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#think too deeply in this post
bloominglegumes · 7 days
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i love normal guys doomed by the narrative
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bonefall · 4 months
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Anyway. Bi and Mspec Lesbians aren't a hotly "debated" topic or even new to queer culture, it's just the newest thing that bullies who REALLY want to be homophobic and even racist use to justify harassing gay people they don't like.
It's the thinnest possible veneer of progressive language wrapped around TERF and reactionary rhetoric so that they can feel righteous for forming an angry mob against vulnerable targets. If you're gullible enough to fall for the newest wave of bigotry within the queer community, and turn on your allies because they're "confusing" or "invading your spaces," the SAME way they turned on bi/pan labels, trans people, xenogenders, neopronouns, and aroace people before this, then get lost.
#No patience. Wither and rot.#These motherfuckers dogpiled the legend who leaked the no fly list because it identified as the wrong type of lesbian.#They will attack the people doing DIRECT ACTION over dumbfuck label discourse. Deeply unserious people.#Embarrassing to think that there are rubes out there who keep falling for this#For ALL our sakes I hope this is literally their first rodeos and they really haven't fallen for this bullshit twice.#But unfortunately I'm too old to be that hopeful.#I didn't get to see the big ''public block list'' made for us dirty queers who support or are bi/mspec lesbians but I hope I was on it#If a man is best judged by his enemies then exclusionists who echo terf rhetoric are the ones I WANT to have.#And ''public lesbian block list'' is in quotes because if you REALLY thought that such a thing wasn't a ''GO HARASS THESE PEOPLE'' charter-#--then you have a black mold where your brain used to be and it's rapidly eating into the bathroom tile you call a skull#Unironically you should not have a platform if you are THAT stupid or malicious to think it was anything BUT a harassment charter#I hope they're ashamed.#Context for those unaware: a flesh-eating amoeba created a public blocklist for people who supported bi lesbians#Minors and extremely small creators without big platforms were on that list#People got harassed but the most namely was Lockandkeyhyena who had people raiding his server with racial slurs and death threats.#I hope everyone involved sees who their ''allies'' are when they spread that sentiment.#A bunch of people ACTUALLY 'invading someone's space' to post the n-word and suicidebait.#THAT is who you appeal to. Sit with that.
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twinstxrs · 2 months
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idk if this is accurate but i’ve felt like in previous seasons riz & gorgug have been one of the inter-bad kids dynamics we’ve seen the least of & this season has been so great in that aspect. gorgug having helped make some of riz’s magic gear. riz helping gorgug with his studies. the shared birthday party. gorgug’s gift to riz being something he himself made to protect riz. riz’s gift to gorgug being something he illegally grabbed to protect gorgug. gorgug who utilizes rage to put his body on the line for his friends & riz who will take deep levels of mental stress for his friends. even though it was within the context of a joke, riz calling gorgug an “absolute sweetie.” like yea they might not be in a band together or both part of a presidential campaign team or owlbears teammates, but they’d go to war for each other, because they’re best friends.
#riz gukgak#gorgug thistlespring#fantasy high#dimension 20#fantasy high junior year#fhjy#fhjy spoilers#these kids are all so self-sacrificing but i do think riz gorgug are the most clear (& juxtaposed) self-sacrificers#riz will mentally tear himself to pieces and get lost in cases and take on ungodly levels of stress for those he loves#gorgug will use himself as a human shield. he will take hit after hit if it means his friends are okay.#and they’d both do the other thing too. riz would let himself get hit for gorgug. gorgug would pull all nighters & take stress for riz.#even if mechanically they can’t or it wouldn’t make sense. they would if they could.#also#the starstruck barry mechanic of being a guard is so gorgug. it’s soooo gorgug like that’s literally him#anyways love this tall green guy & this short green guy so much#especially because gorgug is tall & considered intimidating but protective in a deeply kind way#while riz is short & underestimated but protective in a deeply vicious way (affectionate)#i hope this makes sense but i think riz is primarily ‘i would kill for you’ & gorgug is primarily ‘i would die for you’ maybe#this does not mean gorgug would not kill for riz or riz would not die for gorgug. they both would.#but those are the primary ways their love manifests due to the nature of their strengths/personalities. To Me#idk this is all just me saying stuff when i should be sleeping 😭#sorry if i missed a riz gorgug moment in the main post btw i’m tired
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asurrogateblog · 1 month
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by far the best reaction to john lennon's death was george getting all irritated with him like "idiot should've been more prepared to die. good luck putting your spirit at rest now🙄🙄". and the reason its so funny is because, given the numerous ghost encounters even just between the three remaining beatles, by all accounts george was right
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massiveharmonytiger · 3 months
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Oliver's monologue is the stuff epic love poems are made of.
