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crying

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we thought that love was something we weren't meant to find ...

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What the hell is this?? The lyrics though 😂😂😂 why have I never come across it??

Source: 👇🏻👇🏻 (P.S. Look at the other song about Misha Collins)

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You are The One, Neo. You see, you may have spent the last few years looking for me, but I’ve spent my entire life looking for you. Now do you still want to meet? Yes.

The Matrix (1999) - The Matrix Revolutions (2003)

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endless list of favorite (power) couples  ⇢  trinity & neo

- Nobody has ever done this before. - That’s why it’s going to work.

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“Follow the White Rabbit. ”

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endless list of films i love: the matrix (1999), dir. lana & lilly wachowski

“this is your last chance. after this, there is no turning back. you take the blue pill - the story ends, you wake up in your bed and believe whatever you want to believe. you take the red pill - you stay in wonderland and I show you how deep the rabbit-hole goes.”

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The Matrix (1999)

Directed by The Wachowskis, Cinematography by Bill Pope

“Have you ever had a dream, Neo, that you were so sure was real? What if you were unable to wake from that dream? How would you know the difference between the dream world and the real world?”

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The Matrix (1999) dir. The Wachowskis

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The Matrix

John Wick

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Keanu Reeves in The Matrix (1999) dir. The Wachowskis

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The Matrix 4 shooting in San Francisco, California. Thanks to weibo.

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Geof Darrow concept art for THE MATRIX series.

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CARRIE-ANNE MOSS as Trinity | The Matrix 1999

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The movie The Matrix, released in 1999 and directed by Lana Wachowski, Lilly Wachowski, was shot on film using Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics Cameras and Panavision Lenses with Bill Pope as cinematographer and editing by Zach Staenberg.

Slow motion and bullet time camera rigs were used to capture intricacies of motion that would be lost at full speed, giving the viewer a look at every angle of what is happening on screen. Circular slow motion sweeping camera movement are used in three iconic scenes; Trinity’s jump kick, the Neo bullet dodge, and the first shot in the subway fight scene. Further, a God’s Eye shot is used during the subway fight scene as well. These techniques inform the viewer of a heightened reality within the fight. The entirety of the fight is over-the-top and action-packed, but when they hit you with an extreme camera angle or camera movement, the viewer knows the fight is peaking.

The Matrix (1999), dir. Lana Wachowski, Lilly Wachowski

— Cinematography by Bill Pope