to all the fang on fur action.

Snowpiercer (2013)

July 2

Before there was Parasite, there was Snowpiercer, the action-driven class parable brought to horrific and mesmerizing life by Oscar-winning Korean director Bong Joon-ho in 2013. The film is set in a future ice age in which the last of humanity survives on a train that circumnavigates a post-climate change Earth. The story follows Chris Evans‘ Curtis as he leads a revolt from the working class caboose to the upper class engine at the front of the train.

Loosely based on a French graphic novel, filmed in the Czech Republic as a Korean-Czech co-production, and featuring some of Hollywood’s biggest stars, with dialogue in both English and Korean, Snowpiercer is not only a truly international production that will keep Western audiences guessing, but it packs an ever effective social critique as we head further into an age of climate change and wealth inequality. Also, there is a scene in which Chris Evans slips on a fish.

The Beguiled (2017)

July 16

Sofia Coppola’s remake of the 1971 film of the same name (both are based on a Thomas Cullinan novel) is a somewhat slight yet undeniably intriguing addition to the filmmaker’s catalog. It’s the story of a wounded Union soldier being taken in by a Southern school for girls–stranded in the middle of the American Civil War–with salvation turning into damnation as the power dynamics between the sexes are tested. It is also an evocative piece of Southern Gothic with an ending that will stick with you. Top notch work from a cast that also includes Nicole Kidman, Kirsten Dunst, Elle Fanning, and Colin Farrell makes this a bit of an underrated gem.

The Twilight Saga

July 16

In July, not one, not two, not three, not even four, but all five of the movies adapted from Stephenie Meyer’s young adult phenomenon book series will be accessible on Netflix. Indulge in the nostalgia of Catherine Hardwicke’s faithful and comparatively intimate Twilight. Travel to Italy with a depressing Edward and Bella in New Moon. Lean into the horror absurdity of The Twilight Saga: Breaking Dawn: Part 2. Or marathon all five for maximal escapism into a world where vegetarian vampires are the boyfriend ideal, the sun is always clouded, and the truly iconic emo-pop tunes never stop.

Django Unchained (2012)

July 24

The second film Quentin Tarantino won an Oscar for, Django Unchained remains a highly potent revenge fantasy where a Black former slave (Jamie Foxx) seeks to free his wife from Mississippian bondage and ends up wiping out the entire infrastructure of a plantation in the process. Brutal, dazzlingly verbose in dialogue, and highly triggering in every meaning of the word—including quickdraw shootouts—this is a Southern-fried Spaghetti Western at its finest.

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Perhaps its other great asset is a terrific cast of richly drawn characters, including Foxx as Django (the “D” is silent), Christoph Waltz as German dentist-turned-bounty hunter Dr. King Shultz, Leonardo DiCaprio as sadistic slaveowner Calvin Candie, and Samuel L. Jackson as Stephen. While Waltz won a deserved Oscar for the film (his second from a Tarantino joint), it is Jackson’s turn as a house slave who becomes by far the most dangerous and cruel of Django’s adversaries who lingers in the memory years later…

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daleisgreat · 4 years

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The Wizard

Today I am covering a movie I have been itching to write about here for years. It is an admittedly subpar film from 1989, but seeing it then as a six year old videogame kiddo, I absolutely adored it. Yes I am talking about the 1989 Nintendo adver-film, The Wizard (trailer). I have had a nostalgia-driven love/hate/love relationship with The Wizard throughout my life. Absolutely loved it as a kid, when I got around to re-watching it with adult eyes for the first time shortly after its first DVD run in 2006, I realized a lot of it then was hard to watch and thought the film took itself way too seriously. I embedded an old episode of my old podcast I recently un-vaulted at the bottom of this entry where we do a roundtable breakdown of The Wizard right after its first DVD release in 2006. Watching it again in 2020, I kind of came around to digging it again as you will soon read on to see. The Wizard never got a deluxe edition home video treatment until this year. Its DVD release in 2006, and initial 2018 BluRay release saw a basic home video release with no bonus material other than a trailer. After much fan outcry, Universal finally granted access to home video distributor Shout Factory to release a much desired special edition jam packed with extras. It hit BluRay at the beginning of this year, shortly after the film’s 30th anniversary. If you are unfamiliar with Shout Factory, think of them as the equivalent as the Criterion Edition, but for beloved B-movies instead.

