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illustratedtapes · 5 years

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Welcome to Illustrated Tape’s favourite releases of 2018 that sounded and looked good, chosen by this year’s contributors. We’ve put together a playlist featuring one track from each of the releases featured so you can check out the sounds we were digging this year. Happy listening!

➔ spoti.fi/2LCgrQp Listening in order recommended

Delta Sleep - Ghost City Big Scary Monsters, 10 August Artwork: Owen Findley at Or8 Design Selected by Megan Reddi // IT014

This is my favourite music/artwork combo of 2018! The whole album is just amazing - it is beautifully arranged and has this lovely dreamy quality to it, with repeated musical motifs woven throughout to really pull the whole album together. Not only is Ghost City musically fantastic, but the artwork is beautiful and so fitting for the album. It is designed and screen printed by Owen Findley and the warm colours, imagery and textures are just spot on.

Definitely my favourite release of 2018. It is my go-to driving album and I will be blasting it while we’re driving around this Christmas!

➔ Listen to Illustrated Tapes 014: Nautical Dusk by Megan Reddi

Okay Kaya - Both Heavy Body, 1 June Artwork/design: Kaya Wilkins, Aaron Maine, Phillip Wong

Selected by Hannah Buckman // IT016

Okay Kaya’s Both as an album that came out this year which I enjoyed, and which I feel has a strong visual component to it. To me the album feels sickly (in a good way), gloomy but still pop. I think the mood is conveyed really well through the Adinah Dancyger directed music vids and the album art.

I liked finding out more about Kaya’s thinking behind the project, like how the twin in the videos is like a physical manifestation of trauma... it’s something that once I read I couldn’t stop thinking about. The idea of something traumatic inducing this birth of a second self, a kind of split off part that is still attached in some way to the whole, but there being a kind of safety in acknowledging what might be a darker part of yourself, from a distance. Also the album art kind of conveys the idea of duality and how that relates to race/sexuality, but I didn’t feel like that was really explored as much. I think I like this album ‘cos it kind of ties in with things (mentioned above) I’m currently interested in, but maybe it feels a bit surface-y at times.

➔ Listen to Illustrated Tapes 016: Protect Your Extremities by Hannah Buckman

Quavo - Quavo Huncho Capitol / Mowtown / Quality Control, 12 October Artwork: Mihailo Andic

Selected by Conner Perry // IT020

I think my favourite music/design combo of this year has to be Quavo’s Quavo Huncho. Not only is it full of bangers, the cover by Mihailo Andic is just brilliant. It really sets itself apart from the Migo’s visuals and changes the way you listen to the record. Definitely check out the rest of his work, especially the stuff for Lil’ Yachty.

➔ Listen to Illustrated Tapes 020: Nice one bruva by Conner Perry

Parquet Courts - Wide Awake! Rough Trade, 18 May Artwork: A. Savage

Selected by Holly St Clair // IT021

I was really late to the Parquet Courts party, but actually both of my initial encounters with their two recent releases have been solid arguments for the importance of decent album artwork. For both Wide Awake! and Human Performance I ran into - literally - the artwork before the music. Twice, two years apart, whilst wandering around London I turned a corner and came face to face with Adam Savage’s superb cover work. He smacked me in the face with poppy colours and amorphous dancing forms and I loved every moment. Add in an anarchic use of type and you’ve got me shouting, “Oh shit! A new Parquet Courts album!” to no one in particular outside an old meat market in Shoreditch.

A. Savage is both front man and painter and that adds a special flavour to the whole affair. Album marketing can be a laboured, commercially driven affair, there’s something authentic - a little DIY flavour - about this relationship between artwork and music. It’s a nice parallel to the musical throwbacks typical of the bands style. Wide Awake! dropped earlier this year and it’s fab. (Although, I love the artwork so much even if it was god awful I’d still buy the record and hang it on my wall.)

