I’ve been showing some of my friends your Mianite liveblogs and it’s nostalgic bc my friends and I all met via Mianite back in 2014, it’s just nice to see people discovering and liking such an old series. Glad ur having a blast! You would’ve loved it live in 2014
hi anon!! glad you're enjoying me enjoying this series!
i've been having the absolute time of my life going into mianite blind with my only context being that i vaguely recognized who captainsparklez is and that the series was centered around three gods. i got into hermitcraft in 2019 and empires smp in late 2022 and honestly vibes-wise mianite has aged incredibly well in comparison, especially for a series made in 2014, the year i downloaded Minecraft. it all just feels very familiar despite this being my first time watching it yknow?
i've also really enjoyed getting into a series that has a much smaller fandom than what i'm used to (there's like seven people here on tumblr who regularly post about mianite and i only found ~370 fics under its fandom tag on ao3 orz)! i've been liveblogging watching this to my priv discord server at the same time and two of my other friends have been there to provide context or go "oh yeah that's a thing that happens and it's fucking insane" and like. dude its awesome
im glad this is giving you and your friends some nostalgia! and don't worry, s2 has close to a hundred episodes in it from what i can tell so i'll probably be going for a while
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the way vampire fiction has been lining up for me? daresay it is fate that I become a vampire literature lover and appreciator?
june: friend messages me that he's getting rid of old books and do I want any? dracula is in there so I'm like hm I really enjoyed frankenstein so let's try dracula
july: T2 (where zak works) releases a penguin books collab and the sci fi/fantasy book is dracula
september:
I get bg3 and am fully taken in by a character I thought I'd hate??? who is a vampire.
zak decides he really wants the dracula T2 collab bc staff can finally buy it and he thinks the mug is cute (it is)
I am so enthralled by bg3 that I start reading again for the first time since like march - dowry of blood (much different than what I thought but I appreciated the themes, 3.5/5) and am now reading dracula
it is september so there is a daily dracula thing going on where ppl read dracula very slowly and only read the entries of each day...i am going to join in!!!!! (gonna read the whole book first then come back and read each entry as it happens - will help me digest it I think!!)
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Hi- er, this is my first-ever writer's strike, how does one not cross a picket line in this context? I know how not to do it with things like Amazon and IRL strikes, but how does it apply to media/streaming?
Hi, this is a great question, because it allows me to write about the difference between honoring a picket line and a boycott. (This is reminding me of the labor history podcast project that's lain fallow in my drafts folder for some time now...) In its simplest formulation, the difference between a picket line and a boycott is that a picket line targets an employer at the point of production (which involves us as workers), whereas a boycott targets an employer at the point of consumption (which involves us as consumers).
So in the case of the WGA strike, this means that at any company that is being struck by the WGA - I've seen Netflix, Amazon, Apple, Disney, Warner Brothers Discovery, NBC, Paramount, and Sony mentioned, but there may be more (check the WGA website and social media for a comprehensive list) - you do not cross a picket line, whether physical or virtual. This means you do not take a meeting with them, even if its a pre-existing project, you do not take phone calls or texts or emails or Slacks from their executives, you do not pitch them on a spec script you've written, and most of all you do not answer any job application.
Because if this strike is like any strike since the dawn of time, you will see the employers put out ads for short-term contracts that will be very lucrative, generally above union scale - because what they're paying for in addition to your labor is you breaking the picket line and damaging the strike - to anyone willing to scab against their fellow workers. GIven that one of the main issues of the WGA are the proliferation of short-term "mini rooms" whereby employers are hiring teams of writers to work overtime for a very short period, to the point where they can only really do the basics (a series outline, some "broken stories," and some scripts) and then have the showrunner redo everything on their lonesome, while not paying writers long-term pay and benefits, I would imagine we're going to see a lot of scab contracts being offered for these mini rooms.
But for most of us, unless we're actively working as writers in Hollywood, most of that isn't going to be particularly relevant to our day-to-day working lives. If you're not a professional or aspiring Hollywood writer, the important thing to remember honoring the picket line doesn't mean the same thing as a boycott. WGA West hasn't called on anyone to stop going to the movies or watching tv/streaming or to cancel their streaming subscriptions or anything like that. If and when that happens, WGA will go to some lengths to publicize that ask - and you should absolutely honor it if you can - so there will be little in the way of ambiguity as to what's going on.
That being said, one of the things that has happened in the past in other strikes is that well-intentioned people get it into their heads to essentially declare wildcat (i.e, unofficial and unsanctioned) boycotts. This kind of stuff comes from a good place, someone wanting to do more to support the cause and wanting to avoid morally contaminating themselves by associating with a struck company, but it can have negative effects on the workers and their unions. Wildcat boycotts can harm workers by reducing back-end pay and benefits they get from shows if that stuff is tied to the show's performance, and wildcat boycotts can hurt unions by damaging negotiations with employers that may or may not be going on.
The important thing to remember with all of this is that the strike is about them, not us. Part of being a good ally is remembering to let the workers' voices be heard first and prioritizing being a good listener and following their lead, rather than prioritizing our feelings.
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