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allinmycorner · 2 years

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Welcome to Season 31 of Dancing With the Stars!

As most of you know, the show has moved to Disney+ and still streams live on Mondays from 8PM to 10PM. Some things are different and some things are the same. I'll write a separate post with my thoughts on the changes so this doesn't get too long. After all, it's night one and we have the full roster of 16 couples to evaluate!

(Sorry for the delay. I was traveling back from California on the 19th and didn’t get a chance to watch it before I marathoned both the premiere and the second episode on the 26th).

For the premiere, the contestants were asked to pick a song that always makes them dance and they delivered!

Jason and Peta: Poor Jason. It's always tough being the first one kicked off. Was his dance the worst of the night? No. But it wasn't the best. And clearly he didn't have the votes. So hopefully his cha-cha to "Get Lucky" still gave him some skills he can use for his first dance at his upcoming wedding and we'll see him again in the finale.

Charli and Mark: TikTok is one of the few social media platforms I am not on and I really have no interest in getting on it. But I am still familiar with Charli and her family so I'm not too lost. She seems likeable enough so it's easy to see why people follow her on TikTok. Charli was nervous because she got well known for doing the dance challenges that are prolific on TikTok but she handled the cha-cha to "Savage" by Megan Thee Stallion very well. She is already one of the strongest dancers there. And she's paired with Mark, who is back after an absence (and I did not his last partner, Lindsey Sterling, was in the audience), so I think with him, she definitely could take the Mirrorball Trophy.

Wayne and Witney: Wayne has turned down offers to do the show in the past but said he was ready now because he lost his grandmother and this was her favorite show. So he's doing it in her honor and you saw how he choked up when talking about her. Wayne is well paired with Witney, who is back after giving birth, and he nailed his cha-cha to "She's a Bad Mama Jama (She's Built, She's Stacked)." He and Charli are early competition and he's the best of the men. Hopefully he can keep this going and doesn't flame out like we've seen other frontrunners do in the past.

Gabby and Val: Gabby continues the tradition of Bachelorettes being good in the ballroom. I'm not a big fan of her interviews - I don't know if she's nervous or just overly trained on soundbites, but it feels stiff and not very genuine. But she did very well with her jive to Harry Style's "As It Was" and she works well with Val, so I think she could go very far - Bachelor Nation is very strong and she has the dance skills to back it up.

Selma and Sasha: Selma has probably the most inspiring story in the ballroom this season. If you didn't know, Selma was diagnosed with MS a few years ago and struggles with control over her body. She does walk with a cane and appears to bring a service dog with her to rehearsal. Sasha says they are neighbors and so he seems very familiar with her limitations so he knows how to choreograph for her. The moment where she let go of her cane before dancing her Viennese waltz to "Time of My Life" made me choke up so I'm not surprised Carrie Ann cried during judging. Despite her limitations - or maybe in spite of them - Selma moved gracefully across the floor and danced beautifully. I think she could win if her body doesn't turn against her.

Shangela and Gleb: Shangela is fabulous! I love her energy and her enthusiasm! She is also a delight to watch on the floor and is a very strong contender. Salsa is hard to do but she managed well for week 1 - and "When I Grow Up" was the perfect choice. I can't wait to see what else she and Gleb do as the first male/male team and with her as the first drag queen performer! (Note: Shangela does use she/her pronouns. When not in the makeup, Darius uses he/him pronouns. I am respecting the pronoun choices and will use "she/her" when discussing performances and "he/him" when discussing rehearsals).

Daniel and Britt: Daniel is deaf so Britt has to learn how to best communicate with him. She's already started to learn some sign language so it seems they are off to a good start. He picks "Barbra Streisand," explaining that while he can't hear the music, he can feel it and he loved the feel of this song. It powers his tango and he certainly has a presence on the dance floor. I think he needs to work on his frame more but he could certainly make it very far in this competition. Nyle ultimately won and I think Daniel could follow in his footsteps.

Jordin and Brandon: Jordin kicked off Season 31 with the first dance of the night. She performed a cha-cha to the Whitney Huston classic "I Wanna Dance With Somebody" and Tyra was right - she definitely made Whitney proud. Jordin talked about working with Whitney and it was clear she had a good relationship with the late singer. She has a great personality and some good moves, so I think Jordin will be around for a long time this season.

Heidi and Artem: Heidi was a bit nervous but she performed a pretty good cha-cha for someone with no dance experience on Week 1. And having "Lady Marmalade" playing certainly helped. She has a great attitude and seems ready to put in the work. So I think she'll make it a few more weeks but will likely end up watching her daughter possibly take the mirrorball trophy.

Joseph and Daniella: Joseph handled his jive to "Pump It" with Daniella well. She is the reigning champ and so I think Joseph is in good hands. I just hope she doesn't rely on tricks again like she did with Iman. Once she let him dance, he really shone and I think the same could be true with Joseph, once he nails his frame. And maybe his feet.

Cheryl and Louis: Welcome back, Louis! I've missed him. He's very good with Cheryl, who dances a wonderful cha-cha to "Gotta Give it Up." So much so, the judges are convinced she could do a lot more than what Louis gave her and I think they might be right. Cheryl is proving that age is just a number, even in the ballroom.

Trevor and Emma: Trevor is actually afraid of dancing. Like you can see the fear in his eyes as Emma teaches him how to dance the quickstep. But she's patient with him and it pays off. When Trevor hits the ballroom to "Dancing With Myself," there's not a trace of fear in his eyes. He handles it well enough and shows promise to grow. I think I'm going to like his partnership with Emma.

Jessie and Alan: Jessie was a bit of a mess this week in her cha-cha to "Sweet Home Alabama" but it's Week 1. Everyone is allowed to be a mess on Week 1. She is worried about doing everything all at once and I think she needs to stop stretching herself thin. There was a good quote I read about juggling balls and being okay with dropping them - you just needed to know which ones were glass and which ones were plastic, meaning which ones you really couldn't drop and which ones you could. I think once she gives herself permission to maybe not do everything she normally does for a few weeks, she'll find that she's putting too much pressure on herself and everything will be fine if she isn't doing everything always.

Sam and Cheryl: Sam Champion is a familiar face to me as a native New Yorker. I've seen on ABC for years, though I do prefer the news on my local CBS station. He has a good spirit even if he's already a bit injury prone. But he and Cheryl work well together. His quickstep to "Hold Me Closer" by Britney Spears and Elton John could've been a bit faster and sharper but again, it was a great first attempt. I look forward to seeing more from him in the coming weeks.

Teresa and Pasha: Of course Teresa had to flip a table. It's like DWTS law that you have to work in whatever you are most well-known for at least once. She seems pretty game for the show and she was about the same as some other contestants, though she did struggle with the tango to "We Found Love." But I think she has the determination to get better. She just needs the chance.

Vinny and Koko: Poor Vinny. He really did try but the salsa got away from him. He needs a little less "in the club" and a lot more "in the ballroom." I do like Koko, who is a new pro this year, and think she can help him. And he was safe despite having the lowest score this week so there are people rooting for him. I don't know if he has what it takes to make it all the way to the mirrorball but I have a feeling he'll be around for a few more weeks. (PS: His song choice was "Titi Me Prejunto").

Next time: It’s Elvis week!

