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candypalace · 19 days

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Translation: the GazettE/Decade Book (Reita&Uruha Interview Snippet)

Hello friends, long time no see. A while ago I translated a part of the Decade Book interview section where Reita and Uruha talk about their indie days for my friends and promised I'd do the whole thing one day.

Posting this piece ahead of the full interview to appreciate the bond the guys had with each other, and, in a way, thank them for not giving up.

scan credit: @rad-is-more

REITA : … I don't really think about the roles within the band, but each of us has a natural role, and I think that's why we've been able to exist for more than 10 years. Um, well, I kinda don't want to talk about this embarrassing stuff…

URUHA: You're embarrassed?! I really don't think it's embarrassing?

REITA: No-no, it’s not like that! I don't think I'm ashamed of what I'm saying, it’s more like when I say it out loud, it makes me feel a little awkward.

URUHA: Aah, so that's what you meant (laughs).

REITA : I think for all five of us the GazettE is very important. Even though me and Uruha first started a band as “a continuation of child's play”, we thought: “I want to take things seriously”, but still those bands didn't last long and always broke up after a few months.

URUHA: I guess that's true. Before we became the GazettE, we played with a band called Kar+te=zyAnose, where Ruki was also the vocalist. The drummer did not even show up for our breakup show, and when we announced “We’re disbanding today”, we heard a faint laugh from the audience. It was a real shock, wasn’t it? It was also the moment when my groundless confidence that made me think “We’re absolutely badass!” collapsed with a loud crash.

REITA: Indeed. It was TOUGH at the time. I guess it is precisely because of that experience that I am so happy to be able to celebrate 10 years with the current members of the band. It is also precisely why I cherish the relationship between the five of us now.

URUHA: That's so true. Before the GazettE settled down, me, Reita and Ruki also played together in bands called Ma’die Kusse and L’ie:Chris before Kar+te=zyAnose. It took us a long time to reach the GazettE.

— You never gave up, did you?

REITA: No, I gave up once! I thought there was nothing next for me. But honestly, I'm glad I didn't quit! (laughs)

URUHA: It’s because me and Ruki desperately tried to stop you, m?

REITA: Really, thank god you did. But back then, I couldn't see the future at all. Even my parents said “Giving up someday is also brave”. There were many times when I wondered “Is now the time?”. When I saw all my friends around me getting jobs and having families and stable lives, I thought maybe this was also a way to happiness. Still, I decided for myself “I’ll try to do my best for one more year”, and it was during that year that the GazettE was formed. I really think it was fate.

URUHA: But it was difficult, right? We didn't have many shows, and we couldn't tell if we saw the future.

REITA: Yeah. If the GazettE had not continued with the current members, I really would have quit.

#the gazette #reita #uruha #interview

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black-arcana · 19 days

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the GazettE members says farewell to Reita

With the passing of Reita, the members of the GazettE have shared their heartfelt and heartbreaking farewells to the brightest bassist out there, Reita.

In the farewell messages, the members make mentions of the “forever” that Reita wished for, referring to Reita’s last tweet posted the day before his passing.

Reita’s last tweet: “I hope that the GazettE lasts forever”.

In our translations below, we tried to keep the messages as faithful to the original source as possible, taking into account nuances such as vocalist Ruki’s use of hiragana for “Reita” (れいた), and the other members’ use of “REITA” in capital letters, and more.

Please read every word that the members had to share.

