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pinkandbluebracket · 1 year

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Introducing... The Pink and Blue Bracket!

Round One will be broken up into four parts for organization purposes. The following rounds will be split between Side A and Side B (with the exception of the finals/semifinals which will be released all at once)

As of April 29th the bracket has concluded.

The full list of competitors (and sources) can be found below the cut:

🌸Side A

-Amy and Sonic (Sonic) -Megurine Luka and Hatsune Miku (Vocaloid) -Kirby and Meta Knight (Kirby) -Princess Peach and Rosalina (Mario) -Mabel and Dipper Pines (Gravity Falls) -Susie and Lancer (Deltarune) -Jessie and James (Pokémon) -Howl Pendragon and Sophie Hatter (Howl's Moving Castle) -Hilda Valentine Goneril and Marianne Von Edmund (Fire Emblem Three Houses) -Madoka Kaname and Sayaka Miki (Puella Magi Madoka Magica) -Cure Black and Cure White (Futari Wa Precure) -Mew Ichigo and Blue Knight (Tokyo Mew Mew) -Perfuma and Mermista (She-Ra and the Princesses of Power) -Nazuna Hiwatashi and Michiru Kagemori (Brand New Animal) -Charlotte and Tiana (The Princess and the Frog) -Rapunzel and Cassandra (Tangled Series) -Sakura Haruno and Sasuke Uchiha (Naruto) -Saiki Kusuo and Kaidou Shun (The Disastrous Life of Saiki K) -Amitie and Sig (Puyo Puyo Fever) -Hinata and Yuta Aoi (Ensemble Stars) -Momoi Airi and Hinomori Shizuku (Project SEKAI) -Ram and Rem (Re:Zero) -Trans Flag (Pride Flags/Real Life) -Sylveon (Pokémon) -Unikitty and Puppycorn (Unikitty!) -Yin and Yang (Yin Yang Yo) -Murray and Sly Cooper (Sly Cooper) -Piglet and Eeyore (Winnie the Pooh) -Blossom and Bubbles (The Powerpuff Girls) -Webby Vanderquack and Dewey Duck (Ducktales 2017) -Magenta and Blue (Blue's Clues) -Angel and Stitch (Lilo and Stitch)

💙Side B -Roxy Lalonde and Jane Crocker (Homestuck) -Max Caulfield and Chloe Price (Life is Strange) -Vi and Jinx (Arcane) -Allura and Lance (Voltron) -Pinkie Pie and Rainbow Dash (My Little Pony) -Princess Bubblegum and Finn the Human (Adventure Time) -Chrissy and Francine (Animal Crossing) -Satsuki Momoi and Daiki Aomine (Kuroko no Basket) -Asmodeus Alice and Iruma Suzuki (Welcome to Demon School Iruma-kun!) -Cure Blossom and Cure Marine (Heartcatch Precure) -Yae Miko and Kamisato Ayato (Genshin Impact) -Yuki Rurikawa and Muku Sakisaka (A3!) -Rozaliya and Liliya Olenyeva (Honkai Impact 3rd) -Natsu Dragneel and Gray Fullbuster (Fairy Tail) -Martha Dunnstock and Veronica Sawyer (Heathers) -Sasha Waybright and Anne Boonchuy (Amphibia) -Lewis Pepper and Vivi Yukino(Mystery Skulls) -Queen of Hatred and Knight of Despair (Lobotomy Corporation) -Heartful Punch and Undine Wells (Sleepless Domain) -Pretzel and Gillion Tidestrider (Just Roll With It) -Pink and Blue Diamond (Steven Universe) -Stephanie and Sportacus (LazyTown) -Yona and Hak (Yona of the Dawn) -Ami Onuki and Yumi Yoshimura (Hi Hi Puffy AmiYumi) -Anais and Gumball Watterson (The Amazing World of Gumball) -Annalise and Erika (Barbie: Princess and the Pauper) -Flora and Bloom (Winx Club) -Lala and Kiki (Sanrio) -Five Pebbles and Looks to the Moon (Rain World) -Bot and Goo (Inanimate Insanity) -Pink and Dark Blue (Animator vs Animation) -Pink and Blue Crewmate (Among Us)

#character bracket #character poll #character tournament #tournament #duo bracket #pink and blue #pink #blue #oh boy #I am. Not. tagging all those characters

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kylesvariouslistsandstuff · 3 months

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Long post warning, because I should use them more often:

I've been kinda buried, typical of me when it comes to the seemingly-biweekly hyperfixation, in the early 2000s Disney animated movies. Namely the pre-CHICKEN LITTLE movie, prior to the studio's switch to a future in CG movies. (With the encore of pair of PRINCESS AND THE FROG and the 2011 WINNIE THE POOH along the way.)

