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Portrait of German painter Otto Dix by Hugo Erfurth, 1933

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Die blaue Kuh

Natalia Gontscharowa, 1911

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Der Pfau

Natalia Gontscharowa, 1912

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thom yorke of radiohead photographed in 1995 by yuki kuroyanagi for crossbeat magazine. photos from radiox.ru + scanned by qwerrie

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this is it. the best shot of the entire show. god tier. nothing compares to the blood savagely dripping from his mouth, the way his teeth designed to tear are soaked in it. the chilling, visceral promise of brutality in his eyes. not a hint of doubt or fear or guilt. he’s a god coming down from the black heavens to slaughter unbelievers. his footsteps shake the earth. you will bow or he will bring you to your knees.

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“Just enough for the city” - Moreau. (2019)

Follow me on IG: @clyde_moreau

If you enjoy, Reblog!

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futile attempts at creation they elude me in the night as i prance around dimly lit boulevards the cobble is cold and wet and my feet are bare stepping stone to wet stepping stone the trees stand with such power and elegance as i make my way down the street yellowing street lamps reminding me of mortality i show that i am nervous i bite my tongue and clench my teeth as the thick wet rain of creation covers me

#poetry #literature #art #creation

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ben vautier drawing for théâtre d'art total 1964

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Total Art Matchbox New York City, USA: Fluxus, [circa] 1966 1.2 x 5.2 x 3.8 cm Edition size unknown A matchbox containing the instruction: “USE THESE MATCHS TO DESTROY ALL ART — MUSEUMS ART LIBRARY’S — READY — MADES POP — ART AND AS I BEN SIGNED EVERYTHING WORK OF ART — BURN — ANYTHING — KEEP LAST  MATCH FOR THIS MATCH” Vautier described the work to Jon Hendricks in 1984 as “A Non Art Anti Art concept and rejoins [Gustav] Metzger etc. in Destruction Art”. Primarily distributed in the Fluxyearbox 2, 1966

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Joseph Beuys - The Blackboards (1974)

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fluxus manifesto

(1963)