otasayo

[otasayo]

In the end of March, the first year master students at medium and material-based art will open their exhibition titled "The sound of a seed". Victor Kojo Aubyn Almendra Baus Alice Davies Linda Flø Magnus Håland Sunde Zeke Isendahl Anders Hald Anastasya Kizilova Silje Kjørholt Johanne Laache Tamara Marbl Joka Rajat Mondal Sofia Elisabeth Nömm Théotime Ritzenthaler Kaia Marlen Weiss Dariusz Wojdyga Sayo Ota @khio_artandcraft (Kunsthøgskolen i Oslo) https://www.instagram.com/p/CqVFFapuYpf/?igshid=NGJjMDIxMWI=

[otasayo]

COVEN – three jewelry artists from a new generation exhibition Periode: 25/3-21/5 2023 at Kunstbanken, Hamar Kristine Ervik, Iris Elva Olafsdottir and Sayo Ota, born in Norway, Iceland and Japan respectively, all studied metal and jewellery at the Oslo National Academy of the Arts. Together they mark a generational shift in Norwegian jewellery art by developing conceptual jewellery art. The exhibits comprise of temporary, transitory and eroding necklaces made from steel, seed, soap, silver, thread, enamel and Japanese lacquer. While using traditional techniques such as making chains from steel and silver, Japanese lacquering, and simple, nostalgic seeds of a string, they reject jewellery as functional objects. With this exhibition, Kunstbanken wishes to promote new arts and crafts curators and show parts of the extensive and varied repertoire by upcoming jewellery artists. Curator: Olaf Tønnesland Hodne text from Kunstbanken webpage https://kunstbanken.no/vare-utstillinger/kristine-ervik-iris-elva-olafsdottir-og-sayo-ota/?newWindow=1 (Kunstbanken) https://www.instagram.com/p/CqQomQUIhDs/?igshid=NGJjMDIxMWI=

[otasayo]

#Repost @thevesselmag ・・・ The outermost layer of objects can trick and deceive us, and it requires a great deal of intention and skill to make silver, or onion skins(!) look like mother-of-pearl, to make aluminium shine and ripple like water, or to make layers of lacquered hemp cloth shine like black marble 👀 🔍 Discover the significance of surface with Linn Sigrid Bratland's essay ‘The Vital Role of Finishing Work in Silversmithing’ 📝 Don't miss this insightful read about the importance of manual skills and tacit knowledge in a world of emerging technologies. From traditional jewellery making to 3D-printed busts, discover how surface work shapes the beauty and value of handcrafted objects. 🌟 Photos: 1: Close-up of “Dyret” 2009, by Linn Sigrid Bratland. Photo by Ingolf Endresen 2: A locket in silver and gold by Therese Hilbert (1979) @dieneuesammlung 3: Kanshitsu dry lacquer necklace by @sayo_ota . The large beads are built with layers or hemp cloth and lacquer in layers, the surface layer is polished until it is perfectly gleaming and smooth, and looking like stone. Photo by @ivarkvaal 4: Rippled aluminium sculpture by @miriamjohannesson photo by @fotograf_saradanielsson 5: Onion skin necklace by @ronilevy presented at @csm_news jewellery show at @munichjewelleryweek 🧅 Linn Sigrid Bratland’s essay is available through the link in bio 🔗 Issue 5 “The Outermost Layer” is edited by @luihn and @knapagnieszka and published by @norwegiancrafts https://www.instagram.com/p/CqEXBKMoKb9/?igshid=NGJjMDIxMWI=

#repost

[otasayo]