Every "I hated him" being over Oliver's villain persona, only to be interrupted by moments that Oliver loved Felix so much that it hurt.
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The way he barely gets it out the first time, but keeps saying it over and over as if it will get easier to say if he just keeps repeating it.
Every "I loved him" being over shots of Felix looking happy and beautiful and radiant.
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The "I loved him"s being said over the shots of Felix, mostly in the light, and the "I hated him"s being said over shots of Oliver, mostly in the dark.
Felix being synonymous with love, and Oliver, the one who couldn't measure up, the one who had to keep lying about everything and throw away parts of himself in order to measure up, being synonymous with hate.
"I hated him." No, Ollie. You don't. You know you don't. You know there's not one split second that you hated Felix. And that's terrifying.
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"You loved him. You loved him. You loved him. By god, you loved him."
You loved him so much that you hated yourself and everyone around you. For not being what Felix wanted. For being what Felix wanted. For coming between you and Felix. For trying to take you away from Felix. For being the reason that you'll never have Felix.
It's everyone that wasn't Felix that you hated, because all your love was reserved only for him and you didn't have a drop to spare for anyone else. And even the torment of feeling this way was a privilege, because it was for Felix. He was worth it. All the tears. All the degradation. All the times you had to cultivate a false image of yourself to avoid losing him.
You loved him so much that he was your whole world.
You loved him so much that it broke you bit by bit until all you could do to survive was become him and his entire family.
Sir John rolling up his sleeves to do business and protect the family legacy. Elspeth with her shallowness and fake niceties. Venetia with her bitterness and selfishness, wanting to play with others' toys. Farleigh with his drug habit and cruel snark.
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You'd absorb them all for every moment that they burdened Felix. For every moment they made him act cruel or shallow. For every moment they made him justify them to other people. For every moment they made him unhappy.
So that only pure Felix would remain. Felix without the weight of everyone's jealousy and expectations.
Because you loved him and nothing can bring him back and this is all you can do.
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ohitslen · 11 months
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Promises
He should know better. 
Wolfwood has seen Vash make promises, or hear about the ones he has made in the past. He has also seen the end of each one and how every single time the outcome is less than what was promised. 
Vash likes to say embellished words, with a soft and determined voice that lures you into his hopes and dreams, it almost feels like a spell, as if he was calling for you to come closer and believe him. But Wolfwood knows better.
He believes in him, but Vash is much closer to being an idealistic dreamer than a realistic person like he is. He might not be aware of it, but his beautiful promises of a better future give people hope, a hope that is usually embraced with things like disappointment and abandonment. 
He doesn’t think that Vash does it with the intent of looking for any of those things. Far from it, he might even do the impossible in order to accomplish said promises, but life is too short and humans are too mortal for his wishes, so in the end, most of Vash’s promises end up being empty or they come to haunt him as a reminder of his failed vows. He admires the man, for his perseverance and idealism, but he also hates the man, for his stubbornness and lies. 
Wolfwood knows all of this perfectly to a tee. And yet, he has also found himself being drawn to his world. Because he also dreams of it.
A world in where his always present calls for love and peace exist, a world that is far more kind than what he might deserve, a world in where the kids can be happy and roam around without any worry in their heads, a world in where he can peacefully turn grey with age and his hands can shed the harsh callouses of his life. Who knows, maybe a world in where he and Vash can finally know the peace that was taken away from them, in where they can share the calmness that comes with the passage of time, indulging in every tick of the clock welcoming with open arms whatever comes their way without any fear.
It is a beautiful promise. But Wolfwood is a person that has to keep his feet on the ground, indulging in “what ifs” would only make things harder than what they had to be. He can’t have any ifs if he can’t make it through the now. And by the way he is carrying his present, he is doubtful he will even get to see a shed of that promised world that Vash tries to drag him into. So why mourn something he doesn’t even have, or will ever have for that matter.
