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marypoppinswasmyfatherbitches · 6 years

Note

Oh my goodness, I didnt see the link to your fanfic account! I am dumb. So ignore my previous ask and instead answer this one for the meme. 13, 3, 14, 1 and 2 for Happiness goes on? (I shall leave reviews on your beautiful fanfic soon I promise, they are good.)

(Hiii, sooo…this whole reply is late because I actually typed up ALL OF THIS last night, and then accidentally “x”-ed out of my browser and lost it all, because I am very very stupid. And then was too tired to retype it up before going to sleep. I hope I remember roughly everything, and apologies for that mistake.)

Oh! Haha! Alright then! Thank you! Don’t feel dumb at all for not realizing which AO3 account is mine or for your previous ask(which for others who are curious, said: “1 - 5 for all your fics! Just talk about your favs!”). I was prepared to choose 3 fics (including “Happiness Goes On” since that’s definitely the one I’m most proud of, so I guess that’s closest to a “favorite” right?), and go through the first 5 questions for each, though I won’t lie and say it wouldn’t have taken some time to answer.

BUUUT…since you said to scrap that first ask, I’ll answer these individual ones for “Happiness Goes On.” And your compliment and promise for a future review means SO goddamn much, thank you sincerely.

(WARNING / REMINDER: This is about my fic that deals with the subject of child molestation, and I do reference that a little bit in this reply. Don’t read further if it makes you uncomfortable, which I entirely understand and respect.)

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13: What music did you listen to, if any, to get in the mood for writing this story? Or if you didn’t listen to anything, what do you think readers should listen to to accompany us while reading?

HA! Well, American Pie obviously, for a majority of it. While brainstorming / writing / editing the epilogue? A lotta Billy Joel. ;)

The idea to use American Pie bounced into my brain when it came on the radio at the thrift shop where I volunteer, one of the rare times my own music speaker battery died. Usually a disaster, because our store radio is pretty crappy, but the sound quality wasn’t too bad that day, and I rediscovered how much I love that song and ‘Why isn’t this on my ipod again?’. Listening to the lyrics, I realized how much some of them fit the Guardians in general, and this story specifically, which I have Gamora mentally note in the fic. I was sitting and casually chatting with the manager while also thinking, ‘Google what year this came out when you get home, but I’m sure it’s the 70′s. Peter would know it, and it could be the Zune. I think it could work.’ I’m proud that I was able to reference the song so many times without actually naming it by title, but I assume most readers knew what it was, it’s just that famous. (I also couldn’t resist the light-hearted joke, later when things calmed down, of Gamora saying “This…is the longest song…I have ever heard.” and Peter smiling without even looking at her and giving a cheeky “I know.”)

In terms of using Billy Joel for the epilogue, I’m just a Billy Joel fanatic. The use of him for this story began just from the We Didn’t Start the Fire joke toward Rocket at the bar (I thought it was clever, Peter!), and later on I saw how The Longest Time fit romantically for Starmora, and some of the lyrics matched the healing themes of the overall story, and I thought ‘Maybe they’ve been playing BIlly Joel since that night; maybe that can be the joke.’ Why shouldn’t his Greatest Hits albums (at least) be on the Zune? I struggled a lot over what song should be the final one Gamora comments on before they switch artists to appease the group. I never specify which romantic Billy Joel song Peter and Gamora slow danced to during their “date night” in that six-week summary, but I like to imagine it was Just the Way You Are. I considered Keeping the Faith or Vienna for the final one, but I thought they deserved something more fun and naughty to analyze this time, so Only the Good Die Young it is. :D

In conclusion, I listened to The Longest Time, and the entire An Innocent Man studio album, a lot (as if I needed an excuse).3: What’s your favorite line of narration?

The portion in italics is my favorite line, but I’m including the entire sentence for context purposes: “She would need to grow used to him viewing Yondu as a caring parent who was extraordinarily protective of his boy, and would have hunted down this pervert to whistle a glowing arrow through her skull.”14: Is there anything you wanted readers to learn from reading this fic?

Ohh geez, wow, that one is tough. I don’t know if it’s accurate to say this story was intended to educate, but just to explore the idea with fictional characters. I have no expertise on the subject, and would never claim such, or talk down to those who do. I didn’t intend to create a PSA. I suppose all of the “lessons” for Peter (if they can be called that) I hope all readers already know and agree on (basically a collection of “it wasn’t your fault” and “this doesn’t define you” and “trauma isn’t a competition, someone else suffering worse doesn’t invalidate your experience” and “you should feel comfortable talking about anything without judgement or shame” etc.).

