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redshirtgal · 4 years

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Look at that deadly serious face. Would you believe there are two amusing stories involving this gentleman? One from a scene involving his character, the other involving the actor behind the scenes.

The idea to bring in a doctor specifically trained in Vulcan medicine was a good one. But we were not introduced to Dr. M’Benga until halfway through the second season in an episode titled “A Private Little War.” It is because of his expertise that we know all those bizarre life scan readings are merely a sign that Spock is concentrating his efforts on healing the severe gunshot wound he had received on the planet.

Up until this point, we have only seen the stern, serious side of M’Benga. But we find in this scene that he has a wicked sense of humor (and an excellent sense of observation). He informs Nurse Chapel that Spock has been conscious enough the entire time and most likely even realized Christine had been holding his hand earlier. And then you see this little grin as poor Nurse Chapel looks mortified and more than a little miffed.

There is one other scene that is not exactly amusing in itself, but has an side story that is. This is the scene where Dr. M’Benga gives Christine explicit instructions about what to do if Spock shows any signs of consciousness. But when the time comes and Spock commands her to hit him as hard as she can, Christine just can’t do more than a weak slap. Then Scotty enters and when he sees what is happening, pulls her away. It’s up to Dr. M’Benga to bring Spock back to full consciousness.

Which he proceeds to do by pulling his arm back... and delivering a wallop of a slap that even Scotty would be proud of.

And which Spock calmly deems quite sufficient. But Leonard Nimoy was actually pretty irate just after the slap. The filming of this episode was already behind. While the crew set up for this scene, Leonard Nimoy pulled the actor Booker Bradshaw aside and told him he didn’t want to have to reshoot the scene (because he had a paid appearance scheduled that evening). So according to Bradshaw, Nimoy told him no stage slap - to give it everything he had. So... when the time came, Booker Bradshaw wound up and delivered a slap so hard, it knocked Leonard off his feet. And the Vulcan ears off Leonard. Which sent the stage crew and everyone else on the set into peals of laughter but Nimoy did not see the humor at all. Bradshaw said to his dismay, the star was quite angry and made it clear that this time, he better make it a stage slap.

We see him one more time in “That Which Survives” when he is asked to find the reason Ensign Wyatt died. Dr. M’Benga replies that Dr. Sanchez (in the background) is already performing the autopsy and promises to report the results to Mr. Spock as soon as he knows them.

Later, Dr. M’Benga’s expression demonstrates his exasperation at not being able to give Mr. Spock an explanation for Wyatt’s cause of death, which Dr. Sanchez had established as cellular disruption. And that’s the last time we see Dr. M’Benga. Memory Alpha seems to think that Dr. M’Benga was meant to be there from the start and that M’Boya was simply a misspelling of his name in that first draft. Yet according David Tilotta in an article on StarTrek.com, Dr. M’Benga was not added to the cast of “That Which Survives” until a few days before filming. In the very beginning, the doctor’s name was given as M’Boya. Then as the script revisions progressed, the character of Dr. M’Boya was dropped and his lines given to Nurse Christine Chapel.. But Marc Cushman’s These Are the Voyages: Season Two backs up what David Tillota wrote, saying that one of the researchers from Kellam de Forest suggested to Fred Freiberger that the name should be changed to M’Benga on September 13th. However, he makes no mention of the previous change of M’Boya to Nurse Chapel doing the autopsy. Still, it does seem likely someone would have realized there was no need to create a new doctor when Dr. M’Benga had already been established as highly regarded by his CMO. Story Editor Arthur Singer turned in a final draft on September 20th and page revisions were added on the 21st. Once Fred Freiberger made a few more changes and created the revised final draft dated September 24th and the page revisions were inserted the next day. Just in time for the first day of production which again backs up David Tilotta’s assertion that Dr. M’Benga was close to a last minute addition/revision.