He hates the way Vash seems to promise things so easily. His tongue silky and pliant, slipping divine words one after the other, promises way too big for what that barren world can actually fit. 
But when Vash talks to him in that holy voice of his, when he hears him say “It’s okay, everything will be alright, I promise” so gently right on his ear, while he holds his face so tenderly making him focus on him and nothing else, he wants to believe him.
He has seen the end of his promises. He knows how impossible they are. But for once, he wants to believe it too. Believe in that loving world that will cradle them both until they fall asleep, listening to the soft sound of the wind laughing while the moons smile upon them. 
So he allows himself to indulge in the warmth of his palms, leaning into the comfort of his existence, feeling the soft air of Vash’s breaths against his skin while their foreheads meet in a touch that feels like a hot brand that will melt him.
For an instant, he allows himself to be selfish and believe that maybe, that is how living in that world Vash so desperately fights for would be. Soft and warm, making him feel safe in the hollow of Vash’s hands where the world seems to fit so well. A world where the blue sky is a blanket that covers the love and care that is nestled in it like the one in Vash’s eyes. He wants to see that world.
For now, he will selfishly think that the world that fits in Vash’s hands is right there in where he is holding him, where his blue eyes are drowning in the light of the sunset dripping with love and care while looking at him, that the gentle touch of Vash’s thumb wiping his tears is the same as the kiss of that laughing wind in that distant future, where the smile of his eyes overcomes the smile of the moons.
He should know better. But he loves the thought of that world. And he hopes that Vash will get to see that world, because that gentle sight is more fitting for someone like him than the one of his violent world.
He promises to himself that he will do what it takes for that day to be possible. Even if the end of that promise will be empty for Nicholas, he knows it will be a full one for Vash. So it really isn’t that empty for him after all.
He hates his lies, and he hates how true they sound, but Vash’s embellished words are far sweeter than his bitter thoughts so they feel better on his insides, almost like a balm that cares for the wounds of his throbbing, painful reality.
He should know better.
But aren’t humans weak at the promise of love?
#yeah….mm…mhm yeah#my thoughts were going crazy with this one. because WW crying is something that has me week on the knees#WEAK FFS#also the thought of him becoming bare and emotional at the hands of Vash makes me want to jump around until I pass out#think of it. he is afraid of him in a way. but he trusts him so deeply too it’s such a contrasting and little contradictory thing#more like. denial after denial but yk what I mean. because that’s the whole post#also as a fun fact. while on the making of this thing the line of “it’s okay. everything will be alright. I promise#it’s meant to be said by Vash to WW#but also I did it considering that a)Vash is saying it to himself as well and b)it’s something WW wants to say to Vash as well#they are both incredibly pained men and they know it but don’t adress it. so verbally saying such words to each other issssUUUEHWHAGAH#ah yes. the intimacy of being emotionally vulnerable with the person who you would trust your life to but never openly say shit to eachother#isn’t that such an amazing flavor? I won’t lie to you it’s one of my favorites#trigun#vashwood#vash the stampede#nicholas d wolfwood#trigun stampede#trigun fanart#wolfwood#nicholas trigun#nicholas the punisher#lenssi writes#lenssi draws#trigun 2023#trigun 98#because I did a mishmash on WW design bc this is meant to be TriStamp time skip in my mind#his eyes were originally their canon steel blue/grayish tone. but while doing the lighting the brown looked gorgeous#i couldn’t help myself so I left it that way. because there is something so beautiful abt his eyes shining like that in#the afternoon light while he becomes undone under the sunset ya feel me?#OHFUCKIALMOSTFORGOT another little detail. Vash’s right hand doesn’t have a glove and it’s on purpose btw you’re welcome
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kindlythevoid · 8 months
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I have read Fellowship of the Ring more times than I have cared to keep count and every time I read Boromir’s, well, possession for lack of a better word, I have read it in fear, in discomfort, in horror, indifferently.
This was, I think, the first time I read it in pity. I looked at all the plans Boromir was making, how he would save his beloved city, how obstinate he was in his belief that the men of Minas Tirith would not be corrupted when wielding the Ring against Sauron —and I felt sad. He’s waving his hands and hollering and part of him is desperate just for the Ring, of course he is, he’s been traveling beside it with no hope for months, but he’s also desperate for hope. He’s desperate for a chance to save his people, save his brother, save his city.
