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#you end up creating a person who speaks like the ghost of a victorian child
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The most perfect little creature 😍💖
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lexicals · 4 years
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Liner notes for An Echo, An Answer
Okay let's give this a go I guess? I may add more to this if I remember things too lol
Fair warning this is an exceedingly long post. It has ~subheadings~ (ooh). These cover: 
Fun Facts
Notes about mira
Notes on actual writing/plot
Post-canon tidbits (to be supplemented by actual post-canon oneshot coming maybe not soon but definitely at some point probably)
Needless to say this contains some BIG OL’ SPOILERS. Please enjoy o:
Some general Fun Facts™:
When I posted the first few chapters of this fic, I didn't have a fucking clue where it was going. I didn't even know how kravitz died until I'd already posted like 10 chapters lmao. This was a stressful way to write and I am never doing that again
In terms of inspo, I remember there being a fic in which taako was a ghost and kravitz was a medium (if anyone knows what fic this is PLEASE tell me I cannot find it) and I think I subconsciously took inspiration from this. Also I’d already written a vampire au and I wanted more undead boyfriend shenanigans, I looove playing with the liminal aspects of kravitz being a dead-but-not-dead character
There was a goof version of this fic where kravitz wasn't from the 1900s at all and died in like. The early 2000s or something. He died having come back from/at a costume party, people assumed he was an actual ye olde victorian ghost, and he decided to just lean into it. Cue fake accent. This was scrapped mainly because I loved the ‘sleepy hollow’-esque man-out-of-time shenanigans way too much and also because I know very little about the early-2000s US but do you know what I do know a moderate amount about? 1900s england
I have not read the cask of amontillado and I did not know what it was until seeing the memes, which was after I wrote the basement body twist. I just wanted to have a cheesy secret basement behind a bookcase c'mon it's a murder mystery in an old spooky house let me have this
Anyone who's followed my content for a while probably knows that I'm a big trans kravitz stan, but I dithered over making him trans in this fic a Lot. This was mostly down to self-doubt abt a story ft. a trans man living as his preferred gender in that time period would be deemed "unrealistic" but in the end I said fuck it I want this & I think that was the correct move. Also I read a fair bit about absolute legend dr james barry & that made me a bit more confident about committing to the decision bc these people did exist & they deserve their rep
You may notice that all of the major OCs created for this fic are women. This was an accident but also I stand by it bc I think it helps to balance out the fact that so much of the ‘screentime’ is being dominated by the male leads (inc. angus, who probably has the 3rd most screentime after taako & krav). They’re also all just, absolutely indomitable people. I have a type when it comes to OCs. Speaking of:
Notes on mira:
Mira was very much a character created to serve a purpose, but she ended up becoming a lot more than that and I'm glad people warmed up to her while reading as much as I did while writing. She wasn't going to have anywhere near as much screen time initially as she did in the end but I just loved her & how her relationship with kravitz turned out so much that I ended up writing a bunch of snippets with the two of them just for me, which eventually turned into the fragment chapters because I wanted to share how gd cute they were. Also they ended up being pretty useful for plot too lol
She and flossy were actually kind of the same character to begin with, being kravitz's best friend who he lived with in a kind of lavender marriage with neither of them interested in the other but being happy enough being friends & pretending. I scrapped this pretty early for a lot of reasons but she was still the cause of his death in that version, whether or not she actively killed him. I think there was a gambling debts element at some point
Whatever iteration of the story, she was always going to be the cause of death. I ruled out actual murder pretty early on because I didn't want to tell a story about a gay, black trans man getting murdered in cold blood in his own home, which in a ghost story only really leaves manslaughter, and an accidental killing by a loved one was an idea that followed pretty hot on the heels of that decision - it's very sad, but there's no hatred behind it, so it's not too outright depressing for what is most likely an audience with a high population of marginalised people. That bittersweetness of tone - sad events, but almost always with loving intentions behind or around them - ended up being a real touchstone for the story as a whole
In terms of post-canon content for her, or I guess just stuff that wasn't mentioned in-fic lol, my idea of how her life played out is that she was a pretty solid pillar of her community for a very long time. She took what kravitz said about thinking about what she wanted to add to the world very much to heart, and her answer was for her to be to as many kids and vulnerable people as possible what kravitz was to her. Obviously in the end she poured a lot of herself into helping others out of guilt for having killed a man who she likely remembered a little rose-tinted, but the intent was always there before that too
I don't know how much this came across in the actual text but mira is mixed race (Black/white), though she is Black-coded in terms of how people see and respond to her (please tell me if I’m using these terms incorrectly). I downplayed a lot of the racial elements of this fic bc I don’t feel like it’s my place as a white writer to delve into those areas, but it is an element of her story that ties into anti-miscegenation laws and general societal attitudes and I didn’t just want to entirely gloss over those aspects, bc that wouldn’t be right of me either, so I can only hope the balance ended up working here, and for kravitz’s story too. I did a lot of the writing for mira’s story before even really thinking about this angle which is something I’ve learnt from now bc oh boy should I have thought about it sooner lmao........
