cupoteahatter

[cupoteahatter]

I am Jewish. I am an anti-Zionist. I am always and forever pro-Palestine.

My grandmother was born in Palestine before Israel existed. My grandmother, who died less than a decade ago (in her 70s) was already older than the settler colonial state of Israel. Judaism exists without Zionism. Zionism goes against the Jewish religion. Zionism is white supremacy.

From the river to the sea Palestine WILL BE FREE

#important

[cupoteahatter]

from "gender outlaws: the next generation"

image transcript:

Let me break it down this way: some lesbians and gays feel that their issues are more important than transgender issues, because transgender people are freaks. Some transgender people—often, but not only, transsexuals—view transsexual issues as more important than the issues of, say, cross-dressers. Some among the more genderqueer portions of our community look down upon those who opt to live in a more “normatively gendered” space. There are even groups that cross-dressers feel superior to: sissies, drag kings and queens, “little girls,” and so on. Yes, I’m sure that we could follow even each of these groups and find that, eventually, everyone has someone they view as a freak.

This is a human phenomenon, and one which occurs especially, it seems, among marginalized groups. Trekkers versus trekkies versus people in Klingon costumes, or furries versus fursuiters versus, oh, plushies. I’m sure if I looked at model railroaders, I’d probably find that HO gauge fans look down at N scale, or something like that. The taxonomies are endless, often circular, and are usually graded to a fineness that would be invisible to any outsider. We just want to identify the “real” freaks, so we can feel closer to normal. In reality, not a single one of us is so magically normative as to claim the right to separate out the freaks from everyone else. We are all freaks to someone. Maybe even—if we’re honest—to ourselves.

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OLIVIA SWANN as ASTRA LOGUE ⤸ LEGENDS OF TOMORROW 7.09: LOWEST COMMON DEMONINATOR

#ASTRA ASTRA #astra logue #legends of tomorrow

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glad to see that a lot of people were disappointed by the fact that Niko’s colourful lights were not her lesbian vibes but just some parasites

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oh, thats zionist propaganda in my knuckles the echidna show

#KNUCKLES WOULD NEVER #FUCK YOU PARAMOUNT

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marcille is very protective (and jealous)

#farcille #dungeon meshi #falin touden #marcille donato #shuro

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Okay, buckle up buckaroos, because today I met an honest-to-goodness cryptid.

I was out running errands and I made a stop at Intimate Books (…for a friend), and on my way out I realized that the bookshop next door was open.

This bookshop has existed for more than a hundred years, and in all my life it has NEVER BEEN OPEN. I mean, I assume it has to be open sometimes, but never at any normal, reasonable hour. Everyone says it’s a front for the mob or something.

So what do you do when the weird mafia bookshop is open? You go the fuck inside.

The first thing I noticed was the smell. You know that smell when you accidentally leave your towel on the bathroom floor all day and you come back to that mildew funk? The shop smelled like that times a thousand. I expected to see stuff growing on the walls, but the books were pristine. We’re talking first editions, rare editions, weird Bibles and books inscribed to really famous dead people. Librarians would weep for the chance to accession this place. In the first two minutes I found a signed copy of The Crucible and what I think was a first edition of Blake’s Book of Thel.

Then a clerk showed up out of nowhere—honestly nowhere. He looked EXACTLY like a bookseller should look, kind of fluffy and bewildered and really, really gay.

“Are you lost?” was the first thing he said to me.

“Nope. Just browsing, thanks.”

“Browsing, I see. Erm. How do you feel about snakes?” he asked. And without waiting for me to answer, he just walked away and vanished around a shelf.

I figured it was a metaphor, or a code phrase for the mafia. Until I turned a corner like ten minutes later and found a little reading nook. It was really pretty, although I feel like that particular window should have been on an interior wall? Anyway, curled up in an armchair in a patch of sunlight was the biggest fuck-off black snake I have ever seen.

Like, I don’t mind snakes in general. But in their normal context, right? Outside. On the ground. Not six feet long and sitting on a threadbare velvet armchair like it owns the place.

I was about to turn around and leave, but I saw a gorgeous first-edition copy of Leaves of Grass on a shelf, a little too close to the snake for comfort. But I had never needed anything so badly in my life.

So I went back to the counter to buy it, but the clerk was nowhere to be found.

While I was waiting, I noticed a collection of pictures hanging on the wall behind the counter, dating back to the very dawn of photography. A couple were of this rock-star looking guy from the 70s that I should probably have recognized, but there were authors and landscapes and stuff, too. There was even an old tintype portrait of Oscar freaking Wilde, sitting in this very shop with a guy that I would ACTUALLY SWEAR was the clerk from before. Like, I know my family all has the same nose, but this guy had the same everything.

