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#As a side preamble I really do like how his questline takes the longest
soft-serve-soymilk · 8 months
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Eugene: Harbourtown's Hollow Protector (A Meta Analysis)
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The night is dim, awaft with the scent of sea-salt spray and crushed autumn leaves. A nearby cafe jingles with the sound of clinking cups, and it's heady aroma envelops the people with laughter and dance, untouched by the vastness of the sky and the sea. All but for one. His name is Eugene. He wears a neon pink jacket. He has a strange fondness for the word momentous. He's the sole "Protector of Harbourtown~!" But a hero complex-- and the insecurity beneath it-- doesn't spring from nowhere.
Not dissimilar to the melancholy ambience of New Wirral, the concept of emptiness and uselessness plagues Eugene throughout his adventures, and this comes to light in the archangel fight with Mammon.
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Eugene reacts-- for an otherwise bombastic, enthusiastic guy-- quite poorly. He initially pushes back and gets defensive-- 'You don't know a SINGLE thing about me', but one can't keep up the charade of denial forever, and he begins to break down. Somewhere in his heart, he seems to read these words as true. Eugene comes from a post-capitalistic society, or at least the start of one. There, life was 'slowly' changing in emphasis from being 'rich and famous' to being generous to one's community. But even though Eugene states that it was a sudden shift in society's ways, such change never is so instantaneous. With billions of people on the earth, with a spectrum of political opinions, the hard-coding of capitalism is something that is difficult to undo. The ideal of getting a good job has been going on for decades, for instance. So to a bunch of children caught in the midst of it all, in the beginning of new change, indoctrinated into a capitalistic world that was bursting at the seams... it's daunting. Engulfing. And that's clearly what's happened in Eugene's case. He states that he was 'never very good at' the new way of life. This, combined with his reaction to Mammon which he holds to some truth-- 'I want order because you do. I crave structure because you do' shows that this new way of doing things has left Eugene feeling rather... useless. Especially since, truth be told, he doesn't see much in himself in the first place. Within the Gramophone Cafe, there's a bit of optional dialogue between him and Kayleigh. Kayleigh inquires that, with Eugene's desire to benefit Harbourtown, why doesn't he go join the rangers himself? To which he goes:
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Besides the point that he is clearly putting up a front, when Kayleigh teases that he wouldn't be up to complete their challenge, we get this instead:
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But! As Kayleigh tells the player after they acquire their ranger challenge, it's specific to the person applying. Kayleigh went around doing errands because that's in her nature. The player undertakes a combat challenge because that's in their forte, or at least the game assumes so. It's a bit suspicious, then, that Eugene reacts in this way. But after all, capitalism does take time away from personal development, it's no wonder that this boy doesn't understand what value he brings to the table innately, by breathing, by being alive and a good spirit, and trying and failing and trying some more. He needs to be told, multiple times, assuaged of it really, that 'You don't need to be a hero to have value'. That he doesn't need to go around heralding some grand cause to be something in the world. That niggling insecurity of his is further implied in the Aldgrave Tomb Station, with the gravestone text. The archangel for this one, Lamento Mori, as the pun also implies, is as much about death as it is the fear of being unable to live a meaningful and fulfilling life before it. The text changes for each of the party members to reflect their internal struggles, whether it is Kayleigh's people-pleasing, Felix's embarrassment over his past art, or in Eugene's case: 'All talk and no action'. And it is because of that Eugene is wrapped up in an unfulfilling hero complex. A hero is a strict role. They're defenders of justice. Chivalrous. Selfless. Brave. A far-cry from the open-endness, and thus emptiness, that Eugene sought to bury within him as he fought the landkeepers. It's a comfortable act to play, and that feeling of stopping the bad guys does well to console the ego and mind in the moment. And you know Eugene is really trying to play into it, because when he's caught in the heat of the moment, he reacts with embarrassment, as if he knows it's childish:
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Which brings us to his series of relationship heart events. Because though insecurity is like a gaping hole in the heart, and Eugene has so far been trying to cover it up with the cling-film bravado of heroism, the cover can always be removed. It can be filled with something much more nourishing, like soil, which is precisely what happens. Eugene finds a new comfort in starting a community garden. And though it might initially read that he's still trapped in that cycle of constantly needing to help others, the truth is, he's beginning to liberate himself from the idea that he is useless. He takes pride in his little garden, and shows genuine confidence in it and it's potential, rather than snapping up under pressure like with Mammon, being tentative as if with the ranger challenge, or fawning over in embarrassment when the player first encounters him.
And the day is bright, and the scent of flowers and mulch lingers in the air. A nearby cafe jingles with the sound of clinking cups, and it's heady aroma envelops the people with laughter and dance, untouched by the vastness of the sky and the sea. And this time, everyone is there.
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Thanks for reading my meta take on best boi!!! I highly recommend this other speculative opinion and it's addition by my friend @hungrydolphin91 and @millipedish, which I think is absolutely wonderful and very supplementary to mine :). I just didn't want to regurgitate the same stuff because. y'know. academic honesty and plagiarism ^^;
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