Anyway. I love her. I’m very glad that other people love her too
In terms of story writing:
I used to watch A LOT of crime dramas when I was younger, and got so familiar with the structure of them that I used to predict who the killer was going to be about a quarter of the way into them almost every time. Most of the time the killer is someone introduced early on as someone fairly innocuous, but still notable, before the narrative doubles down on a red herring suspect who's proven innocent about 3/4 of the way through, paving the way for the real twist killer. You see where I took my base structure from here
So, mira is introduced early on as someone important to kravitz, who was involved in his life (& death) somehow, but in general she's more suggested to be a victim than a culprit - because of course she is, she’s a child and she loves him! I'm only just realising now that this is a "person of interest" style plot twist here. (Remember what I said about the crime dramas? Just so many of them.) But then in the end she suffered just as much as anyone else, so I guess you could say she's both a victim and a culprit, even by accident.......
Structurally I'm actually really happy with how this turned out. In my head (BECAUSE OH BOY I DID NOT WRITE ANY OF THIS DOWN! Or at least not in a coherent way) the story was split into three mini arcs - the enemies section ending with the kitchen blowout, the friends section ending with the the bay window scene, and the lovers section which covers the rest of the fic. This ended up integrating really well with the main mysteries/pulls of the story - the first being the will-they-won't-they (they will, it’s fanfiction, but how?) of the romance element, and then once that's tapering off starting to dig more into the murder mystery element, which had been more of a subplot up until then, while the romance moves onto the back burner a little bit. The dual genre was an interesting challenge to try to balance and I think it turned out pretty well!
While I'm on this, setting up my breadcrumb trails for the plot twists was simultaneously very stressful and very rewarding. Trying to keep things obvious enough to be noted but subtle enough not to give the whole game away? Gave me so many headaches lmao. I actually thought for sure that some people would twig about the body in the cellar sooner than ch42, but then actually in ch42 way more people picked up on fisher's sniffing around than I expected. Clues are hard!! But at the same time seeing the handful of people who called mira as an adoptive daughter, or the fact that krav fell down the stairs, or the fact that mira's og parents were involved was very cool and it made me very happy to see people picking up the little stuff and putting it together
QUITE A FEW PEOPLE SAID NICE THINGS TO ME ABOUT HOW CLEVER THE PIANO TUNING ANGLE WAS. I CANNOT TAKE COMPLETE CREDIT FOR THIS. IT WAS A PLOT HOLE THAT I SUDDENLY REGISTERED OUT OF NOWHERE WHILE I WAS IN THE SHOWER & THEN ENDED UP WORKING IN SO I GUESS IT TURNED OUT FOR THE BEST & MADE ME LOOK VERY SMART BUT IT WAS AN ACCIDENT
Something else that a couple of people have noted & that I only realised in the process of writing was the fact that a lot of kravitz's ghostliness in this fic has the potential to be read as an allegory for chronic illness/disability. This was something I only caught onto myself while I was writing the scene on the porch at the end of ch42 when I was writing kravitz's dialogue and was like..... oh shit that's a thing huh. Bc he is, y'know, quite literally housebound and limited in what he can do in a lot of ways, which is part of the reason I really tried to hammer home in that chapter that even though the fic ends with him being 'cured' (because that ending was always the intention from day one before I ever thought about this reading), they would have been happy together regardless. Love is not conditional!