This is a road trip film, where through the magic of Nintendo, a broken family is reunited…..yes I am embellishing, but only ever-so-marginally! After an earlier childhood crisis that is not revealed until late in the movie, nine-year-old Jimmy Woods (Luke Edwards) is left in a quasi-autistic state (his condition is never fully explained). Jimmy consistently runs away from home until his mother decides it is too much and puts him in a permanent childcare facility. Jimmy’s half-brother Corey (Fred Savage) would have none of this treatment to Jimmy and sneaks him out of the facility. Jimmy infamously references ‘California’ throughout, Corey decides to take Jimmy on a road trip to California to see just what Jimmy wants to go over there for. Along the way they meet Hailey (Jenny Lewis), who joins them on the run and helps discover Jimmy’s hidden talents at getting top scores at arcade games. The trio decide to embark to a huge videogame tournament in California they see a flyer for and think that must be what Jimmy is talking about that is awaiting them there. Watching the Wizard now in 2020 compared to the last time I saw it in 2006 what popped out to me was surprisingly the ‘heart’ of the family dilemma the whole film is predicated on. As I stated in my entries here chronicling the seasons of Roseanne, the reason that show is one of my favorite sitcoms is because my family was not too far off from how dysfunctional the Conners were. The Woods family here has their own twisted backstory that gets kind of fleshed out on why the family is split up and struggling to overcome a recent crisis that has had a lasting impact on them. I can relate to that with my various family qualms over the decades, so seeing Corey & Jimmy’s brother, Nick (Christian Slater) and father, Sam (Beau Bridges) go from being on rocky turmoil throughout the film, but managing to put their differences aside to go on the road after them kind of resonated with me a little bit on this viewing.

Nick and Sam playing catch-up on the road is an entertaining B-plot to The Wizard. The father and son team have a comedic foil in one Mr. Putnam (Will Seltzer), a professional tracker of runaway kids who I would imagine would be a realistic good kind of person, but the film portrays Putnam as a ruthless, slimy scumbag in it solely for the money. It is laughable to see Putnam get the villain stereotype checklist treatment. Balding, slicked back hair? Check! Cowboy-collar-string-tie? Check! Always chomping on gum? Check! Weasel-y voice? Double check! During their father-son road trek, Nick introduces his dad to videogames, and soon enough Sam is just as hooked as Nick in trying to conquer the dastardly original Teenage Mutant Ninja Turtles game on NES. Videogames are featured predominantly throughout The Wizard and goes to show how big arcades were in the late 80s to the point where you can find a stray machine or two at any gas station or restaurant. Watching Hailey and Corey train Jimmy to get as much gaming knowledge in time for the videogame tournament in Los Angeles was a riot. The requisite-training montage scene perfectly encapsulates NES-mania at the peak of its powers in 1989. As you can see in the linked video it has the perfect training material for any grade school game player of that era in the form of arcade game practice sessions, Nintendo Power magazines and calling the Nintendo-endorsed game counselor’s hotline for pro tips! Countless games are shown off throughout. One of the most recognizable scenes of the film is when Jimmy meets his antagonist in the form of pro-gamer, Lucas (Jackey Vinson) who makes his unabashed love of the Power Glove the must-have NES accessory of the ’89 Christmas season.

Eventually Lucas and Jimmy clash at the ‘Videogame Armageddon’ tournament in LA. They are two of the three finalists and for their final challenge the AWESOME over-the-top host (Steven Grives) bestows upon them a brand new, unreleased game in the form of the madly anticipated Super Mario Bros. 3! The three compete for the next three minutes of film in what is essentially an infomercial for SMB3. Nintendo and Universal timed The Wizard to hit theaters several weeks before the release of the game, which only fueled demand and likely played a factor into SMB3 selling more than 17 million copies worldwide. I vividly remember being on edge in my childhood viewing of that contest finale making SMB3 seem like the coolest game ever, and re-watching it 30 years later the scene still gets me wrapped up all over again! Just click or press here to see it for yourself! Jimmy’s family is so proud of him that the whole family vaguely patches things up in a touching moment at a tourist attraction shortly thereafter to end the film on a feel-good note. As positive as I am on the film so far, it is all in a so-bad-its-good, B-movie way. I could rag on the many imperfections of The Wizard with its out of touch dialogue, overuse of New Kids on the Block in the soundtrack, misrepresentation of some of the videogames and some out of date cultural norms, but as you can tell The Wizard is somewhat of a special film for me so I will leave that to you to scour the Internet for those astutely valid points of criticism.

