solemneris

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So we all know that Tumblr is US-centric. But to what degree? (and can we skew the results of this poll by posting it at a time where they should be asleep?)

Reblog to increase sample size!

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Ren's Endless List of Blorbos ⬥ #2

Character: Rose Quartz Series: Steven Universe (Cartoon Network) Actor: Susan Egan

She barely has any screentime but the entire plot revolves around her messy past. She is the poster child for the sins of the mother being held against the very exhausted son. She was doomed to fandom discourse hell because we saw all her character development in reverse. Truly she is iconic.

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I was avoiding my homework earlier so I ended up searching a bunch of info about ADHD and

Are the neurotypicals okay?

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It's. HAPPENING.

(July 2nd 2024)

#Ooo! #I am excited!

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i just finished reading dungeon meshi and would like to state:

if you have been under the impression up to this point that dungeon meshi is a low stakes found family slice of life about quirky fantasy friends talking about food (like i did before i read it), i'd like to tell you that it is not that. those moments of found family enjoying a meal are surrounded by a harrowing and grim journey through a terrifying labyrinth designed to kill them, and throughout the 97 chapters comprising it from start to end, I cannot think of a single page that didn't contain vital story information that mattered.

it is an expertly and lovingly crafted odyssey with fantasy world building so thorough with consistent logic that the properties of the magic in their world fell extremely comfortably into the part of my brain that understands things like gravity and light particles. it's really good shit.

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At some point in your life, you were taught that being slightly annoying is an unforgivable sin. Maybe it was by your parents or a teacher or a friend or a bully or an older sibling. But someone taught you that being slightly annoying is a crime punishable by death.

You must unlearn this.

You must accept that all people will be annoying at some point or another in their lives, maybe all of their lives, and that this is okay. It is okay for strangers on the bus, it is okay for children in the grocery store, it is okay for people on social media, and it is okay for you.

If you ever want to truly love your fellow humans, if you ever want to truly love yourself, you must have forgiveness for being annoying.

#things to internalize

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Pour one out for the timeline in which Brennan isn't available and they put Siobhan through Bingo and Time Loop on the same day

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new game changer episode was pretty good. pretty good. pretty good. pretty good. pretty good.

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not very good at asking for things that I want

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Message from an Overly Sarcastic Productions video that I feel Tumblr and fandoms at large should fucking internalize

#practical guide to evil

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gonna buy this god-forsaken web site and charge all y'all $8 a month to edit reblogs.

#lol

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Do you happen to know the origin of the fantasy trope in which a deity's power directly corresponds to the number of their believers / the strength of their believers' faith?

I only know it from places like Discworld and DnD that I'm fairly confident are referencing some earlier source, but outside of Tinkerbell in Peter Pan, I can't think of of any specific work it might've come from, 20th-c fantasy really not being my wheelhouse.

Thank you!

That's an interesting question. In terms of immediate sources, I suspect, but cannot prove, that the trope's early appearances in both Dungeons & Dragons and Discworld are most immediately influenced by the oeuvre of Harlan Ellison – his best-known work on the topic, the short story collection Deathbird Stories, was published in 1975, which places it very slightly into the post-D&D era, though most of the stories it contains were published individually earlier – but Ellison certainly isn't the trope's originator. L Sprague de Camp and Fritz Leiber also play with the idea in various forms, as does Roger Zelazny, though only Zelazny's earliest work is properly pre-D&D.

Hm. Off the top of my head, the earliest piece of fantasy fiction I can think of that makes substantial use of the trope in its recognisably modern form is A E van Vogt's The Book of Ptath; it was first serialised in 1943, though no collected edition was published until 1947. I'm confident that someone who's more versed in early 20th Century speculative fiction than I am could push it back even earlier, though. Maybe one of this blog's better-read followers will chime in!

(Non-experts are welcome to offer examples as well, of course, but please double-check the publication date and make sure the work you have in mind was actually published prior to 1974.)

#interesting

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Well I'm gonna say at least some of them didn't

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People, especially games, get eldritch madness wrong a lot and it’s really such a shame.

An ant doesn’t start babbling when they see a circuit board. They find it strange, to them it is a landscape of strange angles and humming monoliths. They may be scared, but that is not madness.

Madness comes when the ant, for a moment, can see as a human does.

It understands those markings are words, symbols with meaning, like a pheromone but infinitely more complex. It can travel unimaginable distances, to lands unlike anything it has seen before. It knows of mirth, embarrassment, love, concepts unimaginable before this moment, and then…

It’s an ant again.

Echoes of things it cannot comprehend swirl around its mind. It cannot make use of this knowledge, but it still remembers. How is it supposed to return to its life? The more the ant saw the harder it is for it to forget. It needs to see it again, understand again. It will do anything to show others, to show itself, nothing else in this tiny world matters.

This is madness.