#I do still find the lestat and claudia film and novel dynamic by far the most compelling for how she tries to usurp him but almost to be him

[goblins-riddles-or-frocks]

forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.

#or just the moral dilemmas #rewatching amc interview is kind of making me insane #that moment in episode two when louis is looking for a sort of assurance in the fact that lestat may actually have some good in him #look at how he cares about music look at the simple wondrous things that can bring him joy #and then the immediate dread when the opera performance turns out to be imperfect because he knows how lestat will react to *that* #I think there’s also something really interesting in the highlighting of lestat upbraids the less skilled singer before killing him #(slowly) #but also I will wait to watch more before I articulate my thoughts #vampires #interview with the vampire #amc interview with the vampire #i ramble sometimes #I do still find the lestat and claudia film and novel dynamic by far the most compelling for how she tries to usurp him but almost to be him #but I’m enjoying this #I’m very curious if I will like show claudia more on rewatch #the movie always resonated most with me (sue me lol) because there seemed to be more simultaneous fondness and attachment even at the end