Dr. M’Benga was played by Booker T. Bradshaw of Richmond, Virginia. Bradshaw’s background is quite impressive. After working at his father’s life insurance company, Booker decided this was not the life for him and entered Harvard University. During his junior year he appeared on the Ted Mack Amateur Hour as a folk singer. Not only did he win three times, but he made it to the finals at Madison Square Garden. Booker did return to graduate from Harvard in 1962 with the intention of becoming a lawyer. Fate intervened in the form of a Fellowship at the Royal Academy of Dramatic Arts in London but not before he had performed at Carnegie Hall. Bradshaw did receive an honors certificate for his time at the Academy of Dramatic Arts which he completed by touring England with his Academy students as part of a Shakespeare repertory theater. *photo credit: http://quod.lib.umich.edu/b/bhl/x-hs8414/hs8414

After finishing the Royal Academy of Dramatic Arts, you would think Booker would head straight into the acting world, wouldn’t you? Oh, he had done some stage plays in Harvard and a few other venues, but another opportunity arose. Bradshaw’s connection in the music world lead him to working for Motown Records in Detroit as their international manager. He specifically arranged the European tours of both the Supremes and the Temptations. According to several stories he could speak anywhere from three to nine languages, depending on the source. Above is a photo of the Supremes as they were about to start their 1965 European tour in London. Not only did Bradshaw serve as their manager but he also did an interview with them that was reprinted here - https://motownjunkies.co.uk/2013/03/02/589

Around 1967, Booker Bradshaw came back to the United States to resume his acting career and joined a repertory theater in Rochester, Michigan run by one of his mentors, John Fernald. Fernald was formerly Head of the Royal Academy of Dramatic Arts. Bradshaw even wrote the lyrics and music for a play produced there titled And People All Around, which was based on the murders of three civil rights workers in Mississippi. He also appeared in several plays at the Ebony Showcase Theater, including Day of Absence and Happy Endings in 1967. One of his co-stars in both plays was Isabel Sanford. Some of you may remember her as Louise Jefferson in The Jeffersons, which ran from 1975-1985. The Ebony Showcase Theater was the first black theater created especially for black audiences in Los Angeles. Above - Booker Bradshaw, Juanita Moore and Isabel Sanford (Louise Jefferson) in Happy Endings. Photo credit - https://filmismemory.wordpress.com/2015/12/29/the-ebony-showcase-theater/

Booker Bradshaw went on to have a very full and successful career in television and film, both as an actor and as a writer. He landed parts on a number of television shows, including several episodes of Tarzan, the Mod Squad, and The F.B.I. In fact, as this newspaper clipping shows (which was actually a press release that appeared in many newspapers across the U.S.), it was thought his role as Special Agent Harry Dane might be a semi-regular one. However, he is only credited with appearing in two episodes. *clipping from p. 35 of The Jackson Sun (Jackson TN), November 7, 1969.

Bradshaw’s movie appearances were fewer, but included two that attained some notice at the time they were released. Above is a publicity photo from The Strawberry Statement (1970) which was loosely based on the Columbia University protests of 1968. He played the character Lucas who is seen on the far right. Fellow Star Trek actress Kim Darby was the female lead named Linda.

But Booker Bradshaw’s biggest role probably was that of politician Howard Brunswick in Coffy (1973). He was the boyfriend of the title character played by Pam Grier. She played the title character, a nurse who is out to get revenge on the drug dealers who were responsible for the death of her sister. Being a folk singer/media mogul/ theater actor/TV & film actor was evidently not enough. Bradshaw also became a quite accomplished television writer. Between 1973-1976 he and David P. Lewis together wrote scripts for shows like Columbo, Planet of the Apes, and McMillan and Wife. Bradshaw went on to do scripts for Different Strokes, Gimme A Break, and four episodes of The Richard Pryor Show. During the 80s he became a voice actor. Sadly, his impressive career came to an end when he died suddenly of a heart attack in 2003.

#Star Trek TOS #Dr. M'Benga #A Private Little War #That Which Survives #Booker Bradshaw #Booker T.Bradshaw

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blackkudos · 4 years

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Peabo Bryson

Peabo Bryson (born Robert Peapo Bryson; April 13, 1951, given name changed from "Peapo " to Peabo c. 1965) is an American R&B and soul singer-songwriter, born in Greenville, South Carolina, United States. He is well known for singing soul ballads (often as a duo with female singers) and has contributed to two Disney animated feature soundtracks. Bryson is a winner of two Grammy Awards.