#dancing with the stars #season 31 #jason lewis #peta murgatroyd

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prayerdelvna · 3 years

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DEATH PARADE (2015)

I am now about to explain to you what your circumstances are. I ask that you please pay close attention. One: First of all, I cannot answer the question of where you are. Two: We will now have you play a game. Three: We will have you choose the type of game by roulette. Four: We will have you stake your lives on the game. Five: Until the game is over, you cannot leave this bar.

Episode 01 🎯

#death parade #dpedit #dpgraphic #decim #mine #*gifs #*dp #userselm #first and last definitely inspired by you selma!

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dyfsftj9j · 4 years

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After: Sľub 2020 Celý Film zadarmo

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After We Collided

2020

premiéra: 3. září 2020

Režie: Roger Kumble Scénář: Mario Celaya, Anna Todd Hrají: Hero Fiennes-Tiffin, Dylan Sprouse, Selma Blair, Josephine Langford, Charlie Weber, Candice Accola, Shane Paul McGhie, Stefan Rollins | všichni herci

Romantický fenomén After přichází z druhým dílem své filmové série, který vejde do kin jako After: Přiznání. První díl s názvem After: Polibek vidělo v českých kinech přes 90 000 diváků, což znamená podobně silný ohlas, jaký měl první díl série Stmívání. První záběry z filmu After: Přiznání vzbudily na sociálních sítích lavinu nadšených ohlasů, lajků,

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Definition and definition of film / film

While the players who play a role in the film are referred to as actors (men) or actresses (women). There is also the term extras that are used as minor characters with few roles in the film. This differs from the main actors, who have larger and more roles. As an actor and actress, good acting talent must be required that corresponds to the subject of the film in which he plays the leading role. In certain scenes, the role of the actor can be replaced by a stunt man or a stunt man. The existence of a stuntman is important to replace the actors who play difficult and extreme scenes that are usually found in action-action films.

Movies can also be used to deliver certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a person that are visualized in the film. The film itself is mostly fictional, though some are based on actual stories or on a true story.

There are also documentaries with original and real images or biographical films that tell the story of a character. There are many other popular genre films, from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others.

This is some information about the definition of film or film. The information has been cited from various sources and references. Hope it can be useful.

❍❍❍ TV FILM ❍❍❍The first television shows were experimental, sporadic programs that from the 1930s could only be seen at a very short distance from the mast. TV events such as the 1936 Summer Olympics in Germany, the crowning of King George VI. In Britain in 19340 and the famous launch of David Sarnoff at the 1939 New York World’s Fair in the United States, the medium grew, but World War II brought development to a halt after the war. The 19440 World MOVIE inspired many Americans to buy their first television, and in 1948 the popular Texaco Star Theater radio moved to become the first weekly television variety show that hosted Milton Berle and earned the name “Mr Television” demonstrated The medium was a stable, modern form of entertainment that could attract advertisers. The first national live television broadcast in the United States took place on September 4, 1951, when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco on AT & T’s transcontinental cable and microwave relay system was broadcasting to broadcasters in local markets has been.

The first national color show (the 1954 Rose Parade tournament) in the United States took place on January 1, 1954. For the next ten years, most network broadcasts and almost all local broadcasts continued to be broadcast in black and white. A color transition was announced for autumn 1965, in which more than half of all network prime time programs were broadcast in color. The first all-color peak season came just a year later. In 19402, the last holdout of daytime network shows was converted to the first full color network season.

❍❍❍ formats and genres ❍❍❍

See also: List of genres § Film and television formats and genres

TV shows are more diverse than most other media due to the variety of formats and genres that can be presented. A show can be fictional (as in comedies and dramas) or non-fictional (as in documentary, news, and reality television). It can be current (as in the case of a local news program and some television films) or historical (as in the case of many documentaries and fictional films). They can be educational or educational in the first place, or entertaining, as is the case with situation comedies and game shows. [Citation required]

A drama program usually consists of a series of actors who play characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (with the exception of soap opera series) generally remained static without storylines, and the main characters and premise barely changed. [Citation required] If the characters’ lives changed a bit during the episode, it was usually reversed in the end. For this reason, the episodes can be broadcast in any order. [Citation required] Since the 1980s, many FILMS have had a progressive change in the plot, characters, or both. For example, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television films to have this kind of dramatic structure [4] [better source required], while the later MOVIE Babylon 5 further illustrated such a structure had a predetermined story about the planned five season run. [Citation required]

In 2020, it was reported that television became a larger part of the revenue of large media companies than the film. Some also noticed the quality improvement of some television programs. In 2020, Oscar-winning film director Steven Soderbergh declared the ambiguity and complexity of character and narrative: “I think these qualities are now being seen on television and people who want to see stories with such qualities are watching TV.

❍❍❍ Thanks for everything and have fun watching❍❍❍

Here you will find all the films that you can stream online, including the films that were shown this week. If you’re wondering what to see on this website, you should know that it covers genres that include crime, science, fi-fi, action, romance, thriller, comedy, drama, and anime film.

Thanks a lot. We inform everyone who is happy to receive news or information about this year’s film program and how to watch your favorite films. Hopefully we can be the best partner for you to find recommendations for your favorite films. That’s all from us, greetings!

Thank you for watching The Video Today.

I hope you like the videos I share. Give a thumbs up, like or share if you like what we shared so we are more excited.

Scatter a happy smile so that the world returns in a variety of colors.

#Definition and definition of film / film

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afterprizanicelyfilmczsk · 4 years

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After: Přiznání Celý Film Česky "CZ Zdarma (2020)

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There is also the term extras that are used as minor characters with few roles in the film. This differs from the main actors, who have larger and more roles. As an actor and actress, good acting talent must be required that corresponds to the subject of the film in which he plays the leading role. In certain scenes, the role of the actor can be replaced by a stunt man or a stunt man. The existence of a stuntman is important to replace the actors who play difficult and extreme scenes that are usually found in action-action films. Movies can also be used to deliver certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a person that are visualized in the film. The film itself is mostly fictional, though some are based on actual stories or on a true story. There are also documentaries with original and real images or biographical films that tell the story of a character. There are many other popular genre films, from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others. This is some information about the definition of film or film. The information has been cited from various sources and references. Hope it can be useful. ❍❍❍ TV FILM ❍❍❍The first television shows were experimental, sporadic programs that from the 1930s could only be seen at a very short distance from the mast. TV events such as the 1936 Summer Olympics in Germany, the crowning of King George VI. In Britain in 19340 and the famous launch of David Sarnoff at the 1939 New York World’s Fair in the United States, the medium grew, but World War II brought development to a halt after the war. The 19440 World MOVIE inspired many Americans to buy their first television, and in 1948 the popular Texaco Star Theater radio moved to become the first weekly television variety show that hosted Milton Berle and earned the name “Mr Television” demonstrated The medium was a stable, modern form of entertainment that could attract advertisers. The first national live television broadcast in the United States took place on September 4, 1951, when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco on AT & T’s transcontinental cable and microwave relay system was broadcasting to broadcasters in local markets has been. The first national color show (the 1954 Rose Parade tournament) in the United States took place on January 1, 1954. For the next ten years, most network broadcasts and almost all local broadcasts continued to be broadcast in black and white. A color transition was announced for autumn 1965, in which more than half of all network prime time programs were broadcast in color. The first all-color peak season came just a year later. In 19402, the last holdout of daytime network shows was converted to the first full color network season. ❍❍❍ formats and genres ❍❍❍ See also: List of genres § Film and television formats and genres TV shows are more diverse than most other media due to the variety of formats and genres that can be presented. A show can be fictional (as in comedies and dramas) or non-fictional (as in documentary, news, and reality television). It can be current (as in the case of a local news program and some television films) or historical (as in the case of many documentaries and fictional films). They can be educational or educational in the first place, or entertaining, as is the case with situation comedies and game shows. [Citation required] A drama program usually consists of a series of actors who play characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (with the exception of soap opera series) generally remained static without storylines, and the main characters and premise barely changed. [Citation required] If the characters’ lives changed a bit during the episode, it was usually reversed in the end. For this reason, the episodes can be broadcast in any order. [Citation required] Since the 1980s, many FILMS have had a progressive change in the plot, characters, or both. For example, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television films to have this kind of dramatic structure [4] [better source required], while the later MOVIE Babylon 5 further illustrated such a structure had a predetermined story about the planned five season run. [Citation required] In 2020, it was reported that television became a larger part of the revenue of large media companies than the film. Some also noticed the quality improvement of some television programs. In 2020, Oscar-winning film director Steven Soderbergh declared the ambiguity and complexity of character and narrative: “I think these qualities are now being seen on television and people who want to see stories with such qualities are watching TV. ❍❍❍ Thanks for everything and have fun watching❍❍❍ Here you will find all the films that you can stream online, including the films that were shown this week. If you’re wondering what to see on this website, you should know that it covers genres that include crime, science, fi-fi, action, romance, thriller, comedy, drama, and anime film. Thanks a lot. We inform everyone who is happy to receive news or information about this year’s film program and how to watch your favorite films. Hopefully we can be the best partner for you to find recommendations for your favorite films. That’s all from us, greetings! Thank you for watching The Video Today. I hope you like the videos I share. Give a thumbs up, like or share if you like what we shared so we are more excited. Scatter a happy smile so that the world returns in a variety of colors.