Vocalist Ruki

I think the meaning of what [Reita] posted at the end, “I hope that the GazettE lasts forever”, is that he wanted to be able to see that amazing view from the stage in 2023—the view that he saw with his own eyes—for the rest of time. That view he saw together with you, the fans. Your happy faces. That place where all of us raised our voices together. That wonderful, irreplaceable treasure. I think that he thought it would be wonderful if that moment would last an eternity. I remember you saying that you wanted to play a show soon. “Even when I’m having a hard time, getting together with my band members like this and laughing is when I’m having the most fun”, he was the type of kind, passionate guy, who even after becoming an adult could say this with total honesty. I loved that honesty. We even joked around about taking care of our health this year, just like we did every year on our birthdays. This band will never be a 4 member thing. No matter what anyone says. You’re the only bassist for us. I know your soul is always going to be there on my right-hand side. Nobody will be able to see it, but we’ll feel it. That proof of life that you built with the GazettE will live on. That’s what I believe. That you’ll always be beside me as I keep singing, Reita. We’ll never become something that you’d hate. I don’t want to make you sad. Humans lives are finite, but I think the soul remains. Your soul will live on, in us, in me, in our fans. I want to keep playing shows that will make those I love want to come back and play, even when they’re just souls. Because all of our fans are here for us, we can create that view he wanted to see and keep him here with us forever. So please stay by my side from here on out, too. I know he’d like it best if you remembered him with a smile, and how amazing he was, instead of being sad when you see him. We’ll be more than ready to look after this band from here on out. We’ll show you that “forever” you wished for, Reita. So make sure you come down from heaven for every show, okay? We’ll always have a seat for you. Things are going to get really busy from here on out. Once we’ve settled on a schedule, I’ll contact you again.

Guitarist Uruha

To all the fans who supported REITA until now, I think he was a huge source of support for everyone, including myself. I still can’t accept that he’s not here, that we won’t be able to stand on stage together again. I think there’s going to be a lot of things I’ll come to understand slowly over time. But drowning in sorrow forever won’t let us bring his wish to see “forever” to life, and I deeply feel that I need the strength to keep moving forward from here on. I also think that the road we paved with him to get here is irreplaceable, and I think we all want to keep that alive inside of us in the future. He gave us so much, and stood by our side for so long, and now and forever, he will be one of my closest friends. Please keep all the words, the memories, and the love for everyone that he gave us in your hearts. REITA will live on in our hearts. Thank you, from the bottom of my heart, for always supporting the GazettE and REITA in more ways than one.

Guitarist Aoi

Out of all the things and all the work I’ve had to do with these members and our small team of staff, this is the only one I haven’t wanted to do. There was a time in the past when I considered giving up on my dream. Back then, after so many discussions, and some encouragement, the other members managed to convince me not to give up. That’s the kind of band we are, and that’s how the GazettE came to be where it is. REITA, you’re not the type of person who wishes for eternity. You’re the type who is eternal. To someone like you, I can’t say something clever like “I’ll carry the weight of your burden too”. I wanted to make more music with you, and see so much more together. No matter where or what, if it’s all 5 of us and our fans are there, it would be amazing. It’s so painful, having all these things I want to say and knowing none of them will come true. Anyway, when I make my way over there, I’m going to give you a stern talking to. You must be sad that we’re suddenly not around anymore, but just rest up until we meet again. I have a little more that I need to do on this side first. Thanks for coming all this way with us. Rest in peace.

Drummer Kai

REITA was such a huge presence to me, more than I can even know. All the words, saving me with sound, the mood maker of the band; really, I have so many truly wonderful memories of him, but most of all, his brilliant appearance when he was on stage. He was the best partner anyone could ask for in the rhythm section, truly one of a kind. That hasn’t and will not change. I want to carry his memory with me, and be more determined than ever to continue the GazettE. Lastly, to all our fans and associates who have supported us throughout these 22 years, Thank you. I want to keep running forward, all 5 of us, and hope you’ll stay with us. REITA. Rest easy. Thank you. Just like always, with everyone by our side, we’ll keep the GazettE alive. I promise. I don’t want those 22 years of yours to be wasted, and there are plenty of others who don’t either. Make sure you show your face at our shows! Let’s drink the good stuff together again sometime, okay?

We tried to get these message ready for you as soon as possible, but reading through them was extremely emotional and difficult for us.

