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(Top column: Gasper Noe, Enter the Void. Bottom column Hype Williams, All of the Lights ins. by ETV)

I’ve been looking to typography and how text can be worked into the aesthetics of film. A director who does this exceptionally is Gaspar Noe, his dynamic range of colour and fast pacing makes for an enticing sequence. I’d like to incorporate this into my work as I feel like the titles of a film s as important as the film itself, especially with this being such a largely collaborative project!

(Gasper Noe, CLIMAX)

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Behzad.nohoseini

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JURASSIC PARK (1993) JURASSIC WORLD DOMINION (2022)

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dumb doodle to accompany the mr. robot rewatch. tyrell will always be one of my favorite fucked up little guys

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made something

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🌝 so true

being insanely obsessive will not get u anywhere but it sure do pass the time

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What did they do??

i'm not sympathizing with that character i'm sexualizing them get it right

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If I ever become a world-famous artist I’m going to make a specific point of producing a series of large, detailed pieces with provocative-yet-indecipherable subject matter and leaving them sitting unpublished, untitled and undocumented to be discovered after my death just for the knowledge that the resulting arguments about what provisional titles to assign them in the catalogues will end at least one art historian friendship.

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1st Rough Layer of Marie Antoinette oil on canvas

[Copyright Fair-Use : Goes to Heinrich Losslow / French National Archive / Simply a Recreation for Practice]

#marie antoinette #marie antoniette 2006 #heinrich lossow #bouletbrothers

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😓

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😪

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Nakata Yasutaka Studio Timeline (according to his Instagram)

Studio in the summer of 1998:

Even with all this old equipment combined, the Garage Band app on iPhones still isn’t better than this. When I went to a second-hand instrument store in Akihabara, a synthesizer just wrapped in bubble wrap was placed in a vertical position as if it were a surface of a home center. There was no such thing as DAW yet. Hamori sampled S760 and MIDI triggers. Although the equipment progresses and the environment is changing rapidly, the excitement of this time is still continuing now and is fun to compose looking back.

2001:

When the hardware was the most time When the Mac’s sequencer began using the soft synth experimentally with the performer Windows, the debut album of CAPSULE was produced in this kind of environment.

Back in this time, the internet was filled with dial-up routers and such.

The chair I had back then couldn’t really keep up with me twisting left and right while working on music, and buying Aaron chair would’ve doubled the rent a bit early.

2005:

With the introduction of the Athlon 64X2, I switched from Mac to my own PC, the first dual CPU Daw became practical for using Cubase.

Just like now, it’s almost done completely with software synthesizors.

2006:

Got a vocal booth.

2015:

Went back to Mac

2018:

Fast and simple

2019:

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Happy Birthday Yasutaka Nakata

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Nakata be making music like his rent is due