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afterpriznanicelyfilm123-blog · 4 years

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miutanfilmekteljeshdtv · 4 years

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Premier (HU): 2020.09.03. | Big Bang Media

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Definition and definition of film / film While the players who play a role in the film are referred to as actors (men) or actresses (women). There is also the term extras that are used as minor characters with few roles in the film. This differs from the main actors, who have larger and more roles. As an actor and actress, good acting talent must be required that corresponds to the subject of the film in which he plays the leading role. In certain scenes, the role of the actor can be replaced by a stunt man or a stunt man. The existence of a stuntman is important to replace the actors who play difficult and extreme scenes that are usually found in action-action films. Movies can also be used to deliver certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a person that are visualized in the film. The film itself is mostly fictional, though some are based on actual stories or on a true story. There are also documentaries with original and real images or biographical films that tell the story of a character. There are many other popular genre films, from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others. This is some information about the definition of film or film. The information has been cited from various sources and references. Hope it can be useful. ❍❍❍ TV FILM ❍❍❍The first television shows were experimental, sporadic programs that from the 1930s could only be seen at a very short distance from the mast. TV events such as the 1936 Summer Olympics in Germany, the crowning of King George VI. In Britain in 19340 and the famous launch of David Sarnoff at the 1939 New York World’s Fair in the United States, the medium grew, but World War II brought development to a halt after the war. The 19440 World MOVIE inspired many Americans to buy their first television, and in 1948 the popular Texaco Star Theater radio moved to become the first weekly television variety show that hosted Milton Berle and earned the name “Mr Television” demonstrated The medium was a stable, modern form of entertainment that could attract advertisers. The first national live television broadcast in the United States took place on September 4, 1951, when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco on AT & T’s transcontinental cable and microwave relay system was broadcasting to broadcasters in local markets has been. The first national color show (the 1954 Rose Parade tournament) in the United States took place on January 1, 1954. For the next ten years, most network broadcasts and almost all local broadcasts continued to be broadcast in black and white. A color transition was announced for autumn 1965, in which more than half of all network prime time programs were broadcast in color. The first all-color peak season came just a year later. In 19402, the last holdout of daytime network shows was converted to the first full color network season. ❍❍❍ formats and genres ❍❍❍ See also: List of genres § Film and television formats and genres TV shows are more diverse than most other media due to the variety of formats and genres that can be presented. A show can be fictional (as in comedies and dramas) or non-fictional (as in documentary, news, and reality television). It can be current (as in the case of a local news program and some television films) or historical (as in the case of many documentaries and fictional films). They can be educational or educational in the first place, or entertaining, as is the case with situation comedies and game shows. [Citation required] A drama program usually consists of a series of actors who play characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (with the exception of soap opera series) generally remained static without storylines, and the main characters and premise barely changed. [Citation required] If the characters’ lives changed a bit during the episode, it was usually reversed in the end. For this reason, the episodes can be broadcast in any order. [Citation required] Since the 1980s, many FILMS have had a progressive change in the plot, characters, or both. For example, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television films to have this kind of dramatic structure [4] [better source required], while the later MOVIE Babylon 5 further illustrated such a structure had a predetermined story about the planned five season run. [Citation required] In 2020, it was reported that television became a larger part of the revenue of large media companies than the film. Some also noticed the quality improvement of some television programs. In 2020, Oscar-winning film director Steven Soderbergh declared the ambiguity and complexity of character and narrative: “I think these qualities are now being seen on television and people who want to see stories with such qualities are watching TV. ❍❍❍ Thanks for everything and have fun watching❍❍❍ Here you will find all the films that you can stream online, including the films that were shown this week. If you’re wondering what to see on this website, you should know that it covers genres that include crime, science, fi-fi, action, romance, thriller, comedy, drama, and anime film. Thanks a lot. We inform everyone who is happy to receive news or information about this year’s film program and how to watch your favorite films. Hopefully we can be the best partner for you to find recommendations for your favorite films. That’s all from us, greetings! Thank you for watching The Video Today. I hope you like the videos I share. Give a thumbs up, like or share if you like what we shared so we are more excited. Scatter a happy smile so that the world returns in a variety of colors.

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after-priznani-cely-film-online · 4 years

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After: Přiznání Celý Film Online CZ a Zdarma 2020

