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aadmelioraa · 14 hours
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Do you have any preferred notebooks? Anything better than Moleskine which I don't think would be hard (!!??)... The ink bleeding through to the page behind is so distracting. Random question but I figured you'd be perfect to ask!! Thank you
i've been waiting my entire tumblrlife for this, anon. stationery is one of my most persevering special interests.
just to caveat, i still use a moleskine for my personal journal, but i only write in it once or twice a month so they tend to last years. i bought my current journal in 2017 before enshittification and so i haven't had a problem with the paper. i use a felt-tip pen on it mostly, but even the few times i've tried fountain pens, i haven't had any bleed-through. it's really unfortunate they've gone downhill.
and i mean, for context, i beat the shit out of my moleskines. and look how they've held up!
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the one on the left i used from 2011 to 2017. it went all around the world with me and i carried it everywhere for 6 years. i taped every stupid scrap of paper i came across into it and that's why it's so beefy. the elastic band has stretched too far is all; i need to find something sturdier to keep it shut.
the one on the right i started in 2017 and i'm about 2/3rds through it. i tape some stuff in but not as much as i used to. at one point it was in my backpack in the overhead compartment of a plane and some guy's water bottle spilled all over it. i was devastated. but it slurped that shit up and kept trucking. you can't even tell it's waterlogged anymore.
my mom bought me a special edition van gogh moleskine for my birthday last year that i was planning to use for my next journal. i just tested the paper against the 2017 journal using a kaweco sport bold tip, and the van gogh paper does indeed bleed significantly more than the 2017 paper. a real shame. i'm probably still going to use it though, because i've kept the proud tradition of "use notebooks people buy me for my birthday as my next journal" since i was 14. also, i'll probably end up starting it when i'm 37, the age van gogh died.
last august marked my 20th anniversary of my journaling habit, btw. i was going to write a newsletter about it but it started spiraling into a whole-ass book and i had to set it down.
a close and higher quality alternative to moleskine, much beloved by bullet journalers, is leuchtturm. their A5 hardcover is very similar to the classic moleskine pictured above. i don't use one because i have no use for lie-flat notebooks for anything other than a personal journal (which is covered for the next decade or so), but i love buying them as gifts.
my commonplace notebook is the A4 rhodia top spiral, which i've mentioned in my newsletter before. there is something truly magical about this notebook. when i bought it, i carried it around with me everywhere even though i had no idea what to write in it. i started commonplacing before i even knew what that was, simply because the tactile and aesthetic sensation of filling each page was so satisfying. i go through 1-2 per year.
this isn't a notebook proper, but my research binders are B5 maruman clartes with their corresponding loose leaf paper. again, like the rhodia A4 top spiral, the sensation of writing on the paper and organizing the binder is very satisfying and so it encourages me to take a lot of notes.
maruman also makes the famously amazing mnemosyne series of notebooks. i haven't used one before but i really like them, and as soon as i need a high quality top spiral notebook that the A4 rhodia can't fulfill, that's what i'll be moving to.
my purse notebook is a field notes reporter's notebook. these are new so they haven't stood the test of time the way the others have, but i love the size and the binding, and afaik field notes is one of the few american stationery brands that hasn't fallen prey to a quality drop in paper. i also love field notes classic pocket notebook but have never been able to make a pocket notebook habit stick. it took me a long time to realize tiny notebooks don't encourage me to write in them, because a lot of my notebooking is about the thrill and aesthetic pleasure of seeing an overwhelming amount of text on a page.
my planner is a hobonichi techo weeks, which is the same size as the reporter's notebook and also goes in my purse. this is my first year using a hobonichi planner and i really love it. like the others, its quality encourages me to use it. i've found hobonichi overall is a really good notebook brand.
my sketchbook (which i don't use very much) is a strathmore 500 series mixed media softcover. i bought it before i realized how deterring i find lie-flat books and i think i would be more motivated to draw by investing in one of their wirebound ones, even though all the artists i follow on youtube tell you not to do that. i keep meaning to change it into a collage notebook instead, i just haven't had the time or desk space to do it.
and an honorable mention: before the pandemic, back when i did things and went places, i used a grand voyageur traveler's notebook from paper republic. i'm actually very sad i don't have much of a use for it anymore, but maybe one day i'll do stuff again and return to it. it's weird that i don't see paper republic mentioned often (ever) in bujo spheres, when i think their products are better than traveler's company (although i haven't tested one for a significant period of time; people swear by them though).
hopefully one or two of these stand out to you!
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aadmelioraa · 24 hours
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JULIANNE MOORE as MARY VILLIERS | Mary & George (2024)
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aadmelioraa · 2 days
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DAVID OAKES as GEORGE PLANTAGENET THE WHITE QUEEN (2013)  彡 1.02 'The Price of Power'
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aadmelioraa · 3 days
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” I don’t go here but…” is such a cool tag to get idc idc. You don’t know what I’m talking about but you like it anyways? Let’s make out
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aadmelioraa · 3 days
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Person who really wants to be dominated by a strong-armed authoritarian in a snappy uniform, but also they want to keep their kinks ideologically pure, so they split the difference and fantasise about getting their ass beat by the inspector-general of the US Postal Service.
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aadmelioraa · 4 days
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AELFWYNN & EDWARD IN 5x04
Requested by @ladyfenring
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aadmelioraa · 5 days
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Kate Bush at home using her Fairlight CMI synth (c. 1980)
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aadmelioraa · 6 days
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i think what’s on a person’s nightstand is very telling so reblog this and put in the tags the things you have on your nightstand
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aadmelioraa · 6 days
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im absolutely losing my fucking mind about mary and george but i havent seen it all yet because im being a sad little american and watching it week by week instead of just pirating it as god intended. but i know that some people hAVE seen it all, so i havent gone into the tag ugh anyway i am clawing my face off about it. they made it for me. it has evil milfs. it has pathetic meow meow bisexuals. lesbian murderesses. toxic court gays. it has everything. they said 'what if the 1600s were DRIPPInG in homosexuality' and they were right.