Slightly lesser scale messages, there’s also reminders about the importance of communication, trusting each other, letting the other person speak in an argument, not letting one’s jealousy/instincts/bad mood interfere with fairness, not running away from a fight or staying angry, respecting boundaries and privacy, all that healthy relationship jazz that these two are still figuring out. 1: What inspired you to write the fic this way?

This post is already very long, and I could probably talk for hours about the decision-making process for many scenes (of my GotG fics, this took the longest to write and publish, over 2 months), so I’ll try to condense this to a few bullet points that probably don’t fit the “inspired” criteria.

- It was originally going to be in two parts, 4 scenes each, when I thought the epilogue would be much shorter. But as the lil’ wrap-up got longer (because we needed a fluffy conclusion, dammit!), I decided to make it a separate “chapter.”

- I think the concept probably started as one of those strange, angsty “what if?” scenarios I make up in my head at night that I still can’t believe I created into a full-fledged work. I liked the idea of Peter and Gamora having this conversation and her comforting him, but I knew if I was really going to throw it out there for other fans, it had be more balanced with happier moments, too. I just know I was always going to make the offender a woman - both because it would lead to the misunderstanding that she was a past consensual hook-up when Peter was an adult to spark some irritation and jealousy in Gamora, and because it’s realistically different from other sexual assault stories, since women can be pedophiles and child predators too, and they’re just as horrible. :(

- The fanfic idea of “Gamora accidentally starts a fire while trying to cook, and Peter falsely accuses and lashes out at Rocket” was in my head before, but there were two key differences. 1) It was the entire plot, not a light-hearted subplot in the shadows of something bigger, 2) Meredith’s letter was either fully or partially burnt as a result of the fire. By the end Gamora was going to confess it was her fault, that she was trying to surprise Peter by cooking spaghetti, and he would apologize both to her and to Rocket for losing his temper and getting so angry. I hated that idea later and found it too sad (he’s already lost the Walkman and second cassette tape, why would I want him to lose even more from his mother?), and in “Spark My Memory” (the Christmas fic I wrote for “12 Days of Starmora”) the Guardians put his mother’s letter in the photo album gift for Peter, completely safe and unharmed. I like to keep all my fanfics canon-compliant and non-contradictory from each other, so the letter is fine, no burning it.

Yet “Gamora started a fire cooking” still seemed fun to me, as I like the idea that she’s so badass and skilled and intelligent, but failed at something so domestic and simple. Kinda cute. I was so excited to insert it into this, because I think it worked on multiple levels. It’s a driving force for the plot (the reason the team go to the restaurant and they stumble upon that particular waitress), the reason Gamora was already in a bad mood during her fight with Peter, it could be used as a metaphor/comparison for Peter’s anxiety and Gamora’s guilt, it was something for the Guardians to put at a higher priority to tease and mock Gamora for while oblivious to the main story, something for Peter to just break down into giggles over once they changed the subject (because he earned a good laugh after that heartbreaking and vulnerable childhood trauma story), an excuse to give Rocket so many funny lines, an overall silly and sitcommy-style subplot to fall back on, and a sweet “victory!” for Gamora to have (sort of?) conquered by the epilogue. ^_^2: What scene did you first put down?

This is easy. I’ve written all but one (8 out of 9) of my fanfics in order, except for “Just Like Everybody Else.” So ya, I wrote the opening scene first, Baby Groot’s magic trick lesson and Peter’s oh-so-cruel “can only be seen once” deception. I needed to ease readers (and myself) into the angst and heavy shit to follow, and that cute idea had also been in the back of my mind for a while. ^_^

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PHEW, OKAY, ALL RE-TYPED! Thank you again SO MUCH for the lovely ask and wonderful questions, your actual interest and curiosity thrilled me! You see I wasn’t kidding about the incessant babbling. :P

Thank you also for the kudos you left on AO3, and take care!~

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centerofstupidity · 6 years

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Dracula the Undead: Author’s Note Part 1 Snark

If you enjoy the content you are reading, please like and follow the Center of Stupidity blog.

Interested in reading the previous Dracula the Undead chapter snarks? They can be found here.

Summary: An aperitif of the clusterfuckery that is to come. This is a long-winded and self-congratulating author's note.

Both writers claim that their novel stays true to Bram Stoker's vision even though it contradicts and re-writes the original story.

In case anyone wants to read the original author's note in order to form their own conclusions, you can read it here.

~ Dacre's Story ~

Since I am a Stoker, it is not surprising that I have had a lifelong interest in the work of my ancestor.

At the risk of sounding like a complete ass...