Play Now → https://t.co/R7sPTJj9ma

After We Collided 2020 premiéra: 3. září 2020 Režie: Roger Kumble Scénář: Mario Celaya, Anna Todd Hrají: Hero Fiennes-Tiffin, Dylan Sprouse, Selma Blair, Josephine Langford, Charlie Weber, Candice Accola, Shane Paul McGhie, Stefan Rollins | všichni herci Romantický fenomén After přichází z druhým dílem své filmové série, který vejde do kin jako After: Přiznání. První díl s názvem After: Polibek vidělo v českých kinech přes 90 000 diváků, což znamená podobně silný ohlas, jaký měl první díl série Stmívání. První záběry z filmu After: Přiznání vzbudily na sociálních sítích lavinu nadšených ohlasů, lajků, Ke stažení : After: Přiznání Filmové Novinky, After: Přiznání celý film Cesky, After: Přiznání Filmové premiéry, After: Přiznání celý film cz dabing, After: Přiznání zkouknito, After: Přiznání sleduj filmy, After: Přiznání online cz titulky, After: Přiznání Program filmy, After: Přiznání CZ HD Film o filmu, After: Přiznání CZ dabing, After: Přiznání premiéra, After: Přiznání online cz, After: Přiznání online cz dabing, After: Přiznání Zadarmo, After: Přiznání Celý Film, After: Přiznání Titulky, After: Přiznání nový film, After: Přiznání DVD filmy, After: Přiznání Blu-ray filmy, After: Přiznání 3D filmy, After: Přiznání online bombuj, After: Přiznání online cely film, After: Přiznání online ke shlednuti, After: Přiznání cz dabing online ke shlednuti, After: Přiznání online, After: Přiznání online film cz, After: Přiznání Bombuj, After: Přiznání bombuj cz, After: Přiznání online ke shlédnutí, After: Přiznání celý film Cesky, After: Přiznání celý film zdarma ke shlédnutí, After: Přiznání celý film cz dabing, After: Přiznání zkouknito, After: Přiznání sleduj filmy, After: Přiznání online cz titulky, Definition and definition of film / film While the players who play a role in the film are referred to as actors (men) or actresses (women). There is also the term extras that are used as minor characters with few roles in the film. This differs from the main actors, who have larger and more roles. As an actor and actress, good acting talent must be required that corresponds to the subject of the film in which he plays the leading role. In certain scenes, the role of the actor can be replaced by a stunt man or a stunt man. The existence of a stuntman is important to replace the actors who play difficult and extreme scenes that are usually found in action-action films. Movies can also be used to deliver certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a person that are visualized in the film. The film itself is mostly fictional, though some are based on actual stories or on a true story. There are also documentaries with original and real images or biographical films that tell the story of a character. There are many other popular genre films, from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others. This is some information about the definition of film or film. The information has been cited from various sources and references. Hope it can be useful. ❍❍❍ TV FILM ❍❍❍The first television shows were experimental, sporadic programs that from the 1930s could only be seen at a very short distance from the mast. TV events such as the 1936 Summer Olympics in Germany, the crowning of King George VI. In Britain in 19340 and the famous launch of David Sarnoff at the 1939 New York World’s Fair in the United States, the medium grew, but World War II brought development to a halt after the war. The 19440 World MOVIE inspired many Americans to buy their first television, and in 1948 the popular Texaco Star Theater radio moved to become the first weekly television variety show that hosted Milton Berle and earned the name “Mr Television” demonstrated The medium was a stable, modern form of entertainment that could attract advertisers. The first national live television broadcast in the United States took place on September 4, 1951, when President Harry Truman’s speech at the Japanese Peace Treaty Conference in San Francisco on AT & T’s transcontinental cable and microwave relay system was broadcasting to broadcasters in local markets has been. The first national color show (the 1954 Rose Parade tournament) in the United States took place on January 1, 1954. For the next ten years, most network broadcasts and almost all local broadcasts continued to be broadcast in black and white. A color transition was announced for autumn 1965, in which more than half of all network prime time programs were broadcast in color. The first all-color peak season came just a year later. In 19402, the last holdout of daytime network shows was converted to the first full color network season. ❍❍❍ formats and genres ❍❍❍ See also: List of genres § Film and television formats and genres TV shows are more diverse than most other media due to the variety of formats and genres that can be presented. A show can be fictional (as in comedies and dramas) or non-fictional (as in documentary, news, and reality television). It can be current (as in the case of a local news program and some television films) or historical (as in the case of many documentaries and fictional films). They can be educational or educational in the first place, or entertaining, as is the case with situation comedies and game shows. [Citation required] A drama program usually consists of a series of actors who play characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (with the exception of soap opera series) generally remained static without storylines, and the main characters and premise barely changed. [Citation required] If the characters’ lives changed a bit during the episode, it was usually reversed in the end. For this reason, the episodes can be broadcast in any order. [Citation required] Since the 1980s, many FILMS have had a progressive change in the plot, characters, or both. For example, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television films to have this kind of dramatic structure [4] [better source required], while the later MOVIE Babylon 5 further illustrated such a structure had a predetermined story about the planned five season run. [Citation required] In 2020, it was reported that television became a larger part of the revenue of large media companies than the film. Some also noticed the quality improvement of some television programs. In 2020, Oscar-winning film director Steven Soderbergh declared the ambiguity and complexity of character and narrative: “I think these qualities are now being seen on television and people who want to see stories with such qualities are watching TV. ❍❍❍ Thanks for everything and have fun watching❍❍❍ Here you will find all the films that you can stream online, including the films that were shown this week. If you’re wondering what to see on this website, you should know that it covers genres that include crime, science, fi-fi, action, romance, thriller, comedy, drama, and anime film. Thanks a lot. We inform everyone who is happy to receive news or information about this year’s film program and how to watch your favorite films. Hopefully we can be the best partner for you to find recommendations for your favorite films. That’s all from us, greetings! Thank you for watching The Video Today. I hope you like the videos I share. Give a thumbs up, like or share if you like what we shared so we are more excited. Scatter a happy smile so that the world returns in a variety of colors.

#After: Přiznání Filmové Novinky After: Přiznání celý film Cesky After: Přiznání Filmové premiéry After: Přiznání celý film cz dabing After:

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johnboothus · 3 years

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We Asked 15 Bartenders: Whats the Best Frozen Drink Youve Had This Summer?

In the thick of summer, the frozen cocktail gets its moment in the sun. And deservedly so: Few things provide relief from the intense heat like a slushy, boozy drink cold enough to give an old-fashioned brain freeze. What could be more fun?

Over the last decade, the category seems to have entirely shaken off its stigma of being absurdly sweet and artificial-tasting concoctions, thanks to a renewed interest among today’s mixologists whose versions are produced with the same creativity and precision as their unblended counterparts. Now, they are featured on the menus of some of the country’s most highly regarded cocktail bars.

To help identify the best frozen drinks, we asked 15 bartenders to recommend their favorite libations in blended form. From a minty twist on the traditional Piña Colada to a guava-driven Daiquiri, here are the blended adult treats keeping these experts cool and refreshed in the heat.

The Best Frozen Cocktails Recommended by Bartenders:

Donna’s Brancolada

Frozen Avocado Margarita

The Saturn

Banana Stand

Miami Vice

Kelbo’s Guava Daiquiri

Koji Piña Colada

Frozen Irish Coffee

Frozen Margarita

Caipirinha

Rotating Frozen Drink at Dolores

Keep reading for details about all of the recommended bottles!