@thevesselmag ・・・ We love these photos by Ivar Kvaal taken at Kristine Ervik and Olaf Hodne’s studio in Kirkeristen, an old church bazaar from the mid-1800s, in Oslo. For this shoot they shared the space with Sayo Ota, a Japanese artist who attended @khiometaldepartment around the same time as Ervik and Hodne, and who is currently doing her MFA in Japan and Norway. The artistic practice of Ota and Ervik are quite dissimilar, but both deal with impermanence and transition in their work, which is investigated in Olaf Hodne’s article in the most recent issue of The Vessel, which also features Icelandic jewellery artist @iriselva ✨ All photos by @ivarkvaal 1: Sayo Ota, Kristine Ervik and Olaf Hodne 2: Kristine Ervik at work 3: Latex bracelets by Ervik 4: rusted neck collar by Ervik 5: Work in progress by Ervik 6: Portrait of Kristine Ervik 7: Bath bomb necklaces by Ota 8: Enamel brooch by Ota 9: Kanshitsu dry lacquer necklace by Ota 10: Portrait of Sayo Ota Olaf Hodne’s article is titled “Jewellery Thoughts of Impermanence” and is available through the link in bio 🔗 @kervik.jewellery @sayo_ota @olaf_hodne @iriselva Issue 5 “The Outermost Layer” is edited by @luihn and @knapagnieszka and published by @norwegiancrafts https://www.instagram.com/p/Cpvv_1UIUjd/?igshid=NGJjMDIxMWI=

[otasayo]

You are warmly invited to out exhibition in Munich. Jewellery and objects from students from MA and BA, and professors from Oslo National Academy of the Arts (KHiO), which is Norway’s only higher education in metal and jewellery art, with one of the largest workshops in the Nordic countries, specialising in jewellery art, corpus and object. Displaced from their school in the heart of Oslo, now the students and teachers bring their work to Munich. OPENING HOURS: Wednesday 08.03 13:00 - 18:00 VERNISAGE Thursday 09.03 11:00 - 18:00 Friday 10.03 11:00 - 18:00 Saturday 11.03 11:00 - 18:00 FINISAGE https://www.instagram.com/p/CpSvSSIulIC/?igshid=NGJjMDIxMWI=

[otasayo]

At length, one of my wishes was realized. The new academic year begins today in Nuuk, Greenland. I live here a while for my artistic research 🇬🇱 (Nuuk) https://www.instagram.com/p/Ch-83vrMllN/?igshid=NGJjMDIxMWI=

[otasayo]

Our first group show “ I met you, Enameling!” ended up with a great pleasure. Thank you all for visiting and giving us comments and sweets🍦🍭🍪🍬We wanna continue holding shows on a regular basis. I would like to thank the owner of OGU MAG+ to giving us this opportunity. #enameling #artandcraft (OGU MAG) https://www.instagram.com/p/CgZa-UTpN-p/?igshid=NGJjMDIxMWI=

#enameling #artandcraft

[otasayo]

Somehow, I tend to choose materials which should be polished all the time. This semester I finally am practicing a Japanese lacquer technique to bring my works to Europe soon. (Tokyo University of the Arts) https://www.instagram.com/p/CgHShN8pxS6/?igshid=NGJjMDIxMWI=

[otasayo]

七宝のメンバーでグループ展 します❣️(English below) 「出逢っちゃって、シッポウ！」 7月14日(木)-24日(日) open:木曜-日曜 13:00-19:00 (最終日は17:00迄) OGU MAG + 〒116-0012 東京都荒川区東尾久４丁目２４−７ 展覧会ステイトメント 七宝とは金属にガラス釉薬を焼き付けた工芸技法である。 その歴史は何千年も前に遡り、多様な作品が作られてきた。 けれど今、わたしたちは技法や伝統にとらわ���ない、新しい七宝の姿を探している。 立ち止まって問い直したり、力尽くで壁を登ってみたり、そんな七人の七宝に、あなたも出逢っちゃって。 出展アーティスト 岩上 満里奈、遠藤 久美子 、大園 恵実 、太田 紗世、小西 舞衣、高井 碧、山田 眞子 “I met you, Shippō!” 14th to 24th of July (open: Thursday-Sunday) 1pm-7pm (the last day until 5pm) Location: OGU MAG+ Higashiogu 4-24-7, Arakawa-ku, Tokyo 116-0012 Enameling is a craft technique in which glass glaze is fired on metal. Its history goes back thousands of years, and a variety of works have been made. However we are looking for a new enameling that is not only bound by technique or tradition. We sometimes stop and ask questions ourselves as if we climb the wall with all your might. You will come across our seven enamelists. I met you, Shippō Artists: @marina_iwagami , Kumiko Endo , @meg_moko @sayo_ota @mai Konishi @takai_midori @Mako Yamada (at OGU MAG) https://www.instagram.com/p/Cfom_wqJ6OC/?igshid=NGJjMDIxMWI=

