onlymollygibson

[onlymollygibson]

You know what? Fuck it.

The amount of notes that this post gets by the end of April is the amount of words I'll write for one of my books.

[onlymollygibson]

And if a plot line sucks, it's usually the networks fault. If it's unoriginal, it's the network saying "ooh this thing sold last year. Let's make something just like it."

The overtime is crazy, the hazing has driven people to s**c*de or out of the industry. The culture of suffering until you get to the top, then heaping suffering on others once you're there is deeply ingrained. Not to mention the bigotry and failure to stop the worst offenders because they bring in so much money.

I dont want to sound like an elitist but the people who write tv shows arent doing a good job

[onlymollygibson]

Tumblr is basically a small town in New England. We're incredibly suspicious of outsiders and newcomers. We complain (affectionately) about this site all the time. We've got our haunted houses, beautiful flowers, eccentric lesbians, delightful fall leaves, strange inside jokes and absolutely cursed parts of town.

#Tumblr #Queue

[onlymollygibson]

WALKER SCOBELL as PERCY JACKSON PERCY JACKSON AND THE OLYMPIANS (2023-) Season 1

[onlymollygibson]

I live in Alabama and I know I can't swing the national election but I can vote for a third party and show not everyone is happy with the current nightmare of the two party system. Apparently if a third party gets 5% of the popular vote they get national election funding.

Something about the idea that voting for president only matters if you live in a swing state, and that all the people in blue states or red states can indulge themselves in principled nonparticipation because the outcomes are preordained, strikes me as akin to playing with fire.

Is it really coherent to say "both sides are awful, write in Mickey Mouse or burn your ballot or just stay home and get drunk, unless you live in Pennsylvania, in which case maybe consider taking one for the team and compromising yourself by voting for the lesser evil?" Is that really the message that will lead to a preferable outcome?

What it sounds like to me is a sign that 1) you take your local electorate for granted, and 2) you see avoiding the worst case scenario as somebody else's problem.

I remember when Florida was a swing state. I also remember when Pennsylvania wasn't.

[onlymollygibson]

Something about the idea that voting for president only matters if you live in a swing state, and that all the people in blue states or red states can indulge themselves in principled nonparticipation because the outcomes are preordained, strikes me as akin to playing with fire.

Is it really coherent to say "both sides are awful, write in Mickey Mouse or burn your ballot or just stay home and get drunk, unless you live in Pennsylvania, in which case maybe consider taking one for the team and compromising yourself by voting for the lesser evil?" Is that really the message that will lead to a preferable outcome?

What it sounds like to me is a sign that 1) you take your local electorate for granted, and 2) you see avoiding the worst case scenario as somebody else's problem.

I remember when Florida was a swing state. I also remember when Pennsylvania wasn't.

[onlymollygibson]

I read Harry Potter with my kids and talk about the magic and how fun it would be to go to Hogwarts. I haven't told them about any of crappy things jkr has done. They're 10 and 7 and the oldest knows about Santa and the tooth fairy, but I want to preserve this magic awhile longer.

what's the most cancelable shit y'all do when ur not online

[onlymollygibson]

online communities are so strange because people slip away so easily. you can be on here for years, folding people you've never met into the fabric of your daily life, and then they disappear, leaving only ghost posts scattered across tumblr behind. or their blog stays dormant, for weeks, months, years, until you're only still following them because you remember that they love sunflowers or they were kind to you when they didn't have to be or the last thing they posted was sad and raw and you still worry about them sometimes.

and sometimes they come back when you least expect it, years later, even, and there's this sudden rush of relief like there you are, there you are, even though you barely knew each other.

there's a strange kind of love to it. i don't know you and i want to hold your hand across miles and time zones and oceans. i can still see the imprint of you in this community you left. you don't think anyone will notice or care when you're gone, but we notice and we care and we wish you well.

i hope you're all okay out there. i hope the sun is shining on your face and you are breathing deeply. i miss you.

[onlymollygibson]

Hey guys, I know there are a lot of really severe tragedies in the world right now and I in no way desire to push those aside, nor do I really want to load another thing onto people's plates, but anyone here in the US needs to be aware that on March 11, 2024, an agricultural company known as NEW Cooperative spilled 265,000 gallons (1500 tons) of liquid nitrogen fertilizer into the East Nishnabotna River. This is the ecological equivalent of dropping a nuclear weapon into the river. Over a 60 mile stretch downstream of the spill its been a near total ecological wipeout for the river. So far, an estimate of 850,000 fish have been killed from this spill, and that's to say nothing for the insects, amphibians, reptiles and birds that relied on or lived in this river. It is literally filled with animal corpses. This river flows into the Missouri River and the impacts will likely continue to spread far past this 60 mile stretch. And this disaster has barely made local tv in Iowa, let alone national tv, despite the fact that 60 miles of river ecosystem were just wiped out in a way that may be impossible to recover from. And what's the punishment for this heinous act of destruction through negligence, you might ask? As it stands, its looking like a 6k fine from the DNR to the company. Not 600k. Not 60k. 6000 dollars. The maximum fine that the DNR can charge in Iowa is 10k unless they decide to take it further in court. That's why these spills are so frequent in Iowa: it's literally cheaper to eat the fines than it is to bother properly storing fertilizer. I don't know exactly what the proper course of action is here, or who needs to be contacted to enact change--I'm hoping someone more knowledgeable than me will chime in with that information--but at the very least, every one of us should know. Every one of us should make sure we don't forget this. And every one of us should blacklist NEW Cooperative fertilizer unilaterally.