Moreover, every time he calls out the Elves or the Wizards, you have to remember that he doesn’t know them. All he knows is that he traveled almost a full year to get their advice and they send him on, in his eyes, a hopeless venture. The one hope they give him is Aragorn, who promises to return and help save Minas Tirith with him, but even that all changes once Gandalf dies. They come to Lothlorien and of course it’s a welcome break, but they cannot, or maybe in Boromir’s eyes will not, help his people. And once they leave, Aragorn assumes his role as leader of the Fellowship in Gandalf’s stead more permanently and suddenly even that one, brief, uncertain hope of his is gone. Aragorn will follow Frodo. And it’s almost certain that Frodo will not go to Minas Tirith.
So is it any wonder, really, that tired, desperate, hopeless Boromir, out of his realm, out of his depth, already hanging by a thread when he joins the Fellowship and having been gnawed on by the Ring for months upon months afterwards, finally snaps once it’s clear that he will have to return home empty-handed and almost certain that somewhere far away Sauron is capturing the Ring and killing the companions that he had bonded with? Of course part of the Ring is making him lust for power, but it’s also his only “reliable” (in his mind) source of hope left to save his city.
And so I read Boromir’s (intelligent and thought out, mind you) raving and I don’t feel scared for Frodo, not after reading it so many times and knowing what ultimately happens, but sorrow for Boromir.
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bitimdrake · 11 months
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everyone in the mutual circle is already having smart opinions about the “if you had to make one bat character never have existed at all” poll (that people largely voted on without having any thought at all) but to add my two cents:
if you get rid of Bruce none of the other characters ever exist either. No exceptions. I love dunking on Bruce more than anyone, but come on, let’s be serious here. (However if you would like to get rid of the entire batfamily bar none, good news!)
if you get rid of Dick, there will never be a Robin. None of the following batboys will ever exist in any form. Batman might still get a partner of some kind, but it may or may not be a kid sidekick, so assume you will also lose any parent/child dynamics too. idk who would pick this option.
if you get rid of Barbara, none of the other Batgirls will exist either, and also it’s a 50/50 tossup if there is ever a significant presence of female vigilantes in Batman comics. Too risky.
if you get rid of Tim, you don’t get to be all “omg third robin steph!’ because Steph will therefore only appear in one story arc ever (her first, trying to get her dad caught) and never appear again, doomed to be a minor note in history instead of a recurring and eventually main character. On the other hand, there is a chance that Lonnie Machin becomes the new Robin instead soooo
getting rid of Jason the character doesn’t honestly impact that much (we’ll get some other Robin replacement in the 80s), but getting rid of Jason Todd, Dead Specter Haunting Batman, Eternal Ghost Of The Batcave changes the vibe of an entire era and risks losing or significantly changing every subsequent character. Living Jason is minor; Dead Jason is a keystone.
for such an iconic, popular, constantly appearing character, Alfred...really has almost no impact on the universe
if you get rid of Cass, you honestly aren’t going to cause a lot of ripple effects either. The universe will be fine. However, you will have to spend the rest of your life knowing you got rid of Cass, you monster
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knifearo · 3 months
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aspecs: i've been thinking a lot lately about the "ace people can still have sex in a relationship/aro people can still be in romantic relationships" sentiment and the logistics of being aspec in relationships in general. obviously, the predominant sentiment is that you should be able to have a relationship where the other person will be happy without having sex/being romantic with you. if you feel comfortable sharing in tags/replies/reblogs/asks/whatever, though, i'd really like to hear people's experiences with sex/romance in relationships as an ace/aro person. have you found it generally possible to have a relationship with an allo person when you're ace and don't want to engage in sex? what are people's experiences being aro and being in relationships (labeled romantic or otherwise) with alloros? reblogging for reach is appreciated and any related experiences you feel comfortable sharing are completely welcome <2
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dollypopup · 2 months
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I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.
So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.
But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.
No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.
Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.
Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.
Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.
You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.
After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.
Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.
And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.
The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.
And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.
When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.
God this couple is so fucking good.