While we understand that for most, this might not provide any real closure, but we hope you were able to grasp the sentiment and genuine emotions that the members shared.

As fans, we will continue to protect that “forever” too, Reita. Please rest assured.

#the gazette #ruki #uruha #aoi #kai #reita

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taka-chan · 19 days

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thank you for constantly keeping Uruha on his toes♡

#the gazette

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chiki-chiki-ahh · 19 days

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April 17th member messages

I managed to get the post translated by a native speaker for better accuracy and less meaning getting lost by google translate being confused by idioms and such.

I believe that we, international fans, deserve to get the same closure.

RUKI

At the end, he said, "I want the GazettE to be eternal."

What did he mean by eternity?

I think he hopes that the view that Reita himself saw from the stage in 2023 will continue forever.

The view he saw with his fans.

The happy faces of his fans.

The view where we could all shout together.

That is a treasure that can't be replaced by anything else.

I think he wanted those moments to last forever.

I remember him saying he wanted to perform a concert as soon as possible.

Even now as an adult, he was a kind and passionate man who could honestly say, "Even when I'm having a bad day, I have the most fun when I get together with the band members like this and laugh."

He was a kind and passionate man who could honestly say that.

I loved that honesty.

We used to jokingly tell each other every birthday that we should take care of each other's health every year, and this year is no different.

The band will never be four people.

No matter what anyone says.

You're the only bass player in our band.

I believe that [your] spirit will always be right next to me.

You can feel it even if you can't see it.

The living proof that you've built up the GazettE up until now will never disappear and will always live on.

I believe that, and I want to make sure that the soul of the GazettE is right next to me.

I'll keep singing next to you so that your spirit can be right next to mine.

I will never become the GazettE that Reita hates.

I won't make you feel sad.

I believe that we all live in a finite world, but the soul is something that never disappears.

Reita's soul, the members' souls, mine.

And the fans.

I want to continue performing in such a way that everyone who loves me [/ us] like this will want to come to the stage forever, even if they become just souls.

Therefore, only with each and every one of our fans we can create the view that he wished would be eternal.

That's why I want things to remain unchanged and him to remain there.

Rather than people looking at him and being sad, I think he would want people to remember him as being great.

We are more determined than ever to protect this band.

We'll make the eternity Reita wished to come true.

So, Reita, come to our gigs from heaven every time without hesitation.

Your spot will always be there.

We're going to be extremely busy from now on.

I'll contact you again when the schedule is fixed.

URUHA

To all the fans who have supported Reita so far,

He has been a tremendous support for everyone and for me.

I myself have not been able to accept the fact that he is no longer with us and that we will not be able to stand on stage together.

There may be many things that I will gradually come to understand in the future.

I strongly feel that I need to have the strength to look forward and move forward now, because if I remain in sorrow, I will not be able to fulfill his wish for eternity.

And I believe that the path he has taken with everyone so far has been invaluable to him, and I think it will live on in everyone's and my heart for a long time to come.

He has given so much and has been with us for so long that he is and will forever remain our best friend.

Please keep all the words, memories and love he left behind in your hearts.

Reita will continue to exist and live on in everyone's hearts.

We would like to thank everyone who has supported the GazettE's Reita so far.

AOI

For a long time now, the members and a few staff have been doing a lot of different jobs, "this and that", but I wanted to do anything but write this.

There have been moments in the past when I felt like giving up on my dream.

Each time, we discussed it again and again, and sometimes we pushed our backs [and supported each other] so they wouldn't give up.

It was because we were such a band that the GazettE was able to keep going without stopping.

Reita, you are not the one who should wish for eternity, you are the one who is supposed to connect eternity.

I can't say to you, "I'll carry the burden [of connecting the eternity] for you", that's not a cool line.

I wanted to play more music with you, I wanted to see more of the world with you.

Any view is great when you see it with us five, surrounded by fans.

I don't know, there are so many things I want to say, but it's just too painful that none will be a reality.