Sources:

[onlymollygibson]

AU where Zuko realises very early into his banishment that he’s been sent on a hopeless goose chase and, actually, he doesn’t want to return to the oppressive Fire Nation and his abusive father. And he sticks with this decision even after Aang wakes up from the iceberg

Except then Aang meets Zuko - probably when Zuko jumps in to save someone, because his sense of justice is too strong to just sit back while someone is hurt, even if he is trying to remain apolitical - and his brain goes “!!!!” Because that’s a good firebender. They do exist. And now Aang knows someone who can teach him firebending without trying to kill him

Except Zuko wants nothing to do with the Avatar. He especially doesn’t want to get entangled with his father’s war. So the rest of the season is about Zuko running from the Avatar, and Aang and co trying to capture the reluctant ex-Prince of the Fire Nation so he can be Aang’s firebending teacher

[onlymollygibson]

Darcy's first proposal is a clusterfuck on so many levels, and I love it, but I think my favorite is how much shit he talks about the Bennets. None of it is untrue, but also, real bold words for you to say to a woman who is currently being forced to spend weeks on end socializing with your insufferable aunt, Fitzwillaim. That's a nice glass house you got there. Would be a shame if someone... threw stones.

[onlymollygibson]

Katara and Mutuality in Relationships

There are lots of conflicting opinions about which characters Katara felt attraction towards, which characters she didn’t, and how long she felt that attraction. I see in most cases, people point to quick clips of her faintly blushing or kissing another character on the cheek as evidence, but I think these kind of takes miss the nuance of the purpose attraction serves in a story.

Most importantly, I see these characters treated as if they are actually people capable of making their own decisions. It’s important to remember that these are fictional characters. They don’t make their own choices; the writers make their choices for them for the purpose of telling a story. From that standpoint, it’s more valuable to examine how a character’s story and narrative themes tie into their relationships with other characters. Animators can shove in a kiss or a blush wherever they want, but it’s harder to demonstrate through storytelling how and why two characters might feel attraction towards one another, and how a relationship between them would develop both characters and contribute to the overarching themes of the story.

In other words, when discussing which characters Katara is “attracted” to, I’m discussing which relationships and actions within the narrative build on her established story and arc. Romance is always integrated into a story for a reason, and considering that reason is important.

Unfortunately, ATLA is very much a product of its time in this way. It’s easy to see what romance adds to the arcs of the male characters—but not so much with the female characters. All three canon relationships (kataang, sukka, and maiko) follow this trend to some degree. The primary purpose of the woman in this narrative is to act as a prize for the man for performing some good deed. Once they’re together, she ceases having her own motivations and becomes an extension of the male character she’s dating. This is pretty blatant with Suki—she barely had a personality in that later seasons; she is there to be Sokka’s girlfriend. Similarly, Katara becomes a completely different character—she’s even animated differently—when the narrative pushes her into romantic scenes with Aang. Her character is flattened.

So what is Katara’s arc, and how do the romantic interactions she has throughout the series contribute to this?

Well, that could be a whole other essay itself, but to put it simply, Katara’s arc is one of a young girl devastated by grief at a young age clinging to hope that she has the power to fight and change the world for the better. Which she does as she gains power and confidence throughout the series—culminating in her defeating Azula in the finale.

But the part I want to focus on here is how Katara connects with other characters. She connects with them over shared experiences of grief and loss.

Take Haru, for instance.

Haru: After the attack, they rounded up my father and every other earthbender, and took them away. We haven't seen them since.

Katara: So that's why you hide your earthbending.

Haru: Yeah. Problem is…the only way I can feel close to my father now is when I practice my bending. He taught me everything I know.

Katara: See this necklace? My mother gave it to me.

Haru: It’s beautiful.

Katara: I lost my mother in a Fire Nation raid. This necklace is all I have left of her.

Haru: It’s not enough, is it?

Katara: No.

This isn’t just a throwaway moment; it’s an important character moment that leads up to growth and the progression of Katara’s overall story, both in this individual episode and in the whole series.