As I alluded to above, this Shout Factory edition of the film is loaded with extra features. There is 38 minutes of deleted scenes! Highly recommend checking them out, as the deleted scenes mostly consists of early first act backstory setting up brotherly differences with Corey and Nick, and also a whole abandoned sideplot that sees Corey sneak Jimmy out of the childcare facility multiple times to introduce him to the NES and becoming a pro at videogames. Director Todd Holland has a feature commentary track filled with tons of insightful factoids. Some highlights include regretting how unsafe parts of the production were, justifying why a lot of scenes were cut, pointing out a blink-and-miss-it Toby McGuire cameo, fighting to the bitter end to get his feel-good family reuniting ending and how a throwaway joke panning Universal Studios lead to a last minute final re-cut of the film to omit that line due to peeved Universal executives. There are two Q&A panels included totaling an hour and a half. Both feature Luke Edwards along with original writer, David Chisholm and producer, Ken Topolsky. A lot of good anecdotes and memories from everyone involved, but not necessarily required viewing since a decent amount of their responses are touched on in the last of the bonuses. Rounding off the extras are three more behind-the-scenes bonuses tallying up just under an hour. Critical Analysis of The Wizard is a 12 minute look at Jimmy’s childhood trauma and the psychological effects of his condition. How Can I Help You is a six minute interview with a former Nintendo Game Counselor detailing his work experiences. Road to California is the standout making of feature with it being a 40 minute comprehensive look at how The Wizard came to be with interviews with most of the cast and crew. It dissects the casting, selecting the gameplay footage from Nintendo-provided tapes, explaining the ending, making all the cuts down to a 90 minute film, dealing with the critical fallout and the belated public adoration from fans online who grew up with the film and spread the love once it hit DVD. There are a couple heartfelt fan testimonials it included towards the end with some passionate stories from serious fans of the film!

These last several days have been a ride to say the least while taking in everything this Shout Factory edition had to offer. I knew a part of me enjoyed The Wizard in a guilty pleasure kind of way, but taking it all in again with a 37-year old perspective made the family crisis element of the movie, regardless of how corny it is implemented, somehow make an impact on me and appreciate it in a way I was not expecting. Combine that with it capturing the aura of late-80s NES fever, and seeing all the ubiquitous love from the cast, crew and fans of the movie in the bonus feature interviews and it all adds up to The Wizard going from guilty pleasure to childhood favorite that I did not expect to find myself still a big fan of today.

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If you somehow quench for more Wizard coverage, then check out this episode of my old podcast I recently re-uploaded to my YouTube channel where we reviewed The Wizard right after its first DVD printing way back in 2006.

Other Random Backlog Movie Blogs 3 12 Angry Men (1957) 12 Rounds 3: Lockdown 21 Jump Street The Accountant Angry Video Game Nerd: The Movie Atari: Game Over The Avengers: Age of Ultron The Avengers: Infinity War Batman: The Dark Knight Rises Batman: The Killing Joke Batman: Mask of the Phantasm Batman V Superman: Dawn of Justice Bounty Hunters Cabin in the Woods Captain America: Civil War Captain America: The First Avenger Captain America: The Winter Soldier Christmas Eve Clash of the Titans (1981) Clint Eastwood 11-pack Special The Condemned 2 Countdown Creed I & II Deck the Halls Detroit Rock City Die Hard Dredd The Eliminators The Equalizer Dirty Work Faster Fast and Furious I-VIII Field of Dreams Fight Club The Fighter For Love of the Game Good Will Hunting Gravity Grunt: The Wrestling Movie Guardians of the Galaxy Guardians of the Galaxy Vol 2 Hell Comes to Frogtown Hercules: Reborn Hitman I Like to Hurt People Indiana Jones 1-4 Ink The Interrogation Interstellar Jay and Silent Bob Reboot Jobs Joy Ride 1-3 Last Action Hero Major League Man of Steel Man on the Moon Man vs Snake Marine 3-6 Merry Friggin Christmas Metallica: Some Kind of Monster Mortal Kombat Mortal Kombat Legends: Scorpions Revenge National Treasure National Treasure: Book of Secrets Not for Resale Pulp Fiction The Replacements Reservoir Dogs Rocky I-VIII Running Films Part 1 Running Films Part 2 San Andreas ScoobyDoo Wrestlemania Mystery The Secret Life of Walter Mitty Shoot em Up Slacker Skyscraper Small Town Santa Steve Jobs Source Code Star Trek I-XIII Sully Take Me Home Tonight TMNT The Tooth Fairy 1 & 2 UHF Veronica Mars Vision Quest The War Wild Wonder Woman The Wrestler (2008) X-Men: Apocalypse X-Men: Days of Future Past

#random movie #The Wizard #fred savage #luke edwards #jenny lewis #todd holland #christian slater #beau bridges #ken topolsky #david chisholm #jackey vinson #steven grives

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