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gditrisha · 28 days
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In the pleasure district, when a courtesan has her contract bought out, the other courtesans' dance to send her off.
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gditrisha · 1 month
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finally decided to sit down and watch the incredibles again. there will be no commentary because i’m gonna be too busy watching it
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gditrisha · 1 month
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One of my top 20 favourite human behaviours I see around is when an Object makes a sound and then a nearby human will absentmindedly imitate the sound. Parakeet coded
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gditrisha · 1 month
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ive just been born into the world what are some good games for beginners
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gditrisha · 1 month
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hiii could I please request miguel walking in on reader crying in secret?? ty!! :)))
thank you for requesting! fem!reader, 1.2k
It takes Miguel half an hour to fix your spider suit, but when he picks his head up from his work desk with a brag waiting on his lips, you aren’t there. He hadn’t noticed you slinking away. Perhaps he should’ve, given his fantastic sixth sense and his habit of awarding you special attention, just you’re quiet when you want to be. 
He sends you a short message through his wristwatch. Where are you? delivered 7:58PM. 
No response. Miguel folds your suit into a square and holds it under his arm, flicking off his workbench light as he rolls his neck from one side to the other. He wanted to finish the repairs before nightfall so as not to disrupt your routine. He quite likes your routine together. In a stressful life, time spent with you is peace he doesn’t deserve. You aren’t a peaceful girl, of course, you’re his idiot, but he knows the stark difference of having you versus not having you. 
He can’t track you without your suit on and your watch doesn’t have that capability, but he can ping your phone. 
You’re in the building still, at least. 
He texts you. Where did you go? I fixed your suit. It’s dinner time soon. 
Loosely translated, it means, Why did you leave? We always eat dinner together. 
Miguel sighs and decides to check the most obvious places first. The alcove of the hallway leading to the laboratory where you like to hide, the arts lounge, the atrium where your friends hang out, and the outdoor area right at the surface of the society. By 8:30PM he’s agitated wondering where you’ve gone, because he should probably know, but he’s not a great boyfriend and you’re not always as honest as you claim. You could be anywhere. You could be with someone nicer. 
He’s pissed. With no choice but to admit defeat, he decides he’ll head up to bed (he’s not going to bed, he’s gonna find you, because you can go wherever you like whenever you like but it’s been a long time since you disappeared without telling him). He cares about you too much, even if he wishes sometimes he didn’t. Not because of you. 
He sulks into the apartment (his apartment, your apartment, you were never supposed to live with him but here you tend to stay), throwing his phone and command pod onto the made sheets of the bed. 
The shower drips in the bathroom. He can hear the plink of water dripping onto the floor, a slow, dysrhythmic pattering. Two seconds, a drop. Three seconds, your breathing. 
He startles. You’re shuddering, a sharp inhalation, that strange sound you make when you’re overwhelmed without being smothered by his shoulder. “Stop,” you say under your breath. Another harsh breath, and a pained whine to follow. 
Miguel has never crossed a room so quickly. For a moment he thinks there must be someone else there, not a fully realised theory but an instinct —you’re telling someone else to stop, because someone is hurting you, because you aren’t alone. But he can hear only your heart, and your breath. So he stops cold by the door without bursting in and forces himself to knock. 
“Mi cielo?” he asks, aiming for tenderness, roughness seeping through. He knocks the door. “I’m coming in, okay?” 
Miguel doesn’t realise the door is locked until he’s cracked the doorframe. 
You stare at him in shock. Tears fall fast but quiet down your cheeks, thick streams of them, the kind to accompany gutted sobbing. 
“What’s wrong?” he says, his chest falling. “What’s wrong? Y/N, tell me. Tell me,” he prompts, secretly terrified at your tears and your quiet. He sounds demanding instead. 
“I’m fine,” you say.
“No you’re not.” He speaks before you can deny it again, not sure what to make of your teary voice or the way you’re smiling; trying to hide. 
“It’s okay–”
“It’s not okay, mi cielo,” —he takes your hand if only to be touching you— “you're crying.” 
“You weren’t supposed to see,” you say, closing your eyes. 
Tears squeeze their way out unbidden. Miguel reaches to his right for the toilet paper and pulls off a few sheets, bundling them in his palm. Careful, hesitant, he brings the corner to your face and begins to dry your tears from your cheeks, your chin, the wet line running down to your t-shirt and then back to your eyes. He shushes you as you shudder, “Shh, lovely. Everything will be fine. Everything… Todo va a estar bien.” 
“It’s fine,” you whisper tightly. 
“It’s fine,” he echoes, much more kindly, though he’s no closer to understanding why you’d locked yourself away to cry so intensely. “Tell me what’s wrong, yes? You tell me what’s upset you.” 
“It’s nothing–”
You try to persuade him but end up sounding even more upset than you had, shaking your head from his touch, receding backward toward the sink. 
“Why won’t you talk to me?” he asks gently. 
“It’s so stupid, Miguel, you weren’t supposed to know.” 
He’d say it was unlike you to be secretive with your feelings. You love loudly, tease louder. You’re spirited and petulant when you feel like it and you’re constantly barraging him with cheerfulness he doesn’t deserve, so why doesn’t your unwillingness to share this with him surprise him? 
“But I know now,” he says, bending to be your height, to meet your tired eyes, “and I want to know what’s wrong so I can make you feel better. Can you let me do that?” 
“I don’t feel very well.” 
Miguel can only handle so much. He uses some of his added strength to wrap you up in a full body hug, your toes struggling to stay on tiptoes and then completely off the ground as he leans back under your weight. “I know,” he says, though he hadn’t, “it’s okay, cariño, I’m here. I’m gonna take care of you.” 