Katara finds her power in the connections she’s able to make with other characters. It’s a powerful driving force for her that makes her a strong character even before her bending abilities develop. Imprisoned was such an important episode to establish who Katara is and what her power is, and adds so much to her arc.

But there is one line in particular from the above exchange that also stands out: Haru says “it’s not enough, is it?” and Katara agrees. Even this early in the series, we’re establishing the fact that despite her drive and hopeful outlook, Katara feels deeply hurt, she feels a deep sense of loss that she opens up about to other characters in moments like these. But unlike Haru…Katara can’t go rescue her mother. Her mother is dead, and we see her grapple with that grief throughout the series.

Another character she reaches out to like this is Jet.

Jet: Longshot over there? His town got burned down by the Fire Nation. And we found The Duke trying to steal our food. I don't think he ever really had a home.

Katara: What about you?

Jet: The Fire Nation killed my parents. I was only eight years old. That day changed me forever.

Katara: Sokka and I lost our mother to the Fire Nation.

Jet: I’m so sorry, Katara.

Another important note about Jet is that there are explicit romantic feelings from Katara in this episode. Again, Katara empathizes with another character through a shared sense of loss. Sadly, in this case, Jet manipulated her feelings and tricked her into helping in his plot to flood the village…but those feelings were undeniably there.

That was the tragedy in this episode, but it also gives the audience so much information about Katara as a character: what motivates her, and what she wants. Katara is established as a character who wants someone who will connect with her and empathize with her over her loss—her greatest sense of trauma. She wants to help others but also receive support in return. The reason why she was smitten with Jet, beyond just initial attraction, is because he gave her a sense of that before Katara realized his true motivations.

A lot of people make the claim that Aang is good for Katara because he also feels a sense of great loss and trauma. And while on paper that’s true…does he really demonstrate that? I just gave two examples of characters Katara connected with this way, and both responded with deep empathy to what she said. Very early on in the show—the third episode—Katara attempts to connect with Aang the same way. How does he respond?

Katara: Aang, before we get to the temple, I want to talk to you about the airbenders.

Aang: What about 'em?

Katara: Well, I just want you to be prepared for what you might see. The Fire Nation is ruthless. They killed my mother, and they could have done the same to your people.

Aang: Just because no one has seen an airbender, doesn't mean the Fire Nation killed them all. They probably escaped!

Just compare this exchange to Haru and Jet. No effort to empathize, not even a “sorry for your loss” or anything. It’s a stark contrast, and the reason for that is because this narrative entirely centers Aang. Katara’s narrative always seems to be secondary to his when they’re together—which is exactly my point when I say this relationship has a fundamental lack of mutuality. It’s built that way from the beginning of the series. It does not add to Katara’s arc nor establish what about this dynamic would attract her.

And, look, before someone jumps down my throat about this…I’m not saying Aang is a horrible person for this response. I think it’s a sign that he’s immature and has a fundamentally different approach to problems than Katara. Katara is a character who has been forced to take on responsibilities beyond her years due to being a child of a war-torn world. Aang’s approach to problems is avoidance while Katara never had that luxury. It doesn’t mesh well.

This is all in Book 1. I honestly could have gotten on board with Kataang if the series meaningfully addressed these issues…but it didn’t. In fact, they actually got worse in some ways.

Back to Katara’s mother. We’ve established that this is a core part of Katara’s character and like in the scene with Haru, she indicates that this is an unresolved issue that pains her. But then, in Book 3, Katara actually does get a chance to confront this pain.

This would have been a powerful moment. Surely the character who is meant to be her partner, her equal, would have been there for her. Surely he would have understood and supported her, fulfilling her narrative and adding to her story.

But Aang didn’t do that. I won’t go into details because there are a million analyses out there on The Southern Raiders, but Aang’s response to Katara was the opposite of understanding. He got angry with her, insinuated that she was a monster for wanting revenge, and tried to dictate her behavior according to his own moral values. And importantly, from a narrative standpoint, he did not go with Katara. One of the most important events in her arc, and Aang didn’t support her—he actually tried stopping her. He didn’t contribute to her growth and development.

Also noteworthy:

Katara: But I didn’t forgive him. I’ll never forgive him.

Even at the end of the episode, Aang clearly doesn’t understand at all what Katara is feeling. This line demonstrates it perfectly. He thinks she forgave him when that wasn’t the case at all…but of course, he didn’t even accompany her, so he didn’t see what actually took place. His worldview is fundamentally different from hers, and he’s consistently too rigid in his morality and immature to center Katara’s feelings.

Throughout Katara’s whole arc, her most significant character moments, Aang’s character just doesn’t come through the way Katara’s constantly does for him. Their narrative lacks mutuality. When Katara and Aang are together, she becomes an accessory to him. The ending scene is a perfect demonstration of this.