Anyway, when I go over there, I'm going to start scolding you. I know you'll miss us since we're suddenly gone, but until then, just rest up.

I have a few more things to do over here.

Thank you for walking this long road together. Please rest in peace.

KAI

For me, Reita is an immeasurably big presence, I was saved by many of his words and sounds, he is the mood maker for the band, and all I can remember is how much fun he is, and above all, how he shined on stage.

He is our best and only rhythm partner.

That has never changed and will never change.

I will continue to carry his thoughts on my shoulders and continue the GazettE with even greater determination.

Finally, to all the fans and everyone involved who have supported us for 22 years.

Thank you very much.

And from now on, we would like to continue to run with the five of us without changing our thoughts and feelings.

Reita,

Thank you for your hard work.

I will continue to protect the GazettE with the same feelings and many friends… I promise.

I don't want those 22 years [with you] to be in vain, there are a lot of friends that are waiting for us.

You should definitely show up at the gigs too!

Let's have a good drink again.

#the gazette #reita #the meaning remains the same for the most part but there were parts that raised confusion or some speculations #with that i'm logging off again

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jrockmagazines · 12 days

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<Uruha> about memorial

The only words that REITA left for the fans and the members were, "I hope the GazettE will be eternal."

We thought long and hard about how to respond to REITA's feelings for his fans and members until the very end, and we have come to the conclusion that we will hold a memorial concert titled "HERESY LIMITED "SIX GUN'S"" at Toyosu PIT on May 27th.

After discussing all the determination and resolve that led to this decision, the four remaining members have solidified their resolve to stand on stage on this day.

Only a short time has passed since he passed away, but rather than letting time heal our wounds, we want to devote the rest of our lives to continuing to create a place where we can vividly color REITA's memories with our fans, without letting them fade even a little.

When I think about the feelings of all the people who care about REITA, I cannot predict their respective feelings about "LIVE".

However, when the members were just talking, they always got excited about silly things, and on stage he played the bass like crazy, captivating the fans, and above all, REITA himself said that "I feel alive," and this is the stage that the GazettE has been performing on for the past 22 years.

I can't say that I want everyone to accept everything and participate in the live shows, each person has their own way of accepting things.

No matter how long it takes, when they eventually accept it and move forward, I think that the only thing the four remaining members can do now is to continue to protect a place that anyone can return to at any time, and that this is their mission.

I even think that the reason we were able to hold Toyosu PIT on this day, with no time to spare, was because God allowed REITA to say his final goodbyes.

I believe that REITA's soul will definitely come down to Toyosu PIT on 5/27 and come to tell everyone thank you.

I believe that if we can all tell him our feelings and gratitude directly at that time, he will feel at ease and come down to the stage again in the future.

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2goldendarkness · 14 days

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I usually reblog, rather than make my own posts, but seeing everyone in the gaze community deal with their grief by writing things down has given me some courage to do the same. I hope it will help me in my grieving process and i hope to help everyone who does relate to what i write. So this will be my farewell letter.

Dear Reita,

I got the news seven days too late, like how it usually is for me coming into a fandom.

I became a fan about 8 years ago, i was doing a creative education as a designer, listening to random music on Youtube with autoplay. Suddenly i found Red, the first song that got me into the Gazette, i was glued to my screen and intrigued with the looks of all members. But why the hell was that one guy wearing a band around his nose? I needed to get into it. So i did.

The gazette then became my first and favorite Visual kei band, i’ve been trough a lot in my life and whenever hardship struck me, there was always an interview that would make me laugh. When i had boring days in school we even played a game, my friends would ask me “why is he covering his nose?” And i would make up the weirdest stories on the spot. That resulted in some charms with titles like ‘reita and the smelly drummer.’ And ‘reita the drugs dealer.’ It varied from poking fun and making up the stupidest thing, to making you some cool guy who fought bad guys. It would always make us laugh, even though, i was making up these stories to friends who weren’t even necessarily in the fandom, because everyone who saw you once, knew your name and so knew who you were.