[otasayo]

After 10 days our group show “Dumplings” is over. This theme could be transformative forms and our surroundings to magnificent ideas. I imagine the earth is a sort of dumpling and how we conduct ourselves as ingredients. Through this series I try to convey both visible and invisible borders between us or places by hanging it with a tense feeling to reflect on what happens on this planet and how we confront various situations such as the meaning of prosséssion. While you stand in front of the object and look at the mirror behind, you see yourself wearing a necklace in the same way as everybody else. Title: Borderland first photo by Masumi Shishido #object #contemporaryart #jewelry #exhibition https://www.instagram.com/p/CdKTmlRplgm/?igshid=NGJjMDIxMWI=

#object #contemporaryart #jewelry #exhibition

[otasayo]

いよいよグループ展が明日の10時から始まります。在廊日が決まっていますのでよろしければ事前にDMで連絡ください🙇‍♀️ Our group exhibition finally begins tomorrow! 🌎🌏🌏🌎🌍🌏 ダンプリング: 具が皮に包まれたなら Dumpling: If the filling is wrapped in a skin ⁡ 🟢賞味期限：2022年4月16日（土）〜5月2日（月）/ 10:00 - 17:00 土・日・月・祝のみオープン 🔴産地：仲町の家（東京都足立区千住仲町29-1） 🟡値段：無料 ⁡ ーーーーーーーーーーーーーーーーーー ⁡ 人間の発明品として、古くから世界中で食されている”Dumpling（ダンプリング）”。餃子のほかにも、団子やニョッキなど、さまざまな種類があるが、共通点をあげるとしたら、「具」が「皮」に「包まれた」物体であることだろう。現代において、「具」や「皮」、「包む」という行為はなにを指し、私たちにどのような味わいを与えてくれるのだろうか。 ⁡ これまで、さまざまな文化や芸術をやさしく包み込んできた「仲町の家」という「皮」のなかには、今回どんな「具」が包まれているのか。日本��香港、中国出身の東京藝術大学の学生によるダンプリングパーティーをぜひお楽しみください。 ⁡ Dumplings have long been loved and eaten around the world. Besides Jiaozi (Gyoza), there are many different types of dumplings such as dangos and gnocchi. The one thing they all have in common is that they are wrapped in a 'skin'. What do 'ingredients’, 'skin', and the act of 'wrapping' represent in the contemporary world, and what tastes can dumplings deliver to us? ⁡ What kind of 'ingredients' can be wrapped in the 'Nakacho House', which has gently enveloped various cultures and arts in the past? We hope you enjoy our dumpling party organised by Tokyo University of the Arts students from Japan, Hong Kong, and China. ⁡ ーーーーーーーーーーーーーーーーーー ⁡ 生産者：東京藝術大学美術研究科GAP・先端芸術表現専攻学生有志     （太田紗世、 佐藤桃子、鈴木希果、陳一銳、彭慆、水野渚） ⁡ お問い合わせ：instagram（the_dumpling_show） ⁡ 本企画は「アートアクセスあだち 音まち千住の縁 拠点形式事業 パイロットプログラム」の一環で実施しています。 ⁡ ⁡ #dumpling #exhibition (仲町の家) https://www.instagram.com/p/CcX67YXJiVJ/?igshid=NGJjMDIxMWI=

#dumpling #exhibition

[otasayo]

