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#and that note about Anna really cracks me up. can't believe we missed out on having Anna try to wrestle with an angsty 12-year-old
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Quahaug Concept Art
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Quahaug's concept/reference art! Translation notes and image id under the cut.
Translation notes:
"OP sort of powerset" was literally translated as something like "cheat-like." I feel like OP is the more common English term for that sort of thing, so that's what I used, but some of the meaning was probably lost there.
"Older-tween-ish" was specifically a reference to a particular middle school year for children who are about 12-13 years old. Since grades and names of grades vary a lot from country to country, I just went with "older tween."
ID:
[Image id: Several images displaying different parts of 2 pages of the Triangle Strategy artbook, with both the original Japanese as well as versions with English translations. There are several disclaimers noting that the translator doesn't speak Japanese, and that there are likely many mistakes.
On one page, there is a large colored version of Quahaug's canon portrait, along with a smaller, uncolored version. There is an illustrator's note at the bottom that translates to read, "'Manipulating time' is an OP sort of powerset, so though he looks like a child, I aimed to create a look for him that conveyed a sense of unknowable power. (Tatsuaki Urushibara)".
On the second page, there are many drawings of Quahaug, including a closer bust-up portrait in which he's compared to Lyla, with an arrow and label reading, "Mother." There's also several notes that explain the construction of his costume. The costume is labeled as a Greek "phelonion" (a priest's outfit with no real sleeves, just draping fabric). There is a small drawing of this version, with an arrow leading to another drawing that does have sleeves, with the note, "If you can't display this in pixels, use this one." There are several notes that explain how this draping cloth should be considered his everyday clothes, while the ceremonial decoration that goes around his neck is placed over it. There is a close up of the ceremonial dressing's fastenings underneath the metal decoration. Some more notes highlight details on his staff, emphasizing the hourglass on top and the small wheel to the side that can be turned to flip the hourglass. A larger piece of text underneath one fullbody drawing reads, "Character Who Manipulates Time."
On the second half of the second page, there are drawings of some beta designs for Quahaug. He looks much more punk-ish. On one bust-up portrait, there are the captions, "The burden of the time demon caused some of his hair to go gray…." and "All-natural highlighted tips." On the same portrait, he is snapping his fingers, and there's a note that reads, "Manipulating time is as easy as snapping your fingers. You just have to want it or whatever." A speech bubble near his head reads, "I don't think of Anna as a mother." A caption pointing to some green markings on his arm reads, "Demonic time seal on body." In a fullbody drawing of his beta design (which is made up mostly of chains that barely cover him as well as a long roughed-up cloak, there is the note, "Almost naked cloak."
At the bottom of the second page, there is another note that reads, "Initially when we hadn't quite figured out the setting, we had an idea for a more older-tween-ish character as displayed here, but after discussing it with the producers and Mr. Ikushima, we went with his current form. As a boy who manipulates time, I placed an hourglass at the tip of his staff, and his face resembles that of his mother, Lyla. (Tatsuaki Irushibara)". /end id]
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⭐ Berry Berry Benny!! ⭐
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Here is my late review and opinion of Kurenai Yuzuru's last dinner show in August. I had a hard time to assimilate everything that happened these last months, beware of it's length and I hope you love Hoshigumi. Good reading! 💖 I'm sorry if it comes up to you completely, I don't know how the tumblr editing works. 😰 (I'm not sure the songs listing is entirely accurate.)
It was an emotional evening I must say, I deeply love Kurenai Yuzuru and it was overwhelming. I must admit that I'm not entirely sure of the rightness of my timeline, since quite some time passed. I attended the event in Osaka on shonichi, and everyone was very nervous including myself. The dinner show was held at the International Hankyu Hotel with approximately 500 attendees. The ladies at my table were very lovely, we chatted a bit and of course the easiest subject to talk about was Kurenai Yuzuru! Beni's parents were also in the audience closer to the stage.
🥂 DINNER 🥂
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The dinner itself was very nice, and was a four course meal inspired by French cuisine. The Menu was written in French and Japanese, a very cute touch. Most of the sentences made sens, but there's still some work to be done, my proposition is that Hankyu should stop using Google translate and hire me instead. As hilarious as it is, we wouldn't want another "Nouvelle / Chinois " to happen.