Career

He had two sisters and a brother and spent much of his childhood on his grandfather's farm in Mauldin, South Carolina. His love for music stemmed from his mother, who often took the family to concerts of well-known African-American artists at the time.

Bryson marked his professional debut at age 14, singing backup for Al Freeman and the Upsetters, a local Greenville group. It was Freeman's difficulty in pronouncing Bryson's French West-Indian name, "Peapo", that led Bryson to change its spelling to Peabo. Two years later, he left home to tour the Chitlin' Circuit with another local band, Moses Dillard and the Tex-Town Display. Bryson's first break came during a recording session at Atlanta's Bang Records. Although Bang was not impressed with Dillard's band, the young backup singer caught the ear of the label's general manager, Eddie Biscoe. Biscoe signed Bryson to a contract as a writer, producer, and arranger and encouraged Bryson to perform his own songs. For several years, Bryson worked with hometown bands and wrote and produced for Bang. In 1976, he launched his own recording career with "Underground Music" on the Bang label. His first album, Peabo, followed shortly thereafter. Although only a regional success, Bryson signed to Capitol Records in 1977.

Bryson's greatest solo hits include 1977's "Feel the Fire" and "Reaching for the Sky", 1978's "I'm So Into You" and "Crosswinds", 1982's "Let the Feeling Flow", 1984's "If Ever You're in My Arms Again" (his first Top 10 pop single, at #10 in the US), 1989's "Show and Tell", and the 1991 hit "Can You Stop the Rain". In 1985, he appeared on the soap opera One Life to Live to sing a lyrical version of its theme song. Bryson's vocals were added to the regular theme song in 1987 and his voice was heard daily until 1992. He recorded the successful album of romantic love duets with Roberta Flack (Born to Love) in 1983. In partnership with Regina Belle, Bryson recorded two hit duets: "Without You", the love theme from the comedy film Leonard Part 6, recorded in 1987 and "A Whole New World", the main theme of the Disney's animated feature film Aladdin, recorded in 1992. Bryson and Belle recorded four duets over the years: "Without You" (in 1987), "I Can't Imagine" (in 1991), "A Whole New World" (in 1992) and "Total Praise" (in 2009).

Among his romantic love songs and duets are:

"Gimme Some Time", with Natalie Cole

"What You Won't Do for Love", with Natalie Cole

"Here We Go", with Minnie Riperton

"Lovers After All", with Melissa Manchester

"Tonight I Celebrate My Love", with Roberta Flack

"You're Lookin' Like Love to Me", with Roberta Flack

"I Just Came Here to Dance", with Roberta Flack

"There's Nothin' Out There", with Chaka Khan

"Without You", with Regina Belle (theme from Leonard Part 6)

"For You and I" with Angela Bofill

"Beauty and the Beast", with Celine Dion (theme from Beauty and the Beast)

"I Can't Imagine", with Regina Belle

"A Whole New World", with Regina Belle (theme from Aladdin)

"You Are My Home", with Linda Eder (theme from The Scarlet Pimpernel)

"By the Time This Night Is Over", with Kenny G

"Light the World", with Deborah Gibson

"The Gift", with Roberta Flack

"Wishes", with Kimberley Locke (for the album Disney Wishes!)

"The Best Part", with Nadia Gifford

"As Long As There's Christmas", with Roberta Flack (theme from Beauty and the Beast: The Enchanted Christmas)

"I Have Dreamed", with Lea Salonga (theme from The King and I)

"Make It Til Tomorrow", with Sandi Patty

Bryson won two Grammy Awards: in 1992 for his performance of the song "Beauty and the Beast" with Celine Dion and in 1993 for "A Whole New World" with Regina Belle.

In Spring 1998, Bryson contributed his voice to Barney's Great Adventure: Original Motion Picture Soundtrack, with the song "Dream (Twinken's Tune)".

