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#Takasugi's really not even that important. like top 5 at best.
banapricot · 7 months
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Zura had to get that parachute custom made. Gintoki and Zura ran to the edge of the ship in sync even though Gintoki had no plan for how to survive the fall. He just grabbed onto Zura trusting them to have something up their sleeve or at least haul him out of the ocean if they crashed.
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Hey, I’m here once again with the ranting (if you don’t mind)! I just finished playing Yakuza 5 and damn I have a lot of feels I want to share. When I was first introduced to the franchise, I thought that nothing could beat Zero for me, but here I am now, holding back my tears and thinking what a fine game 5 turned out to be! I really loved the bonds that characters formed along the way, it just felt so sincere and warm that my heart throbbed nearly at every dialogue Х) Like Saejima/Baba, Mirei/Haruka (and Akiyama too!), Shinada/Takasugi were absolutely delightful. And don’t get me started on the ending scene with Kiryu and his daughter. I fucking lost it there. So damn emotional and pure. And while I adore Zero for its majestic tragedy and fatalism, I also love the kind and inspiring atmosphere of 5. Of course, there were some flaws, like I didn’t find the main antagonist all that interesting (especially after Ryuji and Mine), but in the end I was ready to overlook it just because the heartwarming scenes between the characters were so well done. So yeah, for me it’s top tier along with Zero. What’s your personal opinion on the game (and your favorites in the series in general)?
Congrats! Oooooh, Game 5. I’ve got a lot of feels about Game 5 too ^^; It’s a real fav c: There’s an awful lot I love about it, but there’s one or two things that really stick in my craw. I’m not sure I could put it up with Zero, but it’s definitely a game I treasure c: 
I find it interesting that your interpret Zero as fatalistic and 5 as inspiring. Zero definitely has a lot of high-key tragedy, but I think the fact that we come through the other side, that Kiryu doesn’t go into the ground with Tachibana, that Majima decides that even though he could be happy with Makoto, it isn’t what he wants, I find that really powerful and even hopeful. Not inspiring perhaps, the choices we all make in that game are crushingly hard and frequently we’re punished for things that aren’t our fault. But seeing Kiryu confront his potential for the first time and, perhaps for the last time, deciding he’s not afraid of it, that this is a mantle he can carry and do good with, really does things for me. And I’ve gone on at length before about how we ought to read Majima’s choice at the end as not sacrificial, not denial, but rather a choice of identity. What stopped him from going with Makoto isn’t fear for what it would do to her (though certainly those protective instincts are still alive and well), but rather a... with nothing holding him back, he would still choose the life he started. He could leave it all right here but... there are things he wants to do, not has to do, wants to do. And he makes the choice to be yakuza, to be the Mad Dog, crucially, before he sees Kiryu. He could leave it all behind, but then he wouldn’t be himself. He wants to be yakuza. And he couldn’t do that if he was with her. I think that’s really cool and really life-affirming. 
Meanwhile 5... it’s hard for me to articulate what 5 is about because we have a bunch of different character arcs, some of which mesh quite nicely and some of which have nothing at all to do with each other. It’s probably best if I just break this down piece by piece ^^;
(spoilers follow for game 5 my little chili babies)
Kiryu’s arc, as I have articulated before, I fucking love in game 5. However, I do have my criticisms of it. In many ways, the conflict we’re facing in 5 is something that should have come up awhile back. But, even delayed, it is satisfying. It is satisfying to force Kiryu to confront his mistakes. It is satisfying to at least reach a turn on Kiryu, to have him decide that he wants to live and does feel worthy, even if it’s at the last possible second. Like, I interpret 5 as much more fatalistic because Kiryu’s dying in the snow in the middle of saying how he wants to come home to his daughter. Like... he may have finally gotten his revelation, but he was already in the middle of repeating the cycle. What would have been truly satisfying was to force him to live, to insist that he grow up and learn how to live with people because dying won’t fix it. This is a problem we’ve had since the beginning and have never really addressed. This was our chance to address it and it breaks my heart that game 5 comes so close and was going the right direction, but doesn’t quite give us that resolution that Kiryu’s going to continue his relationships and be okay now, that he isn’t going to back out this time. And if the creators had been brave they would have ended the fucking series here with that resolution. That’s SO OBVIOUSLY the main conflict in Kiryu’s plot and here, at last, we were finally fucking dealing with it and this SHOULD HAVE BEEN THE END. THIS WAS IT. THE ACTUAL FUCKING END, I- *breathes* Let me not derail this entire thing with game 6. Let’s just... never talk about game 6. 