Dinner was served in that order; Hors d'oeuvres was raw Bream with veggies and carpaccio. L'Entrée was a piece of lightly fried tilefish with a celery and chestnuts buttery sauce. Oddly the taste remembered me of my mother's cuisine, so it's good. The main course was red meat topped with mushrooms and a light sauce, it was accompanied by asparagus, cabbage and potatoes. My only concern was the bread they served with it, if you ate Japanese bread before you might know what I'm talking about. I highly despise the baguettes there because it tastes like cheap Subway bread, that was my very Taurus rant. Finally, the dessert was a red Opéra cake decorated with a Kurenai 5 colored coulis, fruits and a star chocolate. It was ADORABLE.
For the drinks, there was a wide variety offered, one of my favorite was the Asahi 紅 beer. The servers kept generously filling my wine glass, which I can't complain about. I preferred being a little bit tipsy because I didn't know how it was going to go.
🌌 SET 🌌
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The stage was a very shiny deep blue tone and was adorned with some glossy columns. A very galaxy note! (Or metaphor because Beni's the God of Stars) The room was giant and pretty cozy at the same time, maybe I'm highly biased because I love Hoshigumi fans aura. The last time I was in a room that luxurious was for a wedding, which Takarazuka events always remember me of, weddings. One could say that, I'm easily impressed by gigantic crystals chandeliers and very elegant tables settings.
There were two rows of chairs at the back of the room, and just before the show started a few Hoshigumi seito sneaked there before it went dark. After a quick glance I remember seeing Arisa Hitomi, Asamizu Ryou and Amaki Homare. There were many more of them that I didn't manage to get a good glance at.
✨ SHOW ✨
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As the room went dark and the lights started to flashes toward the stage, the audience deeply anticipated Kurenai's arrival. I started to envy the others closer to the stage, that would have a better view and I regretted to not have brought my opera glasses with me. However she didn't appear right away, and took quite some time to make the audience more excited. Guess what? She bursted of the door right behind me in a beautiful red suit, startling everyone while running and singing. I almost had an heart attack and didn't regret petty things anymore. Thus began Berry Berry BENNY!!
The "supporting" cast was composed of Tenju Mitsuki, Kisaragi Ren, Kizaki Reo and Shirotae Natsu. Everyone jumped out of the stage as Sayumi made her arrival and the first song was Berry Berry Benny. Which by that point my table mates and I were quite shaken by everything that happened. Truly only Beni can pull something like that over and over again and still surprise me. ( Throwback to Stella Rossa) After the song, the cast proceeded to introduce themselves and chit chat a bit. Kurenai asked if they were in Tokyo, Mikki corrected her and she kept laughing. (She NEEDS vacations.)
The second song was Ai no rengoku from Anna Karenina, performed by Beni alone. A very dramatic start I must say, Mr.Karenin left a deep impression on her. Her interpretation was very venurable, and truly delightful if you love her non comical side.
Special talk segment 1: Two chairs were set up for Sayumi and a guest plus a life sized shiny cardboard of Beni. However it was not the regular Kurenai Yuzuru who came on stage, but Beniko in one of the most horrible costumes I've seen on her. Renta was the first guest of the Beniko show, they spoke teasingly of other Hoshigumi seito about how everyone was crying so hard on raku. Both of them were diabolically laughing. As the time went out, the Kurenai cardboard would illuminate and menacing threats would come on. Naachan interview was sweeter and shorter than Renta, she admitted that she cried on raku unlike someone else. Beniko, Renta and Naachan proceeded to sing Raimei. I wasn't ready for the absurdity of the situation, and I must admit I haven't laugh that hard in so many years.
To leave time for Beni to quick change costume, Ren and Natsu sang Yume Butai [ À bientôt ]. Their voice sounded really great as a duet! ♡ I was especially excited for this because it meant Renta had an extra special moment before her retirement. Nacchan and her are really positive people and you can feel this vibe as they perform. Furthermore, an upperclassmen musumeyaku is a delight to see highlighted.
Beni-chan no usomitaina honto no hanashi: A magical story of Beni's life. She narrates/sing the whole thing with highlights of her life and her love for Takarazuka. From what I remember; Mikki was child Beni, Renta as the creepy Butler from Meichan, Natsu as what I suppose was Beniko and Reo was André. (I might be mistaken, I'll correct it if that's the case. I have a goldfish memory.) Cute anecdote: Her dream was to be André in the RoV shinko, but she was appointed as the Grand Chamberlain and was very sad about it. They also made passive-aggressive jokes about Koike sensei, it made me crack.
LUCKY STAR ! Or a cute reminder of where she started, I was very happy she included that song and I felt like a mother hen. It was a nice transition with her earlier storytime, it's joyful, energetic and very her. ♡ She gave us a very explosive and all over the place performance.