And I noticed, a lot of them, including a few non-Disney animated films from the period, have an almost deliberate "old-fashioned" bent to them. Now, Disney was never a stranger to period pieces when it came to animated features. Outside of the fairy tale and fantasy films set in dream-like worlds, places that exist in irrealities inspired by the real world and their respective source materials, you had more than enough films set in actual identifiable real-world places in past time periods.

For example, before going to straight-up dream worlds, ALICE IN WONDERLAND and PETER PAN from the early 1950s are clearly set in England. The former, Victorian-era England, the latter Edwardian. LADY AND THE TRAMP is somewhere in the Midwest, turn of the 20th century. It's in a state where the Baltimore & Ohio Railroad ran through, for sure, as you can see a logo for it on a train car in the film. (Sidenote/tangent: The direct-to-video sequel, SCAMP'S ADVENTURE, seems to suggest that the town Lady and Tramp live in is actually in New England... But the B&O Railroad does not run through any New England region state. The furthest to the East it goes is New York state. It's possible that the writers saw Jim Dear nailing a Yale flag to the wall in the original movie, and assumed it was set in Connecticut. And the DTV movies are an EU sort-of situation when it comes to these movies.)

So those are three 1950s examples, you also had THE ARISTOCATS being explicitly set in 1910 Paris, THE FOX AND THE HOUND appears to be set down South right around that time. '90s Disney had plenty, too: BEAUTY AND THE BEAST, POCAHONTAS, THE HUNCHBACK OF NOTRE DAME, MULAN, TARZAN, to name a few. HERCULES goes to ancient Greece and mythology, ALADDIN is set in a fictional Arabian city, that one I feel is more on the dream-world level of - say - SNOW WHITE or LITTLE MERMAID, where the setting/time period isn't quite written out. This is why I don't tie myself in knots trying to determine where and when THE LITTLE MERMAID takes place. It's literally an amalgamation of different European and tropical locations, inspired by a story by a Danish author, and it has a Caribbean crab in it.

But no, early 2000s Disney is more specific than not! DINOSAUR is obvious, THE EMPEROR'S NEW GROOVE is set in ancient South America (its Incan Empire setting originally had much more bearing on the story back when it was KINGDOM OF THE SUN, the movie that had gotten thrown out that this replaced), ATLANTIS: THE LOST EMPIRE takes place in 1914 - starting in Washington D.C. and then largely being set below the Earth thereafter, LILO & STITCH is present-day Hawaii, BROTHER BEAR is a post-ice age Pacific Northwest, and HOME ON THE RANGE is clearly set in Malaysia in 2177 A.D.

All joking aside, it's almost a string of movies like that... Except TREASURE PLANET, which is set in a fictional galaxy, full of fictional planets, and no sign of Earth, much like the STAR WARS universe. Yet, TREASURE PLANET's cosmic setting is 1800s pirates/high seas aesthetic meets spaceships and high-tech. After all, it *is* Robert Louis Stevenson's TREASURE ISLAND, a story dating back to 1881 as a serialized adventure before it was made into a complete novel two years later. Just take out 1800s Europe.

Now, at one point, the 2004 release of HOME ON THE RANGE was going to be followed by a movie called A FEW GOOD GHOSTS, which was once known as MY PEOPLES. This project went through several title changes over time... A 2D/CG hybrid that was a magical Appalachian love story involving ghosts that was to be set in the 1940s. The movie would’ve probably been released in the summer of 2005 if all had gone well, as it was to go full-steam ahead by the time of its cancellation in November 2003. By that point in time, Disney execs had long made up their minds about 2D animation, and because this was to be made by the Florida unit… Well, BROTHER BEAR didn’t meet expectations at the box office out of the gate… No more Florida unit, no GOOD GHOSTS…

What a lot of these movies have in common is that they, as mentioned earlier, are seemingly much more old-school than the animated movies of the '90s *and* their CGI contemporaries.

The majority of these movies were released during the years when a new CGI movie was - 99% of the time - pretty much an audience hit by default (SHARK TALE and CHICKEN LITTLE individually outgrossed LILO & STITCH, for example), and that definitely hurt the perception of hand-drawn 2D animated feature films. It's been written over and over, so much theorizing as to why the majority of these movies failed to connect with audiences the way the newest Pixar or DreamWorks CGI film did... And sometimes, I look at some of this cluster of movies and I can only notice how weirdly out-of-time they are… Either too late to the party, or there well before it's even planned. Like, years in advance.

As such, most of these movies became cult favorites of the few people who did see them back when they first came out or when they debuted on home video. These fans are all in their 20s now, at the highest. Yesterday's flops, today's "what? This movie SLAPS! How did it lose money at the box office?”