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macksartblock · 1 month
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Normal take my hand we’re going to therapy
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mikesbasementbeets · 8 months
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honestly i like my characters with huge glaring personal flaws. “this character is a perfect angel” “this character has never done a single thing wrong in their life” ok you have fun with that. sounds boring to me
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wekillitwithfire · 5 months
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luxrayz64 · 3 months
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do u ever in your mind have a vision so beautiful you mourn that it doesnt exist and then remember that u can draw. anyway heres the glass coffin scene if they were pikmin
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aimasup · 17 days
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throws up my hands in mock resignation but also a hint of frustration Okay Valentino is a cool villain I guess
He's like. Genuinely unsettling. Wish the show struck a better balance with his character sometimes (like sometimes when he's onscreen I have to skip over because I feel queasy and sometimes he's so unsubtle he feels more like a prop than a guy who's going to be a Huge Deal in s2)
#why yes I have been reading some phenomenal fanfiction lately#a lesser me would be agonising over my inability to ever come close to matching the#masterfully characterised works of these talented WORD WEAVERS#but envy is a spoilt housepest and we must spend less time unleashing it upon new targets#instead let's talk about how these fics discovered its possible??#to write Val as not only a 3dimensional character but a deeply horrifying person to WITNESS#to depict how he thinks and what he wants and what he contributes to the people around him#while acknowledging that his actions are supremely messed up#also without dumbing whatever the fuck is wrong with him down to just 'can't do math and needs a sippycup'#those jokes are funny but he's also a dealmaker#he doesn't need to be studied under a microscope! he needs to be gawked at in abject horror! Oh the Potential!#he needs to tell us more about how depraved hell can be by linking us to a portion of the culture full of the dead who cannot die!#anyways. rant over. uh I think I like valentino now? in the same way I like the old man villain from hunchback of notre dame.#just. (gestures) what is this dude. ew. oh my god#my post#personal stuff#hazbin hotel#hazbin hotel valentino#is this anything#again I am entrenching on dangerous territory of 'expectations for this media I consume'#he really doesn't need to be written all shakespearean-like#too attached mayhaps#delete later#honestly worried that if the show does reveal his backstory or whatever it'll try to paint him in a sympathetic light#and then the online arguments will be a headache for a month#villain with tragic backstory ≠ sympathetic villain
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milfygerard · 2 months
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but fr outside of my contracted madness i absolutely refuse to give joe alwyn gold rush like how is that song at all related to their relationship the lyrics clearly spell out a relationship that either never existed or only existed in implication and fantasies and maybe-maybe nots and its so bitter and yet desperately soft in the bridge where it almost projects a sense of envy, of wanting to be them as much as you want them. It continues an interesting oft ignored lyrical trend of taylor wanting just as much to be her lover as to have them, envying their easy charisma (you were flush with the currency of cool/i was always turning out my pockets) or quiet dignity (your integrity makes me seem small) dating back to her earliest songs (the kind of flawless i wish i could be). Theres a projected self hatred and yearning to be better that twists itself into both romantic and sexual lust for her partners thats so fascinating and speaks to how all of her songs regardless of who theyre about are also an act of self reflection on who she is and who she wishes to be.
#barry.txt#taylor swift#putting this in the tags as a form of self protection but make no mistake this is a gay thing to do especially in gold rush#which through simple context clues is Obviously About A Woman or maybe even women in general#whivh is a totally seperate post on how taylor constructs and uses gender identity in her music#her girlhood and femininity are earnest but also so carefully constructed and so high effort and kind of desperate#shes a deeply self concious and obsessive person who never looks comfortable in anything ever unless shes#onstage or like. by herself in loose jeans and a tshirt#i think thats one of the things that subconsciously irritate ppl when it comes to her shes constantly and clearly putting in effort#to appear As The Celebrity Taylor Swift and struggles not to self censor or overperform in interviews (when she gives them)#especially present in pre 1989 interviews where the interviewers really didnt have to respect her or worry abt how they frame her#if they didnt want to. Like the fearless era rolling stone interview where she almost has a meltdown over her mom buying eggnog instead of#milk. That whole interview is strange looking back not just bc of the weird misogyny but also because of what it does share#taylor is....weird. She has a strange and desperate vibe and always reacts slightly too much and uses slang poorly#shes media trained and has learned how to socialize but you can feel her discomfort whenever she doesnt have a guitar in her hand#idk these tags have once again gotten so unweildy. i just find it interesting that she finally feels some level of comfortable#in sharing that construction w us in songs like mirrorball and mastermind and imo gold rush#and scene#should i write this up and put it in the swiftieism zine#i should write something and put it in the swiftieism zine
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