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gallimaufryhash · 6 months
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Alfred Stieglitz, Unknown woman, 1907. Autochrome. Enhanced by BabelColour. Original: national Gallery, Washington. Enhanced version: twitter.com/StuartHumphryes
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gallimaufryhash · 6 months
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Alfred Stieglitz :: Unknown Woman, 1907. Autochrome. Alfred Stieglitz Collection | src National Gallery of Art
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gallimaufryhash · 7 months
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Paula Rego (1935-2022) Untitled. Etching with hand-colouring on wove paper. Source: Lyon & Turnbull
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Paula Rego (1935-2022) Accordion. C.2000. Etching on Somerset Satin paper. Source: Lyon & Turnbull.
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gallimaufryhash · 7 months
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Friedrich Carl Gröger. Self portrait with the Foster Daughter Lina Groger and the painter Heinrich Jakob Aldenrath
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gallimaufryhash · 7 months
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Friedrich Carl Gröger. Lina Gröger, die Pflegetochter des Künstlers, (Lina Gröger the foster daughter of the artists) 1815. Image from Hamburger Kunsthalle website.
Moving between Hamburg, Copenhagen, Kiel and Lübeck, Gröger and Heinrich Jacob Aldenrath, his life partner, settled permanently in Hamburg with their foster daughter in 1816. Together, the two men raised the foster daughter Caroline Charlotte “Lina” Gröger (1800–1852), the illegitimate daughter of one of Gröger’s younger brothers, a “highly unusual patchwork family for the time” (Source: Wikipedia, German edition).
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gallimaufryhash · 2 years
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Samson's Ribs, Arthur's Seat. Glass negative print, 1870. Photographer unknown. Image from Edinburgh and Scottish Collection, Edinburgh Public Libraries.
'It is likely that Alexander Adam Inglis was the photographer. Samson's ribs are formation of columnar basalt found on the south side of Arthur's Seat, Edinburgh.' - Capital collections website.
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gallimaufryhash · 2 years
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Royal Museums of Fine Arts of Belgium, September 2022.
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gallimaufryhash · 2 years
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gallimaufryhash · 2 years
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Jan Francois Verhas, The Review of Scholars, 1878, Royal Museums of Fine Arts of Belgium, Brussels
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gallimaufryhash · 2 years
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Eduardo Arroyo, La mujer del minero Perez Martinez llamada Tina es rapada por la policia 1970.
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gallimaufryhash · 2 years
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Greuze, Girl with a dead canary. Source: Art UK.
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gallimaufryhash · 2 years
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Zoe Mozert, Thoroughbred.
In 1925 Mozert entered the Pennsylvania Museum School of Industrial Art where she studied under Thornton Oakley, a former student of Howard Pyle, and modeled to raise money for tuition.[2]
During her career, Mozert painted hundreds of magazine covers and movie posters. She frequently was her own model, using cameras or mirrors to capture the pose.[3][failed verification] Her paintings are best known for their pastel style and realistic depiction of women.[4]
In 1941, publishers Brown & Bigelow bought Mozert's first nude and signed her to an exclusive calendar contract. During World War II, her pin-up series for the company, called Victory Girls, was published both in calendar and mutoscope-card form. In 1946, Mozert created the publicity poster for Republic Pictures' Calendar Girl, a movie about the Gibson Girl. That same year, she painted the pinups for the Errol Flynn comedy Never Say Goodbye, in which Flynn played a pinup artist. (She also created the illustrations shown in the movie's opening credits.) By 1950, Mozert had become one of the "big four" illustrators nationally, along with Rolf Armstrong, Earl Moran and Gil Elvgren. Some of Mozert's most famous works include the poster for Paramount Pictures' True Confession starring Carole Lombard,[5] the poster for the Howard Hughes film The Outlaw with Jane Russell,[6] and, her most popular image, Song of the Desert (1950).
Source of image: http://pinupik.blogspot.com/
Source of text: Wikipedia
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