Post-canon thoughts:
Taako and kravitz go into the house. Kravitz says oh my god what is that smell. Taako says he made blueberry pie earlier. Kravitz says okay we're putting bedroom fun times on hold I need that RIGHT NOW
Kravitz eats way too much too fast and spends the rest of the afternoon curled up on the sofa with a horrible stomach ache. He is not used to that much rich food. Taako is not impressed with this
He rolls his eyes and they watch a movie and talk instead and get to the bedroom fun times later
On the topic of food you Know krav ends up with a bit of a tummy from taako spoiling him. He looks & feels great and taako loves how comfy he is
Also on the topic of bodies I think krav does a lot of experimenting initially with what feels good now that he has a lot more freedom in presentation. He likes to mess with his hair a lot. Dresses and skirts are still a bad feel but a little makeup is fun sometimes. Kravitz living his best undeath 2k18 (I took so long to finish this fic it’s set 2 years ago now lmaoooo)
Kravitz lets taako drive him somewhere exactly Once before vowing NEVER AGAIN taako's driving privileges are REVOKED kravitz is going to get magnus to teach him to drive instead.
Taako says what the hell are you gonna do if you get pulled over you are a hundred and thirty and also dead you can't get a license. (He could get him a fake one, but he's not going to, because he's being petty about kravitz insulting his driving.) Kravitz says fine show me yours then. Taako says no but kravitz steals it anyway. A minute later he’s produced his own undoubtedly fake license out of nowhere complete with a fake DOB and a very nice picture
Taako says gasp kravitz that's ILLEGAL. Also you know you have to make this picture worse if you want it to be convincing right
Kravitz starts giving angus music lessons. Angus isn’t a natural by any means but he works hard and that gets him a long way
OH ACTUALLY I SHOULD PROBABLY SAY SMTH ABOUT THE REUNIONS HUH. GINNY THESE ARE FOR YOU:
Maybe it's weird to start with barry but the poor man has to have a sit down. He has so many questions. Kravitz what is the afterlife like it's fine you can tell him just give him a hint please and also can he maybe get like. A blood sample or something. No that's not weird it's for science what are you talking about taako bring him back
Kravitz is fully expecting lup to wreck his shit, and she acts like she's going to right up until she's close enough to give him a big ol hug instead. She says she missed him a lot & that he's much nicer to hug now that he's not a freezy boy, and kravitz goes ;_;
It's a very tight hug though. In some ways it is still a punishment
Also could he maybe hook her up with this death goddess of his? Lup would like to be immortal too, kravitz. Kravitz can you get a resume to your boss and could you write lup a reference while you're at it
Angus!! He’s so happy to have his other uncle back!! There’s a new caleb cleveland book he needs to read so they can talk about it!! All of this after a lot of crying and hugging.