That said... one of the things I ADORE about game 5 is this is the clearest sense of motivation we’ve had since Kiwami 1. For the first time in FUCKING FOREVER character choices made sense! HALLE-FUCKING-LUJAH. I CANNOT TELL YOU what it did to me that it was Majima that got Kiryu into the game. I cannot tell you the breath of life it gave me, after all this fucking BULLSHIT, that the game came FUCKING HOME on the most important person to Kiryu is Majima. Daigo needs help? Kiryu can’t help. Haruka needs her dad? Kiryu can’t help. These are both mistakes, don’t get me wrong! Absolutely terrible decisions, but they make sense out of Kiryu’s depression, out of his fears and doubts and feelings of unworthiness, his guilt. He’s so caught up in “better off without me” and so scared and so guilty, he can’t answer people even when they ask for help. But Majima. He can’t turn away from. He hears Majima’s dead and Kiryu loses his goddamn mind. Because it’s his fault. Because he wasn’t there. Because he left him out there and now Majima’s dead. Kiryu asked him to do something and, for all Kiryu knows, Majima’s dead because of him. And... as much as Kiryu hates himself in this moment, as much as Kiryu is sure that it’s all his fault, he’s SO upset, he has to go help, he HAS to go fix it. Majima’s dead and with his last breath, Kiryu will make this fuckign right. He’s gotta try. Because Majima being dead is... unacceptable. He can’t handle it. I fucking love that. At long last, it felt like the same story I’d been watching from 1. At long fucking last, we got some fucking proof of Kiryu’s feelings. And for that alone, I love game 5. I’ve got some issues with it, but that was... vindication. Spent 3 games waffling and pretending we didn’t know him unless we’re literally in the same scene, but even Kiryu’s denial isn’t that strong. Majima’s dead and Kiryu can’t anymore. He’s gonna go there and, god help him, he’ll go into the ground with him. You look at that and tell me it was un-fucking-requited. 
On that note, I just gotta gush for a second about that scene where the girl is naked in Kiryu’s apartment and Kiryu just ???? He’s not even “no thank you” he’s like PAINED. Like... she hugs him and Kiryu looks like he’s being fucking tortured! That is not the reaction of someone with even an iota of attraction to feminine bodies! This gay icon! Like, if you’d done that to Majima he would have been like “You’re pretty, babe, but I am Emotionally Unavailable” like the bi icon he is, like... you may not take her up on it, but you can still appreciate her or at least turn her down gracefully. But Kiryu out here doing his best to touch her as little as humanly fucking possible like’ he’s TERRIFIED. That’s not someone being overly polite, that was “cannot conceive of being attracted to this.” Just... this gay fucking dad. Holy christ. 
Related GOTTA love Kiryu’s boss being “Hey, there’s a rumor going around that you’re gay! Any thoughts?” and Kiryu just “That Is A Thing People Ask Me” which is the EXACT RESPONSE of a queer person who doesn’t want to out themselves but also doesn’t want to lie. Game 5 fucking iconic for those 2 scenes alone, god bless. 
Moving away from Kiryu for a second, although this game is VERY about Kiryu’s story, let’s talk about Saejima! Saejima FINALLY gets to come into his own as a character, we get to handle him properly as a character and not as a crux in Majima’s character development. I love the marked differences in how Kiryu and Saejima respond to Majima and handle him. I love that they fucking NAILED motivation here. That Kiryu and Majima mutually code romantic, that they both make batshit decisions because of each other, in that way that you do when you’re madly in love with someone. Meanwhile, Saejima loves his brother but isn’t in love with him. Saejima’s relationship with Majima is stable and trusting. He’s not losing his mind over Majima’s death because he trust him and knows him. If he’s dead, Saejima trusts that Majima did all he could and it was just his time. That’s why he’s not losing his mind, he’s resolved. He just wants to know what happened. And it’s this stability that really tells us who Saejima is and how he functions as a protag. His strength is his trust in others, which at times IS naive, but it’s also what turns Baba. It’s what keeps Saejima strong when Kiryu’s falling apart. It’s so cool to see a character who isn’t paranoid, who isn’t tore up with guilt, in this series with very complicated leads. Saejima is functional and necessary because he isn’t any of those things. He doesn’t get swept up in big emotional turmoil. He cuts through a lot of foibles that would have tripped up his brother or Kiryu and it’s just really refreshing to see and exciting to experience Saejima’s brand of problem solving. He’s not terribly clever and he’s not subtle, but he’s honest and sure that counts for A LOT in this series. Gotta love Saejima. 
