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#this is by no means world shattering or original analysis of an rpg lmao. but it is taking up space in my brain
tavtime · 8 months
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One of the things I've been thinking a lot about (as I very, very slowly write my longfic about it) is this theme in BG3 of conflict between gods or godlike authorities versus ordinary people. I think the things it has to say about how "the Great and the Good" treat people they consider their inferiors, and where real power is actually located in that dynamic, are very interesting.
Like. Ok. Literally every full companion's personal arc is concerned with that companion being used as a pawn by an actor with greater scope of influence than themselves: Karlach is on the run from Zariel; Lae'zel finds herself in direct conflict with her people's god-queen; Shadowheart's entire relationship with Shar is dependent on her compliance to being bent to Shar's purposes at the expense of all other connections; Mystra tells Gale to blow himself up to earn her forgiveness and derail a competing power. Even Astarion and Wyll, who aren't beholden to gods per se, are struggling against being manipulated by those who hold sway far beyond the scope of their own (Cazador is not just powerful as a vampire but implied to be socially powerful as well, and Wyll's conflict is not just with Mizora but also his father in his capacity more broadly representing the needs of Baldur's Gate).
And the interesting thing with each of these, what gets brought up time and again, is that these gods and betters aren't actually the ones exercising power over the situation. They're trying, via manipulation of those in service to them, but they aren't actually exerting influence directly in most cases. The implication is of indifference, impotence, or being themselves beholden to a greater power (Gale does make an offhand comment re: how willing Ao would be to overlook Mystra's interference in mortal affairs). The people who actually end up exercising power in this situation are the little people, the ones nominally being used.
Which, Thing One, I think this is a very intentional storytelling choice that yields fantastic contrast to the interactions between the controlled party and the antagonists. The Dead Three are a threat in large part because they were willing to get their handa dirty and operate on the material plane. The first real boss the player faces, Ketheric, is not just chosen of Myrkul directly wielding some of his power, but transforms physically into his avatar. Orin and, to a lesser extent, Gortash as well, can be analyzed along similar lines.
But Thing Two, which I think is really the thing I want to spend the most time turning over, is that the story takes a pretty clear position on moral and personal value in this situation. Basically, in the conflict between the ordinary people of the world and its gods and paragons, the narrative comes down very firmly on the side of the people who are considered pawns or disposable. The protagonists are the ones winning this fight, not their gods, and every time a character gets the opportunity to rise above their "station" to be on equal footing with those powers it's framed negatively. Durge embracing Bhaal, Astarion completing the Ascension, Shadowheart becoming a Dark Justiciar, Gale reforging the crown, Karlach becoming a mind flayer, any Tav or Durge choosing to dominate the brain - all of these involve the character gaining a large amount of power, and all of them are framed by the narrative as "bad endings" (though whether you as the player personally feel differently about them is left up to you, of course). The sole exception to this might be Wyll, who has the opportunity to step into his father's shoes, but even then, there is some aspect of power only being framed as "good" when it is used in service of the people.
Basically what I'm trying to say is that there is an allegory here about class conflict and the power inherent to ordinary people which I think is worthwhile to examine, and is a crucial part of any thorough analysis of BG3's themes.
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