I think at some point they do go over to visit mira’s descendants. Taako says hi remember me? I brought my boyfriend to visit! Unnamed great great grandchild #1 is like um he looks kind of familiar. Kravitz says well yes there is kind of a reason for that and it’s because I’m in that picture on the wall over there, hi I’m your great great grandfather nice to meet you
The family is a little weirded out by this at first but eventually they’re like. Well alright I guess do you want a coffee
Kravitz says yes please god do you know how many people keep offering me tea
He babysits for the youngest ones sometimes. The kids love him and the adults are happy to give him stories in exchange for his time, seeing as that’s all he asks for
Taako says ask them for money and contribute to this household kravitz. Kravitz says absolutely not they’re family and you’re already getting my youtube ad revenue
Yes kravitz has a youtube channel and is also very involved in the local music scene. He can’t do anything that would technically be classed as interfering with the flow of the living world but no-one said he can’t anonymously share some of his music here and there
Johann gets him a gig conducting for his orchestra every now and then. Kravitz is fucking ecstatic and finally gets to conduct some of his own pieces in front of an audience. Maybe they actually get to that biography johann mentioned at some point. Idk I haven’t thought about that part too much
Okay I wrote WAY more than I meant to here but I hope at least some of it was interesting and feel free to ask me questions if there are elements I’ve missed off of here that you want to hear more about! (Bearing in mind some of the answers may be “actual post canon content coming soon/later” lol.) As you can tell I have a lot of things to say about this fic & I’m always more than happy to hear that people are interested!! o:
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Adult Fantasy Fiction: 2020 releases 
Prosper's Demon by K.J. Parker
In the pitch dark, witty fantasy novella Prosper's Demon, K. J. Parker deftly creates a world with vivid, unbending rules, seething with demons, broken faith, and worse men. In a botched demonic extraction, they say the demon feels it ten times worse than the man. But they don’t die, and we do. Equilibrium. The unnamed and morally questionable narrator is an exorcist with great follow-through and few doubts. His methods aren’t delicate but they’re undeniably effective: he’ll get the demon out—he just doesn’t particularly care what happens to the person. Prosper of Schanz is a man of science, determined to raise the world’s first philosopher-king, reared according to the purest principles. Too bad he’s demonically possessed.
The House in the Cerulean Sea by T.J. Klune
A magical island. A dangerous task. A burning secret. Linus Baker leads a quiet, solitary life. At forty, he lives in a tiny house with a devious cat and his old records. As a Case Worker at the Department in Charge Of Magical Youth, he spends his days overseeing the well-being of children in government-sanctioned orphanages. When Linus is unexpectedly summoned by Extremely Upper Management he's given a curious and highly classified assignment: travel to Marsyas Island Orphanage, where six dangerous children reside: a gnome, a sprite, a wyvern, an unidentifiable green blob, a were-Pomeranian, and the Antichrist. Linus must set aside his fears and determine whether or not they’re likely to bring about the end of days. But the children aren’t the only secret the island keeps. Their caretaker is the charming and enigmatic Arthur Parnassus, who will do anything to keep his wards safe. As Arthur and Linus grow closer, long-held secrets are exposed, and Linus must make a choice: destroy a home or watch the world burn.
The Unspoken Name by A.K. Larkwood
What if you knew how and when you will die?
Csorwe does — she will climb the mountain, enter the Shrine of the Unspoken, and gain the most honored title: sacrifice.
But on the day of her foretold death, a powerful mage offers her a new fate. Leave with him, and live. Turn away from her destiny and her god to become a thief, a spy, an assassin—the wizard's loyal sword. Topple an empire, and help him reclaim his seat of power.
But Csorwe will soon learn – gods remember, and if you live long enough, all debts come due.
Things in Jars by Jess Kidd
Bridie Devine, female detective extraordinaire, is confronted with the most baffling puzzle yet: the kidnapping of Christabel Berwick, secret daughter of Sir Edmund Athelstan Berwick, and a peculiar child whose reputed supernatural powers have captured the unwanted attention of collectors trading curiosities in this age of discovery. Winding her way through the labyrinthine, sooty streets of Victorian London, Bridie won’t rest until she finds the young girl, even if it means unearthing a past that she’d rather keep buried. Luckily, her search is aided by an enchanting cast of characters, including a seven-foot tall housemaid; a melancholic, tattoo-covered ghost; and an avuncular apothecary. But secrets abound in this foggy underworld where spectacle is king and nothing is quite what it seems. Blending darkness and light, history and folklore, Things in Jars is a spellbinding Gothic mystery that collapses the boundary between fact and fairy tale to stunning effect and explores what it means to be human in inhumane times.