➔ Listen to Illustrated Tapes 021: To: You, Love: Me by Holly St Clair

D.A.L.I - When Haro Met Sally Burning Witches, 23 May Artwork: Luke Insect

Selected by Thomas Hedger // IT017

According to my recently played, I’ve been stuck on a pre-'90s loop. I've crept slowly into 2018's releases picking out albums like books - by their covers - and it really paid off! I don’t often delve into electronic but I love this album, it’s a perfect blend of hopping on your bike and hitting the tracks, nailing the look of how the album feels in all its haze. A solid sunny day good time.

➔ Listen to Illustrated Tapes 017: Sink by Thomas Hedger

Young Fathers - Cocoa Sugar Ninja Tune, 9 March Artwork: Tom Hingston

Selected by Katie Chandler // IT003

This cover was immediately striking and memorable to me. Upon listening to the album, I found that the artwork resonated with this feeling of odd, unrestricted expression. It's a little unsettling, ultimately bold and intriguing. Much like the music, it feels hot and cool all at once, like a burst of energy that leaves you in a sweat. It's the exhilarating soundtrack to your runner's high, and you're not really sure why you're running or what you're running from.

➔ Listen to Illustrated Tapes 003: Porch Light by Katie Chandler

Gesu no Kiwami Otome (ゲスの極み乙女。) - Suki Nara Towanai (好きなら問わない) Taco Records, 29 August Selected by Greg Stasiw // IT009

Although it’s not the ambient and electronic fare I usually enjoy, Suki Nara Towanai (好きなら問わない) by Gesu no Kiwami Otome. (ゲスの極み乙女。) is a hoot. The artwork features a stylized neon pachinko machine. Or maybe it’s a console in a rad indie pop spaceship, which would also make sense for this funky fresh group! It feels somehow familiar, somehow alien, and altogether really, really cool.

The neon suggests something retro, and there are some retro leanings in their funkier tracks, but it's definitely neon as seen in 2018. Modern pop (and J-Pop) tropes emerge, but infectious basslines, tight drumming, and smart keys make this album something special. Some math rock even surfaces at times, and the remix included proves that this group goes for whatever feels fresh. One look at the artwork reminds me that this is one of the funnest albums I've listened to in a while. “Funnest” is definitely a word when you’re talking about this band!

➔ Listen to Illustrated Tapes 009: Atmospheres by Greg Stasiw

Aphex Twin - Collapse EP Warp, 14 September Artwork: Weirdcore

Selected by Alex Vissaridis // IT002

2018 was a great year if you grew up listening to the music I was into. Some of my all-time favourite artists released new stuff this year, and they didn’t disappoint. The artwork was pretty excellent too, but nothing grabbed my attention like the world created around Aphex Twin’s Collapse EP. Album art doesn’t seem to mean as much as it once did, so it’s always exciting when it appears outside of the little square on your screen in unexpected ways.

This year, Aphex Twin logos appeared all over the world, from Elephant & Castle tube station to the side of a record store in Tokyo, designed in a way that made it look like the logo was collapsing into the environment around it. I’m a sucker for stuff like this; random cryptic messages that send internet detectives into a frenzy. It was eventually announced as marketing for the Collapse EP, but they kept the ‘collapsing logo’ visual going on the EP artwork, in the music video for the track ‘T69 collapse’, and even through to projection-mapped videos around London (again announced in typical smoke-and-mirrors fashion) and a collaboration with Crack magazine. Way more than just a collection of pixels.

➔ Listen to Illustrated Tapes 002: Tape Fuzz by Alex Vissaridis

Flohio - Wild Yout EP Alpha, 2 November Selected by Rachel Maughan // IT012

I got into Flohio after I saw her on COLORS in January with 'Band'. She's fucking explosive on that track, you can feel her spitting straight into your chest. She's been savvy with her producers and killed her work with God Colony - 'SE16' was my most played track of the year. Her 2018 EP, Wild Yout is a cocktail of perfection.

