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mylilbirbs · 19 hours
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Pigeon Study
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mylilbirbs · 19 hours
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all my advice about using real athletes to learn drawing bodies beyond hard abs, and my particular pref being wrestlers, also applies to women btw. you can draw women who r strong and not an hourglass shape. fucking do it.
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kris statlander, rhea ripley (look at her SHAPE), willow nightingale, ruby soho, these r just four off the top of my head that have obvious musculature and different body types. skye blue and julia hart have more slim cheerleader style bodies as well, i REALLY wanted to put emi sakura who is fucking STOUT (adoring) in this post but i couldn't find a good demonstrative pic, the list goes on
DRAW DIFFERENT BODIESSSSSSSS
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mylilbirbs · 19 hours
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Me: I hate gossip
Also me:
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mylilbirbs · 19 hours
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mylilbirbs · 2 days
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“For some time, Hollywood has marketed family entertainment according to a two-pronged strategy, with cute stuff and kinetic motion for the kids and sly pop-cultural references and tame double entendres for mom and dad. Miyazaki has no interest in such trickery, or in the alternative method, most successfully deployed in Pixar features like Finding Nemo, Toy Story 3 and Inside/Out, of blending silliness with sentimentality.”
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“Most films made for children are flashy adventure-comedies. Structurally and tonally, they feel almost exactly like blockbusters made for adults, scrubbed of any potentially offensive material. They aren’t so much made for children as they’re made to be not not for children. It’s perhaps telling that the genre is generally called “Family,” rather than “Children’s.” The films are designed to be pleasing to a broad, age-diverse audience, but they’re not necessarily specially made for young minds.”
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“My Neighbor Totoro, on the other hand, is a genuine children’s film, attuned to child psychology. Satsuki and Mei move and speak like children: they run and romp, giggle and yell. The sibling dynamic is sensitively rendered: Satsuki is eager to impress her parents but sometimes succumbs to silliness, while Mei is Satsuki’s shadow and echo (with an independent streak). But perhaps most uniquely, My Neighbor Totoro follows children’s goals and concerns. Its protagonists aren’t given a mission or a call to adventure - in the absence of a larger drama, they create their own, as children in stable environments do. They play.”
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“Consider the sequence just before Mei first encounters Totoro. Satsuki has left for school, and Dad is working from home, so Mei dons a hat and a shoulder bag and tells her father that she’s “off to run some errands” - The film is hers for the next ten minutes, with very little dialogue. She’s seized by ideas, and then abandons them; her goals switch from moment to moment. First she wants to play “flower shop” with her dad, but then she becomes distracted by a pool full of tadpoles. Then, of course, she needs a bucket to catch tadpoles in - but the bucket has a hole in it. And on it goes, but we’re never bored, because Mei is never bored.”
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“[…] You can only ride a ride so many times before the thrill wears off. But a child can never exhaust the possibilities of a park or a neighborhood or a forest, and Totoro exists in this mode. The film is made up of travel and transit and exploration, set against lush, evocative landscapes that seem to extend far beyond the frame. We enter the film driving along a dirt road past houses and rice paddies; we follow Mei as she clambers through a thicket and into the forest; we walk home from school with the girls, ducking into a shrine to take shelter from the rain; we run past endless green fields with Satsuki as she searches for Mei. The psychic center of Totoro’s world is an impossibly giant camphor tree covered in moss. The girls climb over it, bow to it as a forest-guardian, and at one point fly high above it, with the help of Totoro. Much like Totoro himself, the tree is enormous and initially intimidating, but ultimately a source of shelter and inspiration.”
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“My Neighbor Totoro has a story, but it’s the kind of story that a child might make up, or that a parent might tell as a bedtime story, prodded along by the refrain, “And then what happened?” This kind of whimsicality is actually baked into Miyazaki’s process: he begins animating his films before they’re fully written. Totoro has chase scenes and fantastical creatures, but these are flights of fancy rooted in a familiar world. A big part of being a kid is watching and waiting, and Miyazaki understands this. When Mei catches a glimpse of a small Totoro running under her house, she crouches down and stares into the gap, waiting. Miyazaki holds on this image: we wait with her. Magical things happen, but most of life happens in between those things—and there is a kind of gentle magic, for a child, in seeing those in-betweens brought to life truthfully on screen.”
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A.O. Scott and Lauren Wilford on “My Neighbor Totoro”, 2017.  
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mylilbirbs · 2 days
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Is it weird that I want the holding cell flat? I wanna put my friends in there and give them puzzles to solve to be let out 🥰🫶
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mylilbirbs · 2 days
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[guy who genuinely fucking loathes himself voice] well on account of my charming and endearing nature. Of course
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mylilbirbs · 2 days
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mylilbirbs · 2 days
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This is what posting your artwork after a mutual posts a big life update feels like
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mylilbirbs · 2 days
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normally there's just a few judges sitting up in the box (where the football commentators usually sit) but sometimes they have people standing on the field to judge. sometimes these people step on cords and unplug the synthesizer so we can't hear it anymore. this has happened before.
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mylilbirbs · 2 days
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I will never get over how weird it feels to have tragic and emotional chapters of your life where you just also still go to work, and the grocery store, and see funny videos online all while feeling such paralyzing fear and heartache
life just goes on no matter what
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mylilbirbs · 2 days
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My deepest darkest fantasy is that I collapse on the street and I am rushed to the hospital. They perform a bunch of tests and find out I am severely deficient in some kind of vitamin. Then I start taking the vitamin and I become the happiest cleverest person alive because all my problems were caused by this one deficiency
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mylilbirbs · 2 days
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they should start doing themed airports, you can't make airports any stranger so why not make them themed, like a haunted house themed airport, or a pirates cove airport
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mylilbirbs · 2 days
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we dont even get 9/11 off of work. like i guess you were never THAT sad about it
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mylilbirbs · 3 days
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mylilbirbs · 3 days
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Whatever its called to have these kinds of colourful squares in your home i want it
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Look
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mylilbirbs · 3 days
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