Sucker Punch by Laurell K. Hamilton
A brutal murder, a suspect in jail, and an execution planned, but what if the wrong person is about to be killed?⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ When a fellow U.S. Marshal asks Anita Blake to fly to a tiny community in Michigan's Upper Peninsula on an emergency consult, she knows time is running short. When she arrives, there is plenty of proof that a young wereleopard killed his uncle in the most gruesome and bloody way possible. As the mounting evidence points to him, a warrant of execution is already under way.⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ But something seems off about the murder, and Anita has been asked for her expert opinion on the crime scene. Despite the escalating pressure from local cops and the family’s cries for justice for their dead patriarch, Anita quickly realizes that the evidence doesn't quite add up.⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Time is against Anita, as the tight-knit community is up in arms and fear against supernaturals is growing. She races to uncover the truth and determine whether the Marshals have caught the killer or are about to execute an innocent man—all in the name of justice.
Latitudes of Longing by Shubhangi Swarup
A sweeping, lyrical debut about the love and longing between humanity and the earth itself, by a major new literary talent from India A spellbinding work of literature, Latitudes of Longing follows the interconnected lives of characters searching for true intimacy. The novel sweeps across India, from an island, to a valley, a city, and a snow desert to tell a love story of epic proportions. We follow a scientist who studies trees and a clairvoyant who speaks to them; a geologist working to end futile wars over a glacier; octogenarian lovers; a mother struggling to free her revolutionary son; a yeti who seeks human companionship; a turtle who transforms first into a boat and then a woman; and the ghost of an evaporated ocean as restless as the continents. Binding them all together is a vision of life as vast as the universe itself. A young writer awarded one of the most prestigious prizes in India for this novel, Shubhangi Swarup is a storyteller of extraordinary talent and insight. Richly imaginative and wryly perceptive, Latitudes of Longing offers a soaring view of humanity: our beauty and ugliness, our capacity to harm and love each other, and our mysterious and sacred relationship with nature.
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melonoverlord · 4 years
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Ask meme for Violet
Which parent do they look the most like?
Violet doesn’t know what either of her parents looked like, but from what she knows about biology (which admittedly isn’t a lot, she knows more about robotics) she assumes that she must’ve been a mix of both parents.
Is there a name they were almost given (either by their parents or during character creation)?
Her name has always been Violet and was the first option for her. She doesn’t know if another name would have been better for her, but she likes it well enough. To her, it’s symbolic of where she’s come from.
What were they like as a kid (if they’re currently a child, what would they be like as a teen)?
She doesn’t remember much of anything of when she was a child, but just based on how she is now, she would be very surprised if her younger self was more exuberant or charming than she is currently.
What’s their drinking tolerance and what kind of drunk are they?
As an aasimar, it’s very hard for her to get drunk off regular alcohol (remedials are another story) so she has a very high tolerance, but when she does manage to get drunk, she feels so much and doesn’t want to handle any of it, so she will find a corner to be alone (and if people want to find her and keep her company that’s their prerogative)
Where do they like to be touched?
Violet only loves touches from Perri, and the barest of brushes from Rev, but she secretly likes having her hair played with. It’s so soft and smooth and when it’s played with, she short circuits and becomes a sitting lump. Only Perri knows this fact. 
What’s their favorite position (top/bottom/switch/pillow princess/etc.)
As a prostitute she’s played everything from the bottom blushing virgin to the dominant seductress (all under the influence of jubi and tempo of course because if she had to seduce by herself the best she could come up with is ‘dan nicky your bobbies’) but in terms of being in an actual relationship with someone, she’s a top who ranges from a nervous service top to a soft but firm dom. Whichever way so goes, she speaks so gentle and lovingly.
What are their kinks?
Violet’s fairly vanilla. She’s always so chilly that she has a fondness for temperature play (whether fire or wax) and deep down she just wants to be praised. What did you expect from a 19 int, 17 wis artificer? She’s prideful as hell.
How do they feel about adrenaline (roller coasters, extreme sports, etc.)?