The Brancolada

“One of my ultimate favorite drinks is the Piña Colada, so when I tried the famous frozen Brancolada created by Jeremy Oertel at Donna’s, I was blown away! Not only did this drink always have the perfect slushy consistency, its name says it all. It has the delicious tropical flavors of coconut and pineapple that make a Piña Colada. Made with Appleton Estate VX Reserve that adds complexity and spice notes, freshly squeezed orange juice, and a minty bitter finish from the Brancamenta, a sweet version of Fernet-Branca with mint. This is a frozen drink that you could enjoy all year around. Sadly, Donna’s is no longer open due to the pandemic, but you can find the recipe online and Donna is doing a summer pop-up in Greenport, Long Island. Long live the Brancolada, long live Donna!” —Natasha Bermúdez, Head Bartender, Llama San, New York

“The Brancolada, at the recently closed Donna in Brooklyn, by Jeremy Oertel, has to be one of my favorite frozen drinks of all time. Even though I haven’t had this drink in a number of years, I still remember it well. One full ounce of Brancamenta can easily overpower any drink but this inventive Piña Colada riff is complex, bitter, and just downright delicious. Donna is one of the best bars. Hopefully it reopens in a new location soon.” —Paul McGee, Owner, Lost Lake, Chicago

“Definitely Donna’s Brancacolada. Brancamenta, Jamaican rum, lime, orange, and coconut, all frozen into that delicious brain-freeze texture. It changed me. You couldn’t stop at one.” —Sam Ross, Co-owner, Attaboy, New York

The Frozen Avocado Margarita

“My favorite frozen drink, maybe of all time, is the Frozen Avocado Margarita at Curra’s Grill. It’s a classic frozen Margarita but the addition of avocado brings a creamy texture similar to that of a fruit smoothie. (Avocado is a fruit, after all!) The gorgeous bright green hue is akin to a green juice, so it’s sort of healthy, wink wink. The salted rim (ask for a chili salt rim if you like some spice!) along with the star of the show, avocado, brings savory qualities and highlights the vegetal and grassy notes of blanco tequila. Curra’s was one of the first restaurants I ate at when I moved to Austin in 2008, so I have many fond memories of drinking these on the patio. Curra’s will be opening their second location in Hyde Park soon, so you’ll most likely see me there, green drink in hand.” —Erin Ashford, Beverage Director, Olamaie and Little Ola’s Biscuits, Austin, Texas

The Saturn

“The Saturn, from Smuggler’s Cove. This is a modern tiki classic you can order in most tiki bars, but Smuggler’s was the first place I tried it. For me, it’s the perfect balance of flavors. London dry gin is the base spirit, combined with passion fruit, fresh lemon, orgeat, and falernum. Then, blended and served in a coupe with lemon peels cut into Saturn’s rings. This cocktail takes your palate on a journey. Herbaceous gin, with tart and bright citrus from the passion fruit and lemon, then the orgeat and falernum combo give you a nutty and baking-spice finish. Blending the Saturn also gives you an incredible mouthfeel and texture. It’s tart, tropical, nutty, spiced, and frozen. Perfect for a warm day, or after a long shift.” —Sam Miller, Bartender, Pagon Idol, San Francisco

“My favorite frozen cocktail, to make and to drink, is the 1950s tropical classic the Saturn. The gin and citrus work perfectly for a cooling [flavor] in the summer heat, paired with the subtle warmth of orgeat and falernum and the tropical notes of passion fruit. It reminds me of a boozy popsicle. I serve mine with a split of passion fruit and blue Curaçao to give a fun pop of color, and garnish it with edible glitter for the extra space vibe.” —Selma Slabiak, Proprietor and Bartender, Selma’s Bar, Ridgewood, N.Y.

The Banana Stand

“Selma Slabiak is doing some super-fun stuff at Selma’s Bar, located inside of Queens brewery Evil Twin. My favorite slushy is the Banana Stand, a fun mix of rums, including Plantation Pineapple, combined with banana liqueur, l’orgeat, and pineapple and lime juices. It’s pure delight. Refreshing and cheerful, it’s a real mood lifter. Bonus points for serving this in a flight with her three other slushies!” —Natasha David, Co-owner, You & Me Cocktails, Red Hook, N.Y.

The Miami Vice

“The Miami Vice. It’s one part Piña Colada, one Strawberry Daiquiri. If fresh ingredients are used, it’s wonderful. Delicious, and perfect for any time.” —Terance Robson, Owner, Here Nor There and Eden Cocktail Room, Austin, Texas

“The Miami Vice. I mean, what’s not to love about it? A combination of two of the best tropical drinks, frozen, and then swirled. No brainer! It’s just so damn deliciously fruity and refreshing. Every time I have one, I’m instantly transported to a beach without a care in the world. I think about pounding a Miami Vice (or two) just about every time I’m weeded on a busy Friday night bar shift.” —Brad Langdon, Bar Director, Albi and Yellow, Washington, D.C.

The Guava Daiquiri

“During my 16-plus years in Los Angeles, the talk of classic tiki drinks was always quite prominent as we were in the birthplace of tiki. When it came time to talk crushed ice in blended cocktails for a seminar in Las Vegas, I went back to the bartender staple Sippin’ Safari for some inspiration and kept doubling back to Kelbo’s Guava Daiquiri. Kelbo’s was a Hawaiian BBQ restaurant circa 1950s on Fairfax Avenue. Imagine having a blended concoction of lime juice, guava nectar, banana liqueur, and either vodka or gin with your Hawaiian BBQ! I was instantly sold. I usually opt for a pot still London dry gin like Citadelle that can enhance and play with all the tropical flavors and add another dimension of flavor. Whether with vodka or gin, though, it’ll be a tropical party where rum lets their vodka and gin friends be the star for a day.” —Jen Len, Beverage Director, MW Restaurant, Honolulu

The Piña Colada

“The best I’ve had in recent memory was a Koji Piña Colada by Austin Hennelly of Majordomo. With Appleton Estate Rum, Aperol, coconut cream, makgeolli, acid-adjusted pineapple juice, and koji, it’s got all of the tropical allure of a Piña Colada with big slap in the face of umami from the koji and makgeolli. The first time I tasted it was while working a pop-up where Austin was making the drinks. I spent the majority of my night lurking around the frozen machine, sneaking quality-control pours for myself. It’s one of those combinations of flavors so satisfying, you can’t help but come back for more.” —Mike Capoferri, Bartender, Thunderbolt, Los Angeles

The Frozen Irish Coffee

“For me, the perfect, most versatile, frozen drink is the Irish Coffee. The delicious combination of coffee, cream, and Irish whiskey (or whatever booze one decides to throw in there) is the perfect pick-me-up the morning after a hard night out and the best way to stay alive during a hot, melting summer afternoon. Everyone is familiar with the frozen Irish Coffee at the Erin Rose in New Orleans, but anywhere I see one I have to give it a try. The balance of creamy texture, dessert motifs, roaring caffeine, and knock-you-over booze makes the frozen Irish coffee my ultimate frozen cocktail.” —Thomas Eslinger, Bartender, Death & Co., Los Angeles

The Frozen Margarita

“The Margarita has to be my favorite, hands down. It was the first frozen alcoholic drink I ever had, so I’ve had a love for it since I can remember. Then, after learning its history and all the different variations that exist, I’ve fallen even more in love with it. It’s a classic that will never go out of style, and will stay at the top of my list of favorites without hesitation.” —Steve Tinnon, Bartender, The Green Lantern, San Antonio, Texas

The Caipirinha

“The Caipirinha is the national drink of Brazil, and for good reason. Made with cachaça rum (pure sugar cane), muddled limes, and sugar, it’s simple and delicious. The simplicity of the ingredients allows each one to shine in a beautiful tropical blend. The first sip reminds you of the rum, and the next 20 remind you of a vacation.” —Katrïn Hayward Miller, Lead Bartender, Sonder & Dram, Lewiston, Me.

The seasonal frozen drink at Dolores

“Right now, my favorite frozen drink is whatever seasonal frozen cocktail is on at Dolores, located here in Providence. Horus Alvarez and the team always focus on showcasing whatever is perfect for the weather and what freshest ingredients are available at the time. The restaurant has done amazing frozen piña coladas, prickly pear Palomas, Daiquiris with Oaxacan rum, and more in the past. But the current offering has blanco tequila, cocchi americano, watermelon, honey, and fresh citrus, always! It’s always an ethereal moment when enjoying a number of these with its tacos and incredible moles to share with a large group of friends.” —Parker Luthman, Head Bartender, The Eddy, Providence, R.I.