Mashing up genres it's a high energy listen with punchy, grimey hip-hop that is uniquely South London. The artwork is beautiful simplicity - her achingly slick androgynous aesthetic, the clean photographic composition, with a flowing chain to bring it tightly back to SE. Gorgeous.

➔ Listen to Illustrated Tapes 012: High Rise by Rachel Maughan

Sudan Archives - Sink EP Stones Throw, 25 May Photography: Jack McKain Design: Jeff Jank

Selected By Tom J Newell // IT004

Sink submerges the listener in flowing loops and beats, with splashes of violin and vocals floating above the sunken monolith, which stands tall on the deep blue cover art. The composition is reminiscent of two of Jank’s other iconic Stones Throw sleeves, Donuts and Madvillainy and continues his striking yet varied art direction for the label.

Check out the ‘Nont For Sale’ video from the EP too, which adds powerful choreography and styling to create another successful visual accompaniment to the music. Much love to Sudan Archives and hats off to Jeff Jank. I painted a tribute to the cover art on a 12x12” piece of wood.

➔ Listen to Illustrated Tapes 004: FEAR. by Tom J Newell

Drinks - Hippo Lite Drag City, 20 April Selected by Molly Fairhurst // IT015

Hazy, dazed, an album I hold dearly to 2018 (and many strangely lit walks in a then new, unknown city).

A collaboration between Cate Le Bon and White Fence’s Tim Presley, the pair took an (isolated) retreat to St Hippolyte-Du-Fort in the south of France to record, frankly, crudely, seemingly, whatever the fuck they wanted to. Hippo Lite is born, a joyful, playful, sometimes quiet, sometimes screaming object.

What senses like an eavesdrop through closed doors rightly has a cover that can’t be quite understood- a narrow column of, at the glance of the reader, ‘nonsense’ notes, which flank photos of Le Bon and Presley. Both are snapshots of an absurd holiday we have been invited along to, so long as we sit across the table. A tender and private piece.

➔ Listen to Illustrated Tapes 015: The Wilder Woman by Molly Fairhurst

Pigs Pigs Pigs Pigs Pigs Pigs Pigs - King of Cowards Rocket, 28 September Artwork: Sophy Hollington

Selected by Drew Milward // IT010

First off, this album is wall to wall, solid gold bangers. Kind of like the lovechild of The Fall and Black Sabbath, who has been cautioned by the police for possession of a massive bag of skunk, a bong in the shape of a skull and a copy of ‘The Holy Mountain’ on DVD.

Aside from the fact it’s a full on riff-o-rama, the artwork by Sophy Hollington is absolutely incredible. It summons up the sound of the band, via folk horror infused wildness. It really captures the sonic landscape of the album, yet completely avoids any of the cliched imagery that could so easily have taken its place. It really is the whole package.

➔ Listen to Illustrated Tapes 010: BE GONE, YOU CREATIVE GREMLINS! by Drew Milward

Djrum - Portrait With Firewood R&S, 17 August Artwork: Michael Mitsas

Selected by Sam Ailey // IT001

Portrait With Firewood is one of those rare gems within the electronic genre - a true ‘album’. With holistic production, emotional range, and a captivating narrative, this really is a stunning listening experience from start to finish. Felix Manuel combines electronic and acoustic sounds seamlessly on this intimate record, with exceptional attention to detail in his sampling and tender piano sections played by Felix himself.

Michael Mistas’s cover art is a real departure from the typical design aesthetic of electronic albums and caught my attention straight away. I love its composition and rough, imperfect execution. To me these feels reflective of the range and depth of emotional states explored across the album, and the feeling that some things are easier to express through your craft than with words. Plus I’m a sucker for pink things.