I wrote fanfiction, many in where you play a big part of the story, not as a love interest, but as a brother of a character based off of me. All because you once said in a radio show that you feel like you’d be a great older brother, hell did i take you up on that one.

I never got to see The Gazette live, i used to curse you all for skipping my country and forcing me to travel for 5 hours to see you all. In 2018 i was almost at that point, but i couldn’t go because of my exams and because i had no friends who wanted to come with me. I always promised myself: one day, i will see them.

It hurts me to realize that day will never come, at least you won’t be there anymore. I accidentally open instagram, and find a grief post written by Hiroto of Alice nine, in the hashtags your name. Shock, that’s the first thing i felt. I must be going crazy. But next up was Miyavi’s post and as i read that it slowly starts downing upon me, my heart sinks to my stomach and a lump forms in my throat as i rush to jrocknews to confirm they aren’t just playing a sick joke.

I start crying like most of the sixth guns, but only after i start reading the members messages. Why am i crying? We’ve lost a talented bass player who inspired so many people to also start making music. The world lost ‘the world’s Reita’ who was always poking fun at the drummer. The bookstores lost their most unexpected romance buyer. Many lost their source of love and joy. I’ve lost my fictional brother.

But most importantly, your actual family lost a loving family member who bought his mother an entire house to repay her for raising him well. The Gazette lost a member. Kai lost his fear during interviews of whatever you are going to say next. Ruki lost being in your personal space no matter how big the dressing room. Aoi lost the person who’s jokes he could laugh the hardest about. Uruha lost his longtime best friend, and now can no longer feel your heart racing before the show, nor can he feel your hand searching for his heart.

I hope everyones feelings reach you, i hope that whichever way you passed, was peaceful and without pain. I hope that whenever it is our time, you come in your mustang to pick everyone up. Usually as a driving instructor i call shotgun, but i’ll leave that space to your close relatives. That way i can’t judge you for turning around while parking, rather than using your mirrors.

Thank you for everything Reita, you will never be forgotten. Once my grief is gone, i promise to remember you with a smile rather than cry. I also promise to be a fan of The Gazette no matter what they decide to do now you’re gone.

And to whomever read my entire message, thank you for reading this unhinged post.

#rip reita #personal #the gazette

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aois-amaterasu-painting · 1 month

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Interpreting the symbolism of The GazettE - part 2 - The Guitars

When I 1st saw pic1 I thought - it's the Yin-Yang guitars! The way Aoi is holding his makes no sense otherwise. And when I got to read the interview translation from pic2, Kai pretty much confirmed it for me:

"Kai: Aoi is a very skillful musician, he absorbs everything around him, letting it go through himself and then gives it out, without pretence, with his own sound."

Indiscriminately absorbing all the feelings is the most textbook definition of Yin.

Yin is the feeling, the subjective, absorption, the darkness & the negative (and we will get to what negative means further in the article, spoiler - it's not "bad").

And Aoi says things like this: "Actually, I don’t think (*laughs*). Nah, the truth is I feel." (It's from Guitar Book interview where he is with Uruha and yet again holding his guitar upside down)

The way they are styled - Aoi always in black, flowy outfits that merge with shadows and Uruha always light and flashy. Even when whole band is dressed in black, Uruha is wearing something white or uses a white guitar.

All of Aoi's guitars are black. The snake skin textured one always makes me think of Ouroboros, one of the oldest and most popular symbols of transformation and occult (hidden) knowledge.

Uruha's real name is 広揚 Kouyou. The 2nd kanji is literally Yang and the name translates to something like "immense sunlight"

The rhythm and lead guitar correspond really well to Yin-Yang as well. Rhythm being the darkness that let's the stars (lead guitar) shine.

