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Without looking it up, when you first hear "Tornado Warning", what does that mean to you?

#this obviously does need to be made clear to people if it's not #but i think if you're a native English speaker warning is definitely the more urgent one #so they've got them the right way round and i don't really think clearer words exist

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storebought is fine if you want, but you are encouraged to make something yourself! share what you're bringing in the tags :3

#some kinda curry chilli or other pot of slop is my thing #though i probably don't describe it that way to anyone i expect to eat it 😂

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When I was younger and more abled, I was so fucking on board with the fantasy genre’s subversion of traditional femininity. We weren’t just fainting maidens locked up in towers; we could do anything men could do, be as strong or as physical or as violent. I got into western martial arts and learned to fight with a rapier, fell in love with the longsword.

But since I’ve gotten too disabled to fight anymore, I… find myself coming back to that maiden in a tower. It’s that funny thing, where subverting femininity is powerful for the people who have always been forced into it… but for the people who have always been excluded, the powerful thing can be embracing it.

As I’m disabled, as I say to groups of friends, “I can’t walk that far,” as I’m in too much pain to keep partying, I find myself worrying: I’m boring, too quiet, too stationary, irrelevant. The message sent to the disabled is: You’re out of the narrative, you’re secondary, you’re a burden.

The remarkable thing about the maiden in her tower is not her immobility; it’s common for disabled people to be abandoned, set adrift, waiting at bus stops or watching out the windows, forgotten in institutions or stranded in our houses. The remarkable thing is that she’s like a beacon, turning her tower into a lighthouse; people want to come to her, she’s important, she inspires through her appearance and words and craftwork.  In medieval romances she gives gifts, write letters, sends messengers, and summons lovers; she plays chess, commissions ballads, composes music, commands knights. She is her household’s moral centre in a castle under siege. She is a castle unto herself, and the integrity of her body matters.

That can be so revolutionary to those of us stuck in our towers who fall prey to thinking: Nobody would want to visit; nobody would want to listen; nobody would want to stay.

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No fifth option

#collander always gets me

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I love being a nobody on here because I could make one of those ‘if this gets ‘x’ amount of notes I’ll go and actually work on my original works’ and it wouldn’t get near the goal

#i don't think I've ever seen one of those posts NOT hit the goal

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#0 #largely because i don't really like plants #but even if I did my cat can't be trusted with them #even if i got non toxic ones she would definitely piss in it #or otherwise destroy it

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#summon like demon!

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what if I was slowly dying of internal bleeding and hypothermia and you stayed with me and read to me. Because you know I'm dying and you don't want me to be alone and scared (like you were). And what if I chose You, instead of heaven?

#dead boy detectives #he's such a good boy #they're such good kids 😭

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Sort of bums me out that so many people didn't seem to Get the Cat King so here are my thoughts:

So let's start with Edwin's crime. He uses something the cat desires (a sardine) to lure the cat to him and then uses an enchanted string to trap the cat with magic. He demands the answer to a question in exchange for its release. Edwin knows it is dangerous to use magic on a cat, that it violates Rules but he does it anyway.

Binding a creature and agreeing to set them free under a certain condition is very Classic Fairytale. its also a favourite trope of Neil Gaiman's (he did not write this show but his influence is there). In both the Sandman and his novel Stardust (and the film adaptation) trapping a creature with magic and demanding a task/favour in exchange for their freedom is an extremely important plot point. Edwin binding a cat and demanding an answer in exchange is exactly in line with this Fairytale trope

And so is the Cat Kings response. The Cat King is a trickster. What he does to Edwin is exactly what Edwin did to one of his subjects. He entices Edwin, he binds him with magic and when Edwin demands to be free he turns his own words against him "why all the fuss for one little spell?" Edwin did something wrong. He imposed his will/magic on another creature and the Cat King is punishing him for it in a way that is poetic. Its fairytale. its trickster. its classic.

I've also seen people complain that the task Edwin was given 'count all the cats' is 'impossible'...except its fucking not. Edwin does it. He does it so well he actually BEATS the Cat King ("you didn't count yourself" Are.You.Kidding.Me. Classic!Fairytale!Vibes!)

The Cat Kings choice to bind Edwin to Port Townsend is good on so many levels. From a storytelling perspective it forces characters who can travel anywhere in the world to stay in one place, and increases the stakes for these characters who are supposed to be on the run. From a genre perspective...its an excellent use of fairytale tropes using both Rules of magic, a protagonist who is unkind to a seemingly weak creature who is punished by a more powerful law, a binding, a task to complete, etc

Which just leaves the character perspective which it ALSO does really fucking well and introduces the final aspect to the Cat Kings character. He's seductive. He is responsible for Edwin, 100 years old ghost boy, finally unpacking his internalized homophpbia. he is the catalyst (cat pun not intended)

He pushes Edwin, challenges him, at times literally forces the truth out of Edwin, but he really never does violate his consent. Significantly Edwin is attracted to him, like its an important part of his character that he is. He may not like the Cat King but he is attracted to him!

The Cat King is such a great example of a trickster, a morally grey character who imposes a sense of justice on Edwin after he crosses a line, but also has his own selfish interests and meddles. Hes so important to the plot of the show, to Edwin's character arc, to the genre.

And he's just fun. Unapologetically queer, powerful, complicated. Silly little outfits. Petty cat behavior. Deep heart.

Some of you just didn't get it. And I'm sorry for you. because the Cat King is Excellent actually.

#dead boy detectives #haven't seen anyone complain that it was an impossible task thankfully #because what a terrible take #at literally no point does anyone treat it like it's impossible 😂 #tedious and annoying yes #which it is SUPPOSED to be 🤦🏾‍♀️ #anyway I love the cat king #A* character

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watched neil gaiman's new gay pandering show today and it's kind of indescribable. created by destiel king steve yockey and starring the actress who played rowena on spn. episode directed by legendary lesbian filmmaker cheryl dunye. canon fujoshi character who talks about her explicit yaoi. an amnesiac medium named crystal palace. gaiman's typical vaguely autistic hugely gay dandy who's never been kissed but also literally every man he meets wants to fuck him so bad it makes them clinically insane. also he's a ghost and died in an accidental demonic sacrifice in 1916. and he tries to confess his love to his best friend and is interrupted by being sent to hell. he then confesses successfully while his best friend is bringing him out of hell in a named orpheus and eurydice allusion. this show needs 12 seasons.

#dead boy detectives #thank you op this is what finally convinced me to watch it

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NIKO SASAKI AND EDWIN PAYNE Dead Boy Detectives (2024-)

#dead boy detectives #thing is I loved their friendship more than literally anything in this show #and that's a high bar because of how much I love so much of this show

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DEAD BOY DETECTIVES S1 + TUMBLR REACTIONS

#dead boy detectives #text post

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dead boy detectives textposts part 3

#dead boy detectives #text post