Now, to address the elephant in the room.

Which character does actually add to Katara’s narrative and support her growth as a character?

Correct! I just talked about how important The Southern Raiders is to Katara’s character and story, how it’s a chance for her to finally address the grief she’s been carrying since Book 1. And who stood by her side throughout this pivotal moment? Right—Zuko did.

You can talk all you want about how he’s a “colonizer” while Aang’s people suffered genocide, but you’re forgetting that “show, don’t tell” is one of the most basic aspects of storytelling. The fact is, despite how it looks on paper, Zuko was the one there for Katara at her critical moments. Zuko empathized with Katara more than Aang ever did—as demonstrated in this episode. Zuko never once brought up his own cultural values. Zuko never once told Katara what to do. Zuko’s position was that Katara should be the one to decide, and that he would support any choice she made. He supported her decision to spare Yon Rha, but he would have also supported her if she decided to kill him. I actually found this episode to be a satisfying reversal to what is typically seen in TV—for once, the female character is centered while her male counterpart takes the backseat and becomes a supporting role to her narrative.

Even before this, Zuko is shown to empathize with Katara.

Zuko: I’m sorry. That’s something we have in common.

I think what gets me about this scene is the fact that he’s still Katara’s enemy, and she was just yelling about how she hates him and his people. But despite that, Zuko still empathizes with Katara. She is fundamentally human to him, and he expresses that to her in a way that allows them to connect. Zuko stands to gain nothing from this. It’s true that Azula entered the picture and twisted things around—but in this moment, Zuko’s compassion is genuine. His instinct was to respond to her grief with empathy, just like she consistently does for other characters.

And finally, how else does Zuko add to Katara’s arc?

I don’t think there is any more perfect of an example than the finale itself—the culmination of the arcs and development of all characters.

Zuko and Katara fight together. In a heartbeat, Zuko asks Katara to fight by his side against Azula, because he trusts her strength. She’s his equal—both in his mind, and in a narrative sense.

Then, this:

Both of their roles are so critical in this fight. They both save each other. The scene has such raw emotion to it. These characters were together at the conclusion of their respective arcs for a reason.

This is the perfect conclusion to Katara’s arc. She just played a critical role in ending the war that has caused her trauma her whole life. She just demonstrated her mastery of waterbending (another thing she’s dreamed of throughout the series) by defeating the world’s most powerful firebender during Sozin’s Comet. Even though she had help as all characters do, these are victories that belong to her and demonstrate the growth and power of her character. And to top it all off? She was able to save Zuko’s life. She didn’t have to endure the pain of feeling helpless to do anything while someone else died for her; this time, she had an active role, she changed her fate, and she prevailed. Zuko plays an important role in Katara’s story without dominating it. They perfectly represent mutuality. They add to each other’s stories. Their narratives become stronger when they’re together, without one diminishing or sidelining the other.

So, from that standpoint, that’s why I always see the attraction between Zuko and Katara and why I see it lacking between Aang and Katara. Zuko and Katara’s story doesn’t need some cheap little throwaway moments to shine. It’s integral to both characters’ stories. We are shown not told of the way these characters feel about each other. Given everything we know about Katara, her goals, her values, her past loves…absolutely everything points to Zuko being the true subject of her feelings.

Because let’s be honest. The ending I just described is so much more powerful and so much more Katara than seeing her being relegated back to a doe-eyed love interest for Aang to kiss. It hardly even made sense—Katara played no role at all at the culmination of Aang’s arc. She was relegated back to a love interest, rather than the powerful figure we saw fight alongside Zuko.

[onlymollygibson]

with streaming its entirely possible. Vid angel had the right idea tbh. I can enjoy a storyline without wanting to see the sex on screen. There should be a decrease the violence/blood/gore option too.

Obsessed with Nicola Coughlan's Bridgerton contract involving a clause stating she gets a PG cut to show her Irish Catholic parents. We should do this for all TV actually the Irish Catholics deserve it.

[onlymollygibson]

"i don't like this thing and i wish i didn't have to see people talking about it all the time"

girl (gender neutral), you are on tungle dot com:

choose your fighter.

[onlymollygibson]

[Image description: an android phone homescreen with two ap icons in the top left. One is entitled Frameo and the other one is entitled Roku.]

[onlymollygibson]

The Real Rules of Courtship: Dating in the Regency Era

“Garters was the most erotic gift a man might purchase for a woman—extremely intimate because they held up her stockings. Worn inside her dress, the garters often had messages embroidered on them like, ‘I die where I cling.’ They were very suggestive.”

[onlymollygibson]

another dastardly scheme from the people trying to destroy the republic and all it stands for im sure