And, as I have gushed about before and will again, Baba. Baba. Saejima turning Baba hand me fucking ascending. Baba Known Whore Shigecki turning on a time because Saejima screams “Because we’re kyoudai!” I am LIVING. I love their relationship. I love that Baba’s a little shit. I love that he’s inexplicably a supermodel. I love that his constant vibe is “would like to choke til he cries on Saejima’s dick.” I love that Saejima has a gorgeous prison boyfriend. Well deserved! I love the idea of Baba getting integrated into the group. I need WAY more fic about him coming back to live with Saejima in Kamurocho and Saejima just has an ex-assassin boyfriend now and we all get to live with that. Ugggghhhh, bless. So good. No notes, no criticisms, just good.
Haruka was LONG overdue to be a protag, I’m so glad this game did it. But... pop idol? The thing she explicitly said in Kiwami 2 she didn’t want to be? *siiiigh* Like, I get that she can change her mind as she grows up and that that’s the Thing You Do with Japanese teenage girls, but... Imagine Martial Artist Haruka! Raised by the yakuza, surrounded her whole life by people with incredible fighting skills, who would gladly teach her self-defense. Imagine! Or even training her to become a yakuza! My wife and I joke about Seventh Chairman Sawamura Haruka, but imagine how satisfying that would have been! A whole Tojo dynasty of Kiryu’s kids! She’s so ripe for it! And I know the yakuza is a male-only organization but... c’mon, this is fiction and sexism is boring. I guess I can understand the creators unwillingness to depict violence against women, even if it’s being perpetrated by other women but uh... *eye twitch* game 5 is maybe not the BEST example of their... respecting women... 
*screams into a pillow for several minutes* *breathes* *screams for another fifteen minutes* Okay... I uh... I um... can’t talk about Mirei Park without having an aneurysm. PLEASE skip this bullet point if you don’t want to read Mirei Hate. I just... I Hate Everything About Her And I Don’t Know Why She Fucking Exists. I don’t want to rain on anyone’s parade and if you like Mirei, y’all welcome to feel how you feel but... she is the only thing I truly Hate about game 5. I just... leaving aside my personal feelings about the... Majima part of her story which we just... Won’t talk about... Leaving that aside... I don’t know why she’s here? She’s the person who convinces Kiryu to leave his children. She’s predatory, she took advantage of a vulnerable young girl to live out some personal dream? Like, sure, economic opportunity, independence, but we don’t get a lot of motive from Haruka that it IS her dream to be a pop idol. She has said in the past that’s not what she wants, she makes mention of doing this for the money to support her family, Mirei LITERALLY SAYS she wants Haruka to do the things she couldn’t, and ultimately Haruka asides not to do this anyway because she’d ratehr be home with her dad! So what was the FUCKING POINT of Mirei Park? Is she a villain? Is she sympathetic? What the fuck was I supposed to take from her? How the fuck am I supposed to read her? She tells this TRAUMATIC story off-hand to Haruka to... justify her decisions? Motivate Haruka? Dragging in another long-term character for no good reason and reframing how we have to think about said character. But then THIS NEVER COMES UP AGAIN. The information wasn’t even important! It’s just traumatic! If it was supposed to keep Haruka doing the pop idol thing, it didn’t work! Haruka still leaves! If this was meant to deepen our relationship to Mirei or complicate her or whatever, IT DOESN’T, SHE WAS LITERALLY DEAD THE NEXT SCENE. I just... WHAT THE FUCK HAPPENED HERE?! What even the fuck was I supposed to do with any of this?! Leaving ASIDE my VERY intense feelings about what this did for Majima (for the sake of not going ogg Even More than I already am, I just won’t talk abotu it here), I just have no goddamn clue what the point of Mirei even was. She’s not useful to Haruka’s arc and she only serves in Kiryu’s arc to be a villain. We could have had Haruka leave home and decide in the end that Kiryu’s her dad and that’s where she wants to be a MILLION different ways, we could have done that MUCH more kindly and consistently with the rest of her character and values, but we don’t! We have this shitmess instead!