The article We Asked 15 Bartenders: What’s the Best Frozen Drink You’ve Had This Summer? appeared first on VinePair.

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healthbetold · 3 years

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The Legacy of a Civil Rights Icon’s Vegetarian Cookbook

Adrian Miller, the author of Black Smoke: African American and the United States by Barbecue, recalls how holidays like Juneteenth always meant celebrating with food for his family. “We went to the public festivities in the Five Points neighborhood, Denver’s historic Black neighborhood. At these events, the food celebrated was grilled, usually pork ribs, huge smoked turkey legs, watermelon, and red drinks. ”

For many black Americans, barbecue and soul food mean victory. Cooking techniques passed down through the generations testify to the strength and persistence of black culture and cuisine. But with the celebration comes the consideration of the health effects of meat, sugar, and fat. In parallel with the Soulfood narrative, there’s another story that links nutrition with liberation, and one that features an unlikely hero: a prominent black comedian whose 1974 book full of plant-based recipes has influenced black diets to this day.

My darling copy of the book. Shea Peters for Gastro Obscura

I grew up on Dick Gregory’s Natural Diet for Folks Who Eat: Cookin ‘With Mother Nature in my Memphis home. I even took it with me for my first semester at Tennessee State University. The campus was surrounded by fast food and soul food restaurants, and I used Gregory’s book many times for nutritional advice. I also made recipes from his website, such as the “Nutcracker Sweet”, a fruit smoothie made from a mixture known today as almond milk. Today, many years later, I live in Brooklyn and still consult the book. The same copy that I saw for the first time on my mother’s bookshelf – with the cover depicting Gregor’s head with a huge chef’s hat with fruit and vegetables – now stands alone.

Now considered one of the greatest stand-up comedians in history, Dick Gregory was shot up after appearing on The Tonight Show with Jack Paar in 1961, a segment that almost never happened. Gregory initially turned down the opportunity because the show allowed black entertainers to perform but not sit on Parr’s couch for interviews. After his refusal, Parr called Gregory personally to invite him for an interview on the Tonight Show’s couch. His performance was groundbreaking: “It was the first time that white America got to hear a black person not as an actor, but as a person,” Gregory said later in an interview.

Gregory was particularly adept at using humor to present the black experience at a time of heightened tension and divisions in the United States. During a performance early in his career, he quipped, “Segregation isn’t all bad. Have you ever heard of a collision in which people were injured in the back of the bus? “

Gregory speaking to a crowd in Washington DC in 1963. Michael Ochs Archive / Getty Images

“He had the ability to make us laugh when we were probably crying,” said US agent and civil rights activist John Lewis in an interview following Gregory’s death in 2017. “He had the ability to answer the whole question of race, Racial segregation, and just racial discrimination where people can come together and deal with it and not try to hide it under the American rug. “

But Gregory didn’t just fight racial inequality in comedy clubs. He also used his voice to campaign for civil rights at protests and rallies. After Gregory held a rally with Dr. Martin Luther King Jr. had directed, he developed a relationship with King. (Gregory’s close ties to leaders like King and Mississippi activist Medgar Evers eventually led him to be a target of FBI surveillance.) “Freedom Summer” from 1964 and after a rally on the last night of the Selma March Montgomery in 1965.

For Gregory, who became a vegetarian in 1965, food and nutrition were inseparable from civil rights. “The philosophy of nonviolence that I developed during my involvement in the civil rights movement of Dr. Martin Luther King Jr. learned, was initially responsible for changing my diet, ”he writes in his book. “I had the feeling that the commandment ‘You shall not kill’ applied to people not only in their dealings with one another – war, lynching, assassination, murder and the like – but also in their practice of killing animals for food or for sport . “

Gregory with Dr. Martin Luther King Jr. after the comedian won the 1963 Southern Christian Leadership Conference Merit Award. African American Newspapers / Gado / Getty Images

In Dick Gregory’s Natural Diet, he combines black liberation with health, nutrition and basic human rights. Gregory knew all too well the socio-economic barriers to healthy eating: growing up poor in St. Louis, he had limited access to fresh fruits and vegetables. In his book, he states that readers may not always have the best resources, but they may have the best information. Each chapter serves as both a hunt group and a manual, and offers everything from basics about the human body to lists of foods that are good sources of certain vitamins and minerals.

Thanks to Gregory’s longstanding collaboration with nutritionist Dr. Alvenia Fulton offers the book healthy recipes as well as natural remedies for common ailments. In the chapter “Mother Nature Medicare” you will find recipes from party food (“golden shower”) to headache cures (a mixture of tomato, celery and onion juice). For those looking to gain weight or lose weight, the Dick Gregorys Weight-On / Weight-Off Natural Diet chapter includes dairy-free milk recipes and weekly meal plans.

Gregory’s culinary contributions are not just a footnote in his already eventful life, but have made up a large part of his legacy. Cliff Notez, a musician and multimedia artist from Boston, has been vegan for four years and represents much of Dick Gregory’s philosophy. “I think he’s definitely one of the few black intellectual writers who is frank [spoke] about veganism, vegetarianism, ”says Notez.

Gregory with Dr. Alvenia Fulton, one of his nutritionists. Bettmann / Getty Images

Although a lot has changed since 1974, there are still barriers to a healthy, plant-based lifestyle. As Notez points out, “inner-city communities can make it harder to become vegan” due to persistent food deserts. Meeting these challenges is a new generation of black culinary leaders who carry on Gregory’s legacy of empowerment through education. As the head chef at the Museum of the African Diaspora in San Francisco, Bryant Terry directs programs that focus on the intersection of food, poverty and activism. A celebrated chef who has published several vegan cookbooks, Terry also cites Gregory as a strong influence. In an interview with the AARP, he described Dick Gregory’s Natural Diet as “one of those groundbreaking texts that inspired me to think more about these topics and to invest in my personal health and wellbeing.”

Eating has always meant more than just health. “Food plays a very important role,” says Adrian Miller. “Eating food is something we all have in common that helps create a welcoming space where people can come together and have difficult conversations.” Dick Gregory knew that food had the power to fuel change. In his book Dick Gregory’s Political Primer, he writes: “I have personally seen in recent years how purity of diet and purity of thought are interrelated. And if Americans really care about the purity of the food that gets into their personal system when they learn to eat right, we can expect profound changes in that nation’s social and political system. The two systems are inseparable. “

Dick Gregory died in August 2017, but amateur chefs can still celebrate his legacy by preparing one of the recipes from his book. Here are two of my favorites.

Nature’s champagne is just as elegant as real champagne. Madelynne Ross for Gastro Obscura

Nature’s champagne

Adapted from Dick Gregory’s Natural Diet: Cookin ‘With Mother Nature

Makes 1 liter

3 cups of pineapple juice 1 cup of cucumber juice (see how to make cucumber juice here) 1 teaspoon agave syrup (simple syrup can be substituted here) 1 teaspoon of orange juice Ginger ale

Put the juices and syrup in a shaker with ice cubes. Shake the mixture, then strain the liquid into a glass over crushed or pelleted ice. Stock up on ginger beer for a tangy alternative to champagne or alcoholic beverages.

