call buffyverse the bermuda triangle because no ship made it out of that shit alive. no marriage finale, no kids, no epilogue. the ideal ending for me where it's just a whole bunch of exes and dead exes in a world where people are constantly coming back to life. multidimensional divorce FOREVER.
the problem with watching doctor who as a child is that a small part of your brain can never completely give up the idea that the doctor exists. if i saw a blue police box materialize out of thin air i would not be anywhere near surprised enough.
The way Gideon and Dulcinea wanted to bounce in and out of the lives of their loved ones and only leave a positive impact without getting too vulnerable and Harrow and Palamedes just wanted them to stay for as long as they could. The way they sacrificed themselves because they didn't want to let them sacrifice anything else. The way they were both raised to think of themselves as bound to the service of mouldering houses that they hated, even both specifically born with the intention that they would die young. The way they both have to keep reminding themselves that the person they love is young and can't handle this shit. I'm either on to something or this is just the fevered ravings of a dying mind. They made a war of their lives.
nobody ever praises me or pats me on the head or feeds me small treats despite my consistent excellence in the field of not purposefully ripping cabinet doors off their hinges to fulfill some sort of maladaptive destructive urge
Dammit, people, if you’re going to write a Canadian character, you can’t just throw “eh” in wherever. It’s not a verbal tic - it has a very specific semantic role.
In brief, “eh” does one of two things:
Turn an imperative into a request. e.g., “Pass me that wrench, eh?”
Turn a statement into a question. e.g., “Cold out there, eh?”
In the latter case, there are several situations where it’s commonly used:
The speaker is not sure that the statement she’s just made is correct, and is asking the listener to confirm. e.g., “That’s about forty kilometers West of here, eh?”
The speaker is checking that the listener is still interested and wishes for her to continue, but does not expect any specific response. e.g., “So then this freakin’ moose shows up, eh?”
The speaker is being sarcastic. e.g., “You really thought that one through, eh?”
When used in this way, “eh” is roughly equivalent to appending “isn’t it?” (“doesn’t it?”, “didn’t you?”, etc.) to the end of a sentence; interestingly, it also functions very much like the Japanese “ne”, which has a nearly identical effect when appended to a statement.
Yeah i have a dark past (being 13). Just an absolutely horrible backstory (being 13). It would keep you up at night if i told you about it (i was 13 one time)
the thing about el higgins is that terry pratchett would have loved her.
I’ve never encountered a character or a series that I could call a spiritual successor to tiffany aching but el is perhaps the closest possible thing. the way that tiffany’s righteous anger is her magic, born from a sense of deeply rooted love and identity with her home and blossoms into a tempered, powerful ability to see what is in front of her. the way el rages against the systems of oppression she can see and how she follows that rage to the very core and from that core she dismantle those systems. how in both doing the right thing is a choice, always a choice, and one that requires choosing again and again and again. “this far and no further.” “you’re already dead but stay anyway.”