I think a lot of like discourse of what to focus on with this or that thing gets the end goal and things to ease newcomers into your ideas confused with each other.
Like yes perhaps the end goal is to get UBI going but if your Uncle Jerry is currently struggling with the concept of taxes maybe get him to understand the cost of road maintenance first before you start trying to get him onboard with free preschool.
Also just because someone is explaining the concept of taxes to Uncle Jerry doesn’t mean they don’t believe in free childcare.
Watched a great talk today about web/technology accessibility, and the speaker pointed out that yes, accessibility is important for people with permanent disabilities, and we should definitely care about that. But also accessibility helps EVERYBODY, because everybody will, at some point in their lives, find themselves in situations that accessible technology can help with. Here are permanent, temporary, and situational disabilities that accessible technology can help with:
Remember that whether something is disabling or not depends on the situation, the environment, the technology, etc. We’re ALL disabled at some point. It is important to support permanently disabled people, but it is also important to remember that accessibility helps us all!
I heard reference to something about how all anime are required to have good looking cabbage because of That One Time. So simply looking up "anime cabbage" I found the source.
Some harem anime way back in the day had an episode where the characters cooked, and they animated cabbage so terribly like this it left a bad mark on the anime community forever. Apparently this is part of the reason why all food usually looks good in anime, even moreso than the regular show sometimes. With cabbage being especially well drawn.
A complaint, apparently in a paper.
The first show when released internationally was reanimated in this part.
And high quality or low quality cabbage is sometimes referenced.
I learned of this because the most recent Hologra episode has noel eating cabbage, tearing apart a fine quality cabbage into two low poly halves.
Neil Gaiman: thinking he's just hiring two capable actors who can bring life into two characters he created with his friend many years before and maybe vaguely thinking they'll become friends
David Tennant and Michael Sheen: meeting each other properly for the first time and finding out they're drift compatible
The Nigerian Job is such a special pilot to me. “THE Parker?” “Is there someone better?” “No, but Parker is insane”. “I don’t even know what it is you do” to “That’s what I do”. The OT3 elevator scene. Eliot helping to haul Hardison out of the warehouse before it explodes. Their mini-con escape from the hospital. “What’s in it for me?” “Payback, and if it goes right, a lot of money” “What’s in it for me?” “A lot of money, and if it goes right, payback” and “I was just gonna send 1000 porno magazines to his office but hell yeah”. The Sophie “this isn’t her stage” reveal. The bait and switch that they meant for Dubenich to know he was being conned. “It’s a walk away job” but none of them do. “So go find some bad guys. Bad guys have money.” It does so much good work to establish what this show and these characters could become without jumping the gun on making them get too close too fast.
Like, the thesis of the episode is Nate’s “You all know what you can do, but I know what you can do together” and it’s such a fantastic way to handle a pilot because it’s all about potential: we understand immediately that these people are already hyper competent, but by the end of the episode we see what they could become together too. It’s about showing you the tentative beginnings of this partnership and all the space it still has to grow.
If posting fic online has taught me anything, it’s that I have no idea how the reader will react to anything. Nada. Zip. Zilch. Not the faintest clue.
Fics that I think I scribbled off just to get them out there get the kindest, most rapturous feedback. Fics I slaved over, agonized over, bled my soul into get a couple tepid replies. Fics I thought were me revealing the darkness and weird kink that lives in my brain, scared to even post it for fear of judgement, get, “Aaaw that’s so sweet!” replies. Baffling.
My conclusion? You just never know. You really just can’t know. When I did a workshop with 20 other writers I would try to guess what their critique of my story would be and I was right maybe 1 in 20 times. Only one other writer would have the same critique for my story that I had. And it wasn’t even always the same person.
The encouraging part about this is, if self recrimination, the fear that you know what people won’t like about your story, is holding you back, just say fuck it! You’re almost certainly wrong! All you can do is make it the best story you can for the energy you have. And yeah, sometimes that means scribbling it out in an evening and kicking it out to the void of the internet before you can change your mind or worry about editing it more than once because then you’ll never post it.
It’s all chaos, man. You don’t get to decide what the audience thinks. All you can do is create it and put it out there for them to decide.
it literally drives me insane that so many companies refuse to send rejection emails like it’s disgraceful tbh. you put so much time and effort into putting together an application and they can’t even be bothered tell you via some measly automated message that you didn’t get the job. you’re expected to just infer
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