The majority of the CGI movies made in the late '90s/early '00s are thoroughly modern in some way or another. If it's not the setting, then it's the attitude. SHREK, for example, is set in a mishmash ye olden dayes fairy tales & nursery rhymes Europe (the first PUSS IN BOOTS movie further confirms this, being explicitly set in Spain), but everything else about it is as late '90s/early '00s as you can get. ICE AGE… Literally in the title, yet the comedy and writing rings more Looney Tunes and modern humor. I was turning 10 when ICE AGE came out, so I was aware of what the sorta-kinda general attitude was circa early 2002. The humor in the movie matched that; it was cool for an adult in their 20s to check out the talking prehistoric animals cartoon and quote it.

Pixar is kind of out of the question, well, this particular early run of Pixar movies. The TOY STORY movies, A BUG'S LIFE, and FINDING NEMO all clearly take place in the present. Timeless present-day settings, where it's modern enough but not too much to date the movie in question. (How 'bout that line in BUG'S LIFE about "the twig of '93"?) MONSTERS, INC. is set in a fantasy world, but that too is modern day, what with the cars and technology and every other detail. Boo doesn't walk in out a 1930s human world, haha.

When it comes to pre-2005/06 Pixar, the one exception in this criteria is THE INCREDIBLES, which is set in a retro-futuristic 1960s whose technological advances are informed by the presence of superheroes in that world. And yet, it's not a movie that feels out of time, old-timey, dated. It uses the '60s influences to enhance, rather than trap the storytelling. It’s also curiously not set in any specific American location - much like TOY STORY 1 & 2, and A BUG’S LIFE. In comic book tradition, it’s set in the fictional Municiberg, which I can only surmise is somewhere on the West Coast. CARS and RATATOUILLE and UP, afterwards, would go back to present-day. WALL-E, the far future. BRAVE, in 2012, would be Pixar's first real period piece, a fantasized medieval fairy tale Scotland. That was their 13th feature…

And yet, there’s an air of nostalgia for a past decade in pretty much the majority of these earlier Pixar films… Which is a deep dive for another day, and others have already looked at that sort of thing. But, a lot of the movies made by the TOY STORY alumni (John Lasseter, Pete Docter, Andrew Stanton, Lee Unkrich) in particular are very much rooted in the directors’ late ‘50s/early ‘60s upbringings… But not in a way that renders them "corny". At least, to audiences circa 2002, that is.

The 2000s, in general, were a much different time anyways. And it just wasn't the appropriate era to release a small cluster of old-timey movies. Made in what was seemingly perceived as an old and outdated medium, when 3D environments and characters were WOWING people left and right. I can see why most audiences just didn't take too well to a Jules Verne-style animated adventure that was probably - with its PG rating - too silly for anyone over the age of 10 looking for an action movie. Nor a very classic adventure movie-style space epic. Nor a cartoon Western that literally *looked* like a lost vintage Disney cowboy cartoon a la the 'Pecos Bill' segment of MELODY TIME and EVERY COWBOY NEEDS A HORSE. Nor a familiar wilderness adventure movie that recalled '90s "new age" vibes. If the Appalachian folk musical had come out when intended, I suspect it too would've been rejected for similar reasons.

It's no surprise that LILO & STITCH, set in the modern day and not at all old-fashioned like that, was the lone box office success here and - for a brief while - a major phenomenon once it was on video. THE EMPEROR'S NEW GROOVE is snappy and modern and energetic, but that was impacted by its troubled production and the studio just dumping it. Its ludicrous legs at the box office and later video sales would prove that, people actually really liked that movie. The few people who saw it, that is. If it had been backed with a better campaign, that would've probably been Disney Feature's biggest movie since THE LION KING.

But it's those four movies... ATLANTIS, TREASURE PLANET, BROTHER BEAR, and HOME ON THE RANGE, that form this unique grab-bag. One that also includes DreamWorks' fairly edgy 2D-animated period adventures released around them, THE ROAD TO EL DORADO, SPIRIT: STALLION OF THE CIMARRON, and SINBAD: LEGEND OF THE SEVEN SEAS. All of those lost money, too.

And they told these stories in ways that were incongruous with the times, when audiences wanted farting ogres and silly sloths and wacky Ellen DeGeneres fish. Maybe they all would've done better as thoroughly-CGI movies, maybe not… But it's a weird vibe across the films that I’ve noticed over the years. Quaint, in a way. Maybe it was “cringe” or whatever in the moody and edgy early 2000s, but today - with so much time having passed and the world ever-changing - it’s all rather charming.

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totallycorrectsailormoonquotes · 24 days

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Ami: Usagi's very soft-hearted. Rei: Soft-headed if you asked me.

#sailor moon #incorrect sailor moon #ami mizuno #rei hino #source: the new adventures of winnie the pooh

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incorrect90snicktoonquotes · 7 months

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Squidward: Might as well face it: I'll probably spend the rest of my life in Bikini Bottom... Patrick: Yeah, but look on the bright side, Squidward: maybe you won't live that long!