Gregory’s recipe “Always in the Soup” is refreshing and hearty. Madelynne Ross for Gastro Obscura

Dick Gregory is always in the soup of the Health Power Uplift

Adapted from Dick Gregory’s Natural Diet: Cookin ‘With Mother Nature

2 medium-sized tomatoes, sliced 1 cucumber, sliced 1 medium-sized pumpkin, diced (e.g. kabocha, honey nut, butternut), without seeds 1 bunch of kale (spinach can be substituted) 1 bell pepper, diced (yellow or orange) 1 avocado, sliced 1 small onion, diced 2 cloves of garlic (you can cut whole or thinly) 1-2 cups of filtered water (add one and then see how watery your soup is after mixing) 2 tablespoons of honey

Mix the ingredients thoroughly in a blender or food processor. It can be served cold or warm.

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The post The Legacy of a Civil Rights Icon’s Vegetarian Cookbook first appeared on Health be Told.

source https://healthbetold.com/the-legacy-of-a-civil-rights-icons-vegetarian-cookbook/

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weekendwarriorblog · 3 years

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The Weekend Warrior 3/19/21: SXSW, Zack Snyder’s Justice League,The Courier, City of Lies, Happily and More!

Remember a couple weeks back when I stated the plan was to bring back the Weekend Warrior as a regular weekly series again? Yeah, well if you looked for a column last week and wondered what happened, I just didn’t have time to write one. And I also just haven’t been able to get back on the ball in terms of writing reviews. It just takes a lot of time to watch all the movies let alone review them the way I did last year. I honestly have no idea how I did it last year, but things have been busier than ever at Below the Line, which does throw a bit of a spanner into any extracurricular plans.

The big event this week is the annual SXSW Film Festival, which I’ll be taking part in virtually, and somewhat tangentially, watching as much as I can while still doing other things. It’s been a while since I’ve attended SXSW in person, but it tends to have great docs, especially music docs. In fact, this year’s Opening Night Film is the documentary, Demi Lovato: Dancing with the Devil, about Demi Lovato’s drug overdose from 2018 and its aftermath. Other music docs of interest include Poly Styrene: I Am A Cliché, about the late frontwoman from early punk band X-Ray Spex through the eyes of her daughter; Mary Wharton’s doc Tom Petty, Somewhere You Feel Free made from archival footage of the late singer making his 1994 record “Wildflowers”; Alone Together about Charlie XCX’s pandemic record; Under the Volcano about George Martin’s AIR Studios Montserrat; and it gives another chance to see Edgar Wright’s excellent, The Sparks Brothers, which was picked up by Focus Features after Sundance. There’s also an amazing doc about Selma Blair’s fight with MS, Introducing, Selma Blair, which is equal parts heartbreaking and inspirational.

SXSW also has pretty solid Midnighters, and there’s a number of those I’m also looking forward to, including Travis Stevens’ Jakob’s Wife, starring horror legends Larry Fassenden and Barbara Crampton, who were so great in my buddy Ted Geoghegan’s We Are Still Here. (No coincidence since Stevens produced that movie.) And I hope to watch a few others like Lee Haven Jones’ The Feast, Jacob Gentry’s Broadcast Signal Intrusion, and Alex Noyer’s Sound of Violence. We’ll see how much I get to see this week, cause it’s a lot of movies over only a couple days, basically from Tuesday through Saturday.

Closer to home at the Metrograph, the still-closed movie theater is doing a virtual series called “Bill Murray X6” which has already shown Lost in Translation and What about Bob? With Rushmore screening until Thursday, and then The Life Aquatic with Steve Zissou available through Friday. Become a digital member for just $5 a month! This past weekend I saw a really amazing 7-part doc series called Untitled Pizza Movie by David Shapiro. In fact, I stayed up late on Sunday to watch the whole thing since it was leaving the digital screeners, but it’s a very entertaining, intriguing and personal story about the director, his friend and partner in crime Leeds, who he went around to different NYC pizza shops in the ‘90s trying to find the perfect slice, and then they come across pizzaman Andrew Belluci at the world-famous Lombardi’s in Soho. The project that took over 20 years to make follows what happened to the three men, but mainly Leeds and Belluci as they have ups and downs that ultimately leads to Belluci starting his own pizza joint in Queens. Everything that happens in between is quite fascinating.

I saw a couple other movies this past weekend including Robin Wright’s Land, which I quite enjoyed, and the rom-com Long Weekend, which came out last Friday but I totally missed. Land is a pretty amazing directorial debut that’s mostly a one-woman show with her character alone in the wilderness until she runs into trouble and meets Demian Bichir’s kindly Samaritan and they become friends. Directed by Stephen Basilone, Long Weekend stars Finn Wittrock and Zoe Chao in what starts as a meet cute rom-com and turns into something much deeper with a couple sci-fi-tinged twists, a bit like Palm Springs, but much more grounded. I loved the two leads and how Basilone made a romantic comedy that actually was romantic and very funny, as well. Both movies I recommend.

Getting into some of the streamer offerings this week, ZACK SNYDER’s JUSTICE LEAGUE will hit HBO Max on Thursday, so we can finally see whether or not that extra money and work paid off. I’ll be reviewing this over at Below the Line, so won’t spend too much time here. I figure that anyone who has been waiting for this will watch it, as will anyone who has been curious about it. As you can read from my review, I was quite impressed by the film as an achievement in finishing what is clearly a far superior film to the 2017 theatrical release. Some of the highlights include great stuff between Ray Fisher’s Cyborg and his father, a far more fun introduction to The Flash that was cut from the 2017 release and just some insanely crazy good action. I can’t wait to watch the movie again.

Kicking off on Friday is the anticipated Marvel Studios series, THE FALCON AND THE WINTER SOLDIER (Disney), bringing back the title characters played by Anthony Mackie and Sebastian Stan, who were introduced in one of the MCU’s better movies, Captain America: The Winter Soldier. I was sent the first episode and unfortunately, there’s an embargo until Thursday afternoon, but I do think that MCU fans are gonna be thrilled with the first episode, especially with the Falcon’s opening action sequence, which is like something right out of the movies.

Okay, fine, so let’s get to some new movies and some real reviews…

Probably the movie with the widest release this weekend will be THE COURIER (Lionsgate/Roadside Attractions), starring Benedict Cumberbatch, which I’m guessing will be in 1,000 or so theaters. The movie premiered at Sundance way back in 2020 under the significantly worse title of “Ironbark” with plans to release it later in the year, but then COVID happened. I’m not sure if Roadside Attractions planned for this to be an awards movie, but after a few delays, releasing it in mid-March just days after the Oscar nominations, I’m guessing probably not?

Directed by Dominic Cooke (On Chesil Beach) from a screenplay by Tom O’Connor (The Hitman’s Bodyguard… wait, WHAT?), this Cold War spy thriller set in the early ‘60s stars Cumberbatch as Greville Wynne, a British businessman who is coerced by agents from MI6 and the CIA (repped by Rachel Brosnahan) to smuggle Russian secrets from military man Oleg Penkovsky (Merab Ninidze). Greville’s trips to Moscow start getting more and more dangerous under the shadow of the Cuban Missile Crisis, and his wife (the always great Jessie Buckley) wants him to stop taking the trips. It all leads up to a pretty exciting second act as the KGB starts to figure out what Greville and Oleg have been up to and work to put a stop to it.