➔ Listen to Illustrated Tapes 001: Quiet by Sam Ailey

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todaysbiggesthits · 6 years

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The Exam

Best Music Moment of 2017:

Code: dancing out the entire wedding reception playlist with my best girl on an empty concrete slab on a breezy texas night

BC: -The absolute stellar dance party at Codemin’s Wedding; most notably:

“Carol” by The Rolling Stones

“Enjoy the Silence” by Depeche Mode

“Crystal” by New Order

-OK Computer’s 20th Anniversary and the listening/reflection that came with it -My four year old, Emmett, learning “Maps” on the drums pretty much on his own

JD: February: Watching the “Emotional Rescue” scene in A Bigger Splash:

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March: Seeing Stop Making Sense on the big screen at my favorite theater with m’gal and a David Byrne Q&A after the screening. April: The dance party of a lifetime at Code and Arden’s wedding. November: Watching Parquet Courts play “You’ve Got Me Wondering Now” for the first time in years.

C: "Born to Run" at a good friend's, Brian Ferguson's, wedding.

Nasty: This playing at the end of Leftovers Season 3, Ep 5 - "The Most Powerful Man in the World"

Bronco: Sitting on my back porch with Brenny, sipping down some delicious whiskey drinks and listening to the new Mastodon on a surprisingly unshitty Amazon bluetooth speaker. Watching his face on the breakdown in Jaguar God was quite entertaining. Also listening to the Squalus album (the metal interpretation of Jaws) with the kids, my oldest asking what it was, and him saying he wants to watch Jaws now. He was especially fascinated by the USS Indianapolis part of the story.

Laser: This

Chap: My 17 has been dominated by the two new ladies in my life. I made this mix for them:

and played it for them on random the morning they were born. This was the first song that came on:

and I finally broke down with emotion after the 36 hour experience while holding one of them while this song was playing:

Best Shows Seen in 2017:

BC: This first 60 seconds of this:

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Nasty: Future Islands & Action Bronson

Larse: Future Islands with Maddie, Nasty, and Sam; Action Bronson at The Rave - pretty sure I got a contact high just from being in the show

C: War on Drugs

Bronco: Mastodon

Codem: lvl up - beat kitchen kitten forever - subterranean downstairs ovlov - beat kitchen pqc - the bottle girlpool - logan square auditorium moving units’ joy division cover set - the bottle PAWS - cobra lounge a. savage - the bottle pictureplane

JD: 1. William Basinski and Julianna Barwick at National Sawdust 2. No Age at Elsewhere 3. Parquet Courts and B-Boys at Elsewhere 4. Liars at Warsaw 5. Deerhunter and Eleanor Friedberger performing while Bradford Cox painted her portrait onstage at Warsaw 6. LCD Soundsystem at Brooklyn Steel 7. Yo La Tengo in Central Park 8. Andrew WK at Warsaw 9. Vince Staples at Panorama Fest 10. Wire at Baby’s All Right 11. Vagabon at Brooklyn Bazaar

Confession of 2017:

Bronco: I listened to the New Kids On The Block offering of 2017 "Thankful" (it was fucking terrible).

C: Still haven’t listened to LCD Soundsystem

Code: -knowing the backstory, the mount eerie album was probably the best album i heard this year, but it was too dang sad to listen to more than a handful of times. -i still loved that brand new song despite the lead cat being a creep. -i thought that this year was pretty rough for music, but my tune changed after looking back through my top tracks. maybe there were just so few full albums that i liked? -i fast fwd'd through every SNL musical guest this calendar year, but i did catch the tom petty tribute from the vegas countrymin.

BC: I don’t hate that objectively awful Chainsmokers/Coldplay song because it reminds me of this year’s BOB since Creevey played it every twenty minutes for 36 holes.

Larson: Listened to more rap this year than I think I have in past years; must be Nasty's Lincoln influence!

Nasty: I listened to more podcasts than music in 17.

Biggest Disappointment of 2017:

Laser: LCD Soundsystem

Codem: -no chromatics this year. -the two lcd shows that i saw this year.

Chap: The albums. I would not be shocked if I didn't listen to any of my top 15 all the way through after today.

Bin: DJT

JD: Mondanile

BC: Real Estate. I think they need to invite the perv back into the band.