More from the Guitar Magazine (September 2015) interview translated by @mizmyerz :

"Kai: Uruha is a type of a musician who’s going by touch - he experiences an internal conflict, fixates on it and thus the new sound is born. Reita: I think they both work hard to improve oneself. It’s so interesting to observe how they become similar at one point and then go in reverse at another. Kai: To me, at the very beginning neither of them had his own unique sound, but they were able to find and express it thanks to one another. Ruki: Uruha is very meticulous, prone to theoretical thinking. Aoi is serious and more realistic. Reita: Uruha first thinks of an image and then develops a theory based on it. Aoi's reasoning is very realistic, he always, let me say it, hits the core."

...

But let's dig deeper and talk about DOGMA album.

From the Black B-Pass (2015) interview, once again translation by @mizmyerz (you can find both interviews on her blog and reblogged on mine):

"Uruha: First of all, even though we want to distance ourselves from visual kei, we don’t mind the visual scene itself. We’ve been pushed forward by visual kei, received the impulse, it was like a stencil, so it’s still very important to us, but the current visual scene seized to be attractive. Furthermore, several years ago we wanted to expand our presence within the genre, we aimed to grow and evolve, but at some point it started to limit us, to hold us back, that’s why now we’re moving in a different direction. Of course, it created a solid ground under our feet. Then again, you must bring in something unique to arouse interest. Because of that, when you can’t find a way out, you start looking inside yourself. In other words DOGMA became a turning point for us, since it feels like recently the band itself turned around and changed the course."

The bold part of the quote is best explained by Kenneth Grant in "Outer Gateways":

"There is another faculty of human consciousness, the intuitive or 'inseeing' faculty; one might almost describe it as the fourth dimensional faculty. It is a faculty that appears sometimes in the artist, the poet, the occultist, and in a certain kind of scientist, and it functions also, though rarely, in almost everybody. It is epitomized on the Tree of Life by the third sephira, Binah, the Sphere of Understanding. Not the understanding of empirical things, but that insight into the hidden side of things made possible by a sudden total identity of the mind with its substratum, pure consciousness, wherein all ideas are stored and which under stands, or stands under, the mechanism of mentation.

The faculty of understanding is incommunicable because it has its origin beyond the Abyss, where human laws of logic and ratiocination do not apply. Hence initiation is necessary before the faculty can be activated and utilised. But such initiation is always and can only be self-initiation; all other forms of initiation are false because necessarily inadequate. [..] The Supernals (Binah, Chokmah, Kether) cannot be contained below the Abyss where the laws of Subject/Objects relationship obtain. Initiation denotes a journey inwards and may only be undertaken by each traveller for and by himself. Initiation and intuition are virtually identical in the sense that the journey leads to absolute Subjectivity which is beyond all subject/objects relationships. [...] Those who achieve successfully this penetration of the veils of Binah are thereafter as it were branded with the most ancient and inscrutable hieroglyphics that remain forever undecipherable by those without the deepest Within of Being.

The Typhonian Way is the Negative Way, the descent from the Mother, i.e. the pre-solar source. Its way of attainment is by reflection, shadow, the negation."

DOGMA album starts with Nihil. Nihilism can mean the dissolution or negation of conventional beliefs, structures, or realities, often as a precursor to a deeper understanding or transformation of consciousness. It might involve the rejection of established moral or religious frameworks (heresy) in pursuit of a more profound spiritual truth.

The Dogma lyrics "I deny everything" always make me want to correct them to "I negate everything" and it's rather easy for me to do so because in my native language deny and negate is the same word. I looked up how it is in Japanese and it seems to also be the same - hitei suru.