In Felicity, there’s not much opportunity for roller coasters or extreme sports, so really the most adrenaline things she gets is when she’s working on machines and there’s the anticipation that comes with putting a potentially explosive device on Perri and seeing what happens. She likes that.
What is their fight or flight response?
Probably more on the freeze end. She doesn’t want to get in trouble and doesn’t know how to react to something unless it’s something she knows she can win against (which is more an intellectual battle). Then she’s more a fighter.
What’s their pain tolerance?
Despite being stronk, Violet does not like getting hurt and bruises pretty easily. It takes her longer to bounce back from pain. She has a constitution slightly higher than a Victorian orphan, but she will make a thousand year stare if she gets hurt.
What character archetype are they the most like (the Innocent, the Hero, etc.)
The Creator, which fits Artificer well. She doesn’t care about fixing the world she’s in, but she knows she has the brains to make it just a little bit more livable. She’s prideful in her brain, and she wants to create machines that can do things that make human labor hard. Also she really just wants an army of robotic alligators, ravens, and black cats.
What TV-Tropes trope would they be?
Eerie Pale Skinned Brunette. She looks like she’d be a vampire (and if there was an official vampire race/class in dnd I would’ve made her a vampire) but she’s just tall, skin white as snow, hair black as night, and a vibe creepy as fuck. But if you get to know her, she’s just extremely awkward with a penchant for machines.
What John Mulaney quote/bit do they most embody?
“Was there ever really a ghost, Mother? Or was the dead Victorian girl you saw just me all along?”
With the exception of love interests and immediate family, who are they closest to?
She’s not sure what Perri is to her. She’s never had a family but he’s been the most important person she’s ever known. She would do almost anything for him and there is no place she goes that she doesn’t want him with her.
What is their moral alignment? What would have to happen for it to shift?
True Neutral. She only cares about her and Perri’s survival and although she has a moral line she doesn’t want to cross (such as murder), she is willing to make a lot of personal sacrifices to make sure she and Perri can eat (such as cons, prostitution, and being bought as a bride).
Are they a morning person? What are they like before 8am?
Violet loves being awake as long as possible, so she tries to be up very early so she can take walks around Felicity. She feels more peaceful in the early morning, so she actually smiles a lot more, but its all real soft smiles. She also loves walking around markets to see people starting to sell food because its fresh.
What are they like when they’re tired?
A tired Violet is a frustrated Violet. She doesn’t often speak against people, but when she’s tired she’s always five seconds away from snapping and telling people they’re all dumbasses and they need to let her sleep.
What are they like in arguments?
Violet doesn’t usually get into arguments, either because she scares people too much for people to stay long enough to argue with her or because Perri calms it down. The only way she gets into arguments is if someone is being absurdly stupid and wrong and she’s just “I’m not even going to dignify that with a correction... actually if I do not it will drive me insane, you are a fool.”
What is their dominant hand?
Right
Out of 10, how happy are they? How happy do they think they are?
She’s happier than she was at the brothel, that’s for sure. She lives somewhere that’s not flooded, not selling her body for food, she has her first workshop and she lives with Perri and a man who although is an emotional mess, is not insufferable (and maybe even her friend?) Of course, she knows that Rev could get tired of her at any time and kick her out, so she’s trying not to be too hopeful. So overall 6.9/10.
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bbclesmis · 5 years
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Lily Collins Gets Candid: GLAMOUR’s December cover star on Les Misérables and success on HER terms
2018 was the year of fearless female performances but THE TV Christmas blockbuster, Les Misérables, saves the best for last with Lily Collins’ star turn as Fantine. Here she navigates the minefield of millennial dating, -13°C locations and a late-twenties crisis with GLAMOUR’S Josh Newis-Smith.
“I’ve been ghosted more times than I care to admit,” Lily confesses, as we discuss the minefield that is millennial dating. Adorned in a slouchy black hoodie with her hair scraped back into a care-free ponytail and barely a lick of make-up, Lily could be any twenty-something in debrief mode.