Bronco: Bison, Monolord, Godspeed You! Black Emperor, And So I Watch You From Afar. They all put out albums this year, and I've like their stuff in the past, but they did little to nothing for me this time around.

Most Overrated of 2017:

Codem: slowdive, but also twod and japanese breakfast

Bin: Bodak Yellow / Cardi B

Larse: LCD Soundsystem

Bronco: -Pallbearer - just don't like the guy's voice, and though they're slow as shit, there's no good riffs or anything to connect with for me. -Code Orange - hardcore band that I just don't get. One of those 'motherfucker I'm the best!' type super close to being alt-right supremecy type bands even though they're probably completely against it. They're at the top of most metal lists this year. I've given them 4-5 spins, most in reaction to the praise they're getting, but I just don't get it. -Royal Thunder - just one big case of blue balls. All of their songs seemingly build toward a climax that never happens. It's just so blech.

JD: Did the music press even treat anything as a lasting work of art and not ephemeral content to get through a week or two of famous personality driven clicks? King Krule?

BC: Lorde, I think? I mean, that album’s gotten a lot of love this year and I thought the lead single – “Green Light” – was hot garbage. It spawned a conspiracy theory in my mind that Taylor Swift was proactively influencing and then purposefully sabotaging the work of her close friends (see Lorde, Haim, et al).

Make it Stop 2017

Bronco: Sex monsters. Can we just take all white dudes in powerful positions, assume they've sexually assaulted at least one person, imprison them, and move on? We could take everything they have, give it all to Native American tribes, then force them to walk their own trail of tears to live out their lives in the desserts of New Mexico, and force them to build the wall, but it would just be a wall around their sad sex monster reservation.

Also, Taylor Swift.

Nasty: I didn't have the luxury of expending any real hate on music this year... which I'm just now recognizing as a bad thing.

JD: -Unceasing sadness and anxiety about the present and future. -Jack Antonoff

BC: Life on this planet.

Code: any rap station that i hear in an uber. that cardi b song was playing every time i caught a cab at 5:30 a.m. to play golf.

Larson: U2

Biggest TBH Regret of 2017:

BC: Not seeing NIN at RiotFest

Larson: Skipping the Car Seat Headrest show at Summerfest because I could tell Maddie didn't want to leave Jonas' party (party was fun, so not a real loss, just wish I would have seen the show).

Nasty: Not even giving new artists a chance. I'll listen to an average album from The National 10x's before I give someone new a shot.

Codebreaker: not having an opportunity to karaoke badu's tyrone

JD: -Had the worst fever of my life during LCD and could only manage standing in the back shivering. -Forgetting to go see Dinner at Baby’s All Right. -Not enough time with Bjork, Miguel, and Blanck Mass.

Bronco: Fucked up the family calendar maintenance and ended up not being able to see the Toadies and Local H. I was pissed at my wife, but it wasn't the end of the world. I haven't listened to either in forever, and the listen I gave to the Toadies latest offering didn't knock my socks off. It was really just for nostalgic purposes. Still it sucked to have to miss it despite my best efforts to bring it to her attention multiple times.

Detective Murtaugh of 2017:

NACK: I had two separate opportunities to see LCD, and just didn't feel like putting in the effort. Was going to put this as a regret, but I don't regret it.

Code: i skipped 7 shows that i had tickets for and left 6 shows early. two shows i left early due to brightness of lights. mmmmmnhh

JD: Couldn’t hear for 18 hours after No Age. Needed two Tylenol for the headache I gave myself during “You’ve Got Me Wondering Now” at PQ Quartz.

BC: Having no idea who either the SNL host or the musical guest was for three straight weeks. Tiffany Haddish? Saoirse Ronan? SZA? I’m too old for this shit…

Nasty: Carson, Maddie, Sam and I went to watch the IU game this weekend with one of Carson's co-workers (an IU grad) who is 23.... I got rolling on a rant about how important it is to enjoy your 20s because after the impending onslaught of weddings and babies life basically isn't any fun anymore. Suspect it was a little too impassioned by the end.