Yin is the Negative and since Aoi is the Yin guitar I've put the 3 DOGMA songs with Aoi guitar solos (and of course It's the songs that are utterly and completely devoted to the goddess) - Goddess, Wasteland and Ominous in a playlist and listened attentively. The 3 of them really felt like a unit, seamless. A menacing feeling building towards something. The solo at the end of Ominous is the culmination point. It expresses so much pain. Listening to it felt like my heart is being torn open. It almost felt like a physical pain. I snapped out of it and my mind immediately went to the 4 Noble Truths of Buddhism. Specifically Dukkha (suffering) and Samudaya (roots of suffering).

Then I looked at Ominous lyrics:

Sleep…Count me down…Again So I’ll close my eyes As I turn to face you My prayer shattered into ruins Is reflected in your eyes as you spread your wings to fly I see you whirling with nightmares Through a sky thick with darkness Don’t forget That the heart can’t die Don’t forget Really, dreams don’t always mean what they seem True…Dread Sleep…Count me down…Again This cycle of constant change is ominous I fall into the recurring darkness It steals away my formless future and whenever I step forward The sky darkens until I can no longer see I’m killing myself with loneliness and even my screams Won’t bring any rescue Sleep…Count me down…Again"

For explanation of what the mentioned sleep means we are once again referring to K. Grant's "Outer Gateways":

"Ultimate subjectivity contains the seed of sangsar, as deep sleep contains the latency of thought (dream), which appears only when subjectivity objectivises; sleep then becomes dreaming. The final process is one of objectification, which causes the illusion of a waking state in which the thoughts or dream objects are experienced as 'real'. Total absence of objects (as in deep sleep) is thus the total presence of Subject, whose manifestation then appears phenomenally as Sangsar (the Universe). But this fact is lost sight of when Subject objectivises (i.e. dreams), or objectifies (awakens)."

And going back to Buddhism, to quote Thich Nhat Hanh in "The Heart of Buddha's Teaching" :

"Contemplation on interdependence is a deep looking into all dharmas in order to pierce through to their real nature, in order to see them as part of the great body of reality and in order to see that the great body of reality is indivisible. It cannot be cut into pieces with separate existences of their own.

The object of our mind can be a mountain, a rose, the full moon, or the person standing in front of us. We believe these things exist outside of us as separate entities, but these objects of our perceptions are us. This includes our feeling. When we hate someone, we also hate ourself. The object of our mindfulness is actually the whole cosmos. Mindfulness is mindfulness of the body, feelings, perceptions, any of the mental formations, and all of the seeds in our consciousness. The Four Establishments of Mindfulness contain everything in the cosmos. Everything in the cosmos is the object of our perception, and, as such, it does not exist only outside of us but within us."

(From the DOGMA book)

The more I dig at The GazettE symbolism, the more I find, it's a boundless trove of riches. It's pretty common for metal bands to use symbols - some dabble in esotericism only a little, others are doing it for the aesthetic or just because everyone does it. For me, as someone who always looks and interprets everything, seeing such an elaborate and detailed esoteric creation is a huge pleasure. The fact that the 5 band members are the ones responsible for every single detail makes it even more impressive.

They are out there on Tool's level when it comes to combining mysticism and music (if you don't know Tool I recommend you listen to Lateralus). By the way I saw a pic of Kai's drum tech wearing a Tool t-shirt, it made me wonder if the GazettE themselves are influenced by them. Somehow I think they are.

I found Kenneth Grant's works (the author I quoted twice earlier) through Tool's drummer's library on his website. And their vocalist uses a lot of Jungian alchemy terms in their lyrics. I wonder if the Japanese fans sort of see the GazettE like the westerners see Tool.

I did not write much about Uruha but let me leave you with these pictures of him being immense light.

Link to part 1 of the analysis

Part 3

#the gazette #uruha the gazette #aoi the gazette

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o-c-e-a-n-s-o-u-l · 20 days

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I rarely ever post anything on here, but I've enjoyed the small yet faithful GazettE Tumblr fandom since YEARS. For me, it was a constant source of joy. That's why I feel the need to share my thoughts.