⁡来月、第二弾グループ展を開催いたします！Here is the infos about our group exhibition vol.2 in April. 🌸🌸🌸 🌸🌸🌸 ⁡ ダンプリング: 具が皮に包まれたなら Dumpling: If the filling is wrapped in a skin ⁡ 🟢賞味期限：2022年4月16日（土）〜5月2日（月）/ 10:00 - 17:00 土・日・月・祝のみオープン 🔴産地：仲町の家（東京都足立区千住仲町29-1） 🟡値段：無料 ⁡ ーーーーーーーーーーーーーーーーーーーーー ⁡ 人間の発明品として、古くから世界中で食されている”Dumpling（ダンプリング）”。餃子のほかにも、団子やニョッキなど、さまざまな種類があるが、共通点をあげるとしたら、「具」が「皮」に「包まれた」物体であることだろう。現代において、「具」や「皮」、「包む」という行為はなにを指し、私たちにどのような味わいを与えてくれるのだろうか。 ⁡ これまで、さまざまな文化や芸術をやさしく包み込んできた「仲町の家」という「皮」のなかには、今回どんな「具」が包まれているのか。日本と香港、中国出身の東京藝術大学の学生によるダンプリングパーティーをぜひお楽しみください。 ⁡ Dumplings have long been loved and eaten around the world. Besides Jiaozi (Gyoza), there are many different types of dumplings such as dangos and gnocchi. The one thing they all have in common is that they are wrapped in a 'skin'. What do 'ingredients’, 'skin', and the act of 'wrapping' represent in the contemporary world, and what tastes can dumplings deliver to us? ⁡ What kind of 'ingredients' can be wrapped in the 'Nakacho House', which has gently enveloped various cultures and arts in the past? We hope you enjoy our dumpling party organised by Tokyo University of the Arts students from Japan, Hong Kong, and China. ⁡ ーーーーーーーーーーーーーーーーーーーーー ⁡ 生産者：東京藝術大学美術研究科GAP・先端芸術表現専攻学生有志     （太田紗世、 佐藤桃子、鈴木希果、陳一銳、彭慆、水野渚） ⁡ お問い合わせ：instagram（the_dumpling_show） ⁡ 本企画は「アートアクセスあだち 音まち千住の縁 拠点形式事業 パイロットプログラム」の一環で実施しています。 ⁡ ⁡ #dumpling #exhibition (仲町の家) https://www.instagram.com/p/CbZ71bfJcPs/?utm_medium=tumblr

#dumpling #exhibition

[otasayo]

Day after Step 3 of Unit program. Improvised performance drawing with my fellow students, Ichibō and Clibō⛰ “Soil” (Tokyo University of the Arts) https://www.instagram.com/p/CXBo5BzBBHh/?utm_medium=tumblr

[otasayo]

I am honored to be participating in the 2021 Christmas Exhibition at Kunstnerforbundet in Oslo. Thank you Kunstnerforbundet for giving me this opportunity, I am deeply grateful. My artwork arrived in Oslo earlier than myself, however hopefully I will be able to see you in the coming year. #olafhodne #kunstnerforbundet #juleutstilling2021 #oslo https://www.instagram.com/p/CWwM2SIhdm2/?utm_medium=tumblr

#olafhodne #kunstnerforbundet #juleutstilling2021 #oslo

[otasayo]

Unit Dogū (2021) Unit program with TUA × BAP × CSM has finally started! 🇯🇵🇨🇳🇫🇷🇬🇧 (東京藝術大学 取手キャンパス) https://www.instagram.com/p/CVP9Te2BHmD/?utm_medium=tumblr

[otasayo]

やっとですが日本に帰国してから初めて展覧会に作品を出展します。今春から一緒に学んでいるGAPの仲間とのグループ展です。世の中が落ち着かない中、色んな事に気を付けながら、でもこの状況下の中で制作したものはやっぱり発信していきたいなと思っています。お越しいただけたら嬉しいです。 Finally I can anounce you, my first ever participation in a group show with my fellow GAP students in Tokyo since I came back to Japan.🎌 Here is the information below ↓ welcome! stay turned🌠 [Group Exhibition] <Between the Dynamics and the Stillness. A reflection on Living in Present.> / <動 。静　の　間. 今を生きることを再考する> . 《会期/Opening period》 9月1日(水）— 9月12日(日） 午前10時 — 午後8時 ***初日のみ午後3時からです 1st September - 12th September 10am -8pm ***The opening time for the first day will be at 3pm 《会場/Venue》 〒120-0036 東京都足立区千住仲町49-11 49-11, Senju-Nakacho, Adachi-ku, Tokyo @buoycafe_tokyo https://www.instagram.com/p/CTEwou_hvcZ/?utm_medium=tumblr

[otasayo]

I have a lot to say about what happened in Norway but it looks like things are falling into place now. Finally I can start a master in art and it will be in Tokyo. Many thanks to my family and friends who support me. Sayo 🌸 (her: Tokyo University of the Arts) https://www.instagram.com/p/CNSKPdzhNku/?igshid=5zytr3hejyej