Bryson performed in theater and operatic productions, most notably the tenor role of "Sportin' Life" in the Michigan Opera Theater of Detroit's version of Porgy and Bess. His tax problems caught up with him on August 21, 2003, when the U.S. Internal Revenue Service seized property from his Atlanta, Georgia, home. He is reported to owe $1.2 million in taxes dating back to 1984. The IRS auctioned many of his possessions, including both Grammy Awards, electronic equipment, his grand piano and multiple pairs of shoes including the 2 Versace pair purchased by Nashville Bassist and Florida native Justin Lowry.

In 2002, Bryson's "Beauty and the Beast" music video was included on the platinum and Blu-ray edition of Beauty and the Beast. His "A Whole New World" music video was included on the platinum edition DVD release of Aladdin. Bryson's CD, Missing You, was released on October 2, 2007 on Peak Records, a division of Concord Music Group.

September 4, 2016 was declared "Peabo Bryson Day" in Charleston, SC and North Charleston, SC during the LowCountryJazzFest. The annual jazzfest is presented by ClosingTheGapInHealthCare.org, founded by Dr. Thaddeus Bell.

In 2018, Bryson released his new album Stand For Love, which was produced by Jimmy Jam and Terry Lewis. The project was released on Jam & Lewis' newly reactivated label, Perspective Records.

Personal life

Before marrying his present wife, former singer and member of English R&B group The 411 Tanya Boniface, Bryson was engaged several times to Juanita Leonard, the former wife of boxing great Sugar Ray Leonard. In the 1990s, he became engaged to Angela Thigpen, former Miss Virginia Teen USA and later a model/actress. Bryson and Boniface have a son, Robert, born January 1, 2018.

Bryson also has a daughter, Linda (born c. 1968), from a previous relationship, along with three grandchildren.

On April 29 2019, it was reported that Bryson had suffered a heart attack, and had been taken to Atlanta hospital where he was said to be in a stable condition. However he has since made a full recovery and is currently touring.

Discography

Peabo (1976)

Reaching for the Sky (1977)

Crosswinds (1978)

We're the Best of Friends (with Natalie Cole) (1979)

Paradise (1980)

Turn the Hands of Time (1981)

I Am Love (1981)

Don't Play with Fire (1982)

Born to Love (with Roberta Flack) (1983)

Straight from the Heart (1984)

Take No Prisoners (1985)

Quiet Storm (1986)

Positive (1988)

All My Love (1989)

Can You Stop the Rain (1991)

Through the Fire (1994)

Peace on Earth (1997)

Unconditional Love (1999)

Christmas with You (2005)

Missing You (2007)

Stand for Love (2018)

#04/13

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weekendwarriorblog · 5 years

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WHAT TO WATCH THIS WEEKEND April 26, 2019 - AVENGERS: ENDGAME!!!

This is the big one, the start of the summer movie season – like last year, one week early – but also a singularly movie that is likely to crush pretty much everything still playing in theaters, and that is…

AVENGERS: ENDGAME!!

What’s being promoted as the finale of storylines that have been set-up over ten years of Marvel movies finally hits theaters one year after the fateful ending of Infinity War. Sadly, I won’t be seeing this until early next week, since I’ll be busy attending the Tribeca Film Festival over the weekend. (See more details about that below.)

Still, it’s hard to deny the draw of a sequel to last year’s Avengers: Endgame, which had such an astounding cliffhanger ending that few will want to wait to see this one, mainly to see how the surviving heroes deal with Thanos and get their friends and colleagues back.

I guess that’s all I have to say about the movie (other than my box office analysis at The Beat), until I see it so let’s get straight to the…

LIMITED RELEASES

If you live in New York, I beseech you to go see Pamela Green’s doc BE NATURAL: THE UNTOLD STORY OF ALICE GUY-BLACHÉ (Zeitgeist Films), narrated by Jodi Foster, when it opens in New York on Friday. It will open at the IFC Center in New York plus a few other cities as it slowly expands to other cities. It’s an amazing story about the first-ever female filmmaker who was around during the earliest days of cinema in France.