This "interest" is financially motivated.

Bram’s youngest brother, George, believed to be the sibling with whom he had the closest relationship, was my great-grandfather, so I am Bram’s great-grandnephew.

"Which means that I am related to Bram Stoker and can write an 'official' sequel to Dracula. And that will make me a shit-load of money."

In college, I wrote a paper on my great granduncle,

I'm getting the impression that is statement is supposed to make Dacre Stoker sound unique...

Even though there are plenty of other college students who have written an essay about Bram Stoker or Dracula for an assignment.

For instance, yours truly did a PowerPoint presentation on Bram Stoker and Mary Shelley for a class in college.

examining what may have motivated him to write Dracula.

Again, this isn't groundbreaking stuff.

Many people have published articles or books discussing Dracula.

Scholars like Professor Elizabeth Miller have dedicated their lives to studying it.

My research opened my eyes to how, from my family’s perspective, the history of the book Dracula, is pretty tragic.

"And before I give everyone a history lesson, I'm telling you all this so I can justify butchering my ancestor's work."

Bram Stoker died without ever seeing Dracula become popular. The sales of the novel were so limited at the time of his death that his widow, Florence, thought she would never benefit financially from Bram’s “wasted” seven years of research and writing. With Bram’s other fiction and nonfiction books out of print, Florence was convinced she would live out her days on a tight budget.

Actually, that isn't true.

According to scholar John Edgar Browning, the majority of critics gave positive reviews.

His findings were published on February 1st, 2012.

It is important to note Dracula: The Undead was published in 2009.

But in an interview in 2013, Dacre Stoker said this: There is this statement that used to kind of drive me crazy—‘Dracula was met with mixed reviews when Bram was alive’.

He then briefly discusses Browning’s research.

Which means that Stoker knew about Browning’s findings...

But he ignored it and printed misinformation.

Dacre adds that it was only "ten years after Bram’s death" when Dracula became popular.

Posthumously, Bram started to receive recognition as the progenitor of the modern vampire/horror novel.

Not to diminish Dracula and its impact on popular culture...

But it is not the first influential vampire novel.

Varney the Vampire is.

Dacre Stoker goes on to talk about Florence Stoker (Bram Stoker's wife) and her legal dispute with the creators of Nosferatu.

He also states that Dracula became public domain in the U.S.A since 1899 because Bram didn't complete a requirement so Florence Stoker had to live off the U.K. royalties.

With the U.S. copyright lost, Hollywood, corporate America, and anyone else was free to do whatever they wanted to Bram’s story and characters.

This is the part where the reader is supposed to boo and hiss at Hollywood...

And then give Holt and Stoker a standing ovation for writing Dracula the Undead.

Dacre Stoker talks about how his family wasn't asked for approval of "any of the hundreds of incarnations of Dracula over the next century."

My father’s generation had a negative feeling for all things Hollywood and Dracula.

Which is understandable given what happened.

But after reading the author's note...

The history of Dracula is being used in order to deflect any criticism.

And to justify bastardizing Dracula under the pretense of honoring Bram's original vision and righting a past wrong.

—except, of course, for Bram’s original novel.

So we have two options:

They knowingly endorsed a novel that defamed Bram and mocked the original novel.

Or they loved Dracula and would be appalled that Bram was dragged through the mud and the original lore was ridiculed.

According to Ian Holt in an interview in 2010, he says that “Bram’s bitter demeanor was even worse in real life than we depicted in the novel.”

And in the same interview, Holt passively aggressively says: “Do your research. The fact that the chapters with Bram were written almost completely by Dacre in consultation with his family means nothing to them.”

So yeah...

I’m leaning towards option number one.

I didn’t write about these issues in my college paper, but they were always on my mind.

Dacre Stoker admitted that he didn't read Dracula until he went to college.

Stoker says it was "a shame" that his family was unable to "control the legacy of my great-granduncle" and "lay claim to the character of Dracula."

It was many years after college that I met an interesting character, Ian Holt.

Stoker doesn't realize that calling someone "an interesting character" can be a veiled insult.

Ian is a screenwriter who has been obsessed with all things Dracula since childhood.

A lot of people love all things Dracula.

Doesn't mean that they are a talented writer.

Ian, being a true idealist, had a plan that inspired me to not accept the frustrating history of Dracula.

"He was my knight in shining armor!"

He wanted to change history.

History reveals that change isn't always positive.

Sometimes it is negative.

Ian’s plan was simple: to reestablish creative control over Bram’s novel and characters by writing a sequel that bore the Stoker name.

To my surprise, none in my family had ever considered this.