In fact, the only indication that this is a Golden Globe nominee who since starting to act at the age of two, has carved a place for herself as a go-to starlet – in such varied roles in Rules Don’t Apply, Mirror Mirror and Love, Rosie- is the vast Hollywood home that plays backdrop to our interview and her GLAMOUR cover shoot.
About to hit our screens in her career-defining role as Fantine, who is dumped unceremoniously by her lover - Victorian ghosting if you will - and left to fend for her child alone, we are musing on how, just like the iconic character, Lily has navigated her own fair share of heart ache. “There are times when I’ve [been on dates and] thought we had a great time and then I’ve never heard from the guy again,” she continues. With this level of ‘gal pal’ magnetism it’s no wonder she has garnered 11 million Instagram followers, and counting. “Sometimes that happens after one date, a couple of dates or one month. I would prefer people to be honest with me, as I live like that. I don’t think it will be something I can ever figure out. The good thing is that we all have the same issues.” Alexa, play Thank U, Next by Ariana Grande...
Both 29 years old, we quickly bond over that late-twenties crisis, too. “Everyone in their late twenties goes through it a bit, because we’re heading to the big 3-0,” she reassures me. “But I think I had a quarter-life crisis at 25 where I kept asking, ‘Am I at where I wish to be at?’ I never really set out as a kid with markers of when I want to get married or have kids. But I got to the age where you constantly compare yourself to your friends or other people in your industry.”
It’s this level of realism that makes her performance as the ultimate fallen female, Fantine, so damn relatable, despite the fact it was shot in inconceivable sub-zero conditions in Brussels over a grueling five-month period. One scene, in the opening episode, sees a thoroughly modern-feeling Fantine squatting in the bushes alongside her wing women, discussing the gents on offer. “When our director, Tom (Shankland) was describing it as, ‘You are going to be squatting, having a chat,’ I thought, ‘Well, I can’t say I haven’t done that,’” Lily laughs. “People have been doing this for centuries – that camaraderie between women and men going to the bathroom and having chats, where it’s all about the subtext and the looks.”  
Alas, poor Fantine didn’t have a rival nightclub to the local tavern, or Tinder, in her weaponry to help find a knight in shining armour to rescue her from her inevitable fall. Swiping right isn’t something that interests Lily, either. “I’ve never tried a dating app,” she exclaims with her trademark eyebrows alive with energy. “Lots of my friends have, but it’s just that I don’t know how I would. LA is very much where I spent most of my time growing up, so I know the places I am not going to go to meet somebody and I also realise that when you’re not looking, you find it.”
Lily is grounded, which is no mean feat given that she grew up surrounded by fame as the daughter of the Easy Lover hitmaker, Phil Collins. There’s no name-checking of famous faces, only her closest pals, a pool of Californian friends from Harvard-Westlake School who have enabled her to achieve that much-lauded term: balance. She has worked hard to have her Destiny’s Child ‘Independent Woman’ moment.
“Growing up I never wanted that to be a part of my story,” Lily confides. “Obviously I’m super-proud of my dad; I love my dad, I’m grateful for all the things I’ve learned, but it’s also something I wanted to define as my own. I always wanted to do it myself and for myself. There are so many people who want to do what I do, a name is not going to get you a job, and it shouldn’t. I can look back and be so proud I did it on my own. People assume it’s a lot easier when you have that name, but if you’re the kind of person who doesn’t want to use it, it’s a lot harder.”
Part of Lily taking control of her own narrative involved her penning her memoir, Unfiltered: No Shame, No Regrets, Just Me just under two years ago, something that she regards as the “most cathartic, therapeutic experience, in a way I didn’t anticipate”. In the emotional read, Lily confesses to hacking away at those eyebrows to fit in with the skinny-browed girls at school, details an unnamed emotionally abusive relationship, discusses a long and winding journey with eating disorders, and contains an open letter, forgiving her father, “for not always being there,” during her childhood after moving from Surrey to LA with her mother, Jill Tavelman following her parents’ divorce. For an industry in which personal lives are hidden by a velvet curtain, it was beyond brave.