Ralph Fiennes’ directs and co-stars in THE WHITE CROW (Sony Pictures Classics), an amazing film starring Oleg Ivenko as ballet dancer Rudolf Nureyev, who travelled to Paris with his ballet company, ended up meeting and falling in love with Clara Saint (Adèle Exarchopoulos) and defecting. Fiennes plays Nureyev’s early teacher, but it’s a fairly small role as he allows his younger cast to shine in a terrific story that covers much of Nureyev’s early life before defecting. It’s a fantastic film, regardless of whether you’re into ballet or not. The White Crowopens in New York and L.A. on Friday.

Not quite as amazing (but a movie I had been looking forward to seeing since Toronto last year) is Justin Kelly’s JT LEROY (Universal Home Entertainment), which stars Kristen Stewart as Savannah Knoop, the young woman who pretended to be author J.T. Leroy, an abused transgender young man, who was duped by actual author Laura Albert (played by Laura Dern) to help fulfill the ruse for the press and other celebrities. Jim Sturgess plays Geoffrey Knoop, Laura’s boyfriend and Savannah’s brother while Diane Kruger plays Eva, a character clearly meant to be Asia Argento, who made The Heart is Deceitful Above All Things based on “Leroy’s” novel. I was very interested in this film, partially because I interviewed Argento for that film without knowing the story until seeing Jeff Feurzeig’s doc Author: The JT Leroy Story. The movie, co-written by Knoop and Kelly from her own book documenting events, is okay, but I feel that the screenplay could have been a lot more interesting if adapted by a better writer, and I’ve generally been mixed about Kelly’s work as a director, as well. I guess if you’re interested in this story, you can check this out in select cities or On Demand.

Josh Lobo’s thriller I TRAPPED THE DEVIL (IFC Midnight) stars Scott Poythress as Steve, a man who is holding a man hostage in his basement who he believes is the Devil himself. When his brother (AJ Bowen) and wife (Susan Burke) arrive for the Christmas season, they discover Steve’s secret and begin wondering if the man is in fact the Devil. I liked the movie’s premise more than the execution, as I didn’t think too much about the cast.

Roxanne Benjamin made her directorial debut as part of the horror anthology Southbound. She also had a segment in the XX anthology, and she now makes her feature film debut with BODY AT BRIGHTON ROCK (Magnet Releasing). It follows a young woman who is working as a summer employee at a state park, but who takes a wrong turn and ends up in a crime scene with no communication to the outside world. Bravely, she must spend the night in the wilderness protecting the crime scene on her own. 

Opening on Wednesday at Film Forum is Carmine Street Guitars (Abramorama), Ron Mann’s documentary about Rick Kelly’s West Village guitar shop that’s been where he and his apprentice Cindy Hulej design and build custom guitars for the musical superstars. Some of the guitarists who pop in and are captured on camera include Charlie Sexton, Marc Ribot, Lenny Kaye and Bill Frisell with a special appearance by Jim Jarmusch. If you’re into music or are a guitar player, you’ll want to check this out.

Maia Wechsler’s doc If the Dancer Dances (Monument Releasing) goes into the dance studio of Stephen Petronio as they try to breathe new life into Merce Cunningham’s 1968 piece “RainForest.” The movie is being released in conjunction with Cunningham’s centennial, opening Friday in New York at the Quadand in L.A. at the Laemmle Music Hall.

A Thousand Thoughts

LOCAL FESTIVALS

The big festival starting on Wednesday is the17thAnnual TRIBECA FILM FESTIVAL, which kicks off on Wednesday with Life, Animated director Roger Ross Williams’ new documentary The Apollo, which is having it World premiere AT the Apollo Theater in Harlem. Other special events held at the Beacon Theater, also far north of Tribeca, include the 35thAnniversary of This is Spinal Tap and 40th Anniversary of Francis Ford Coppola’s Apocalypse Now, a special talk between Tribeca co-founder Robert De Niro and his longtime director Martin Scorsese, as well as special concerts/talks following docs about the Wu Tang Clan (Wu Tang Clan: Of Mics and Men) and Phish frontman Trey Anastasio (Between Me and My Mind).