I’m really really sorry to anyone reading this who likes Mirei. You don’t have to agree with me! And I’m not trying to make you feel bad! I’m not trying to tell people how they should feel or what they should get out of the story. If you got something out of her, you related to her, you found her part in the story meaningful, that’s great! I’m genuinely glad that you did. I... didn’t. I have a lot of negative opinions about what happened. Usually I try to just not talk about it because I don’t want to ruin someone’s good time. I’m not here trying to start shit. So I apologize for my tone and I did try to put a warning before it and recommend it be skipped if it’s the sort of thing that would offend you. My Mirei rant is over now, I won’t talk about it again.
I have absolutely no idea why Akiyama is in this story, tbh? He contributed very little, but I’m glad Haruka got to hang out with someone cool and that one of her uncles was here watching out for her, since Majima was “dead” and Kiryu was in the middle of a personal crisis ^^; I love Akiyama, always happy to see him, but he really had nothing to do here ^^; I was sad for no Hana though 8C Wherever there is Akiyama, there must also be Hana!
Shinada... is adorable and actively injured the plot. I’m sorry, I just... no one ever talks about the fact that including Shinada in the story actively hurt it. I love him too! He’s an incredible idiot and very sweet, but why the fuck is he here? What did an ancient baseball cover up have to do with anything? This was the only way you could think of to put Daigo in the game again? Really??? And Daigo doesn’t even do very much here! So like... not really worth it. You could have had a whole substory of Daigo finding out what happened to Majima, fuck DAIGO COULD HAVE BEEN ONE OF THE PROTAGS. THERE’S A THOUGHT. We could have utilized, y’know, characters we already have, but no, instead we introduce this dumb fuck to do... what exactly? Oh right, beat up Baba AFTER HE HAD ALREADY DECIDED NOT TO SHOOT HARUKA! Like, YOU DIDN’T EVEN NEED SHINADA FOR THE THING YOU NEEDED HIM FOR. Saejima and Kiryu were enough of an influence on Baba to stop him! And that makes sense out of Baba’s character arc, since it’s about personal redemption and learning to be a person and his faith and love of Saejima, y’know, the character he actually HAS a relationship with, is about that. The point of Baba was him learning it WAS his choice and him MAKING that choice. See, I can’t argue that Baba’s superfluous to the plot, but he WAS the threat! He was actively involved and he’s what makes Saejima involved. Shinada doesn’t occupy the same space, he has no horse in this race, he’s not yakuza, he’s only here because he and Daigo kinda like each other or whatever, and, again, HE WASN’T EVEN NEEDED! Baba’s arc was complete and the threat was terminated without this shit! Like, Akiyama has no reason to be here either, but at least he was a true neutral, neither helping nor harming the plot. We actively waste time to bring Shinada in and he hurts Baba’s arc by overly punishing him and potentially risking the decision he just made. Like if I was Baba, I might have gone “you know what, fuck you, I will shoot her just because your self-righteous ass decided to hit me for MAKING THE RIGHT CALL” Jesus... 
I hate to be nothing but a curmudgeon but just... no one brings that up and I just had to say it if no one else was gonna. 
As for villains, the game would have been a lot stronger without the “thwarted destiny, I should be on the throne” bullshit especially since the story has done a SHIT JOB with the legacy of Nishiki and in NO WAY utilized the fucking koi or the burden of Nishiki’s death properly for this to hit the way it should. It makes theoretical sense that Kriyu’s last villain should be the reincarnation of Nishiki, but the story did not build that up or support it so it falls really flat. That said, the main problem in Kiryu’s arc is that dying is not a resolution. Dying doesn’t fix a problem, it only delays it. THAT’S the thing we have to confront and we almost nearly do and... I’m just so excited that we finally articulated that, I’m willing to forgive A LOT. 
And finally we wrote Majima entirely out of the game only to confirm that his only reason for living is Kiryu and then, again, didn’t resolve it because, y’know, fuck ending things, I guess? But he did have that sweet fight with Saejima and can do shadow clones now I guess? Fucking ninja magic or whatever. Sure, Majima’s so OP he can do fucking shadow clones now. No, teleporting wasn’t enough, he can fucking shadow clone. That’s like a staisfying story arc right? ...right?
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