Reminiscing, Lily details how the book’s direction took an unexpected turn, “I realised I was carrying so much baggage that, when it came to work, I couldn’t take on the baggage of my character. I felt a bit like a fraud to myself if I didn’t unleash – or at least get off my chest – these things, to move on and go into the next phase of my life. In life, when you dig the deepest and talk about the most uncomfortable things, that’s the time you’ll connect with most people because that’s when you’re being the ‘realest’. The hardest things to talk about will always be the most relatable, because no one wants to show them; they’re awkward.”
Used to shedding excess baggage, Lily had to leave everything at the French border to play what is set to become a career-defining role as Fantine. As she proudly scrolls through her phone to show her transformation from debutante darling to shaven-haired dishevelled wench, her enthusiasm is as big as her brows as she details the most testing part of taking on this role. “The material, the location, the temperature,” she admits were the biggest challenges. But it’s clear she relished getting gritty. “It was so perfect, but at one point it was -13°C in Brussels. It was mental preparation of not just understanding the psychology of what she’s going through, but also the gruelling shooting experience that we were all in. Dressed in little material towards the end, it was about pushing through mentally. Obviously, I saw the end in sight. I dive in 110%. If I’m freezing, tired and bruised from shooting, I lean into that with the character.”
In a year where toxic masculinity has led to outpourings of female empowerment, it seems an ideal time to revisit the treatment of this infamous female character; something that isn’t lost on Lily. “When she falls, she falls so hard. But she’s willing to stay down there if it means providing for her child. It’s very poignant over what’s happening in today’s world. When we’re at our lowest, we still have our sense of self and are willing to fight back and use our voice. That really resonated with me.”
How does she feel in the wake of the year where Hollywood finally got woke on the abuse of power? “It’s great to see the camaraderie that’s come from it. Women coming forward with these issues are being embraced. Whether it’s in the pay gap or having more female directors, writers, and making sure there are just as many women and men on movie sets – hopefully one day this won’t even have to be a conversation. That’s my hope that we won’t have to say, ‘’I’m so glad you’re hired because you’re a female. It should be that you are known for your skill level… Right now, it’s fantastic, but it shouldn’t be why a woman is defined as amazing.”
As a result, Lily is feeling more empowered than ever before. “Yeah, I am, 100%,” she says. “I’ve realised that I can’t control what other people think of what I have to say, but I can control how I say it and where it’s coming from. So many women have come out and spoken about things that people would have assumed would have been the end of them. Now it is embraced for us to speak out. I’m attracted so strongly to people who are brave and outspoken and very much themselves, so I thought, ‘Why can’t I be that?’ It takes practice and I’m not fully there yet, but I’m doing my best to take those steps.”
This self-crafted confidence is exactly why Lily was attracted to the challenge of creating and directing her own GLAMOUR shoot, shot on a mobile phone during a fitting with super-stylists Rob Zangardi and Mariel Haenn. “I love expressing different sides of myself,” she exclaims, referencing her Giambattista Valli gown she wore for her cover. “It’s a process that allows me to constantly surprise myself, rediscover and push myself in ways I wouldn’t have felt comfortable with a couple of years ago.” One thing is for certain, you shouldn’t underestimate this ultimate Hollywood ‘doer’; she curled her own hair and specifically asked for the pictures not to be retouched, too.
Away from Hollywood and couture, Lily will be living her best Cameron Diaz lyf circa The Holiday this Christmas. “It’s my time to switch off from my job, sleep in and be British – I love holing myself away where no one can bother me. I love being in the countryside, outside London, with my mum. We get our tree, we have decorations from when I’m younger. We cook. We have fires and watch old movies,” Lily shares in a manner of an over-excited elf.
It’s safe to say the Christmas cracker that will really bring a bang to your festivities is Lily Collins in Les Misérables. Plus, dear wise men and women, this star with her rare empowering gifts is well worth following, far and wide.
Les Misérables will start on the BBC on 30th December. (x)
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hitodama3 · 7 years
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Nightmare Daddies, Part 1
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