I’m not sure why, but I tend to gravitate more to the docs at Tribeca than the narratives, maybe because there have been maybe a dozen narratives at the festival that I truly loved. On the other hand, the festival has become renowned for so many amazing docs, and this year, there are goods ones about Stones bassist Bill Wyman (The Quiet One), Woodstock: Three Days That Defined a Generation, Maiden (about the first all-woman around-the-world sailing team), another one about movie sound (Making Waves) and one about a Ohio factory that shuts down but then is resuscitated by a Chinese company that offers the community new hope (American Factory). I’m also looking forward to seeing the doc Other Music, about New York’s indie record store which recently shut its doors. Add to that other music docs like Linda Ronstadt: The Sound of My Voice and Mystify: Michael Hutchence, and there’s quite a bit that I’m going to want to check out.

Some of the narratives that I’m interested include The Kill Team, starring Nat Wolff and Alexander Skarsgard, and Kevin McMullin’s Low Tide, which has its World Premiere. Also, soon-to-be-released movies like Mary (American Psycho) Harron’s Charlie Says, starring Mat Smith as Charles Manson, and Joe Berlinger’s Extremely Wicked, Shockingly Evil and Vile, starring Zac Efron as Ted Bundy, will screen at Tribeca before their respective releases on May 10.

Hopefully, I’ll find some more hidden gems as the festival progresses.

Up in Toronto, Canada, one of my favorite cities, this year’s Hot Docs begins on Thursday. As the name might imply, this is a documentary film festival with an amazing array of docs, many getting their world premieres. I’m a little busy with Tribeca to go through all that is being offered, but if you live in Toronto, then you should be able to find some interesting subjects covered.

REPERTORY

METROGRAPH (NYC):

Metrograph Pictures’ second release is a restored rerelease of Djibril Diop Mambety’s Hyenas (1992), a comic adaptation of Friedrich Dürrenmatt’s play “The Visit” about a rich woman who is visiting a small African village with enough money to back the man running for mayor of the town. Instead, she reveals that he got her pregnant and abandoned her with child, leading her to a life of misery before coming into money. She offers a bounty to kill the man who did this to her, and the village needs to decide whether they like the mayoral candidate, a popular shopkeeper, as much as they need the money being offered. It’s a pretty fascinating film, beautifully shot, and it’s nice to see the Metrograph reviving it through their distribution arm. On top of that, the retrospective of Brazilian filmmaker Nelson Pereira Dos Santos continues through Sunday, including a few repeat showings. Late Nites at Metrograph offers Gaspar Noe’s recent Climax, as well as Evangelion 1.0 and Evangelion 2.0for the Anime fans. Playtime: Family Matinees ends the month with a classic Kurt Russell Disney movie, The Barefoot Executive (1971).

THE NEW BEVERLY (L.A.):

Weds. afternoon is a screening of Melville’s 1956 film Bob Le Flambeur, while a double feature of Sydney Pollack’s The Yakuza (1974) and John Woo’s A Better Tomorrow II (1987) runs Weds. and Thursday. The Extended Version of Sam Peckinpah’s Major Dundee (1965), starring Charlton Heston, screens on Friday and Saturday, followed by the double feature of Peter Sellers’ 1966 film After the Fox and Elaine May’s The Hearbreak Kid on Sunday and Monday. Tarantino’s The Hateful Eight and the 1983 comedy Doctor Detroit are the Friday and Saturday midnight movies, respectably. This weekend’s KIDEE MATINEE is Lord and Miller’s animated Cloudy with a Chance of Meatballs, while Monday’s matinee is David Fincher’s Fight Club.

