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"I shoved the whole thing out of my head; and said I would take up wickedness again, which was in my line, being brung up to it, and the other warn't. And for a starter, I would go to work and steal Jim out of slavery again; and if I could think up anything worse, I would do that, too; because as long as I was in, and in for good, I might as well go the whole hog." like not to be a high school english teacher but oh my god 😭😭😭
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i love to listen to big river like "aww these tunes are fun and cute" and then he says "all right i'll go to hell" and i start sobbing
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I s2g I’d get through war and peace faster if it were published in separate volumes. This thing is so fucking annoying to carry around
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I have been actively social for 13 hours straight! I did a good job! People like me! Nonetheless, Exhausting
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Ok…looks like I’m Seeing Someone
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I love when a theatre announces their season and it’s like they threw darts at a list of musicals
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Submitted by an anon.
reblogs for bigger sample size appreciated
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“If you have time to watch Netflix you have time for a side hustle” my side hustle is relaxing so that my body and brain can heal from by this nose-to-the-grindstone bullshit. I refuse to feel guilty for being a human with the need to relax sometimes. my side hustle is no.
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In her song Rainbow Dress, Taylor Swift describes the position of her purported "straight sex" in relationship to what Gayle Rubin terms the charmed circle of sexuality, wherein any sexual behavior outside an accepted range can only be immoral. When it comes to the vectors of heterosexual versus homosexual and vanilla versus kinky, her "just normal sex, nothing too weird" with a "regular hunk with a beard" is positioned inside this charmed circle. Yet the most glaring exception is that her sex is public--at the gay pride parade, no less. The hunk she desires has no name, no specific relation to her, and she makes no pretense of monogamous attachment. Her apparently ironic participation at the gay pride parade draws from Michael Warner's anti-identitarian critiques of tendencies that elevate sexual orientation above other maligned sexual practices and detach queerness from sex altogether. Swift's sexuality is clearly informed by queer perspectives: the erotic fixation on ball sweat evokes gay sadomasochist "pig" subcultures, and her claim that she hates her own vagina invites a multiplicity of pleasure possibilities that do not involve direct genital stimulation. The push and pull in her lyrics between straight nomenclature and queer imagery builds upon Eve Sedgwick's critiques of heterosexual-homosexual binarism in Epistemology of the Closet, and attuned listeners know that the question of queerness "hidden inside" cannot follow such an either-or formulation.
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i'm listening to the notebook the musical, which truly captures the experience of seeing it: "awww this is corny but it's nice :)"
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Gollum from the 1985 Soviet TV adaptation of The Hobbit
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gene siskel center is doing a sidney lumet retrospective and music box is doing an elizabeth taylor retrospective this summer how tf am i supposed to go to the beach
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