Translation: "Why haven't any of my family members tried writing a novel? It's the obvious solution to the problem."

And it didn't occur to Stoker none of his family members had any interest in being a writer.

It really pisses me off when people act like writing any kind of fiction is easy or that anyone can be a writer.

While any literate person can write, not everyone can be a writer.

It requires talent and passion along with the desire to learn about the craft and improve your writing skills.

Intrigued, I decided to join Ian on a roller-coaster ride as coauthor.

And for readers, it is a nightmarish ride where clusterfuckery gallops and a literary classic is violently raped.

In writing Dracula the Un-Dead, I felt a strong sense of duty and familial responsibility.

"It isn't because I wanted to piss all over my relative's legacy and make a shit load of money."

I hoped to work with Ian to represent Bram’s vision for the character of Dracula.

Bram's vision should be called Sir Not Appearing in This Novel.

We aimed to resurrect Bram’s original themes and characters, just as Bram conceived them more than a century ago.

The Dracula characters appear in name only.

They are cast in an unfavorable light.

As for the themes?

They are discarded.

So many books and films had strayed from Bram’s vision—

It is extremely rare for adaptations to stick extremely close to the original story.

Usually, adaptations take artistic license with the source material.

And just because an adaptation or a retelling differs from the original story, doesn't mean that it will automatically suck.

For instance, I like films, mangas, and video games that are inspired by/loosely based on Dracula.

and thus our intent was to give both Bram and Dracula back their dignity in some small way.

Dracula is depicted as a misunderstood man with fangs who is every woman's erotic dream.

And readers are supposed to despise Bram.

I think Bram would be proud that a family member has taken this initiative, and finally done justice to the legacy he created.

Bram would be livid that his work was bastardized and that his descendant depicted him as a desperate and a talentless hack.

~ Ian’s Story ~

I am not ashamed to say it, I LOVE horror films.

Ah, all-caps.

How I loathe thee.

A lot of people like horror and it is a popular genre.

So that doesn't make you unique.

And horror movies are no longer considered depraved or scandalous.

Holt mentions that his favorite horror movie as a kid was Dracula (1931).

When I was ten years old, my mother bought me a record for Halloween with Christopher Lee narrating the story of Dracula by Bram Stoker. Reading that record sleeve changed my life, for it was then I learned that Transylvania was an actual place and that Dracula was a historical figure.

Where do I begin?

If you are LISTENING to an audiobook, you are not READING IT.

Ian was "inspired" by the audiobook that he decided to read Dracula.

I was surprised at how different the novel was from the films—and I had seen every Dracula film ever made.

"Who knew that Count Dracula swings both ways? Or that Mina is an assertive and intelligent woman and not a stupid Dracula fangirl?"

The novel was more intelligent, astute, and dark.

While this literary abomination is a cash-grab filled with gratuitous gore and sex.

The novel had more intricate and exciting characters than I could have ever imagined.

While Dracula the Undead has depraved lesbian vampires and a whiny prat along with a handsome and misunderstood vampire who only wants tru luv.

I felt cheated by Hollywood. I vowed revenge!

I get it, Holt and Stoker.

I'm supposed to hate Hollywood but adore your literary travesty.

Fifteen years later, my opportunity came.

And Dracula fans wished that it never arrived.

Flipping channels one night, I came upon a program on the making of Francis Ford Coppola’s Bram Stoker’s Dracula.

I'm getting the sneaking suspicion that this story will result in name dropping. And Holt insisting that he is a scholar.

On the program, Coppola held up the 1972 book In Search of Dracula written by Fulbright Scholars Professor Raymond McNally and Professor Radu Florescu (Prince Dracula’s actual descendant).

Vlad the Impaler is also known as Vlad III, Vlad Dracul or Vlad Dracula.

Sometimes he is referred to as Vlad III of Wallachia or Vlad III, Prince of Wallachia.

But I have never heard of any scholar referring to Vlad III as "Prince Dracula."

A quick Google search reveals only this book and a YA novel called Hunting Prince Dracula.

Every time I see Vlad III being mentioned as "Prince Dracula", I can't keep a straight face.

Because it reminds me of Beni Gabor calling Imhotep his "prince."

Coppola had used the professors’ research of the historical Prince Dracula’s life as inspiration for the opening sequence of his film.

And he discarded the rest of it in order to make Dracula a guy who is looking for his one tru luv.

Before taking a breath I was on a plane to Boston College to meet the professors. After showing them some notes on the screenplay I planned to write based on their book,

"I smelled an opportunity to make some money!"

the professors sold me the rights for one dollar

"They were impressed my awesomeness!"