FILM FORUM (NYC):

The “Trilogies” series continues this weekend with Andrzej Wajda’s “War Trilogy” (A Generation, Kanal, Ashes and Diamonds) on Wednesday, Jean Cocteau’s “Orphic Trilogy” (Blood of a Poet, Orpheus and Testament of Orpheus) on Thursday. Ingmar Bergman’s “God and Man Trilogy” (Through a Glass Darkly, Winter Light and The Silence) screens on Friday, and then Nicolas Winding Refn’s Pusher trilogy begins on Friday then continues on Saturday, April 27, and the third part on May 4. (Trust me, this is not an easy series to watch in one sitting.) Also, Marcel Pagnol’s “Marseilles Trilogy” will screen on Sunday. Film Forum Jr. shows Satyajit Ray’s Pather Panchali (1955), which is also part of Ray’s “Apu Trilogy” for the “Trilogies” series. See how that works?

BAM CINEMATEK (NYC):

BAM is killing it this week with a number of releases including a restored rerelease of Nina Menkes’ 1991 film Queen of Diamond with Menkes present for a QnA on Friday night and a panel on Saturday night. Set in Vegas, it deals with a disaffected blackjack dealer who drifts through a series of encounters. On Wednesday, BAM’s “Screen Epiphanies” series continues with Vanity Faircritic K. Austin Collins presenting Brian De Palma’s thriller Femme Fatale, starring Rebecca Romjin. Lastly, on Sunday, the “Beyond the Canon” series continues with a double feature of Charles Lane’s Sidewalk Stories (1989) with Charlie Chaplin’s The Kid (1921).

EGYPTIAN THEATRE (LA):

The Egyptian gets in on Aero’s Classic Movie ClownsThursday with a Marx Brothers double feature of A Night at the Opera (1935) and A Day at the Races (1937) with authors Robert Bader and Josh Frank signing their book. Friday sees a Stanley Donen tribute with a screening of Singin’ in the Rain (1952), plus there will be an encore screening of the 7-hour War and Peace (1967) on Sunday and Disney’s Mary Poppins (1964) on Sunday with a panel in conjunction with the Art Directors Guild Film Society.

AERO (LA):

A new series called “Cowboys and Samurai” begins this week, and it’s little surprise that most of the samurai movies are from Akira Kurosawa. It begins on Thursday with a double feature of Rashomon (1950)and High Noon, then continues Friday with The Searchers (1956) and The Hidden Fortress (1958) and Seven Samurai (1954) and The Wild Bunch (1969) on Saturday. Sunday’s double feature is Clint Eastwood’s Unforgiven (1992) and the 1962 film Harakiri (1962) (not directed by Kurosawa!). Sunday is also a rescheduled screening of the musical Annie (1982), as part of the Albert Finney remembrance.

IFC CENTER (NYC)

Waverly Midnights: Parental Guidance continues with Poltergeist (1982), Weekend Classics: Love Mom and Dad screens Charlie Chaplin’s The Kid (1921), while Late Night Favorites: Spring shows Jodorowsky’s El Topo (1970).

MOMA (NYC):

Modern Matinees: B is for Bacall will show 1956’s Written on the Windon Weds, How to Marry a Millionaire (1953) Thursday and then end the series on Friday with a reshowing of Vincent Minelli’s Designing Woman (1957).

MUSEUM OF THE MOVING IMAGE (NYC):

The museum’s See it Big! Action series continues with two screenings of William Friedkin’s The French Connection 1971) on Friday and Saturday, Bullitt (1968) on Saturday and George Miller’s Mad Max: Fury Road on Sunday. There will also be a showing of William Lustig’s 1980 horror film Maniacwith Lustig in attendance as part of its Disreputable Cinema series. This weekend is the first I’ve ever wished I lived out in Astoria, Queens.

QUAD CINEMA (NYC):

Wild Things: The Ferocious Films of Nelly Kaplan ends Thursday, but I don’t have any information for the weekend as of yet.

LANDMARK THEATRES NUART (LA):

This Friday’s midnight movie is John Carpenter’s The Thing (1982), also starring Kurt Russell.

That’s it for this week. Next week: Four new wide releases that aren’t Avengers: Endgame!

#WhatToWatchThisWeekend Movies Reviews AvengersEndgame TheWhiteCrow

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