Surprise drum rolls, what you wanted to know for so long and the answer is YES. The glorious Kurenai 5 made the comeback we were all waiting for, or more so the Kurenai 3. Beni, Renta and Mikki were in their old matching T-shirt and nostalgia hit me hard. I almost missed the mullet Beni used to have. Then entered the missing members life sized cardboard, both Reo and Naachan made their respective member dance through the song. No one was expecting this, the whole room was filled with laughter. They then talked about the origins of Kurenai 5 and what fun experiences they had in the past. They pointed out that the band would officially not work anymore, as it would be just 1. Beni proceeded to tease Mikki quite a lot. Both Ichijou Azusa and Miya Rurika had recorded a message for their dear leader, in which Beni was delighted to hear. Renta and Mikki then proceeded to slam their microphone to the cardboards during the intervention. It was hilarious! Both Miyaruri and Shiiran were at the raku in Tokyo, so if the DVD is that recording we'll have the delight to physically see them. Sayumi thought Shiiran sounded very ladylike and that Miya sounded very sleepy, like she should go to sleep.
Your favorite song by Benny was a segment where she proposed us three different songs that she could sing for us. After the vote she discarded the audience opinion and did the one she wanted, Smile from Meichan's Butler. (Very her to do that) Unlike the other times she walked through the audience as she sang, and I started to get nervous again when she headed toward the back of the room. She was taking the time to look at everyone very carefully and lovingly. Then she was in front of me and the world fell down. It was THE BEST two seconds of my entire life. I was very much horrendously blushing , but hey Kurenai Yuzuru and I shared a glance while she sang the creepy Butler song? Very shoujo like situation, a part of me fell in love with her all over again. Otokoyaku are very convincing at their job, they don't need to do much to amaze me.
Special talk segment 2 with Mikki and Reo.
Beniko came back with an even more horrendous outfit than the first one; another awful red gown orned with lines of gold and silver sequins. Oversized trumpet sleeves with feathers on the end, a wig worthy of a Ghibli old witch and topped with numerous fans of herself.
Mikki's interview was the longest, and the one to which Beni's cardboard was the most aggressive. Both her and Reo talked about the whole taidan situation, the troupe loves so much BeniAiri. They're as emotional if not more than fans about this. Mikki and Reo came back on stage and joined Beniko to sing Killer Rouge. Another absurd situation, where Beni's gaze was her cool otokoyaku look but she was dressed similar to the old ladies she always mocks about.
Hoshi wo tsugumono was MikkiReo's duet. What a very dangerous duo they make, both their voices are pretty warm and l had a few butterflies in my stomach. I'm sorry for betraying you Sayumi!
Random selection ;
I believe it's a free for all section and that must choose a song according to their mood. That night the ensemble sang Om Shanti Om as Sayumi went off stage to get a quick change. Boi do Hoshigumi loves that production, their enthusiasm really shows while singing this particular song. They went through the public and did a few handtouch. Renta stole the fan of an audience member right in front of me and decided to refresh herself with it. Reo was having her usual bright sunshine energy, Mikki was being an Ikkemen far away from me competing with Natsu. The bright wave of Hoshigumi energy was filling the room, and you could feel the love.
Kurenai came back on stage, dressed entirely in white and we all knew what that meant. The final song was A piece of courage, from Scarlet Pimpernel. God does she LOVES that show most ardently. It was her only lead shinko role and her first Grand theater show as a Top Star, she always seemed to live her best life as Percy. She always look so hopeful when she sings this song, it is VERY touching. Special metion to Aachan who sang it as well at her music salon, if it's not being soulmate I don't know what is.
She got a curtain callback and sang Goodbye from Catch me if you can. Yes, she did that again. As if it wasn't enough from the sayonara show and every other opportunity given to her to sing this. I can honestly say a cried a river again and that I'm in a love hate relationship with that song.
This woman doesn't know what to say to her audience, even thought we made her come back twice. She just told us to go home and that it was over in her lovely kansaiben, I love it. ♡
The show was really fun and I'm really happy I got to go, I hope I didn't forget anything. They rehearsed after having to do one if not two performance a day , and only came out late at the night. They've all worked very hard in such a short amount of time, and the result was GREAT. Kurenai Yuzuru is a real entertainer, a star and she adores it. She puts so much love and energy in her work, it's truly admirable. I'm delighted to have been able to follow her career until now and I'm very glad I focused my attention to the wobbly Mercutio many years ago. She made me cry, laugh and dream. I love her SO much.
My final words are going to be her motto:
Never give up!! ☆
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