bath0ryacid

[bath0ryacid]

#snakes

[bath0ryacid]

You couldn’t watersport that out of me

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[bath0ryacid]

my blog is a safe space for me. the rest of you are in danger i think

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its crazy how i have like 50 different words related to cp and literally sex in general in my blacklist atp yet you fuckers still manage to put conversations about pedophilia on my dashboard. me when consent

#'just unfollow people!' if i unfollowed everyone that has done this i would quite literally be left with an empty dashboard #i think the problem might be the userbase. just a thought

[bath0ryacid]

all your issues with modern anime are this cunt's fault btw

[bath0ryacid]

[bath0ryacid]

#seeing this picture in 2024 is like seeing an old friend

[bath0ryacid]

youy momma so MARIO she jumps for joy when she gets the gold coin!

[bath0ryacid]

i’m. killing you. i’m KILLING you. i don’t care about ANYTHING else, i don’t give a SHIT about anything else. i- my programming is just get. that. fucking. guy. right. now.

[bath0ryacid]

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[bath0ryacid]

the idea that restrooms, locker rooms, etc need to be single-sex spaces in order for women to be safe is patriarchy's way of signalling to men & boys that society doesn't expect them to behave themselves around women. it is directly antifeminist. it would be antifeminist even if trans people did not exist. a feminist society would demand that women should be safe in all spaces even when there are men there.

[bath0ryacid]

Portugal, 1974. Dois amigos reencontram-se durante a libertação de prisioneiros políticos após o 25 de Abril.

[bath0ryacid]

lol i hate today’s era of absolutely zero nuance takes. a friend didn’t behave exactly as you’d wanted them to? cut them off. a guy didn’t text you back instantly bc he has his own life? he’s just giving you breadcrumbs. doing something makes you uncomfortable? don’t do it anymore. someone isn’t instantly available for you? disinterest. just absolutist statements that often don’t apply to the multilayer situations of everyday life. like. stop. literally just stop it

[bath0ryacid]

As Armas e o Povo (dir. Colectivo de Trabalhadores da Actividade Cinematográfica, 1975) 

Shot in colour from the 25th of April through the 1st of May of 1974, by a group of directors that included the brazilian filmmaker in exile Glauber Rocha. The documentary chronicles in real time the unmitigated joy and vibrancy of the immediate aftermath of the Carnation Revolution, and is one of the most valuable first hand documents of that historical moment.