You’re all softness in your off-duty clothes. The rolled neck of a worn t-shirt, your naked arm curling behind his neck and your thighs to his. He doesn’t keep you up for more than a few seconds, just enough to take your weight and hopefully save you the energy it’s taking to stay upright. You sag against him as your socks touch down again. He’s the one thing keeping you standing, and he doesn’t mind. You should know that already. 
“Please,” he says emphatically, “don’t cry by yourself. You have to let me know.” 
“Sorry.” 
He moves his head from one side to another slowly, his nose rubbing along your hairline. “Don’t be sorry. But if I don’t know, how am I supposed to fix it for you?” 
“You shouldn’t have to.” 
“Are you kidding?” He encourages your head back tenderly to meet your eyes. “That’s what we do, hmm? What do you think?” 
You smile. Still sad, still watery-eyed, but a real smile. “Yeah.” 
“Alright. Let’s go sit down, okay? I’ll get you a drink.” 
“So weird,” you murmur. 
“I’m weird?” 
“You’re being really nice to me.” 
Miguel squeezes your arm. “Don’t get used to it, Spider-Girl.” 
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gditrisha · 1 month
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gditrisha · 1 month
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gditrisha · 1 month
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Officially, 2025 might be the year of the snake, however, to me it will be the year of the frog.
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gditrisha · 1 month
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gditrisha · 1 month
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Hey btw, here's a piece of life advice:
If you know what you'd have to do to solve a problem, but you just don't want to do it, your main problem isn't the problem itself. Your problem is figuring out how to get yourself to do the solution.
If your problem is not eating enough vegetables, the problem you should be solving is "how do I make vegetables stop being yucky". If your problem is not getting enough exercise, the problem you should be solving is "how do I make exercise stop sucking ass". You're not supposed to just be doing things that are awful and suck all the time forever, you're supposed to figure out how to make it stop being so awful all the time.
I used to hate wearing sunscreen because it's sticky and slimy and disgusting and it feels bad and it smells bad, so I neglected to wear it even if I needed to. Then I found one that isn't like that, and doesn't smell and feel gross. Problem solved.
There is no correct way to live that's just supposed to suck and feel bad all the time. You're allowed to figure out how to make it not suck so bad.
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gditrisha · 1 month
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The hairpins!
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She has Jinshi's hairpin, and he has hairpin of the Emperor's family!
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gditrisha · 1 month
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"THE APOTHECARY DIARIES" is getting a season 2 in 2025!
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gditrisha · 1 month
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Excited for today's Apothecary episode but also getting nervous that we're almost at the end of the season.
Toho, pls
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gditrisha · 1 month
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Flowers are often used as a metaphor for the female characters in the Apothecary Diaries. And for the first time, we, the viewer, are given the direct comparison to which flower is meant to represent Maomao: wood sorrel (also known as “cat’s foot”).
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It’s a flower that can treat poisons. A flower that is used to enhance the beauty of the courtesans by painting their nails. A flower with a name associated with cats. A flower that, in hanakotoba, represents maternal tenderness. It’s also one of the flowers that Lakan specifically associates with Fengxian, and by extension, Maomao herself.
In the first opening—aptly titled, “Be A Flower”—the wood sorrel is the only flower that gets special attention. The other flowers are shown together with other varieties, but only the wood sorrel is shown by itself, and more than once.
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We see it again in the second opening, with an infant being held by a parent, while flitting between images of Lakan and Fengxian’s backstory.
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It’s such a simple flower, too. Small, unassuming, but full of diverse uses and qualities, be they medicinal or ordinary. A very fitting flower for Maomao, and what she brings to the story.
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gditrisha · 1 month
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The Apothecary Genius
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gditrisha · 1 month
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It’s incredibly important to me that the anime decided to include this scene that wasn’t in the manga. In the manga, Maomao does pass out in Jinshi’s lap after saving him from what was obviously an assassination attempt.
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HOWEVER, the manga cuts off at this point, keeping strictly in Maomao’s perspective, and cuts straight to when she regains consciousness in bed after being treated for her injuries. The manga doesn’t show how she got back. They SAY how, and she briefly mentions, “wow that must have been embarrassing; he carried me back,” but we don’t SEE it. We don’t get to feel the true impact of what that means. But the anime DID show us, and holy shit.
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They SHOW us how taboo this is. They show Jinshi carrying her out of the temple, after a public attempt on his life.
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They show us the shock and horror on Lakan’s face as Jinshi silently walks past him. Horror at the state his daughter is in, horror at another man—a man with a status he could never dare to question—staking such a public claim over his child, horror at the fact that he could never have this level of closeness with her (as Maomao would never allow it).
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Everyone hides their gazes, as is their custom when someone of his rank passes by, but the air is different this time. Jinshi is furious, he’s terrified, and he could not give a single shit about how inappropriate it looks to these palace officials.
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The shot that slowly follows her trail of blood—even though it’s a small detail—that in particular leaves such a intense impression of how poignant this is for him.
Maomao talked about this scene in the manga like it was nothing to her. She did what she set out to do: she saved the person who was targeted by the attack. She didn’t even know the target would be someone she knew. But she has no idea that this happened afterwards as a result of her bravery. To her, it likely wasn’t even an act of bravery at all. She acted on impulse; she did what she knew was the right thing to do.
The anime didn’t need to include this, because the manga didn’t show it. But damn, I’m so glad they did.
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gditrisha · 4 months
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Original:
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