Bronco: I was enrolled in a three month coding bootcamp to learn Web Development. Aside from the two older ladies (50+) and the weird Brazilian idiot (45+), I was the oldest person in the room by probably an average of 13 years. They are all for the most part life-pivoting in to the dev world and they all have all the time in the world to learn new shit, do whatever they want, whenever they want...goddamnit I miss that. So maybe this is my "too married and fathered for this shit" section of the exam.

C: Wife’s Pregnancy

Laser: Every time I wake up with a fucking hangover and tell myself that I’m not gonna drink like that again only to get back on the saddle the next available opportunity.

Resolution for 2017 Update:

BC: Put a goddamn band together. How it went:

C: Check out some jazz/blues in Chicago. How it went: FAILED

Larson: Focus on the shit I really care about instead of trying to listen to everything posted on the thread…I’m just going to have to be honest with myself and realize I ain’t got time for all this media! How it went: Terrible; found myself listening to Timeless Pop Rock hits playlist more than anything else.

Chap: Check out more of the recommendations on the TBH thread. Try to organize get-togethers around TWO shows. How it went: Actually not bad. I had a few solid period during nap times when I didn't feel like working. I think I was able to listen to every album I wanted to at least once.

Code: make concerted effort to listen to music that i liked in previous years in addition to music from the current year. How it went: i nailed my resolution, as i devoted four full months to the grateful dead and it was the best musical trimester of the year for me. it was really interesting to watch all of the new music pile up and never once feeling compelled to listen to something else. god damn did the '77 version of the band have it all figured out. i could listen to any uptown mississippi halfstep toodeloo from that year at any time.

Bronco: Learn the guitar. I’ve been fooling around with Rocksmith (guitar hero with real guitar) and I want to push myself to execute the more complex chords, not just stick to the powerchord simple songs like Blitzkrieg Bop, and start learning how to build and execute a solo. I also want to distill my own whiskey, build a garden shed from scratch, and learn to code. How it went: I haven't quite mastered the guitar, but I can play a few songs fairly well. I did not start working on my own whiskey or build a garden shed from scratch...yet. But I did learn to code. I am now at conversational levels of fluency with Javascript and at "donde es el bano" levels with Ruby and Python.

Nasty: See a show in NY with JD. How it went: Not great, Bob! I barely made it down the street to see Action Bronson with Laser

JD: Seeing more shows with you guys is an evergreen resolution. How it went: To quote BC,

Resolution for 2018:

BC: No more resolutions

C: Catch some jazz in Chicago

Laser: get my list in on time!

Chap: While I didn't have the occasion to catch shows this year, I anticipate doing so in '18 due to some changes afoot.

Codem: make more playlists for my wife

Bronco: Get in shape. I want to stick to a schedule of running all year round. I ran a 10K back in June, then needed to recover for a bit, been recovering ever since...Fat Dad needs to keep running all year round without excuse, especially given that we go skiing between Xmas and New Year's and I'm gonna be a floppy legged mess. During those runs, I'll try to listen to new material each time.

Bin: I'm just going to keep saying "get to NY for a show with JD" until I make it happen.

JD: See you gents more often with or without a show attached.

Most Anticipated of 2018:

C: MBV

JD: MBV, No Age, Panda Bear, something surprising

Code: chromatics (i think it's really coming this year), mbv, no age, DOM, CCFX full album

Bronco: Tool. Fourth year's the charm...fuck those guys. It better suck me off when it finally does come out. Also a new Sleep album and a new High on Fire album...still waitin' on those too.

BC: Simple Minds, Vampire Weekend, Kanye

Nasty: Kanye, ASAP Rocky, Rhye, Chromeo, Vampire Weekend

Chap: After a quick glance at the list... Vampire Weekend, Kanye, Chromatics

Larse: Honestly don't even know what is on the horizon, just hope I can listen to it with this net neutrality bullshit!

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