After approximately one year of waiting, the clerk came back out to the desk. By now I’ve realized that he’s too bad at his job to be anything but the owner of the shop.

“I saw your snake,” I told him.

“Did you? Was he behaving himself?”

“He was sleeping.”

“Yes, he enjoys that.”

“Does he just stay out in the open like that? What if he gets out?”

He shrugged and smiled. “He always comes home again, the dear boy.”

Right, a homing snake. That’s totally normal.

Then he cleared his throat and asked, in a weirdly reluctant voice, if I was going to buy the Whitman.

“Yes, please,” I told him. “I saw it on a shelf by the snake, and it was just too tempting.”

He sighed. “Oh, yes, I expect it was.”

When I started to hand him my card, he went all fluttery and said that they didn’t take cards.

All right, fine. I had some cash on me, but I told him that he’d sell a lot more books if he got a Square or something.

He got this scandalized look on his face and went, “Why would I want to do that?”

Oookay. I handed over the cash and he popped open the ancient till and started making change.

In shillings. Shillings! I swear to god I saw Queen Anne’s face on one of them. The silver value of the coins was probably as much as I paid for the book.

But I had to have proof that this happened—at that point, all I had was a book in a plain brown wrapper, not appreciably different from what I bought next door. So I asked him for a receipt.

He looked delighted and wrote one up for me.

By hand.

With a fountain pen.

And that’s the story of how I met a bookseller cryptid and his pet snake.

#I have to find this book shop now /j

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If people were too mean to you when you were growing up, a newborn animal will materialize inside your brain and it’s so so scared and shivering and it will stay there for years. Decades, even. And whenever you say something kind of weird but true to your heart the animal will tell you “Noo! You can’t say that! If you say that, everyone will hate you!”. The animal means well. It’s so so small and everything is so scary for them and it’s just trying to protect you. But listen to me. Listen to me. Whenever this happens, you can’t do what the animal says. You can’t. If you do, you’ll become as scared as the animal. You have to keep saying weird shit. You have to keep doing things the animal wouldn’t approve of. If you do enough things that scare the animal, maybe one day it’ll go to sleep.

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OKAY series of polls about sock preferences because i'm a curious autistic fuck:

(if you don't wear socks don't answer any of the other questions)

#I wear socks

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“My story has so much gay rep in it!” Awesome. How are you treating your female characters btw

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A woman went viral for being turned down for a next interview for a role, she asks the recruiter what she did wrong, the recruiter tells her they were “concerned about her lack of effort in her appearance.”

She explains she wore a freshly ironed blazer with a collared top. Her nails were painted a professional beige. She got a blowout for her hair, so a professional style. She had on subdued gold earrings.

The only thing she wasn’t wearing was makeup; she states she really doesn’t wear makeup, and only had chapstick on, as her skin is sensitive. Her lawyer mother has already explained she has no legal case against the company for any type of gender-based discrimination.

Just in case anyone wants to ask why feminists still refer to the “pink tax” or rail against more and more elaborate makeup trends being pushed on girls and women.

Women being punished socially for not wearing makeup is still a feminist issue.

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Hass Idriss | Untitled Creation 2024

#Another dress to draw Bianca Barclay in it seems #hass idriss

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Arthur & Guinevere: A Golden Age

aka everything is fine

for @paletmblr event 30: period dramas

#bbc Merlin

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I rly hate the Satanic Panic & the moral panic surrounding violence in video games in the 90s, coz it's now impossible to talk about the social implications of violent video games in a realistic sense.

No, violence in video games does not create serial killers in the way most people imagine it would.

However, it's very important to notice how after 9/11, a lot of violent video games pivoted their content from silly gratuitous cartoon gore to more realistic military shooters set in the Levant from a US American lens. It's also important to notice the connection of these games & their toxic online multi-player voice chats to Gamer Gate in 2014.

It's obviously not as black & white as it was presented in the 80s & 90s, I dont think everyone who played early Call of Duty games is a white supremacist who wants to join the military to kill people in the middle east, but I think it's dangerous to pretend like video games or any media can't have an impact on the way people think about violence.

I think what makes all the difference here is how that violence is portrayed, what the message behind it is, what the motives are behind the people who crafted that message, who the victims of that violence are, how they are portrayed & the greater cultural context that surrounds it.

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This porno didn’t fuck around

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"people in real life: hey man how's it going" is a killer phrase. instantly neutralizes whatever insane discourse you find online. gonna start using that from now on