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aadmelioraa · 6 days
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Introducing the FAW Summer Asynch Session!
Many people have mentioned that the times I lead the spring and fall workshops aren’t accessible for those with busy/unpredictable schedules, but they would still like to participate in the workshop and join the FAW community. To address that feedback, I’m running an asynchronous summer session. An asynch session doesn’t have a set meeting time. Instead, you’ll read up to 2 pieces presented each week by fellow participants, write them crit letters, and participate in discussion over Discord. 
The only required* meeting is an individual 30 minute Zoom call with me any time during the two weeks prior to the start of workshop. We'll use that time to go over the syllabus together and I can answer any questions you have. You'll book via Calendly once I send the welcome email.
*Optional for previous participants
Participants of the workshop receive:
Attendance in a 4-6 week asynchronous course during which you’ll provide feedback to your peers and workshop one piece of your own work, up to 6,000 words.
Access to the Fanauthor Workshop Discord server, an active community where we host weekly accountability meetings, writing sprints, a twice monthly short story club, and other events.
A 15-30 minute pre-workshop consultation with me to go over the syllabus and any questions you have.
A 30-45 minute post-workshop consultation with me to discuss the feedback you received, come up with a plan for revision and/or publication, or anything else you’d like to discuss regarding your writing.
Open enrollment option in future workshops.
Timeline
Applications close: June 14
Syllabus calls: July 1 - 12
Workshop begins: July 15
Workshop ends: Before August 23, depending on the number of participants
Cost
The recommended amount is $150. If you’re experiencing financial hardship and unable to pay, or can't pay the full amount, please let me know.
How to apply
Eligibility
Anyone over the age of 18 who considers themselves a participant of fandom and who is familiar with fanfiction may apply. A stable internet connection is also required. Submissions must be written in English.
Application requirements
To apply, you will need:
A brief cover letter discussing your fan history and goals as a (fan)writer (more specific instructions on submittable).
Maximum 1,000 words of your writing, either original work or fanfiction. This may be previously published/posted.
You can apply via submittable. Applications close June 14. There is no fee for applying.
FAQ and other info under the cut.
FAQ
Are there any content restrictions to what I can workshop?
The only restriction is word count (max 6k), with the following caveats:
If you workshop a piece in a form other than prose (for example, a script), your peers may not be able to offer constructive feedback on that aspect of the work. Participants are asked only to have a familiarity with prose.
Content warnings are required for each piece (if applicable), and participants who are uncomfortable reading certain subject matter may abstain from your workshop.
What is the time commitment of the workshop?
As a participant of the workshop, you'll be asked to:
Workshop any piece of your own prose up to 6k words, which will need to be uploaded no later than the Sunday prior to your workshop week. For example, if you sign up to workshop in week 2, your submission will be due July 14. Participants will have a week to read it and write their crit letter, and discussion will begin over Discord on July 22.
Read 2 pieces per week, write a 1-page crit letter for the author, and participate in the Discord discussion.
What are the benefits of being in the Fanauthor Workshop community?
We have an active Discord server open only to those who have participated in the workshop. Once you've completed the workshop, you'll have access to attend our weekly accountability meetings*, writing sprints, our twice monthly short story club, and other events we host.
*I'm working on figuring out an asynch accountability group.
You'll also have an open enrollment option in future workshops, where in lieu of applying again, you can pay a portion of what you intend to pay and secure your seat in the upcoming workshop.
I'll be working on rolling out additional events and benefits throughout the year.
Can workshop participants submit to OFIC Magazine?
Yes! Part of the reason I run the workshop is to inspire and promote the original work of fanwriters. You can follow us on tumblr @oficmag.
Who is running the workshop?
@bettsfic! In short, I lived a dreary cubicle life as a banker until I found fanfiction at 24. I loved it so much that I quit my job to get an MFA in creative writing. I loved the MFA so much that I became a writing teacher. I have some publications, awards, an agent, and 2 million words of fic on ao3. I don't have a book out yet but I'm getting there.
Currently I'm a writing coach and freelance editor. I also have a lowkey writing-related newsletter. And I've been answering writing advice asks on my blog for 10 years.
If you want an idea of the kind of writing activities I create, last summer I worked with @books on a workshop series which includes craft essays and some fun prompts.
If you're interested in my original work, my short story "Not If, When" is a good representation of my writing. For something darker, check out "Shut Up and Kill Me."
What is the workshop like?
Check out G's experience of attending the workshop. And here's some feedback from previous participants.
One final note: This is the first summer asynch session so there may be some hiccups. I've taught asynch classes before so it's not totally new to me, but there's still bound to be some pivoting when the workflow that makes sense in my head doesn't work super well in reality. It happens sometimes. I'm always taking feedback and trying to improve the workshop.
If you have questions about the workshop or application process, you can shoot me an ask, DM me, or add me on Discord (I'm bettsfic there too). Or you can email me at [email protected].
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aadmelioraa · 6 days
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KEELEY HAWES Luxury • The Telegraph, April 2024
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aadmelioraa · 7 days
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Carrie-Anne Moss as Bowman
RED PLANET (2000) Dir. Antony Hoffman
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aadmelioraa · 7 days
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it’s the finger tattoos for me…
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aadmelioraa · 7 days
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MARY & GEORGE (2024) → costume design annie ruth symons
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aadmelioraa · 8 days
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SABLE IN 4x01 Part 2
Requested by @skatingthinandice
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aadmelioraa · 9 days
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aadmelioraa · 9 days
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