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My One And Only Love Art Tatum & Ben Webster

#youtube

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Marilyn Nance, The White Eagles/Black Indians of New Orleans, 1980

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One Nigeria: a homage to home

“One Nigeria is a homage to Nigeria through art. One Nigeria highlights the the photography stylings of those who made it their mission to capture the essence and culture of Nigeria through their work. In this series we pay homage to photographers Solomon Osagie Alonge, J.D. Okhai Ojeikere, and Jonathan Adagogo Green recreating old images with a modern touch. Taking it a step further all the participants of the project are Nigerian and fellow creatives in different fields and breaking ground while at it and expanding the meaning and look of Nigeria.

This is One Nigeria – a love letter to a nation we call home.”

—Olive Uche

Creative Direction: Olive Uche

Photography + Set Design: Dotun Abeshinbioke #nigeria #africa

//////// #listen to #Africa #now #everydayeverywhere on

https://radiosubmarine.wixsite.com/radiosubmarine

#linkinbio

#Radio #broadcast #Radio_submarine #soundclould #African #music #africa #africanmusic #dance #podcast #afrobeats #follow #like #africaeveryday #playlist #afrococktail #afrodance #afropunk #afrobeat #photooftheday #photography #africaphotography https://www.instagram.com/p/CSMFo3FMLOl/?utm_medium=tumblr

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Chantal Regnault, Guédé/Day of the Dead/Jour des Morts , Haiti 1993

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Woven Histories

Textiles and Modern Abstraction

Production by Brad Ireland and Christina Wiginton, Editing by Magda Nakassis,

National Gallery of Art, Washington copublished by The University of Chicago Press, 2023, 284 pages, ISBN 978-0-226-82729-2

euro 65,00

email if you want to buy [email protected]

Exhibition dates : Los Angeles County Museum Art 2023, Washington Nat.Gall.Art 2024, Ottawa Nat.Gall.Canada 2024,New York MoMA 2025

Richly illustrated volume exploring the inseparable histories of modernist abstraction and twentieth-century textiles.   Published on the occasion of an exhibition curated by Lynne Cooke, Woven Histories offers a fresh and authoritative look at textiles—particularly weaving—as a major force in the evolution of abstraction. This richly illustrated volume features more than fifty creators whose work crosses divisions and hierarchies formerly segregating the fine arts from the applied arts and handicrafts.   Woven Histories begins in the early twentieth century, rooting the abstract art of Sophie Taeuber-Arp in the applied arts and handicrafts, then features the interdisciplinary practices of Anni Albers, Sonia Delaunay, Liubov Popova, Varvara Stepanova, and others who sought to effect social change through fabrics for furnishings and apparel. Over the century, the intersection of textiles and abstraction engaged artists from Ed Rossbach, Kay Sekimachi, Ruth Asawa, Lenore Tawney, and Sheila Hicks to Rosemarie Trockel, Ellen Lesperance, Jeffrey Gibson, Igshaan Adams, and Liz Collins, whose textile-based works continue to shape this discourse. Including essays by distinguished art historians as well as reflections from contemporary artists, this ambitious project traces the intertwined histories of textiles and abstraction as vehicles through which artists probe urgent issues of our time.

24/12/23

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2004

EVELYNE

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i really love this photo of me and my mom on my 10th birthday

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Palestinian children play outside their houses painted by Palestinian artists in the al-Shati refugee camp in Gaza City, on November 16, 2015

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Sweet and savory Japanese beef curry with easy curry roux

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Know nothing of this photo, but I guess it was taken in South Africa in the 1950s

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by Jessica Antola

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Celia Wa - Wastral

Creole Neo Soul From Guadeloupe Born in Paris but having grown up in Guadeloupe, Celia started playing music with the “Ka” (traditional West Indian percussion) at the great George Troupé’s school, and then devoted herself to the flute. She made her first stage appearance at the age of 12 and never left it. Back in Paris, she immersed herself in the Hip Hop culture, especially dance, which became her profession before she decided to return to music and released two EPs mixing electronic music and traditional West Indian music (Gwo ka). Energy and inspiration come from the Gwoka. From these hands which, when they are not a raised fist, pound the drums, proud of their roots and of their Guadeloupean identity. This is where Celia Wa comes from, from all that she inherited by spending her childhood between the West Indies and France. The first years of her life were spent discovering the musical soul of the island, letting the seven gwoka rhythms seep into her until they became an integral part of her. The following years were spent discovering reggae, salsa, jazz and the omnipresent hip hop. Music whose original source was close to her, but to which she only opened up after having travelled thousands of kilometres.

After two self-produced EPs, Wastral is the sum of these inspirations and influences. Born in the acoustic, it is under the modern and futuristic production of Victor Vagh (producer of Flavia Coehlo) that the seven tracks were revealed and then sublimated. Dissipated in the vaporous arrangements, softened under the effect of the synthetic layers, the organic was meticulously covered with an electro varnish disturbed by the echoes and reverbs of the dub. Celia Wa’s soaring, twirling flute grazes or stirring the groove, her lyrics reviving the memory of her island. In Creole or in English, they tell the story in the present tense without forgetting the past. A past full of the sounds of struggles, of clashing chains and cracking whips, marks that have disappeared from bodies but remain deeply rooted in families and history.

New feminine signature at Heavenly Sweetness, Celia Wa draws with Wastral the map of an avant-garde stellar journey in which the musical star of Guadeloupe shines bright.

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Pharoah Sanders - Antibes 1968 (FULL VIDEO)

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from Lebohang Kgyanye's Ke Lefa Laka: her story

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Palestinian runner Sanaa Abubkheet poses in traditional Qatari dress for a photographer at the Athletes Village of the 15th Asian Games in Doha, Qatar, 07 December 2006.