#spongebob squarepants #incorrect spongebob squarepants #patrick star #squidward tentacles #source: the new adventures of winnie the pooh

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timelesstimesgoneby · 1 year

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Timeline Settings Disney Animated Canon Fantasia: Rite Of Spring 65,000 BCE Brother Bear 10,000 Bc Atlantis The Lost Empire 7000 BC Fantasia 2000: Pomp And Circumstance 1800 BCE Firebird Suite 1590 BCE Fantasia: The Pastoral Symphony) 1277 BCE Hercules 1179 Bce The Lion King 1178 Bce Moana 984 Bce Maui Gone Fishing short 984 Bce Ye Olden Days short 800 A.D. The Sword In The Stone 400s The Sword In The Stone 400s The Black Cauldron Dark Ages 570 Fantasia The Sources Apprentice 740 Aladdin 800s Fantasia Night On Bald Moutian 1025 Robin Hood 1194 Sleeping Beauty 1300s The Hunchback Of Notre Dame 1482 The Emperor's New Groove -1500 Snow White And The Seven Dwarfs Early 1500s Pocahontas 1607 Fun And Fancy Free: Mickey And The Beanstal 1734 Beauty & The Beast 1770s The Adventures Of Ichabod 1790 Melody Time: The Legend Of Johnny Appleseed 1795 Tangled 1820 50th Anniversary Animation Countdown short 1820 Frozen 1820 Tangled Ever After short 1841 Melody Time: Pecos Bill 1858 Alice In Wonderland 1862 Fantasia 2000 The Steadfast Tin Soldier 1865 Cinderella Mid 1860s Home On The Range Mid 1875s Fantasia Dance Of The Hours 1876 Tarzan Mid 1882 Disneypedia Living In The Jungle short 1882 Pinocchio 1883 Make Mine Music: The Martins And The Coys 1885 Make Mine Music: The Whale Who Wanted To Sing At The Met 1886 Make Mine Music Casey At The Bat 1888 Make Mine Music Johny Fedora And Alice Bluebonnet 1889 Melody Time Once Upon A Wintertime 1890 The Little Mermaid Mid 1890s Fantasia Nutcraker 1892 The Jungle Book 1893 Basil The Great Mouse Detective 1897 So You Think You Can Sleuth short 1897 Peter Pan 1900 Mr Toad 1906 Lady & The Tramp 1908 The Aristocats 1910 Atlantis The Lost Empire 1914 Fantasia 2000 Pines Of Rome 1924 The Many Adventures Of Winnie The Pooh 1926 Winnie The Pooh And A Day For Eeyore Short 1926 Mini Adventures Of Winnie The Pooh Short 1926 Winnie The Pooh 1926 The Ballad Of Nessie Short 1926 Get A Horse Short 1928 Fantasia 200 RHAPSODY BLUE 1932 The Flying Mouse short 1934 "The Band Concert short 1935 " Make Mine Music Peter And The Wolf 1936 Make Mine Music Blue Bayou 1936 "Elmer Elephant short 1936 " Thru the Mirror short 1936 Three Blind Mouseketeers short 1936 The Old Mill short 1937 Farmyard Symphony short 1938 The Brave Little Tailor short 1938 Paperman Short 1940 "Lend a Paw Short 1941 " Dumbo 1941 Fun And Fancy Free Bongo 1941 The Reluctant Dragon short 1941 Saludos Amigos 1942 South Of The Border With Disney short 1942 Bambi 1942 Symphony Hour short 1942 The Three Caballeros 1944 Make Mine Music All The Cats Join In 1946 "A Knight for a Day short 1946 " Bath Day short 1946 Melody Time Little Toot 1948 "Pueblo Pluto short 1949 " "Puss Cafe short 1950 " "Lambert the Sheepish Lion short 1951 " Donald Applecore short 1952 Water Birds short 1952 "Trick or Treat short 1952 " Don's Fountain of Youth short 1953 Casey Bats Again short 1954 Grand Canyon short 1958 101 Dalmatians 1961 Rescuers 1-2 1970s inner workings short 1980s The Fox & The Hound 1981 Oliver & Company 1988 Fantasia 2000: The Carnival Of The Animals 1999 Lilo & Stitch 2002 Chicken Little 2002 Easter Egg Runt On The Litter short 2002 Easter Egg Foxy Loxy Short 2002 Meet The Robinsons 2007 Keep Moving Forward Invention short 2007 Bolt 2008 Super Rhino short 2008 Wreck-It Ralph 2012 Big Hero 6 2014 Feast short 2014 Tokyo Go short 2014 Zootopia 2016 Wreck-It Ralph 2 2018 Meet The Robinsons 2037 Treasure Planet 10000000000000000000...

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