I have to admit that as much as I enjoy a good spy-thriller, a lot of this reminded me of Cumberbatch’s earlier film Tinker Tailor Soldier Spy – yes, the John Le Caree adaptation, which I was never a particularly big fan of. This has similarities in that it starts out fairly slow, making me think this might be one of those well-made, well-acted movies that are just plain boring cause the subject doesn’t interest me. I’m sure when this was greenlit, there was probably more relevance to the situation between the U.S. and Russia, although this is obviously a British production and maybe something better to watch on the Beeb than in a movie theater.

In general, the stuff with the two men and their families tends to be the best part of the movie. I wasn’t familiar with Merab Ninidze beforehand, but he’s a really good actor who holds his own in scenes with Cumberbatch. Although Cumberbatch’s performance is significantly better here than in The Mauritanian, that’s definitely a better movie, so even in the last act which sees Wynne in a Russian jail, it just doesn’t compare. This is the second film with Rachel Brosnahan in which she didn’t really impress me much after hearing how great she is on Mrs. Maisel. Even so, the movie did make me want to go back and rewatch the beginning again to see if maybe I wasn’t as focused on it, as it should be.

As far as box office, I don’t have much hope for this making more than $2 or 3 million this weekend, since it seems more like a prestige platform release that would have to build audiences from rave reviews or positive word-of-mouth. Coming out so long after its festival debut (kinda like that Thomas Edison movie a few years back) may have helped people forget about the midling festival reviews. Even so, this movie just doesn’t have much buzz or interest from #FilmTwitter who has had its tongue so far up the superhero movie ass this week between Zack Snyder’s Justice League and Marvel’s The Falcon and the Winter Soldier to pay much attention to this. (Hey, facts is facts!)

Johnny Depp and Forrest Whitaker star in Brad Furman’s crime-thriller CITY OF LIES (Saban Films), which is about the real-life search for the killer of the Notorious B.I.G. aka Biggie Smalls with Depp playing Detective Russell Poole, who ended up on the case in 1997, and Whitaker playing reporter Jack Jackson, doing a story on Smalls for the 20thanniversary of the unsolved murder.

Based on the book “Labyrinth” (the movie’s original title), it’s a story that takes place in two time periods, Los Angeles in the ‘90s after the Rodney King beating and L.A. riots and how it’s made the criminal element that surrounds rap mogul Suge Night. It begins with Poole investigating the death of a black police officer named Gaines, shot by a white police officer (Shea Whigham) in what is seemingly a road rage incident. As Poole investigates, he learns about police corruption in the force including a number of officers tied directly to Knight.

As Jackson interviews Poole to try and find out who killed Biggie, we flashback to Poole’s investigation and interaction with some of those corrupt cops and being put into extremely dangerous situations. The movie isn’t bad, especially the scenes between Whitaker and Depp, who gives a far more grounded performance than we’ve seen from him in recent years. Even so, the performance that really impressed me was Toby Huss as Poole’s superior, who just brings something new to the tough head detective role we haven’t really seen.

Regardless of what you think of Depp’s activities off-camera, this is a fairly solid crime thriller (as was Scott Cooper’s Black Mass), and though you never actually get to see Biggie, Tupac or Suge Night, it’s an interesting examination into a period in L.A. that seems so long ago but still rings true to what’s been going on in the last year.

BenDavid Grabinski’s HAPPILY (Saban/Paramount) is a dark comedy-thriller starring Joel McHale and Kerry Bishé as Tom and Janet, a happily married couple who annoy their friends by still having sex on the regular whenever they possibly can. In fact, their friends decide to uninvite Tom and Janet to their planned couples’ weekend because they’re so annoyed by them. One day, a mysterious man (played by Stephen Root) shows up at Tom and Janet’s house, one thing leads to another and they kill and bury him. Thinking that the man’s visit might be part of a friend’s prank, they go to the planned couples’ trip, trying to figure out if the prankster has gotten suspicious about what they’ve done.

For the sake of transparency, I met Grabinski at my very first Sundance ever as he was friends with some of my colleagues, but I never spent a ton of time talking to him. This film impressed me, since it’s a prtty strong debut from him, one that benefits greatly from a strong cast that includes Paul Scheer, Breckin Meyer (who I didn’t even recognize!), Charlyne Yi, Natalie Morales and more, making for a really solid ensemble dark comedy that reminded me of the tone of last year’s The Hunt or Ike Barinholtz’s The Oath or a great lesser-seen movie from last year, Robert Schwartzman’s The Argument. Dark comedy isn’t for everyone, and this is definitely a little mean-spirited at times, but more importantly, it’s very funny and tends to get crazier and crazier as it goes along.

More importantly, I loved Grabinski’s musical choices from Devo’s “Working in a Coal Mine” to not one but two OMD songs, and great use of Public Image Limited as well. The way Grabinski puts this together comes across like a hipper and fresher Hitchcock, and while it might not be for everyone, I could totally see this killing at a genre fest like Fantastic Fest or even this week’s SXSW. It’s clever and original and rather intriguing how Grabinski puts all the various pieces together.

Hitting Shudder on Thursday is Elza Kephart’s horror-comedy SLAXX (Shudder) about a possessed pair of jeans brought to life to punish the practices of a trendy clothing company, which it does by terrorizing the staff locked in overnight. Didn’t get to watch this before getting bogged down in SXSW but definitely looking forward to it.

Another horror film coming out this week is the horror anthology PHOBIAS (Vertical), exec. produced by the filmmaking team “Radio Silence” (Ready or Not) with segments directed by Camilla Belle, Maritte Lee Go, Joe Sill, Jess Varley and Chris von Hoffman. The stories follow five dangerous patients suffering from extreme phobias at a government facility with a crazed doctor trying to weaponize their fears.

Jeremy Piven stars in Paolo Pilladi’s LAST CALL (IFC Films) playing real estate developer Mick, who returns to his old Philly neighborhood and must decide whether to resurrect his family bar or raze it. I actually watched a few minutes of this, but apparently, IFC Films isn’t allowing reviews, so I have nothing more to say about the movie beyond the fact that it’s coming out on Friday.

Opening at the newly reopened Film Forum – currently doing a hybrid of in-person and virtual cinema – is Chris McKim’s doc WOJNAROWICZ: F**K YOU F*GGOT F**KER (Kino Lorber), premiering virtually on Friday. It’s about David Wojnarowicz, one of the loudest voices in the ACT-Up movement during the ‘80s who died of AIDS himself in 1992. (Correction: Film Forum actually isn’t reopening until April 2.)

A few other things this week include Aengus James’ doc AFTER THE DEATH OF ALBERT LIMA hitting Crackle about Paul Lima, a son obsessed with capturing his father’s murderer who has remained at large in Honduras due to a failed legal system. Because of this, Paul travels to the Honduras with two bounty hunters to find and capture the killer.

Lastly, streaming on Topic Thursday, there’s Parliament, directed by Elilie Noblet and Jeremie Sein, about a young man named Samy who arrives in Brussels after the Brexit vote trying to get a job into the European Parliament without really knowing how it works.

That’s all for this week. It might be a while before I can get The Weekend Warrior back into some sort of fighting weekly shape, but I’m doing the best I can right now, so let me know if you’re reading any of this.

#TheWeekendWarrior #TheCourier #Movies #Reviews #BoxOffice #ZackSnyderJusticeLeague #Happily #CityOfLies

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afterwecollidedceofilm2020-blog · 4 years

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