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#where ness is a friend of the 5 kids inside the animatronics
thisisnotkitty · 6 months
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I got one idea for Ness. Just kinda came into my head when reading one of your securitywaiter stuffs!! (Awesome btw. Did not know it existed, but I'm definitely for it).
Ness would be the type of guy (to me) to be having like. Animatronic OCs. I dunno why, he just gives those vibes in small ways. Once he showed one to Abby; Abby told her friends when she went to visit them, and Golden Freddy was just like; "well that's rude. Maybe you can bring him here if he rlly wants to be like that-" or smth.
I dunno. It's silly to me— (sorry)
No wait this is so cute-
I like to think he grew up in the town and Freddy's was a huge part of his childhood so I think it'd be cute especially once they closed down, he just kept going back to his because he misses the core four from Freddy's
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whumpster-fire · 4 years
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Man, I’ve paid like zero attention to the Five Nights At Freddy’s fandom since, like, FNAF 4 or 5 came out, and today I tried to look up the full lore and timeline, and like... what the fuck is all this shit?
So I guess nothing’s changed in that despite there being multiple books now apparently, nobody actually knows what’s going on, but apparently there’s crazy shit like at least one murderer who’s running the company making the animatronics and designing them specifically to kill people, the killer’s Mike’s Dad or something but Mike may or may not be an actually robot or something.
So I’ve got some really hot spicy takes here that’ll probably get me put into a Cringe Compilation(TM), but w/e.
Hot Take #1: FNAF 1′s lore was actually really fucking good, because (a) while it was vague, it was simple, and both of those things are your friend in a horror franchise, and (b) while it had supernatural / sci-fi elements it was, on a basic level, grounded in reality enough to be genuinely scary.
Seriously: a serial killer using child-friendly mascot costumes at a Chuck E Cheese type restaurant to disguise himself as an employee, and/or an actual employee wearing these things, to lure children away, is scary because it feels like something that could actually happen, like you could turn on the news and there’s this story about this crime happening in some city a couple states away that you’ve only heard of like twice in your life but you know exists. Serial killer hiding victims’ corpses inside the animatronics? More of a stretch. It’s not something that feels like it would actually happen IRL, but that’s exactly the kind of shit that there are real urban legends about.
“Someone murdered some kids in a Chuck E Cheese like twenty years ago and stuffed the bodies inside the robotic mascots and nobody noticed until the customers complained about the smell” is something I would not bat an eyebrow and hearing while watching a “Top 10 Creepiest Rumors About Beloved Kids’ Franchises” video at 2 AM on YouTube or something. Add in the robots coming to life at night and attacking the security guards, and like... FNAF 1 is basically a creepypasta - i.e. classic folklore ghost stories but they’re on the internet now - as a video game. Somebody telling this story as a “I swear this actually happened to me!” first person account, claiming they worked the night shift for a week a while back in college and they saw crazy shit and they were afraid from their lives and it seemed like they got hired because the guy who had their job before them was killed? That fits in perfectly.
Hot Take #2: Every game after that made FNAF’s lore worse - and rarely for sequels it actually retroactively fucked with the original too.
2 and 3 weren’t that bad because they added a kinda interesting backstory and a satisfying ending that tied it all together, but the fact that both of the major events of the original game’s plot - the murders and the Bite of 87 - almost certainly involved an animatronic that didn’t even appear at all in the first game actually retroactively makes the lore introduced in the original game less satisfying by throwing a red herring on obvious leads like: “Foxy has been shut down for years and his jaw seems to be fucked up HMMMMMM...” and “What even is Golden Freddy he’s just a suit HMMMMMM...”
But when you get to the point of having to go... wait a minute, were there two separate incidents where a robot bit someone’s head off? Were there two separate incidents where five children were murdered? That’s a massive red flag that your lore has become a convoluted train wreck and you’ve passed the point where it was time to stop. Not every horror franchise should try to be Dark Souls or Bloodborne with its lore. I’m admittedly not a huge horror fan but I can’t think of a single horror franchise that has been improved by having a massive expanded universe with a ton of lore.
Hot Take #3: Mangle is the scariest animatronic in the entire series. Not because of the fucked-up-ness or because of the static or even because of the probably biting Jeremy’s face off. Mangle is the scariest because they had this piece of extremely powerful, mobile machinery sitting around, with the power on, with all of the safety covers preventing someone from touching something dangerous removed, and they were literally letting small children physically interact with it with no apparent supervision. Yes, let the toddlers play “take apart and put back together” with the exposed wiring on an electrical system that is probably capable of pushing hundreds if not thousands of amps through a conductive object, that’s smart.
Hot Take #4: Mangle is adorable and sad and somebody should give that sketchy death-machine a hug despite what I just said. An abused probably-sentient robot that’s falling apart from being abused by douchebag bratty kids and the maintenance techs just stopped giving a shit and were like “fuck it I hate her anyway, kids do your worst?” This character is perfect for this blog! Also in SL the guard gets to abuse sentient robots with a taser, so more Just Gold robot whump content.
Hot Take #5: IDGAF what this says about how immature my sense of humor is: Five Nights At Fuckboy’s is still a masterpiece and one of the seminal artistic works of the 2010s. I N H A L E.
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