I am heartbroken. 💔 Since I was still a grungy teen, Reita has been a big influence for me. I will never forget how I searched the GazettE on Youtube for the very first time, clicked on the first video and the first thing I saw was the coolest bassplayer I had ever laid my eyes on. My love for him only continued to grow from then on. My best friend and I were ready to wait in line for hours during their next concerts in Europe, just to stand in front of him and experience his stage presence up close. We will never get to do that now...

Since I've gotten to know him and his outstanding way of playing bass, I always compared every new song and every bassline I heard with his.

I put on my headphones earlier and felt the need to listen to LAST HEAVEN - but the second his bass filled my ears (I usually enjoyed it so much in this song for it's gentle warmth) I started to cry so hard again, I had to turn it off. I don't know when I will be able to listen to their music again.

But his music is a part of him that will never leave us and will forever be with us. It's like his last words - the GazettE will last forever through their beautiful music and he will forever be indispensable.

I hope Ruki, Aoi, Uruha and Kai can sense how much all of us are grieving and standing with them. We will all heal together and I am thankful for everyone who shares their thoughts on here - it makes me feel less alone. ❤️

Up until two days ago all of your posts on here have been a source of joy - now they are a source of comfort. Thank you.

#the gazette #reita the gazette

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zombiechoir · 16 days

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The only question i'm asking myself right now is: Did i get better at managing grief or am i fooling myself?

I know damn well what the reality is but i don't feel it. Maybe it's self protection. But when i look at him, i see a man that is not dead, not really. I see a silly man with a bass guitar that i love dearly and owe allot of my sanity to.

The thing is that i'm terrified of death bacause it comes with one of my biggest fears, which is forgetting. Forgetting what someone looked like, forgetting what they sounded like, what they did, the memories, the first day of meeting, the little things. So when someone passes (human or animal) that was dear to me, i need to pay as much attention to them as possible. Memorials, photo's, crafts, stories because forgetting feels like the biggest betrayel I could ever do.

When I read about Reita, I just got off work and I had plans that evening and I had exactly one hour to get ready. Dinner was gonna be ready in 10 minutes and to kill time I opened tumblr only to immediately see the news. I googled it cause people are trolls but it turned out to be true. So I broke down, cried while eating (that combo is painful af), made myself presentable and off we went. My mom and I had tickets to see our favorite comedian, front row. The fucking irony!!!!! While we were waiting for it to start I was reblogging memorial stuff to calm myself. I actually managed to have a good evening and even laughed out loud at the jokes. I thought of Reita plenty of times during the show, I thought of Uruha, Aoi, Kai and Ruki. I thought of 4 people on stage instead of 5. I thought of the promise I made with myself to see them live one day, to get vip tickets and crochet each of them a silly gift. It went back and forth, "hahaha funny joke" to "omfg not our beloved Reita". I've managed to hold myself together pretty well this week. I had allot of crying session, cried full on at my workplace. But my desk is facing the wall and I'm a very silent cryer so no one noticed.

Tbh that exact day I was thinking of how much I hated life. And how fucked up I've felt and how fed up I was with everything. How I feel like things will never be okay and the thought of "making a plan" crossed my mind. Reita's passing brought me back to my senses, like babygirl wtf are you doing??? It made me realize there's so much to live for still, that rude strangers aren't important. The only things that matter are the things and people I love. Reita is one of those people and it made me forget about recent shitty events and only focus on that silly man with that bass and the noseband. Maybe I'm delusional, maybe it hasn't hit me fully yet. But I can't help but feel so grateful for this man. Grateful for discovering this band, to hear that bass he provided. Grateful to be alive and to keep going. I want to live as long as possible to remember all the things I loved for as long as possible. He did that for me, in life he comforted me during my anxiety and depression. And in his death he comforted me again but in a different way. And I want to keep that feeling and take it with me♡ Thank you wonderful bass man, with your goofy and bright personality. Rest well, you won't be forgotten.

#went very personal here #reita #the gazette #personal

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