[ID: Two digital drawings of firbolg and Argo from TAZ Graduation. Argo is a water genasi man with greenish blue skin, long dark blue hair and a handlebar moustache. He’s wearing a white shirt with rolled up sleeves, brown jodhpurs and a burgundy sash around his waist. The firbolg is a large man with greyish blue skin and long, matted hair with leaves and mushrooms in it covering half of his face. He’s wearing a cape made out of autumn leaves, a brown tunic and greenish leather bracers on his forearms.
The first drawing has Argo coughing out pieces of tree bark. He has a cartoonish expression, sticking his tongue out and tears coming out of his eyes. The firbolg looks amused while saying “The bite is worse than the bark.” The noise Argo makes is represented with a keysmash partially covered by his head.
The second drawing is a less detailed headshot of the firbolg looking to the side with a mischievous expression. There’s a speech bubble with the words “This is a firbolg joke” on top of the image. End ID]
hey hey hey you remember ratatouille? that movie was fuckin wild. in the first 20m a woman points a shotgun at the protagonist and tries to shoot him multiple times, brings down the roof of her own house, and subsequently gasses it. then the rat goes to paris and meets the bastard son of a dead chef and almost dies. again. several times. many times! almost gets locked in an oven. and then drowned. then some shit happens and he controls the bastard son by pulling on his hair. also the bastard chef gets drunk at least once. it’s explicit too like the scheming sous chef brings this 18 y/o or whatever into his office and gets him drunk because he wants the kid to admit that he’s a successful chef because of a tiny hair-pulling rat puppeteer who lives in his hat. and all throughout it the rat is grappling with the ethical conflict of whether stealing is right, and how to reconcile the wasted excesses of capitalism with his belief in private property and self-earned worth, especially when he comes from an impoverished background where stealing was necessary. and the underlying motif is how art isn’t an exclusive club, and how making art accessible to everyone is critical to the expansion and success of art itself, and the importance of honesty in relationships. also the human protagonist’s name is linguini
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