The friendship I forged with McNally and Florescu has borne fruit in many ways. I soon began traveling with the professors giving lectures on the impact of Bram Stoker’s novel on our culture.

According to Dracula the Undead on the official Penguin Publishing House website, Ian is being described as:

There is a BIG difference between being a fan, a historian, and a documentarian.

A quick Google search reveals that Ian Holt has not published anything in an academic journal.

However, one of the first things that pop up in an internet search is this.

This garnered me an invitation to speak at The First World Dracula Congress in Bucharest, Romania, in 1995—a gathering of Dracula/horror scholars from around the world.

I don't doubt that Holt went to The First World Dracula Congress.

But I don't think he was a speaker.

Elizabeth Miller wrote a report about the gathering.

And Ian Holt isn't mentioned among the speakers.

Holt went sightseeing in Romania and how he made "the dream I had as a ten-year-old come true."

Thanks to the friends I made at the First World Dracula Congress, I was asked to join the Transylvanian Society of Dracula—a scholarly organization dedicated to the study of all things Dracula.

We get it, Ian Holt.

You want us to think that you are a scholar because you are friends with scholars and historians.

But I don't think a scholar would be constantly name-dropping.

Through friends in the society I met Professor Elizabeth Miller, the world’s foremost authority on all things vampire, Dracula, and Bram.

"And I'll use my scholar friends as a shield to deal with criticism."

Professor Miller asked me to speak at the Dracula convention in Los Angeles in 1997, where we celebrated the 100th anniversary of the release of Bram’s novel.

According to a report on the 1997 Dracula convention in Los Angeles, Holt isn't mentioned as being one of the speakers.

Holt says during the convention he came up with an idea to write a sequel to Dracula. He admits that a Dracula sequel isn't a new idea.

But a Dracula sequel was never written with "input from a member of the Stoker family."

Holt goes on to say that "securing that input became my goal" and contacted the Stoker family patriarch.

Still scarred by the Nosferatu copyright affair and years of being ignored and abused by Hollywood, the members of this generation of the Stoker family wanted nothing to do with me.

I could be wrong...

But I'm getting a strong feeling that Holt was miffed that some members of the Stokers didn't want to touch him with a ten-foot pole.

Especially since Holt said the Stoker family at "long last" supported the idea for an official sequel.

But I wouldn’t give up.

Holt says how he "kept building up my film-writing résumé and Dracula connections." He eventually meets Dacre Stoker.

I pitched him my sequel idea, which at the time I had been planning as a screenplay. Dacre was enthusiastic and suggested that the proper way to proceed was with a book first.

If it is a novel, then it will be proper lit-ra-choor.

Because a movie wouldn't be "deep" or "elevated".

Both Dacre and Ian agreed to a writing partnership.

And Dacre contacted his family members and presented them with the sequel proposal.

Once it was understood that this would be a labor of love,

"We gleefully shit all over the original lore and insist that it was all a lie."

our intentions honorable, and that our plan was to restore to the world Bram’s original vision and characters,

If that was the case, then:

The original lore of Dracula wouldn't be repeatedly violated.

The Crew of Light wouldn't be depicted in an unflattering light.

And Bram Stoker wouldn't be vilified.

the Stokers offered support, at long last.

Translation: They finally appreciated my genius!

Dracula the Un-Dead is the culmination of my lifelong dream and years of hard work.

"And why is the Devil laughing and doing a victory dance?"

It is my gift to every horror nut out there.

If by "gift", you mean a literary turd, then I agree with you.

My greatest wish is we have created a book that is close to Bram’s original gothic vision

"Close to Bram's original gothic vision"?

Hell no!

It contradicts the original story and reads like a shitty Coppola's Dracula fanfic.

—while modernizing it at the same time.

By stealing a twist from The Empire Strikes Back and copying a scene from Indiana Jones and the Temple of Doom.

Believe me, I realize how lucky I am.

And readers will regard this novel as a plague upon mankind.

I have been truly blessed that in some small way, my name will be linked with

a mean-spirited and shitty novel.

that of my hero, Bram Stoker—

I'm not convinced that Dacre or Ian regard Bram as their hero.

Here is an excerpt from the novel:

"If there were to be any truth to Stoker's novel it would have to be where no sunlight could ever reach."

Translation: you can stick it where the sun don't shine.

the man who invented modern horror.

I'll say it again...

Stoker wasn't the only one who invented modern horror.

Some of the other writers were Edgar Allen Poe, Ann Radcliffe, Sheridan Le Fanu, Algernon Blackwood, and H.P. Lovecraft.

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